Matisse and the Book Arts: An Exhibition at the Morgan
- by Michael Stillman
All that Jazz.
Henri Matisse is renown as one of the greatest artists of the twentieth century. He is best known for his paintings, though his sculptures and drawings are also highly celebrated. Not quite as familiar is the extensive work he accomplished in the book arts. From 1912 until his death in 1954, he was engaged in almost 50 book illustration projects. His involvement was often well beyond that of an illustrator. He supervised typography, page layout, lettering, ornament and cover design. He approached these with his characteristic zeal and attention to detail. He sought the perfect fusion of text and art in the projects with which he was involved.
The Morgan Library and Museum in New York will be hosting an exhibition of Matisse's work in the book field from now through January 18, 2016. The exhibit is titled Graphic Passion: Matisse and the Book Arts. The Morgan is gathering 30 of Matisse's masterpieces for display. Morgan Director Colin B. Bailey explained, "Henri Matisse's art is some of the best known—and most loved—of the modern era. This exhibition focuses on a somewhat less familiar aspect of his work, but one that inspired a passionate and enduring commitment during the latter part of the artist's career. The extraordinary volumes on view show Matisse delighting in the smaller scale of book design and are a testament to the fact that his talent transcended any medium."
The exhibition begins with the 1912 monograph by Matisse's friend André Rouveyre. He provided the frontispiece portrait of Rouveyre, Matisse's first example of book illustration. The exhibit continues through the succeeding 20 years to the next milestone, Matisse's first artist's book. That would be the 1932 publication of Stéphane Mallarmé's Poésies. He was put in charge of the production of (and expenses for) this limited edition. Three years later came his most notable collaboration. Matisse would work together with James Joyce on a limited edition of Ulysses. The publisher had different ideas for illustration than Matisse, and the original lithographs were, in his opinion, a mess. Somehow, all three survived the ordeal, and Matisse signed the 1,500 copies (Joyce signed a smaller number).
By the early 1940's, Matisse's health had seriously declined. Painting and sculpture became difficult for him. It was then that he turned to a new art form, gouache cutouts, or "drawing with scissors" as he called it. He would cut out painted paper and arrange it in colorful designs. This technique would be highlighted in his 1947 artist's book, Jazz. The challenge here was satisfactorily reproducing the cutouts in printed form. During this period, Matisse was producing covers for the art magazine Verve, and the display concludes with the posthumous 1958 tribute issue of Verve featuring his illustrations for the publication.
There will be several public programs hosted by the Morgan during the exhibition. Additionally, an exhibition catalogue, Graphic Passion, with 170 color illustrations and a history of nearly 50 Matisse books written by John Bidwell, is available. To learn more about the exhibition and the programs, or to order the catalogue, click here.
Sotheby's Fine Books & Manuscripts Available for Immediate Purchase
Sotheby’s: Balthus, Emily Brontë. Wuthering Heights, New York: The Limited Editions Club, 1993. 6,600 USD.
Sotheby’s: Charles Dickens. Complete Works, Philadelphia & London: J.B. Lippincott Company & Chapman & Hall, LD, 1850. Limited Edition set of 30 volumes. 7,500 USD.
Sotheby’s: John Lennon, Yoko Ono. Handwritten Letter from John Lennon and Yoko Ono to their Chauffer. 1971. 32,500 USD.
Sotheby’s: Winston Churchill. First edition of War Speeches, Cassell and Company, Ltd., 1941. Set of 7 volumes. 5,500 USD.
Sotheby’s: Andy Warhol, Julia Warhola. Holy Cats First Edition, Signed by Andy Warhol. 1954. 30,000 USD.
ALDE, Mar. 11: AUGUSTIN (Saint). De civitate Dei. Rome, Konrad Sweynheym et Arnold Pannartz, 1470. €20,000 - €30,000.
ALDE, Mar. 11: [REGNART (LE LIVRE DE)]. [Le] Docteur en malice, maistre Regnard, demonstrant les ruzes et cautelles qu'il use envers les personnes… Rouen, 1550. €20,000 - €30,000.
ALDE, Mar. 11: TRITHÈME (JEAN). Polygraphie et universelle escriture cabalistique. Paris, [Benoît Prévost pour] Jacques Kerver, 1561. €8,000 - €10,000.
ALDE, Mar. 11: CAUS (SALOMON DE). La Perspective, avec la raison des ombres et des miroirs. Londres, John Norton, 1612.
ALDE, Mar. 11: NICERON (JEAN-FRANÇOIS). La Perspective curieuse ou magie artificielle des effets merveilleux de l'optique. Paris, Pierre Billaine, 1638. €6,000 - €8,000.
ALDE, Mar. 11: VONTET (JACQUES). L’Art de trancher la viande et toute sorte de fruits… S.l.n.d. [probablement Lyon, vers 1647]. €20,000 - €30,000.
ALDE, Mar. 11: HUGO (VICTOR). [Paysage spectral avec une église], [vers 1837]. €20,000 - €30,000.
ALDE, Mar. 11: [HERVEY DE SAINT-DENYS (LÉON D')]. Les Rêves et les Moyens de les diriger. Observations pratiques. Paris, Amyot, 1867. €3,000 - €4,000.
ALDE, Mar. 11: GACHET (PAUL-FERDINAND). Les Chats de Gachet (Manuscrit). S.d. [avant mai 1873]. €6,000 - €8,000.
ALDE, Mar. 11: [REDON (ODILON)]. PICARD (EDMOND). Le Juré. Monodrame en cinq actes… Bruxelles, Mme veuve Monnom, 1887. €7,000 - €9,000.
ALDE, Mar. 11: [TOULOUSE-LAUTREC (HENRI DE) ET HENRI-GABRIEL IBELS]. MONTORGUEIL (GEORGES). Le Café-concert. Paris, [1893]. €4,000 - €5,000.
ALDE, Mar. 11: [TERRY (EMILIO)]. Projet de fontaine. Dessin original au stylo et à l'encre noire. 1938. €2,000 - €3,000.
Il Ponte, Feb. 25-26:
HAMILTON, Sir William (1730-1803) - Campi Phlegraei. Napoli: [Pietro Fabris], 1776, 1779. € 30.000 - 50.000
Il Ponte, Feb. 25-26: [MORTIER] - BLAEU, Joannes (1596-1673) - Het Nieuw Stede Boek van Italie. Amsterdam: Pieter Mortier, 1704-1705. € 15.000 - 25.000
Il Ponte, Feb. 25-26: TULLIO D'ALBISOLA (1899-1971) - Bruno MUNARI (1907-1998) - L'Anguria lirica (lungo poema passionale). Roma e Savona: Edizioni Futuriste di Poesia, senza data [ma 1933?]. € 20.000 - 30.000
Il Ponte, Feb. 25-26: IL MANOSCRITTO RITROVATO DI IPPOLITA MARIA SFORZA. TITO LIVIO - Ab Urbe Condita. Prima Decade. Manoscritto miniato su pergamena, metà XV secolo. € 280.000 - 350.000