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Swann, June 17: Lot 13: Arthur Rackham, Candlelight, pen and ink, circa 1900.Swann, June 17: Lot 28: Harold Von Schmidt, "I Asked Jim If He Wanted To Accompany Us To Teach The Hanneseys A Lesson.", oil on canvas, 1957.Swann, June 17: Lot 96: Arthur Szyk, Thumbelina, gouache and pencil, 1945.Swann, June 17: Lot 101: D.R. Sexton, The White Rabbit And Bill The Lizard, watercolor and gouache, 1932.Swann, June 17: Lot 127: Miguel Covarrubias, Bradypus Tridactilus. Three-Toed Sloth, gouache, circa 1953.Swann, June 17: Lot 132: William Pène Du Bois, 2 Illustrations: Balloon Merry Go Round On The Ground And In The Air, pen and ink and wash, 1947.Swann, June 17: Lot 137: Lee Lorenz, Confetti Hourglass, mixed media, 1973.Swann, June 17: Lot 181: Norman Rockwell, Portrait Of Floyd Jerome Patten (Editor At Boy's Life Magazine), charcoal, circa 1915.Swann, June 17: Lot 188: Ludwig Bemelmans, Rue De Buci, Paris, casein, watercolor, ink and gouache, 1955.Swann, June 17: Lot 263: Maurice Sendak, Sundance Childrens Theater Poster Preliminary Sketch, pencil, 1988.
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Fonsie Mealy’s
Chatsworth Summer Fine Art Sale
18th June 2025Fonsie Mealy, June 18: William IV, c1830, oversized slope-top Rosewood Davenport Desk, Attributed to Gillows of Lancaster. With Provenance to Oscar Wilde.Fonsie Mealy, June 18: William IV, c1830, oversized slope-top Rosewood Davenport Desk, Attributed to Gillows of Lancaster. With Provenance to Oscar Wilde.Fonsie Mealy, June 18: William IV, c1830, oversized slope-top Rosewood Davenport Desk, Attributed to Gillows of Lancaster. With Provenance to Oscar Wilde.Fonsie Mealy, June 18: French Bateau Bed, exhibition piece from the Exposition Universelle—The Paris World’s Fair, 1878. Third quarter of the 19th century. With Provenance to Oscar Wilde. -
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Old World Auctions (June 18): Lot 567. One of the Earliest & Most Desirable Printed Maps of Arabia - by Holle/Germanus (1482) Est. $55,000 - $65,000Old World Auctions (June 18): Lot 681. Zatta's Complete Atlas with 218 Maps in Full Contemporary Color (1779) Est. $27,500 - $35,000Old World Auctions (June 18): Lot 347. MacDonald Gill's Landmark "Wonderground Map" of London (1914) Est. $1,800 - $2,100Old World Auctions (June 18): Lot 1. Fries' "Modern" World Map with Portraits of Five Kings (1525) Est. $4,000 - $4,750Old World Auctions (June 18): Lot 539. Ortelius' Superb, Decorative Map of Cyprus in Full Contemporary Color (1573) Est. $1,100 - $1,400Old World Auctions (June 18): Lot 51. Mercator's Foundation Map for the Americas in Full Contemporary Color (1630) Est. $3,250 - $4,000Old World Auctions (June 18): Lot 667. Manuscript Bible Leaf with Image of Mary and Baby Jesus (1450) Est. $1,900 - $2,200Old World Auctions (June 18): Lot 226. "A Powerful Example of Color Used to Make a Point" (1895) Est. $400 - $600Old World Auctions (June 18): Lot 290. One of the Most Decorative Early Maps of South America - from Linschoten's "Itinerario" (1596) Est. $7,000 - $8,500Old World Auctions (June 18): Lot 62. Coronelli's Influential Map of North America with the Island of California (1688) Est. $10,000 - $12,000Old World Auctions (June 18): Lot 589. The First European-Printed Map of China - by Ortelius (1584) Est. $4,000 - $5,000
Rare Book Monthly
Articles - November - 2009 Issue
More than Meets the Eye
By Bruce McKinney
Two sales this year by libraries in the United States illustrate how procedure may influence public response when material is deaccessioned. The two libraries are the Wilmington, Delaware Public Library and the Gleeson Library at the University of San Francisco. The purposes in both cases were the same: to sell material to raise money to invest in their physical plants. For the Wilmington Public Library they hope to pay for a new roof, heating and air conditioning system. In the case of USF it is to pay for rare book library upgrades that their spokesman has described this way:
"The room that currently houses our collection is inadequate: it does not offer proper controls for humidity, temperature, lighting or protection from fire. Expensive upgrades are necessary to ensure our collection's long-term survival."
In both cases, the material sent to auction was donated decades earlier by distinguished donors, Lammot du Pont to Wilmington, Reinhard Timken-Zinkann to the Gleeson. Neither donor restricted deaccession. The University of San Francisco offered some of Mr. Timken-Zinkann's Durer prints at Bonham's & Butterfield's on May 11th, the Wilmington Public Library a complete set of the Curtis Indian Portfolio on October 8th at Christie's in New York.
Here the similarities end.
The Durer prints, although valuable did not do well. The Curtis brought $775,000, a good price in the current environment.
The sale of material from the Gleeson Library was not announced, neither was its provenance included in the lot descriptions. Neither did the material, as is often the case at public auction, identify the seller. As luck would have it though, in the days leading up to the sale, the material's history as part of the Gleeson archives was discovered by members of the Gleeson's Friends of the Library and an extraordinary debate subsequently ensued.
The upshot was bruised feelings all around. The university felt it had the right to dispose but did so in a way that made obvious its embarrassment. The Friends of the Gleeson Library felt betrayed and both past and future donors were left angry and concerned.
The recent sale of the twenty volume set of Curtis by the Wilmington Library was a very different experience.
The Wilmington Delaware Public Library's Board of Overseer's publicly authorized the sale this past spring and then consigned the set to Christie's who issued an announcement on May 5th, fully five months ahead of the bidding. The owner was identified and the sale's purpose explained.