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Bonhams, Apr. 21-29: ANDERSEN'S EXTREMELY RARE FIRST APPEARANCE IN PRINT. "Scene af: Røverne i Vissenberg i Fyen." in Harpen, 1822.Bonhams, Apr. 21-29: FIRST ISSUE OF THE FIRST THREE FAIRY TALE PAMPHLETS, WITH ALL INDICES AND TITLE PAGES. Eventyr, fortalte for Børn. 1835-1837.Bonhams, Apr. 21-29: THE FIRST FAIRY TALES WITH A SIGNED CARTE DE VISITE OF ANDERSEN AS FRONTIS. Eventyr, fortalte for Børn. 1835-1837.Bonhams, Apr. 21-29: KARL LAGERFELD. Original pastel and ink drawing in gold, red and black for Andersen's The Emperor's New Clothes (1992), "La cassette de l'Empereur."Bonhams, Apr. 21-29: PRESENTATION COPY OF THE SIXTH PAMPHLET FOR PETER KOCH. Eventyr, Fortalte For Børn, Second Series, Third Pamphlet. 1841. Publisher's wrappers, complete with all pre- and post-matter.Bonhams, Apr. 21-29: HANS CHRISTIAN ANDERSEN RARE AUTOGRAPH QUOTATION SIGNED IN ENGLISH from "The Ugly Duckling," c.1860s.Bonhams, Apr. 21-29: HEINRICH LEFLER, ORIGINAL WATERCOLOR FOR ANDERSEN'S SNOW QUEEN, "Die Schneekönigin," 1910.Bonhams, Apr. 21-29: FIRST EDITION OF ANDERSEN'S FAIRY TALES IN ENGLISH. Wonderful Stories for Children. London, 1846.Bonhams, Apr. 21-29: ANDERSEN ON MEETING CHARLES DICKENS. Autograph Letter Signed ("H.C. Andersen") in English to William Jerdan, July 20, 1847.Bonhams, Apr. 21-29: PRESENTATION COPY FOR EDGAR COLLIN. Nye Eventyr og Historier. Anden Raekke. 1861.Bonhams, Apr. 21-29: DOLL HOUSE FURNITURE BY HANS CHRISTIAN ANDERSON, DECORATED WITH FANTASTICAL CUT-OUTS, for the children of Jonna Stampe (née Drewsen), his godchildren.Bonhams, Apr. 21-29: PRESENTATION COPY FOR GEORG BRANDES. Dryaden. Et Eventyr fra Udstillingstiden i Paris 1867. 1868.
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Jeschke Jádi
Rare Book Auction 155
Saturday April 26, 2025Jeschke Jádi, Apr. 26: Lot 962. Baird. United States Exploring Expedition. Philadelphia 1858.Jeschke Jádi, Apr. 26: Lot 772. Edith Holland Norton. Brazilian Flowers. Coombe Croft 1893.Jeschke Jádi, Apr. 26: Lot 49. Petrarca. Das Gluecksbuch, Augsburg 1536.Jeschke Jádi
Rare Book Auction 155
Saturday April 26, 2025Jeschke Jádi, Apr. 26: Lot 1496. Jacob / Picasso. Chronique des Temps, 1956.Jeschke Jádi, Apr. 26: Lot 8. Augustinus. De moribus ecclesie. Cologne 1480.Jeschke Jádi, Apr. 26: Lot 17. Heures a lusaige de Noyon. Paris 1504.Jeschke Jádi
Rare Book Auction 155
Saturday April 26, 2025Jeschke Jádi, Apr. 26: Lot 13. Schedel. Buch der Chronicken. Nürnberg 1493.Jeschke Jádi, Apr. 26: Lot 957. Donovan. Insects of China. London 1798.Jeschke Jádi, Apr. 26: Lot 123. A holy martyr. Tuscany, Florence, mid-14th century.Jeschke Jádi
Rare Book Auction 155
Saturday April 26, 2025Jeschke Jádi, Apr. 26: Lot 438. Dante. La Divine Comédie. Paris 1963.Jeschke Jádi, Apr. 26: Lot 602. Firdausi. Histoire de Minoutchehr. Paris 1919Jeschke Jádi, Apr. 26: Lot 994. Westwood. Oriental Entomology. London 1848. -
Swann, Apr. 22: Lot 124: Henri Courvoisier-Voisin, et alia, [Recueil de Vues de Paris et ses Environs], depicting precursors of the modern roller coaster, Paris, [1814-1819?]. $2,000 to $3,000.Swann, Apr. 22: Lot 148: Pablo Picasso & Fernando de Rojas, La Célestine, First Edition, Paris, 1971. $30,000 to $40,000.Swann, Apr. 22: Lot 201: Omar Khayyam & Edward Fitzgerald, Rubaiyat, William Bell Scott's copy of the First Edition, London, 1859. $20,000 to $30,000.Swann, Apr. 22: Lot 223: Charles Dickens, Great Expectations, First Edition, extra-illustrated with hand-colored plates by Palinthorpe, London, 1861. $7,000 to $9,000.Swann, Apr. 22: Lot 248: L. Frank Baum, The Wonderful Wizard of Oz, First Edition, inscribed by the illustrator, Chicago & New York, 1900. $20,000 to $30,000.Swann, Apr. 22: Lot 305: Tycho Brahe & Pierre Gassendi, Tychonis Brahei Vita, Paris, 1654. From the Collection of Owen Gingerich. $8,000 to $12,000.Swann, Apr. 22: Lot 338: Giovanni Battista Riccioli, Almagestum Novum, two folio volumes, Bologna, 1651. From the Collection of Owen Gingerich. $8,000 to $10,000.Swann, Apr. 22: Lot 350: Tobias Cohn, Ma'aseh Toviyyah, first edition, Venice, 1707-8. $3,000 to $5,000.Swann, Apr. 22: Lot 359: Alan Turing, Computing, Machinery, and Intelligence, first edition, Edinburgh, 1950. $3,000 to $5,000.
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Sotheby's
Sell Your Fine Books & ManuscriptsSotheby’s: The Shem Tov Bible, 1312 | A Masterpiece from the Golden Age of Spain. Sold: 6,960,000 USDSotheby’s: Ten Commandments Tablet, 300-800 CE | One of humanity's earliest and most enduring moral codes. Sold: 5,040,000 USDSotheby’s: William Blake | Songs of Innocence and of Experience. Sold: 4,320,000 USDSotheby’s: The Declaration of Independence | The Holt printing, the only copy in private hands. Sold: 3,360,000 USDSotheby's
Sell Your Fine Books & ManuscriptsSotheby’s: Thomas Taylor | The original cover art for Harry Potter and the Philosopher's Stone. Sold: 1,920,000 USDSotheby’s: Machiavelli | Il Principe, a previously unrecorded copy of the book where modern political thought began. Sold: 576,000 GBPSotheby’s: Leonardo da Vinci | Trattato della pittura, ca. 1639, a very fine pre-publication manuscript. Sold: 381,000 GBPSotheby’s: Henri Matisse | Jazz, Paris 1947, the complete portfolio. Sold: 312,000 EUR
Rare Book Monthly
A Market Under Pressure
By Bruce McKinney
The Books, Manuscripts and Ephemera market at auction, as evidenced by both declining prices and percentage of lots sold, continues to be under extreme pressure. In the rooms, the bubble that saw median lot price rise from $410 to $485 between October 2006 and January 2008 has now dropped back to $400 with no evidence to suggest the correction is over. Not so many decades ago auctions regularly sold 90% or more of lots offered. Over the past five years auctions have struggled to complete even 80%, as the percentage of lots sold fell from 78% to 70%. This has occurred because consignors are demanding higher reserves than bidders feel is justified. Many other lots sell at the consignor's reserve [their minimum acceptable bid] with only a single bidder up against the often hidden reserve. Consequently, many lots go unsold and the overall percentage of lots sold declines. Such an approach has the perverse effect of significantly distorting market value even as sales are recorded. As well, from 1999 to 2007 the Americana Exchange, while recording well over 1.5 million auction lots, recorded a 28% increase current valuation followed by a 20% reduction in 2008. The price index today is the same as 2003. During the same period the dollar's purchasing power declined by 17%.
While it is difficult to say what an acceptable 'sell' rate is, historically it's been much higher than it is today. When this weakness is factored in the numbers look less promising.
That said, auction houses are independent, make policies, describe material, and promote sales each in unique combinations and as a result achieve unique outcomes. In the AED auction indexes that we maintain and update monthly, sell through rates are established for both individual houses and the field as a whole. In these indexes 45% of the houses have consistently achieved sell through rates of at least 80%. This suggests that high reserves are a strategy for obtaining consignments and are employed by only about half of the houses.
Sell though rates overall have been declining for some time as the "12 Month Sell Through Moving Average" graph shows. During the July 2007 – January 2008 period the percentage of lots sold actually rose but for the period January 2004 to April 2009 the percentage of lots sold fell from 77% to 70%. These results are subject to interpretation.
The impact of "reserves" seems to be weighing heavily on the market. We know this because if 45% of the auction houses can consistently sell 80% of their lots we can assume the other houses could also if not for minimum prices they have agreed to impose [often secretly] upon bidders. Such reserves are not uncommon but when they cause auction sell-through rates to precipitously decline they are clearly interfering with the market's ability to reprice material appropriately. Of course when prices are rising few auction houses says no. In a down market it's particularly important to let the chips fall when demand is declining. We are in such a period today and the adjustment will be more protracted if prices are held artificially high. They will in time adjust and no auction house, while catering to consignors, can afford to alienate buyers with obscured reserves that mislead them into paying above market prices.