Rare Book Monthly

Book Catalogue Reviews - January - 2020 Issue

Recent Acquisitions from the Veatchs Arts of the Book

The latest from The Veatchs Arts of the Book.

The latest from The Veatchs Arts of the Book.

The Veatchs Arts of the Book has published their Catalogue 92. Recent Acquisitions for Fall/Winter 2019 offering Fine Printing & Binding and Interesting Typography. Long titles have the benefit of making it unnecessary to come up with a description of the material, which can be hard to do with varied works. Suffice it to say that the fine and interesting material is artistic in nature, illustrations or typography being featured more than text. Here are a few selections.

 

We will begin with a beginning, the first book from the Nonesuch Press. The Nonesuch Press was formed in 1922 and published its first book a year later. Its founder was Francis Meynall, later Sir Francis Meynall, and he shared a couple of things in common with his predecessor and inspiration of the private press movement, William Morris. Meynall loved fine printing and was an ardent socialist. However, once he had tested his books on a small hand press, he sent them out to other printers who could produce books in volume. Consequently, his press runs were larger than Morris' Kelmscott Press. This first book was printed by the Oxford University Press. Its title is The Love Poems of John Donne, with some account of his life taken from the writings in 1639 of Izaak Walton, published in 1923 in a print run of 1,250 copies. Donne didn't get any royalties from this book, the English poet having died in 1631, but he he did get some added remembrance. The Nonesuch Press continued in operation until the 1960s, publishing in excess of 140 books during its run. Item 50. Priced at $1,500.

 

Next up is Fourteen Americans: Woodcuts by Antonio Frasconi, published in 1974. Frasconi was raised in Uruguay, but as a young man, after the Second World War, he resettled in America. After a stint at an art museum doing non-artist chores, his skills producing woodcuts were soon recognized. His career would become that of an artist who worked in wood. Frasconi was also a man who greatly admired other personalities, some in the arts, others in unrelated fields. Those sentiments are reflected in the people portrayed in these woodcuts, Walt Whitman, Henry David Thoreau, Albert Einstein, Sacco & Venzetti, Charles Ives, Woody Guthrie, Huddie Ledbetter (Lead Belly), Charles Mingus, Sioux Chief, Kiowa Chief, Northern Cheyenne Chief, Cesar Chavez, Malcolm X, and George Jackson. Some portraits are in color, some fit on a full page, others bleed off the edge. This is #3 of 5 signed copies. Item 25. $7,000.

 

This book is considered among the few very best private press works ever produced in America. It is a 1979 edition of Moby-Dick, or the Whale, by Herman Melville. As with Donne, Melville was not around to collect royalties. Those would have gone to the artist, wood engraver Barry Moser. Moser is the noted artist and printer, operator of the Pennyroyal Press. However, this one came from San Francisco's Arion Press. Arion was created by Andrew Hoyem, previously of the legendary Grabhorn Press, after that press closed. The book took a year to complete, and, as the Veatchs say, it is “one of the most celebrated 20th century American private press books.” It was printed in a limited edition of 265 copies. Moser created 100 wood engravings for the book, which he credited as bringing his work to the attention of the public. Item 1. $22,000.

 

This one comes from the Pennyroyal Press. It is a broadside printing of the alphabet, from 1986. This was not as easy to make as ABC. It is a calligraphic alphabet designed by Yvette Rutledge. It was printed in 27 colors, the colors slowly changing from letter to letter. It required 27 print runs and I can't imagine what that was like to keep in register. Pennyroyal described it as “a true masterpiece of printing” and I will give them credit for achieving their claim. The image is 17 x 14 on a sheet 21 ½ x 16 ¾. It was published in 1983 and is signed by Rutledge, printer Harold McGrath, and Barry Moser. No. 29 of 183 copies. Item 53. $480.

 

Here is one that will appeal to everyone, even the children. Item 49 is Handmade Paper in Motion. It consists of 14 examples of paper that have been engineered into pop-ups and other moveables, each in a printed folder. The paper was designed specifically for each work. Twenty-eight book artists and papermakers combined their talents to produce these works for a show. Many are signed by the artist, and there is a 40-page book which accompanies the art which includes their biographies. The works were created in a limited edition of 150 copies, published in 2010. $695.

 

The Veatchs Arts of the Book can be reached at 716-648-0361 or veatchs@veatchs.com. Their website is www.veatchs.com.

Rare Book Monthly

  • Sotheby’s
    Book Week
    December 9-17, 2025
    Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
    Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
    Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
    Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
    Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
    Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.
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  • Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
    Swann, Dec. 9: Lot 206: John and Alexander Walker, Map of the United States, London and Liverpool, 1827.
    Swann, Dec. 9: Lot 223: Abraham Ortelius, Typus Orbis Terrarum, hand-colored double-page engraved world map, Antwerp, 1575.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
    Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
    Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
    Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
    Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
    Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
    Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.

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