• <b><center>Sotheby’s<br> The Library of Henry Rogers<br>Broughton, 2nd Baron Fairhaven<br>Part I<br>18 May 2022</b>
    <b>Sotheby’s, May 18:</b> John James Audubon and James Bachman. <i>The Viviparous Quadrupeds of North America.</i> New York: J.J. Audubon, 1845-1848. £150,000 to £250,000.
    <b>Sotheby’s, May 18:</b> Thomas and William Daniell. <i>Oriental Scenery,</i> London, 1795-1807 [but 1841], 6 parts in 3 volumes, folio. £150,000 to £200,000.
    <b>Sotheby’s, May 18:</b> Mark Catesby. <i>The natural history of Carolina, Florida and the Bahama Islands...</i> London, 1731-1743, 2 volumes. £100,000 to £150,000.
    <b>Sotheby’s, May 18:</b> Gould and Lear. <i>A monograph of the Ramphastidae,</i> 1854; <i>Illustrations of the family of Psittacidae,</i> 1832. £60,000 to £90,000.
  • <center><b>Swann Auction Galleries<br>Graphic Design<br>May 19, 2022</b>
    <b>Swann May 19:</b> Adolphe Mouron Cassandre, <i>Triplex,</i> pencil maquette, 1930. $25,000 to $35,000.
    <b>Swann May 19:</b> Claude Fayette Brandon, <i>The Chap Book,</i> circa 1895. $3,000 to $4,000.
    <b>Swann May 19:</b> Various Artists, a complete set of <i>Das Plakat,</i> set of 10 hardcover volumes, 1912-21. $25,000 to $35,000.
    <b>Swann May 19:</b> Javier Gómez Acebo & Máximo Viejo Santamarta, <i>San Sebastian / XI Circuitto Automovilista,</i> 1935. $10,000 to $15,000.
    <b>Swann May 19:</b> Ephraim Moses Lilien, <i>Berliner Tageblatt,</i> circa 1899. $12,000 to $18,000.
  • <b><center>Forum Auctions<br>Fine Books, Manuscripts and Works on Paper<br>26th May 2022</b>
    <b>Forum, May 26:</b> Birds.- Gould (John). <i>The Birds of Great Britain,</i> 5 vol., first edition, [1862-]1873. £40,000 to £60,000.
    <b>Forum, May 26:</b> Canadiana.- Cockburn (Maj. Gen. James Pattison, 1779-1847), After. [Six Landscape of Quebec City and Six Views of Niagara Falls], 2 suites in 1 vol., comprising 12 aquatints, 1833. £30,000 to £40,000.
    <b>Forum, May 26:</b> Joyce (James). <i>Ulysses,</i> number 218 of 150 copies on verge d'arches, Paris, Shakespeare & Company, 1922. £15,000 to £20,000.
    <b><center>Forum Auctions<br>Fine Books, Manuscripts and Works on Paper<br>26th May 2022</b>
    <b>Forum, May 26:</b> Rowling (J.K.) <i>Harry Potter and the Philosopher's Stone,</i> first paperback edition, signed by the author, 1997. £15,000 to £20,000.
    <b>Forum, May 26:</b> Du Maurier (Daphne). <i>Rebecca,</i> first edition, signed presentation inscription from the author to her governess, 1938. £12,000 to £18,000.
    <b>Forum, May 26:</b> Magna Carta.- An exact copy of King John's Great Charter of 1215, transcribed from the fire damaged but legible manuscript in the Cottonian Library, British Library, J. Pine, 1733. £10,000 to £15,000.
    <b><center>Forum Auctions<br>Fine Books, Manuscripts and Works on Paper<br>26th May 2022</b>
    <b>Forum, May 26:</b> Woolf (Virginia). <i>Mrs Dalloway,</i> first edition, Hogarth Press, 1925. £10,000 to £15,000.
    <b>Forum, May 26:</b> Tudor exiles opposed to the Marian regime.- Mary I (Queen of England) Letter signed "Marye the Quene" to Lord Paget, signed at head, titled at head "By the King and Quene", 1556. £8,000 to £10,000.
    <b>Forum, May 26:</b> America.- Newfoundland.- Whitbourne (Sir Richard). <i>A discourse and discouery of Nevv-found-land…,</i> second edition, By Felix Kingston, 1622. £6,000 to £8,000.
    <b><center>Forum Auctions<br>Fine Books, Manuscripts and Works on Paper<br>26th May 2022</b>
    <b>Forum, May 26:</b> Cervantès Saavedra (Miguel de). <i>El Ingenioso Hidalgo Do Quixote de la Mancha,</i> 4 vol., Madrid, Por Don Joaquin Ibarra, 1780. £5,000 to £7,000.
    <b>Forum, May 26:</b> Stubbs (George). <i>The Anatomy of the Horse,</i> first edition, first issue, Printed by J. Purser, for the Author, 1766. £6,000 to £8,000.
    <b>Forum, May 26:</b> Cardiology.- Lower (Richard). <i>Tractatus de Corde item De Motu & Colore Sanguinus et Chyli in cum Transitu,</i> first edition, 1669. £5,000 to £7,000.
  • <b><center>Gonnelli Auction House<br>Old master, modern and contemporary art<br>Maps & Orientalia<br>8th-9th-10th of June 2022
    <b>Gonnelli Auction House:</b> Giuseppe Aloja, Veduta di Napoli dalla parte di Chiaia. Starting price: € 1650
    <b>Gonnelli Auction House:</b> Abraham Ortelius, Mappa dell'Atlantico del Nord. Starting price: € 280
    <b>Gonnelli Auction House:</b> Max Klinger, Für alle. 1884. Starting price: € 360
    <b>Gonnelli Auction House:</b> Katsushita Taito II, Kacho gaden. Starting price: € 320
    <b>Gonnelli Auction House:</b> Blub, Galileo Galilei. Starting price: € 100

Rare Book Monthly

Articles - October - 2003 Issue

Book Lust and the Cultural Erotics of Fine Printing

Mb6

"The Reader of Novels," painted by Belgian artist Antonie Wiertz, 1853


And by attributing to books an exaggerated femininity, bibliophiles not only safeguarded but inflated their own manliness. This was important. Beneath the postures of conventional Victorian heterosexuality often lay more complicated and ambiguous impulses. Even at the end of the century homosexuality was a legally and socially unacceptable “perversion,” as Oscar Wilde’s famous downfall demonstrated. Therefore it would be naïve to take the emphatically heterosexual tone of book love simply at face value. By rendering books’ bodies “feminine” while preserving the “masculine” nature of their content, many bibliophiles were able to channel desire for other men into conventionally safe, stereotypically heterosexual terms.

The fine book emerged at precisely this time. The fine editions that savvy authors, artists, printers, and publishers produced were often subtly eroticized as feminine objects intended for the elite community of male book collectors. Most shrewdly representative are the books published by the Bodley Head, an innovative London publishing firm founded in the early 90s, which quickly became notorious for publishing the era’s leading aesthetic and decadent writers, including Oscar Wilde. Bodley Head books were no less famous for their material forms. They are invariably described in feminized terms: slender, charming, lovely, sumptuous. Issued in editions often expressly limited, many Bodley Head books were printed on rag and sometimes handmade papers, complete with watermarks and deckle edges denoting preindustrial “fine” bookmaking. They could hardly have been more unlike the century’s standard fiction format, the stout and sturdy three-decker novel. Late-century fine books like those from the Bodley Head offered private, intense moments of exquisite aesthetic experience with an overtly sensual appeal.

The erotic undercurrents of that experience began with the bindings. A leather binding was naturally likened to a book’s skin. Ornamental tooling patterns took on exotic meanings when described as “tattoos,” echoing the erotic intrigue late in the century for the pierced, tattooed bodies of Eastern, Indian, and African women. These decorated books corresponded to the era’s literary vogue for novels set in ancient or fantastical civilizations and featuring a powerful and seductive pagan woman. Flaubert’s novel Salammbô, Wilde’s play Salome, Pierre Louÿs’s pseudo-Greek tales of Aphrodite, and similar works incited a spate of ornate, even opulent, illustrated editions through the early decades of the twentieth century.

Varying colors, textures and grades of leather suggested exotic, sensual themes. One bibliophile relished the prospect of “re-forming his harem”—selling books he had tired of and buying others. “Good-bye, ladies!” he sang. “Spanish girls will take the place of Circassians, [and] negresses of the Congo will replace the fair English.” Here various leathers translate into an imperialist collection of exotic mistresses. The erotic allure of these racially and culturally Other women is graphically clear in a bookplate of the era that depicts four women—a European, an African, an Asian, and a Middle Eastern—dancing around a huge phallus on a pedestal. Each corresponds with a luxurious element of fine bookmaking: English, Niger, and morocco leathers, as well as Japan Vellum, a prized kind of handmade paper.

For Wilde and other Bodley Head authors, however, nudity per se was less interesting than layers of beguiling ornament. Several Bodley Head editions were dressed in ornately decorative bindings, vividly colored cloths stamped in gold. Aubrey Beardsley’s original binding design for the 1894 Bodley Head edition of Wilde’s Salome, for example, featured this lush pattern of undulating, sinewy flowerlike peacock feathers to be stamped in rich gilt.

Rare Book Monthly

  • <center><b>Ketterer Rare Books<br>Auction on May 30</b>
    <b>Ketterer Rare Books, May 30:</b><br>Initial A on vellum, Cologne around 1300. Est: €25,000
    <b>Ketterer Rare Books, May 30:</b><br>J. Androuet du Cerceau, <i> Bastiments de France,</i> 1607. Est: €12,000
    <b>Ketterer Rare Books, May 30:</b><br>E. Cerillo, <i>Dipinti murali di Pompei,</i> 1886. Est: €2,500
    <center><b>Ketterer Rare Books<br>Auction on May 30</b>
    <b>Ketterer Rare Books, May 30:</b><br>L. de Austria, <i>Compilatio de astrorum scientia,</i> 1489. Est: €9,000
    <b>Ketterer Rare Books, May 30:</b><br>B. Besler, <i>Hortus Eystettensis,</i> around 1750. Est: €50,000
    <b>Ketterer Rare Books, May 30:</b><br><i>PAN,</i> 1895-1900. Est: €15,000
    <center><b>Ketterer Rare Books<br>Auction on May 30</b>
    <b>Ketterer Rare Books, May 30:</b><br>F. Colonna, <i>Hypnerotomachia Poliphili,</i> 1545. Est: €40,000
    <b>Ketterer Rare Books, May 30:</b><br>F. Schiller, <i>Die Räuber,</i> 1781. Est: €12,000
    <b>Ketterer Rare Books, May 30:</b><br>J. Albers, <i>Formulation : Articulation,</i> 1972. Est: €18,000
    <center><b>Ketterer Rare Books<br>Auction on May 30</b>
    <b>Ketterer Rare Books, May 30:</b><br>G. B. Ramusio, <i>Delle navigationi e viaggi,</i> 1556-1613. Est: €14,000
    <b>Ketterer Rare Books, May 30:</b><br>M. Wied Neuwied, <i>Reise in das Innere Nord-America,</i> 1839-41. Est: €12,000
    <b>Ketterer Rare Books, May 30:</b><br>E. Paolozzi, <i>Bunk,</i> 1972. Est: €25,000

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