Rare Book Hub is heavy on old books and paper so it’s reasonable to spend an hour and a half watching a movie on the subject: The Booksellers directed by D. W. Young. It was released in September 2019, just a nano second ago in the world of old books. Nope, I hadn’t been aware but thoroughly enjoyed it recently.
It’s 98 minutes of absorbing dialogue making the case that dealers are the gatekeepers to the great books. So it has been for 3 centuries.
Dealers and librarians have long deserved praise for their efforts to organize and structure the rare book field. Joseph Sabin was both a dealer and an auctioneer in the second half of the 19th century, when he began his Bibliotheca Americana in 1867 [to be completed posthumously in 1936]. Charles Evans as a librarian created his American Bibliography, adding intellectual structure to the world of collectible books during his 31 year project that completed in 1934. In the 1950’s Wright Howes, a specialist dealer, introduced Usiana to help the interested to understand and identify early non-fiction Americana. In his era his book was a boon to understand the relationship between issue, rarity and value. Such tools have always been essential and widely appreciated. To dealers and librarians, we owe a profound debt.
With the advent of the internet a different kind of resource emerged; the listing sites that the knowledgeable could initially apply their understanding to look for rarities being offered at low prices. For this reason during the early years the internet was the skilled dealer’s friend although, since 2001 the garter snake turned into a python as Abebooks alone now lists more than 170 million items. Scale turned the selling sites into a new kind of reference.
Into the transformational year 2019 The Booksellers, filmed between 2015-18, was introduced and spoken of as if the traditional dealer dominated game was continuing, just as Covid-19 was rewriting the script creating a sense of nostalgia for the bookselling world we have long appreciated. In the juxta-position of the emerging world and the world on view in the film we could see that world was already slipping away.
Catalogues and book fairs are now being reconsidered.
Realizing the high expense and limited reach of paper catalogues, dealers are now issuing electronic catalogues. They can now reach everyone everywhere, rather than just a handful of people on their mailing list, and they can update and add to their catalogues in real time. With Covid-19, they opened up virtual fairs, and while with the winding down of Covid-19 live fairs are returning, the virtual fair, with all its advantages in terms of reach and updating, and access any time of the day for any number of days, and lower costs for both dealers and buyers, has become a permanent part of the landscape. And while auctions have eaten into the market, dealers are increasingly responding with an if you can't beat them join them answer by starting their own auctions.
So to me this film, wonderfully done, feels out-of-date but can I also say “not-to-be-missed.”
I look forward to the next film that will reflect the many changes that are transforming the field: the first being the surge of both new auction houses and more sales being offered by the established houses; the reliance on auction history as guides to rarity and value; and the intensification of collecting scope based both on what’s possible over variable time frames. Dealers’ advantage was knowledge and these days information is much more widely shared. But, as the builder of the largest database of auction and bibliographical history, I want to acknowledge that what separates the facts and the great copies is the wisdom great dealers possess.
When you sit down to see the film appreciate that America’s great Americanist, Bill Reese, made his last appearance, in this film. He was, for more than 20 years, the captain that steered, by suggestion and example, how the principal dealers should be adjusting.
It is our tough luck that he passed away 2 years ago. And our tougher luck that this recent film is feeling dated so quickly.
To see this movie on your phone, iPad and computer you have many opinions.. To pursue them search for “The Booksellers”:
For free if you are an Amazon Prime member
On Vudu for free
On YouTube from $3.99
Here is the story in the New York Times that woke me from my slumber
Forum Auctions Online: India Ends 19th February 2026
Forum, Feb. 19: Lot 40 Ramasvami (Kavali Venkata). A Digest of the Different Castes of India, 83 charming hand-coloured lithographed plates, Madras, 1837. £5,000-7,000
Forum, Feb. 19: Lot 50 Watson (John Forbes) & John William Kaye. The People of India: A Series of Photographic Illustrations...of the Races and Tribes of Hindustan, 8 vol., 480 mounted albumen prints, 1868-75. £4,000-6,000
Forum, Feb. 19: Lot 53 Afghanistan.- Elphinstone (Hon. Mountstuart). An Account of the Kingdom of Caubul, first edition, hand-coloured aquatint plates, a fine copy, 1815. £2,000-3,000
Forum, Feb. 19: Lot 57 [Album and Treatise on Hinduism], manuscript treatise on Hinduism in French, 31 watercolours of Hindu deities, Pondicherry, 1865. £3,000-4,000
Forum, Feb. 19: Lot 62 Allan (Capt. Alexander). Views in the Mysore Country,
[1794]. £2,000-3,000
Forum Auctions Online: India Ends 19th February 2026
Forum, Feb. 19: Lot 76 Bird (James). Historical Researches on the Origin and Principles of the Bauddha and Jaina Religions..., first edition, lithographed plates, Bombay, American Mission Press, 1847. £3,000-4,000
Forum, Feb. 19: Lot 100 Ceylon.- Daniell (Samuel). A Picturesque Illustration of the scenery, animals, and native inhabitants, of the Island of Ceylon: in twelve plates, 1808. £5,000-7,000
Forum, Feb. 19: Lot 123 D'Oyly (Charles). Behar Amateur Lithographic Scrap Book, lithographed throughout with title and 55 plates mounted on 43 paper leaves, [Patna], [1828]. £3,000-5,000
Forum, Feb. 19: Lot 139 Gandhi (known as Mahatma Gandhi,) Fine Autograph Letter signed to Jawaharlal Nehru, Sevagram, Wardha, 1942, emphasising the importance of education in rural communities. £10,000-15,000
Forum Auctions Online: India Ends 19th February 2026
Forum, Feb. 19: Lot 140 Gantz (John). Indian Microcosm, first edition, Madras, John Gantz & Son, 1827. £10,000-15,000
Forum, Feb. 19: Lot 146 Grierson (Sir George Abraham). Linguistic Survey of India, 11 vol. in 20, folding maps, original cloth, Calcutta, Superintendent Government Printing, 1903-28. £2,000-3,000
Forum, Feb. 19: Lot 195 Madras.- Fort St. George Gazette (The), No.276-331, pp.493-936 and Index to all of 1834 at end, modern half calf, Madras, 2nd July - 31st December 1834. £2,000-3,000
Forum, Feb. 19: Lot 205 Marshall (Sir John) and Alfred Foucher. The Monuments of Sanchi, 3 vol., first edition, 141 plates, most photogravure, [Calcutta], [1940]. £3,000-4,000
Il Ponte, Feb. 25-26: HAMILTON, Sir William (1730-1803) - Campi Phlegraei. Napoli: [Pietro Fabris], 1776, 1779. € 30.000 - 50.000
Il Ponte, Feb. 25-26: [MORTIER] - BLAEU, Joannes (1596-1673) - Het Nieuw Stede Boek van Italie. Amsterdam: Pieter Mortier, 1704-1705. € 15.000 - 25.000
Il Ponte, Feb. 25-26: TULLIO D'ALBISOLA (1899-1971) - Bruno MUNARI (1907-1998) - L'Anguria lirica (lungo poema passionale). Roma e Savona: Edizioni Futuriste di Poesia, senza data [ma 1933?]. € 20.000 - 30.000
Il Ponte, Feb. 25-26: IL MANOSCRITTO RITROVATO DI IPPOLITA MARIA SFORZA. TITO LIVIO - Ab Urbe Condita. Prima Decade. Manoscritto miniato su pergamena, metà XV secolo. € 280.000 - 350.000
Sotheby's Fine Books & Manuscripts Available for Immediate Purchase
Sotheby’s: Balthus, Emily Brontë. Wuthering Heights, New York: The Limited Editions Club, 1993. 6,600 USD.
Sotheby’s: Charles Dickens. Complete Works, Philadelphia & London: J.B. Lippincott Company & Chapman & Hall, LD, 1850. Limited Edition set of 30 volumes. 7,500 USD.
Sotheby’s: John Lennon, Yoko Ono. Handwritten Letter from John Lennon and Yoko Ono to their Chauffer. 1971. 32,500 USD.
Sotheby’s: Winston Churchill. First edition of War Speeches, Cassell and Company, Ltd., 1941. Set of 7 volumes. 5,500 USD.
Sotheby’s: Andy Warhol, Julia Warhola. Holy Cats First Edition, Signed by Andy Warhol. 1954. 30,000 USD.