Rare Book Monthly

Articles - May - 2011 Issue

Hard to Fool the Fingers - Paper & Printing through the Ages

Untrimmed deckle edges on a stack of rag paper are uneven, wavy.

Untrimmed deckle edges on a stack of rag paper are uneven, wavy.

A beginner's zip tour from rag to pulp, from wood block to digital file

 

 

A basic knowledge of European and American paper and printing is useful for booksellers, collectors and those in related fields. It’s helpful to know what they look like and more importantly, what they feel like.

 

There are many detailed books on this subject, but this brief article may help you get the feel for their historical sequence and a few of their distinguishing characteristics. That in turn could help you accurately date value things you may own or find. Remember, these comments apply mainly to the Western graphic arts and typography. They are not necessarily true for things of Asian or other origin.

 

Before we consider the question: How was it printed? Let’s ask: What was it printed on?

 

Paper

Before there was paper there were animal skins such as vellum, vegetable fiber surfaces like papyrus. Ancient peoples marked clay tablets and stone tablets. But, for our purpose, let’s stick to roughly the last 300 or so years. During that period there were basically two kinds of paper in common use: Western paper making starts with mainly rag based papers made a sheet at a time and transitions in the mid-19th century to mostly machine made wood pulp papers.

 

Rag-Based Paper

Rag-based papers, as the name implies, are made from the pulp that comes from cloth. They are strong and flexible and long lasting. They were the prevailing papers from the birth of Western papermaking to about the 1850s when wood pulp paper manufacturing was introduced.

 

It’s not hard to identify a rag paper, it often has a watermark or chain line (hold it up to the light to check) and does not chip or discolor easily, though sometimes it does have spots of foxing. In a text weight antique paper it has a strong and flexible feeling. It may have a deckle, an uneven wavy untrimmed edge.

 

Even today rag-based papers are still made and used for fine products like limited edition books, as the surface for artwork like watercolors, or to protect and conserve works of art and other delicate or fragile things.

 

If it’s printed on rag-paper it generally indicates something made before 1850s, or made later and with an attempt to simulate the tradition and style of earlier periods. When it comes to setting value (no matter what the date) a rag paper is a good sign. It usually means expensive, long lasting, good quality, hand made.

Rare Book Monthly

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    Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
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    Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
    Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
    Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
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    December 9, 2025
    Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
    Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
    Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
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    Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
    Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
    Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.
  • Sotheby’s
    Book Week
    December 9-17, 2025
    Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
    Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
    Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
    Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
    Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
    Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.
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