Rare Book Monthly

Articles - April - 2011 Issue

Two Generations in the Book Trade - Looking back with the dealer’s daughter

An early catalogue for Susan Halas' Prints Pacific.

An early catalogue for Susan Halas' Prints Pacific.

7. Tell the story

I visit lots of sites and I see many things offered for sale. The standard descriptions tell me everything about a book except the reasons WHY I would want to own it.

 

To be a seller you’ve got to tell the story, to tell it economically, to tell it in a way that creates desire and to tell it so that your copy, no matter how banged up, cocked and wobbly stands out from the others.

 

You are not the buyer, you are the SELLER and it’s the seller’s task to tell the story, and for goodness sake if you think it’s a good book make it a good story.

8. When to break

My dad wasn't big on breaking bound volumes but he did think there was a difference between ripping the plates out of a book or magazine and taking it apart carefully and saving it in sections so it could be offered to a wide variety people with a variety of tastes and interests.

 

So while you might not yearn for bound volumes of Appletons or Harpers or similar periodicals you might very well want that one page with the ad for Darwin's Origin of Species, or the color plates by Maxfield Parrish, or the first appearances of those short stories by Joseph Conrad.

Before you wring your hands over the evil book breakers just remember
that most of the older books really started life unbound – text and plates were printed on separate presses by different methods and only came together at the binders.

I wouldn't advise taking everything apart, there are definitely some instances you are doing yourself, the book and the collecting public a favor by taking it carefully apart. Please notice the word CAREFULLY.

9. EPHEMERA holds its value better than books
Some of you aren't sure what ephemera is or why it’s going up in value while books are going down.

This is the broad category that covers odd bits of paper that were once common and are now often hard to find. Ephemera can be ads, posters, broadsides, handbills, labels, photos, documents, catalogs or any other similar things.  Ephemera is a counterpoint to books, it highlights their meaning and puts the work in context. A book collection that includes ephemera is 99 times out of a 100 more valuable than a collection of just books alone.

Rare Book Monthly

  • Sotheby’s
    Fine Manuscript and Printed Americana
    27 January 2026
    Sotheby’s, Jan. 27: An extraordinary pair of books from George Washington’s field library, marking the conjunction of Robert Rogers, George Washington, and Henry Knox. $1,200,000 to $1,800,000.
    Sotheby’s, Jan. 27: An extraordinary letter marking the conjunction of George Washington, the Marquis de Lafayette, and Benjamin Franklin. $1,000,000 to $1,500,000.
    Sotheby’s, Jan. 27: Virginia House of Delegates. The genesis of the Declaration of Independence and the Bill of Rights. $350,000 to $500,000.
    Sotheby’s
    Fine Manuscript and Printed Americana
    27 January 2026
    Sotheby’s, Jan. 27: (Gettysburg). “Genl. Doubleday has taken charge of the battle”: Autograph witness to the first day of the Battle of Gettysburg, illustrated by fourteen maps and plans. $200,000 to $300,000.
    Sotheby’s, Jan. 27: President Lincoln thanks a schoolboy on behalf of "all the children of the nation for his efforts to ensure "that this war shall be successful, and the Union be maintained and perpetuated." $200,000 to $300,000.
    Sotheby’s, Jan. 27: [World War II]. An archive of maps and files documenting the allied campaign in Europe, from the early stages of planning for D-Day and Operation Overlord, to Germany’s surrender. $200,000 to $300,000.

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