Rare Book Monthly

Book Catalogue Reviews - March - 2003 Issue

Victorian Bookbinding Exhibit at the University of North Texas

Casing-in MachineCourtesy of UNT Libraries Rare Books Department.

Casing-in MachineCourtesy of UNT Libraries Rare Books Department.

By Julie Carleton

The 19th Century Industrial Revolution introduced dramatic changes to the world. Not only did the invention of new machines bring about changes in the form of mass production of material goods, but it also influenced the socio-economic structure of Europe and America.

The mechanization of bookbinding in during the Victorian era was one such example of the Industrial Revolution. Beginning around 1820, publisher William Pickering invented the separate cloth book casing, which quickly became used by other publishers. Following this invention, publishers created new machines to quickly and efficiently bind, encase, emboss and illustrate books on a production level. Such instruments as the arming press for blind and gilt decoration were used to emboss gold lettering onto book covers. The newly rising middle class (yet another product of the Industrial Revolution) provided fodder for this new market of men and women, adults and children. Publishers opportunistically took advantage of this new market, and for the first time, books were marketed to appeal to the masses.

Toward the latter part of the 19th Century and early 20th Century, two art forms developed in opposition to industry and mass production of goods. The Art Nouveau and Arts and Crafts schools both sought organic designs and forms, and they applied their craft to the medium of the book as an art form itself. Artists such as William Morris and Aubrey Beardsley designed book covers, illustrations and images in popular periodicals. Their well known stylistic are visually synonymous with the latter end of the Victorian period.

The University of North Texas libraries’ Rare Books Department has created an exhibit called “Victorian Bookbinding: Innovation and Extravagance, 1820-1910.” The website can be found at: www.library.unit.edu/rarebooks/exhibits/binding/default.html

This exhibit, originally created by Kenneth Lavender, previous Curator of the Rare Books Department, provides a wide lens perspective into the world of 19th century bookmaking, book arts and the machines that brought this era into fruition. “Victorian Bookbinding: Innovation and Extravagance, 1820-1910” examines the changes that occurred in the bookbinding process, as well as the changes in designing and selling books during this period. Major styles and inventions are presented in a format that is both educational as well as pleasing to the eye. Several methods, styles and trends of bookbinding for this period are represented. “Victorian Bookbinding: Innovation and Extravagance, 1820-1910” is comprehensive in its coverage; examples from Britain, Europe and North America are included.

“Victorian Bookbinding: Innovation and Extravagance, 1820-1910” is rich in its representation of styles from different periods of the 19th century. Although the Victorian style might be considered too “busy” and “flowery“ for some tastes, the viewer will assuredly gain knowledge and insight through this exhibit.

“Victorian Bookbinding: Innovation and Extravagance, 1820-1910” is divided into four main parts: introduction, tour by time period, tour by subject and the collection catalog. The introduction provides a list with images of eight different inventions that were influential to 19th century bookbinding, such as a large embossing press and a rolling cloth press. After the introduction, the viewer has the option to tour the exhibit by time period or by subject matter. The time period section is divided into six 20-year increments beginning in 1820s and ending in 1910. Fifteen major topics related to Victorian bookbinding and design are discussed in the third section of the exhibit, called “Tour by Subject”. Some examples of major areas represented in this third section are Chromolithography, Embossing, Japanning style, Painted Covers, and Wood block and wood engraving. The final section of “Victorian Bookbinding: Innovation and Extravagance, 1820-1910” displays the full listing of catalog for the exhibit. This catalog is comprised 103 titles; of which 54 are used in the exhibit and then conveniently cross-referenced in the catalog.

Rare Book Monthly

  • Bonhams, Dec. 8-18: Autograph Letter Signed ("Martinus Luther") to His Friend the Theologian Gerhard Wiskamp ("Gerardo Xantho Lampadario"). $100,000 - $150,000.
    Bonhams, Dec. 8-18: An Exceptionally Fine Copy of Austenís Emma: A Novel in Three Volumes. $40,000 - $60,000.
    Bonhams, Dec. 8-18: Presentation Copy of Ernest Hemmingwayís A Farewell to Arms for Edward Titus of the Black Mankin Press. $30,000 - $50,000.
    Bonhams, Dec. 8-18: Autograph Manuscript Signed Integrally for "The Songs of Pooh," by Alan Alexander. $30,000 - $50,000.
    Bonhams, Dec. 8-18: Autograph Manuscript of "Three Fragments from Gˆtterd‰mmerung" by Richard Wagner. $30,000 - $50,000.
    Bonhams, Dec. 8-18: Original Preliminary Artwork, for the First Edition of Snow Crash. $20,000 - $30,000.
    Bonhams, Dec. 8-18: Autograph Letter Signed ("T.R. Malthus") to Economist Nassau Senior on Wealth, Labor and Adam Smith. $20,000 - $30,000.
    Bonhams, Dec. 8-18: History of the Peloponnesian War by Thucydides Finely Bound by Michael Wilcox. $20,000 - $30,000.
    Bonhams, Dec. 8-18: First Edition of Lewis and Clark: Travels to the Source of the Missouri River and Across the American Continent to the Pacific Ocean. $8,000 - $12,000.
    Bonhams, Dec. 8-18: Original Artwork for the First Edition of Neal Stephenson's Groundbreaking Novel Snow Crash. $100,000 - $150,000.
    Bonhams, Dec. 8-18: A Complete Set Signed Deluxe Editions of King's The Dark Tower Series by Stephen King. $8,000 - $12,000.
    Bonhams, Dec. 8-18: Autograph Letter Signed ("John Adams") to James Le Ray de Chaumont During the Crucial Years of the Revolutionary War. $8,000 - $12,000.
  • Sotheby’s
    Book Week
    December 9-17, 2025
    Sotheby’s, Dec. 17: Francesco Colonna. Hypnerotomachie, Paris, 1546, Parisian calf by Wotton Binder C for Marcus Fugger. €200,000 to €300,000.
    Sotheby’s, Dec. 17: Nausea. De principiis dialectices Gorgias, and other works, Venice, 1523, morocco gilt for Cardinal Campeggio. €3,000 to €4,000.
    Sotheby’s, Dec. 17: Billon. Le fort inexpugnable de l'honneur, Paris, 1555, Parisian calf gilt for Peter Ernst, Graf von Mansfeld. €120,000 to €180,000.
    Sotheby’s
    Book Week
    December 9-17, 2025
    Sotheby’s, Dec. 16: Salinger, J.D. The Graham Family archive, including autographed letters, an inscribed Catcher, a rare studio photograph of the author, and more. $120,000 to $180,000.
    Sotheby’s, Dec. 16: [Austen, Jane]. A handsome first edition of Sense and Sensibility, the author's first novel. $60,000 to $80,000.
    Sotheby’s, Dec. 16: Massachusetts General Court. A powerful precursor to the Declaration of Independence: "every Act of Government … without the Consent of the People, is … Tyranny." $40,000 to $60,000.
  • Heritage Auctions
    Rare Books Signature Auction
    December 15, 2025
    Heritage, Dec. 15: John Donne. Poems, By J. D. With Elegies on the Author's Death. London: M[iles]. F[lesher]. for John Marriot, 1633.
    Heritage, Dec. 15: Edgar Rice Burroughs. Tarzan of the Apes.
    Heritage, Dec. 15: F. Scott Fitzgerald. Tender is the Night. A Romance.
    Heritage, Dec. 15: Bram Stoker. Dracula. Westminster: Archibald Constable & Co., 1897.
    Heritage, Dec. 15: Jerry Thomas. How to Mix Drinks, or the Bon-Vivant's Companion, Containing Clear and Reliable Directions for Mixing All the Beverages Used in the United States…
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