Rare Book Monthly

Articles - November - 2003 Issue

Dealer Catalogues: Future Shock

The Rosenbach material was consistently exceptional.


By Bruce McKinney

The principal art form of dealer scholarship has been the book dealer’s catalogue and many of these catalogues are prized by the cognoscenti for their research and definitive explanations, not to mention their judgment of value expressed in dollars, pounds, francs and pesos. Such catalogues are time consuming labors and they are after all about converting copies to cash. So although they are, for many dealers, their lasting achievement in the field, they are also a luxury because the internet has made it possible to find buyers without the investment of time and money it takes to produce catalogues.

This is not to say, or to suggest, that libraries, collectors and of course other dealers are any less interested in reading dealer catalogues. It’s only that the economics less justify their creation. There may, from time to time, be revivals in catalogue production but it seems the genie is out of the bottle on this issue and the primary selling role of the printed catalogue in permanent decline.

It is the shifting economics of book selling that are undermining catalogue issuance rather than a decline in reader interest. This makes it appropriate to look for ways to reprise the strengths of traditional catalogues in formats and employing methodologies that infuse the catalogue concept with the abundant strengths of the internet. If we can’t go back, let’s look ahead.

The printed catalogue is, for those involved in and with the book trade, an almost sacred form but it has its limitations. Catalogue-size (number of pages and page size), binding, use of images in color and or black and white, colored inks and occasionally colored paper and print runs are part of the complex algebra of catalogue production. The value and quality of the material to be sold is of course the common denominator and the material must carry the prorated catalogue cost with no apparent struggle. One does not see H. P. Kraus quality presentations for $50 books for no reason.

If the future of traditional book dealer catalogues is uncertain the emerging prospects for electronic dealer catalogues are not. Such catalogues, only in their infancy, will emerge overtime as extraordinary documents with hundreds of images, extensive descriptions and links and footnotes to references in places as diverse as the Library of Congress, important past shows at the Grolier, and direct access to the ÆD to confirm importance, provenance, price and selling history. In short, the electronic catalogue will make it possible to deliver a complex array of information and images and to do so in an almost timeless fashion. For electronic catalogues have the capacity to reflect sales and to allow amendments when necessary. They will be searchable by keyword, author, title, place and date printed and virtually any other criteria a buyer may wish to use to vet material.

Rare Book Monthly

  • Australian Book Auctions
    Books, Maps, Modern Literature
    May 14 (US) / May 15 (Australia)
    Australian Book Auctions, May 14/15: ORWELL, George. ANIMAL FARM. London, Secker & Warburg, 1945. $8,000 to $12,000 AUD.
    Australian Book Auctions, May 14/15: MILNE, A.A. THE HOUSE AT POOH CORNER With decorations by Ernest H. Shepard. London, Methuen, 1928. Deluxe limited edition. $3,000 to $4,000 AUD.
    Australian Book Auctions, May 14/15: TWAIN, Mark. THE ADVENTURES OF HUCKLEBERRY FINN, (Tom Sawyer’s Comrade). New York, 1885. $1,000 to $1,500 AUD.
    Australian Book Auctions
    Books, Maps, Modern Literature
    May 14 (US) / May 15 (Australia)
    Australian Book Auctions, May 14/15: RAND, Ayn. ATLAS SHRUGGED. Random House, New York, 1957. First edition. $800 to $1,200 AUD.
    Australian Book Auctions, May 14/15: [BAUM, L. Frank]. PICTURES FROM THE WONDERFUL WIZARD OF OZ By W.W. Denslow… Chicago, [1903]. $400 to $800 AUD.
    Australian Book Auctions, May 14/15: HELLER, Joseph. CATCH-22. London, Jonathan Cape, 1962. $400 to $600 AUD.
  • Gonnelli
    Auction 51
    Antique prints, paintings and maps
    May 14st 2024
    Gonnelli: Leonard Bramer, The descent from the cross, 1634. Starting price 3200€
    Gonnelli: Gustav Hjalmar de Morner Karel, Rome’s Carnival, 1820. Starting price 1000€
    Gonnelli: Various Authors, Mater Dolorosa, 1700. Starting price 200€
    Gonnelli: Giovanni Battista Piranesi, Carcere Oscura, 1790. Starting price 180€
    Gonnelli: Jan Brueghel, Marine fauna view, 1620 ca. Starting price 28000€
    Gonnelli: Ippolito Scarsella, Mary and Christ with Sant Rocco and Arch-Angel Michele,1615. Starting price 8000€
    Gonnelli: Hans Sebald Beham, Adam and Eve, 1543. Starting price 600€
    Gonnelli: Francesco Burani, Baccanale, 1630. Starting Price 280€
    Gonnelli: Giuseppe Maria Mitelli, Plance from Ventiquattr’ore, 1675. Starting price 800€
    Gonnelli: Giuseppe Angeli, Livorno’s Plan, 1793. Starting price 240€
    Gonnelli: XIV Century Artist, Capital “N” letter, 1350 ca. Starting price 340€
  • Sotheby’s
    Modern First Editions
    Available for Immediate Purchase
    Sotheby’s, Available Now: Winston Churchill. The Second World War. Set of First-Edition Volumes. 6,000 USD
    Sotheby’s, Available Now: A.A. Milne, Ernest H. Shepard. A Collection of The Pooh Books. Set of First-Editions. 18,600 USD
    Sotheby’s, Available Now: Salvador Dalí, Lewis Carroll. Alice's Adventures in Wonderland. Finely Bound and Signed Limited Edition. 15,000 USD
    Sotheby’s
    Modern First Editions
    Available for Immediate Purchase
    Sotheby’s, Available Now: Ian Fleming. Live and Let Die. First Edition. 9,500 USD
    Sotheby’s, Available Now: J.K. Rowling. Harry Potter Series. Finely Bound First Printing Set of Complete Series. 5,650 USD
    Sotheby’s, Available Now: Ernest Hemingway. A Farewell to Arms. First Edition, First Printing. 4,200 USD

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