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Swann, Apr. 22: Lot 124: Henri Courvoisier-Voisin, et alia, [Recueil de Vues de Paris et ses Environs], depicting precursors of the modern roller coaster, Paris, [1814-1819?]. $2,000 to $3,000.Swann, Apr. 22: Lot 148: Pablo Picasso & Fernando de Rojas, La Célestine, First Edition, Paris, 1971. $30,000 to $40,000.Swann, Apr. 22: Lot 201: Omar Khayyam & Edward Fitzgerald, Rubaiyat, William Bell Scott's copy of the First Edition, London, 1859. $20,000 to $30,000.Swann, Apr. 22: Lot 223: Charles Dickens, Great Expectations, First Edition, extra-illustrated with hand-colored plates by Palinthorpe, London, 1861. $7,000 to $9,000.Swann, Apr. 22: Lot 248: L. Frank Baum, The Wonderful Wizard of Oz, First Edition, inscribed by the illustrator, Chicago & New York, 1900. $20,000 to $30,000.Swann, Apr. 22: Lot 305: Tycho Brahe & Pierre Gassendi, Tychonis Brahei Vita, Paris, 1654. From the Collection of Owen Gingerich. $8,000 to $12,000.Swann, Apr. 22: Lot 338: Giovanni Battista Riccioli, Almagestum Novum, two folio volumes, Bologna, 1651. From the Collection of Owen Gingerich. $8,000 to $10,000.Swann, Apr. 22: Lot 350: Tobias Cohn, Ma'aseh Toviyyah, first edition, Venice, 1707-8. $3,000 to $5,000.Swann, Apr. 22: Lot 359: Alan Turing, Computing, Machinery, and Intelligence, first edition, Edinburgh, 1950. $3,000 to $5,000.
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Sotheby's
Sell Your Fine Books & ManuscriptsSotheby’s: The Shem Tov Bible, 1312 | A Masterpiece from the Golden Age of Spain. Sold: 6,960,000 USDSotheby’s: Ten Commandments Tablet, 300-800 CE | One of humanity's earliest and most enduring moral codes. Sold: 5,040,000 USDSotheby’s: William Blake | Songs of Innocence and of Experience. Sold: 4,320,000 USDSotheby’s: The Declaration of Independence | The Holt printing, the only copy in private hands. Sold: 3,360,000 USDSotheby's
Sell Your Fine Books & ManuscriptsSotheby’s: Thomas Taylor | The original cover art for Harry Potter and the Philosopher's Stone. Sold: 1,920,000 USDSotheby’s: Machiavelli | Il Principe, a previously unrecorded copy of the book where modern political thought began. Sold: 576,000 GBPSotheby’s: Leonardo da Vinci | Trattato della pittura, ca. 1639, a very fine pre-publication manuscript. Sold: 381,000 GBPSotheby’s: Henri Matisse | Jazz, Paris 1947, the complete portfolio. Sold: 312,000 EUR -
Rose City Book & Paper Fair
June 14-15, 2025
1000 NE Multnomah, Portland
ROSECITYBOOKFAIR.COM -
Gros & Delettrez, Apr. 23: BELLEFOREST (François de). La cosmographie universelle de tout le monde. €12,000 to €15,000.Gros & Delettrez, Apr. 23: DESNOS (Louis Charles). Mappe-monde, ou Carte Generale de la Terre. €5,000 to €6,000.Gros & Delettrez, Apr. 23: BLAEU (Willem Janszoon & Joan). Theatrum Sabaudiae. €18,000 to €20,000.Gros & Delettrez, Apr. 23: LINASSI. Ferdinando Ie Maria Anna Carolina nel Litorale in Settembre 1844. €4,000 to €5,000.Gros & Delettrez, Apr. 23: AMBROSOLI (Francesco). Monumento a Francesco Primo in Vienna. €3,000 to €4,000.Gros & Delettrez, Apr. 23: Plano de la plaza de Mesina y de su ciudadel y castiglios. €5,000 to €6,000.Gros & Delettrez, Apr. 23: ROCKSTUHL (Alois Gustav), GILLE (Florent A.). 78 Lithographies du Musée de Tzarskoe-Selo. €1,000 to €1,500.Gros & Delettrez, Apr. 23: Chtchedrovski, Ignatiy Stepanovitch. €2,000 to €3,000.Gros & Delettrez, Apr. 23: DE BRUYN (Cornelis). Voyage au Levant. €3,000 to €5,000.Gros & Delettrez, Apr. 23: ABI ISHAQ AHMAD B. IBRAHIM AL-THAʿLABI (M. 1035) : TROISIÈME VOLUME DU KASHF WA-L-BAYAN ʻAN TAFSIRI AL-QURʼAN. €3,000 to €5,000.Gros & Delettrez, Apr. 23: DESNOS (Louis Charles). L’Afrique. €3,000 to €4,000.Gros & Delettrez, Apr. 23: DE BRUYN (Cornelis). Voyages de Corneille Le Brun par la Moscovie, en Perse, et aux Indes orientales. €1,500 to €2,000.Gros & Delettrez, Apr. 23: DESNOS. (Louis Charles). Amérique septentrionale et Méridionale. €4,000 to €5,000.Gros & Delettrez, Apr. 23: ÉLIOT (J.B.) ; MONDHARE (Louis Joseph). Carte du théatre de la guerre actuel entre les anglais et les treize Colonies Unies de l'Amérique Septentrionale. €5,000 to €6,000.
Rare Book Monthly
Gutenberg of Dust Jackets Discovered
By Michael Stillman
A long time ago, a bit earlier than previously thought, some printer or bookseller believed it would be a good idea to protect the cover of a book from dust before purchase. That person's clever idea was to place a paper wrapper around the book. Of course, the cover or boards already protected what was truly important - the pages of printed words within. So, this was a step removed from what really mattered, something to protect the protector, so to speak. Nonetheless, no one likes to buy something that looks dirty and dusty when it's supposed to be new. If nothing else, this was an ingenious exercise in marketing.
Fast forward from the early 19th to the early 20th century. Book publishers and sellers are becoming more sophisticated and they now realize dust covers can do more than just protect a book. Not only can they keep books from becoming less saleable, they can actually make them more saleable. Publishers could add enticing descriptions, biographies of authors, even illustrations, racy ones at that for pulp fiction. Dust jackets moved from afterthought dust protection to major advertising vehicles.
Few early dust jackets survived. They were, after all, only wrappers. Once it was time to read the book, the wrappers were thrown away, like whatever wrapping Amazon uses to ship your Kindle (save it!!! - maybe some day that wrapping will be a highly collectible, cherished antique). Collectors had no interest then. However, as dust jackets became more interesting and informative, they began to catch the collector's eye. It did not happen overnight. Fine collectors amassed libraries without dust jackets, even of books that had originally come in one. Today that would be the exception. For modern titles, meaning starting roughly around 1900, dust jackets have become de rigeur. I cannot vouch for this, but a bit of internet research tells me that many people in the trade estimate that the dust jacket may now account for as much as 80% of the value of the book. Leaving aside what this says about the importance of the content of the book, this oddity, if not absurdity, can be explained by the fragility of the jacket. Far fewer survive than do the underlying books, and they are much more likely to be torn or suffer other condition defects. Indeed, anyone with seriously collectible books today will purchase a cover to protect the jacket, which protects the covers, which protect the book. Oh hear the word of the Lord. Perhaps someday someone will invent a jacket to protect mylar covers.
So for those who appreciate dust jackets and understand why they can possess 80% of the value, or four times that of the book itself, there is some exciting news from the Bodleian Library at Oxford in England. They have discovered the oldest known dust jacket. It is from 1829, making it a couple of years older than the previously oldest known example. This jacket was made for the book Friendship's Offering. It is actually more informative than many later jackets, noting the book's price (12 shillings) and that it is "elegantly bound," plus it includes an advertisement for the Friendship series of books. The wrapper had come to the library through an auction purchase in 1877, but somewhere along the way became separated from the book. The jacket was discovered by the former Head of Special Collections in the 1970s, but it took a while for the library to get around to announcing the find.
We won't hazard a guess as to the value of this jacket. If dust jackets represent 80% of the value, I guess the first dust jacket should be worth four times as much as the first book, the Gutenberg Bible. Of course this may underestimate the dust jacket's value, since Gutenbergs are common, this jacket rare. Or perhaps the logic is flawed. The dust jacket was an interesting development, but hardly on a scale with the invention of printing.
Editor's Note: We have received a couple of Letters to the Editor on the subject of dust jackets, including one announcing a website and upcoming book pertaining to 19th century jackets. Here is a link to Letter to the Editor.