Matisse and the Book Arts: An Exhibition at the Morgan
- by Michael Stillman
All that Jazz.
Henri Matisse is renown as one of the greatest artists of the twentieth century. He is best known for his paintings, though his sculptures and drawings are also highly celebrated. Not quite as familiar is the extensive work he accomplished in the book arts. From 1912 until his death in 1954, he was engaged in almost 50 book illustration projects. His involvement was often well beyond that of an illustrator. He supervised typography, page layout, lettering, ornament and cover design. He approached these with his characteristic zeal and attention to detail. He sought the perfect fusion of text and art in the projects with which he was involved.
The Morgan Library and Museum in New York will be hosting an exhibition of Matisse's work in the book field from now through January 18, 2016. The exhibit is titled Graphic Passion: Matisse and the Book Arts. The Morgan is gathering 30 of Matisse's masterpieces for display. Morgan Director Colin B. Bailey explained, "Henri Matisse's art is some of the best known—and most loved—of the modern era. This exhibition focuses on a somewhat less familiar aspect of his work, but one that inspired a passionate and enduring commitment during the latter part of the artist's career. The extraordinary volumes on view show Matisse delighting in the smaller scale of book design and are a testament to the fact that his talent transcended any medium."
The exhibition begins with the 1912 monograph by Matisse's friend André Rouveyre. He provided the frontispiece portrait of Rouveyre, Matisse's first example of book illustration. The exhibit continues through the succeeding 20 years to the next milestone, Matisse's first artist's book. That would be the 1932 publication of Stéphane Mallarmé's Poésies. He was put in charge of the production of (and expenses for) this limited edition. Three years later came his most notable collaboration. Matisse would work together with James Joyce on a limited edition of Ulysses. The publisher had different ideas for illustration than Matisse, and the original lithographs were, in his opinion, a mess. Somehow, all three survived the ordeal, and Matisse signed the 1,500 copies (Joyce signed a smaller number).
By the early 1940's, Matisse's health had seriously declined. Painting and sculpture became difficult for him. It was then that he turned to a new art form, gouache cutouts, or "drawing with scissors" as he called it. He would cut out painted paper and arrange it in colorful designs. This technique would be highlighted in his 1947 artist's book, Jazz. The challenge here was satisfactorily reproducing the cutouts in printed form. During this period, Matisse was producing covers for the art magazine Verve, and the display concludes with the posthumous 1958 tribute issue of Verve featuring his illustrations for the publication.
There will be several public programs hosted by the Morgan during the exhibition. Additionally, an exhibition catalogue, Graphic Passion, with 170 color illustrations and a history of nearly 50 Matisse books written by John Bidwell, is available. To learn more about the exhibition and the programs, or to order the catalogue, click here.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
Swann, Dec. 9: Lot 206: John and Alexander Walker, Map of the United States, London and Liverpool, 1827.
Swann, Dec. 9: Lot 223: Abraham Ortelius, Typus Orbis Terrarum, hand-colored double-page engraved world map, Antwerp, 1575.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.
SD Scandinavian Art & Rare Book Auctions The Odfjell Collection Polar – History – Ornithology – Colour Plate Books Ending December 4th
Scandinavian Art & Rare Books Auctions, Dec. 4: ROALD AMUNDSEN: «Sydpolen» [ The South Pole] 1912. First edition in jackets and publisher's slip case.
Scandinavian Art & Rare Books Auctions, Dec. 4: AMUNDSEN & NANSEN: «Fram over Polhavet» [Farthest North] 1897. AMUNDSEN's COPY!
Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON [ed.]: «Aurora Australis» 1908. First edition. The NORWAY COPY.
Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON: «The heart of the Antarctic» + SUPPLEMENT «The Antarctic Book», 1909.
Scandinavian Art & Rare Books Auctions, Dec. 4: SHACKLETON, BERNACCHI, CHERRY-GARRARD [ed.]: «The South Polar Times» I-III, 1902-1911.
SD Scandinavian Art & Rare Book Auctions The Odfjell Collection Polar – History – Ornithology – Colour Plate Books Ending December 4th
Scandinavian Art & Rare Books Auctions, Dec. 4: [WILLEM BARENTSZ & HENRY HUDSON] - SAEGHMAN: «Verhael van de vier eerste schip-vaerden […]», 1663.
Scandinavian Art & Rare Books Auctions, Dec. 4: TERRA NOVA EXPEDITION | LIEUTENANT HENRY ROBERTSON BOWERS: «At the South Pole.», Gelatin Silver Print. [10¾ x 15in. (27.2 x 38.1cm.) ].
Scandinavian Art & Rare Books Auctions, Dec. 4: ELEAZAR ALBIN: «A natural History of Birds.» + «A Supplement», 1738-40. Wonderful coloured plates.
Scandinavian Art & Rare Books Auctions, Dec. 4: PAUL GAIMARD: «Voyage de la Commision scientific du Nord, en Scandinavie, […]», c. 1842-46. ONLY HAND COLOURED COPY KNOWN WITH TWO ORIGINAL PAINTINGS BY BIARD.
Scandinavian Art & Rare Books Auctions, Dec. 4: JAMES JOYCE: «Ulysses», 1922. FIRST EDITION IN ORIGINAL WRAPPERS.
Sotheby’s Book Week December 9-17, 2025
Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.