Rare Book Monthly

Articles - February - 2020 Issue

Sad Day for the Book Trade: Commentary on Carnegie Library Thefts

Gregory Priore, 63, (left) archivist at the Carnegie Library and John Schulman, 56, (right) of Caliban Bookshop (Allegheny County photo).

Gregory Priore, 63, (left) archivist at the Carnegie Library and John Schulman, 56, (right) of Caliban Bookshop (Allegheny County photo).

By now the whole book world has heard that rare book librarian Gregory Priore, 63, who was the archivist and manager of Pittsburgh’s Carnegie Library William R. Oliver Special Collections Room from 1992 until April 2017 and an equally well known Pittsburgh dealer in fine books, John Schulman, 56, co-owner of the Caliban Bookshop, have both pleaded guilty to thefts from the library that could run into the millions. The pillaging of the collection was said to have run for years and was part of an ongoing scheme by the two men to personally profit from their clandestine actions. This truly is a sad day for the book trade and one that makes us question our basic assumptions and practices.

 

Who among us has handled rare and valuable material and has not been tempted to steal?

 

In my own career I worked at the Rare Books Department of the University of California Library at Berkeley in the 1960s. I had the keys to the stacks which also included the Bancroft Library. I was a youngster and my entire job was to see that nobody brought a pen into the room, to watch the readers to make sure they did not steal or write in the books and to return the material after use.

 

I watched the patrons; but, there was nobody watching me.

 

In those days there were no security cameras, there were very few other people with access to the stacks and the collection was brilliant. It would have been easy to pilfer. Yet, it never crossed my mind to lift a volume here or there.

 

Likewise as a college student I was a research assistant at the Archives of American Art, then located in the Detroit Institute of Art. Even in my low level intern type position I could wander at will around the private areas of the museum which housed the archives and holdings of the museum not on display. It was a veritable treasure house, and temptations lurked around every corner. I did not take, and nobody I knew even considered taking (although must admit when I first saw their Joseph Cornell assemblage collection it did cross my mind - they had so many and treated them so casually, would they even miss one?). Instead, I visited the Cornell cache almost daily, privately admiring the work which was housed higgledy-piggledy on shelves without any security.

 

And a few years later, as a young military wife during the Vietnam era, I became a curator at the Heron Museum of Art in Indianapolis. During my time at the museum, a member of the renowned Lilly family gifted their mansion, their artwork, books and decorative arts to our museum.

 

The walls were covered with Fragonards, the drawers were filled with Goya prints, the closets were jammed with Lalique and Spode, endless antique silver tea services, the finest cut glass epergnes, punch bowls, porcelain figurines -- just a massive amount of rare, expensive beautiful stuff.

 

There was no inventory, in fact it was my job to to make the inventory. I drove daily from my little cabin where the families of enlisted men lived out on the wrong side of town, across the railroad tracks to spend my work day at one of the grandest estates in Indianapolis.

 

Many days I was the only person in that huge home going through the china, the silver, the books and prints and making the preliminary notes for accessioning. Nobody was watching; I was alone. There was more than you could possibly imagine, and no one but me knew what it was in those closets and drawers. Yet I never once thought of pocketing a candlestick or a tea cup. I loved the Goya Los Caprichos prints but not for an instant did I consider stealing a few, or partnering with an outside dealer to make some quick cash on the side.

 

So what has happened here? What makes people steal, especially people in a position of trust? Why would a rare books librarian collude with an apparently reputable dealer to ravage a prominent collection and how could it have gone on for years without anyone being any the wiser? And more importantly, what’s to be done on the security side to keep it from happening again?

 

It is interesting to note that the thefts came to light when an appraisal was ordered for insurance purposes; it was then that the list of missing items began to emerge. During the subsequent investigation it appeared that cannibalizing the collection was an inside job. Two trusted inside people who weren’t being watched just helped themselves.

 

It makes us all, all who work in positions of trust, look bad. Very bad.

 

Here’s a comment from Vic Zoschak, outgoing president of the ABAA. In an email he wrote: John Schulman (Caliban Books) has not been an ABAA member since the summer of 2018. In July of that summer, the allegations of theft were made public, and we in the ABAA were shocked and disappointed to hear of same. Shortly after they did become public, Mr. Schulman resigned his ABAA membership. As to Mr Schulman’s recent guilty plea, we only know what was reported in the Pittsburgh Gazette.

 

With all that in mind, I’ll share with you the statement I made earlier on Jan. 14th to the ABAA membership regarding the Carnegie Library thefts:

 

To the membership-

 

The Antiquarian Booksellers’ Association of America is committed to honesty and integrity. Any profession, even one with a long-standing reputation for trust and ethical behavior such as ours, can be subject to bad actors. In this instance, your Association has used this unfortunate situation as an opportunity to look inward. As a result, in conjunction with ILAB, we are now in the final stages of developing an international stolen books database that will provide law enforcement and the rare book community with an effective tool to identify, track, and recover stolen books. We will be a stronger trade as a result.”

 

While that’s good as a policy statement after a theft has occurred, it doesn’t really address the question of how to prevent theft in the first place. Where is the watch bird watching you? Do we all need a regular audit? What other security practices will keep insider fingers out of the cookie jar?

 

Many of us do have agreements with university and special collections to help them market duplicates and donations that do not contribute to their core mission. How will those transactions look in light of this disgraceful incident?

 

What about the folks who unwittingly bought stolen merchandise thinking it came from a reputable source? What will become of those transactions? This was not a one time thing, this was an ongoing scam that covered years.

 

And even more troubling, the book trade, the stuffiest, prissiest, most high nosed (.....”After you my dear Alphonse…”) occupation on the planet just took a hit to our collective reputations which we did not deserve. Worse yet, I suspect we will all be tarred with the same brush and it will take a long time to recover.

 

Bad. Very bad.

Rare Book Monthly

  • Sotheby’s
    Shelf Life: Books, Manuscripts and Works on Paper from the Library of Stanley J. Seeger and Christopher Cone
    25 June – July 7
    Sotheby’s, July 7: Ludwig van Beethoven. Autograph sketches for the overture "Die Weihe des Hauses", op.124, [1822], UNPUBLISHED. £150,000 to £200,000.
    Sotheby’s, July 7: Jane Austen. Pride and Prejudice, 1813, first edition, 3 volumes, contemporary half calf. £50,000 to £70,000.
    Sotheby’s, July 7: Walt Whitman. Leaves of Grass, Brooklyn, 1855, first edition, first issue, original green cloth, the Doheny copy. £50,000 to £70,000.
    Sotheby’s, July 7: Binding—Sangorski & Sutcliffe—Omar Khayyam. Rubaiyat, London, 1872, third edition, in a magnificent jewelled Peacock binding. £15,000 to £20,000.
    Sotheby’s, July 7: George Eliot. Middlemarch, Edinburgh and London, 1871, first edition in the original parts. £20,000 to £30,000.
  • Forum Auctions
    The Private Library:
    Fine Printing & Private Press books, the collection of the late David Chambers
    July 9, 2026
    Forum, July 9: Hassall (Joan) A large collection of over 300 original woodblocks of engravings for various books, v.d., with Hassall's engraver's glass water-globe (Qty) - Est. £10,000-15,000
    Forum, July 9: Eragny Press.- [Bradley (Katherine Harris) & Edith Emma Cooper], "Michael Field." Whym Chow, Flame of Love, one of only 27 copies, inscribed by Bradley, the rarest book from the press, 1914. - Est. £3,000-4,000
    Forum, July 9: [Moore (Thomas Sturge)] [Wood Engravings], 71 wood-engravings printed by David Chambers from the original blocks, the only set on Japanese Hosho paper, from an edition of 5 sets, [1970]. - Est. £3,000-4,000
    Forum Auctions
    The Private Library:
    Fine Printing & Private Press books, the collection of the late David Chambers
    July 9, 2026
    Forum, July 9: La Fontaine (Jean de) Contes et Nouvelles en vers, 2 vol., engraved plates after Eisen, fine early 19th century blue morocco, gilt, by Bradel l'ainé, Amsterdam [Paris], 1762. - Est. £2,000-3,000
    Forum, July 9: Erotica.- Prostitution.- Pretty Women of Paris (The); Their Names and Addresses, Qualities and Faults..., [Paris], privately printed at the Press of the Prefecture de Police, 1883. - Est. £3,000-4,000
    Forum, July 9: Vale Press.- Ricketts (Charles) & Lucien Pissarro. De la Typographie et de l'Harmonie de la Page Imprimée…, [one of 216 copies], bound in dark blue morocco tooled in gilt, by Sarah T.Prideaux, 1898. - Est. £1,000-1,500
    Forum Auctions
    The Private Library:
    Fine Printing & Private Press books, the collection of the late David Chambers
    July 9, 2026
    Forum, July 9: Martin (John) Illustrations of the Bible, complete set of 20 mezzotints, good impressions, rarely found in early states, [c.1831-1835]. - Est. £1,000-1,500
    Forum, July 9: Golden Cockerel Press.- Four Gospels of the Lord Jesus Christ (The), one of 500 copies, Mary Gill's copy, Waltham St. Lawrence, 1931 with a signed proof of engraving on japon numbered 10/10 (2) - Est. £5,000-7,000
    Forum, July 9: Boccaccio (Giovanni) The Decameron, 3 vol., vol.1 extra-illustrated by John Buckland Wright with c.150 erotic original drawings in pen & ink and pencil, 1886 [extra-illustrated c.1940]. - Est. £10,000-15,000
    Forum Auctions
    The Private Library:
    Fine Printing & Private Press books, the collection of the late David Chambers
    July 9, 2026
    Forum, July 9: Cox (Morris) Collection of Gogmagog Press Books, 35 vol., rare complete collection of printed books issued by the press, limited editions, most signed by Cox, 1957-83. - Est. £10,000-15,000
    Forum, July 9: Wynkyn de Worde.- [Terentius Afer (Publius)] [Comedie...], [Paris, Josse Badius: sold in London by Wynkyn de Worde, & others], [15 July 1504]. - Est. £4,000-6,000
    Forum, July 9: Mosley (James) Ornamented Types. Twenty-Three Alphabets from the Foundry of Louis John Pouchée, 2 vol., one of 10 copies for presentation, from an edition of 210, 1992-93. - Est. £1,000-2,000
  • Forum Auctions
    The 10th Anniversary Sale
    Fine Books, Manuscripts and Works on Paper
    July 16, 2026
    Forum, July 16: Inundation papyrus. P.Michael 4, the ‘Inundation papyrus’, a geographical account of the Nile near Canopus, in Greek, remains of two columns from a manuscript scroll on papyrus, Egypt, second century CE. £12,000-18,000
    Forum, July 16: Book of Hours, use of Sarum, manuscript on vellum, 6 full-page miniatures, with famous Middle English inscriptions, Southern Netherlands for the English market, [c.1430]. £30,000-50,000
    Forum, July 16: Qu'ran, Arabic manuscript on burnished, stencilled, and gold-flecked paper, 447ff., Sultanate Gujarat, Ahmadabad, [after 1411 but no later than 1442]. £15,000-20,000
    Forum Auctions
    The 10th Anniversary Sale
    Fine Books, Manuscripts and Works on Paper
    July 16, 2026
    Forum, July 16: Turner (William). A New boke of the natures and properties of all wines that are commonly vsed here in England, rare first edition of the first English book on wine, By William Seres, 1568. £20,000-£30,000
    Forum, July 16: Spenser (Edmund). The Faerie Queene. first edition, Printed [by John Wolfe] for William Ponsonbie, 1590. £30,000-40,000
    Forum, July 16: Shakespeare (William). The Comedie of Errors, extracted from the first folio, Isaac Jaggard and Edward Blount, 1623. £15,000-20,000
    Forum Auctions
    The 10th Anniversary Sale
    Fine Books, Manuscripts and Works on Paper
    July 16, 2026
    Forum, July 16: Fleming (Ian). Casino Royale, first edition, signed presentation inscription from the author, 1953. £40,000-60,000
    Forum, July 16: d'Agoty (Jacques-Fabien Gautier). Anatomie de la Tête, first edition, Paris, chez le Sieur Gautier, 1748. £10,000-15,000
    Forum, July 16: Martial Arts.- Lee (Bruce). 'Praying Mantis style' Kung Fu book, containing numerous annotations, diagrams and graphs in Bruce Lee's hand, c. 1960. £50,000-70,000
    Forum Auctions
    The 10th Anniversary Sale
    Fine Books, Manuscripts and Works on Paper
    July 16, 2026
    Forum, July 16: Warre (Capt. Henry James). Sketches in North America and the Oregon Territory, first edition, rare hand-coloured issue, 1848. £30,000-40,000
    Forum, July 16: Norie (John William). The Marine Atlas, or Seaman's Complete Pilot for all the principal places in the known world..., 1826. £30,000-50,000
    Forum, July 16: Mao Tse-tung.- Kim Il-sung.-[Note book for visitors from China to Korea], signed by Mao and Kim, [Beijing, 1954]. £10,000-15,000

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