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<b><center>Dominic Winter Auctioneers<br>September 27<br>The Library of the Late Christopher Foyle of Beeleigh Abbey: Part One</b><b>Dominic Winter, Sep. 27:</b> Bible, Dominican Use, in Latin. Illuminated manuscript on vellum, [France: probably Paris, c. 1240]. £10,000-15,000<b>Dominic Winter, Sep. 27:</b> Book of Hours, <i>in French with Latin cues.</i> Illuminated manuscript on vellum [France, Normandy, early(?) 15th century]. £10,000-15,000.<b>Dominic Winter, Sep. 27:</b> Book of Hours, <i>Use of Rouen, in Latin and French.</i> Illuminated manuscript on vellum, [France: Rouen, c. 1480]. £30,000-40,000<b><center>Dominic Winter Auctioneers<br>September 27<br>The Library of the Late Christopher Foyle of Beeleigh Abbey: Part One</b><b>Dominic Winter, Sep. 27:</b> Mary I (1516-1558). <i>Queen of England, 1553-1558.</i> Letter signed, ‘Marye the Quene’, Greenwich, 7 January 1558. £15,000-20,000<b>Dominic Winter, Sep. 27:</b> Jonson (Ben). Works, 1st collected edition, 3 volumes, 1640. £7,000-10,000<b>Dominic Winter, Sep. 27:</b> Essex. A sammelband of 27 English Civil War pamphlets mostly relating to the siege of Colchester, Essex, 1648. £5,000-8,000<b><center>Dominic Winter Auctioneers<br>September 27<br>The Library of the Late Christopher Foyle of Beeleigh Abbey: Part One</b><b>Dominic Winter, Sep. 27:</b> Latham (Simon). Latham’s Faulconry, or the Faulcons Lure and Cure, 2 parts in one, 1658/. £2,000-3,000<b>Dominic Winter, Sep. 27:</b> Exquemelin (Alexandre Olivier). The History of the Bucaniers of America, 2 volumes in 1, 2nd edition, 1695. £1,000-1,500<b>Dominic Winter, Sep. 27:</b> Campbell (Patrick). Travels in the interior inhabited parts of North America..., 1st ed., 1793. £5,000-8,000<b><center>Dominic Winter Auctioneers<br>September 27<br>The Library of the Late Christopher Foyle of Beeleigh Abbey: Part One</b><b>Dominic Winter, Sep. 27:</b> Burton (Richard F.). Personal Narrative of a Pilgrimage to El-Medinah and Meccah, 3 volumes, 1st edition, 1855-56. £5,000-8,000<b>Dominic Winter, Sep. 27:</b> Cosway-style binding. Napoleon and the Fair Sex, 1894. One of 9 similar lots. £1,000-1,500<b>Dominic Winter, Sep. 27:</b> Shepard (Ernest Howard, 1879-1976). Pooh and Piglet, original pen and ink drawing, 1958. £20,000-30,000
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<center><b>Sotheby's<br>English Literature and History<br>Available for Immediate Purchase</b><b>Sotheby’s, Available Now:</b> William Shakespeare. <i>A Midsummer-Night's Dream,</i> 1908. 7,500 USD<b>Sotheby’s, Available Now:</b> Charlotte, Emily and Anne Brontë. <i>Brontës' Novels,</i> 1922. 2,400 USD<b>Sotheby’s, Available Now:</b> Lewis Carroll. <i>Through the Looking-Glass and What Alice Found There,</i> 1872. 25,000 USD<b>Sotheby’s, Available Now:</b> Charles Dickens. Collection of Fiction including <i>Oliver Twist</i> and <i>Sketches by Boz,</i> 1838-1865. 6,250 USD<b>Sotheby’s, Available Now:</b> Mary Shelley. <i>Frankenstein,</i> 1839. 4,250 USD<b>Sotheby’s, Available Now:</b> James Joyce. <i>Ulysses,</i> 1925. 2,500 USD<b>Sotheby’s, Available Now:</b> Jane Austen. <i>The Complete Works of Jane Austen,</i> 1901. 5,250 USD
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<center><b>Jeschke Jadi Auctions Berlin<br>Rare Books, Prints, Historical Photography<br>29 September 2023</b><b>Jeschke Jádi, Sep. 29:</b> Jan Theodor de Bry. <i>Anthologia magna sive Florilegium novum.</i> 1626. 9,000 €<b>Jeschke Jádi, Sep. 29:</b> John Locke. <i>Epistola de tolerantia ad Clarissimum Virum T.A.R.P.T.O.L.A.</i> 1689. 9000 €<b>Jeschke Jádi, Sep. 29:</b> F. T. Marinetti, Boccioni, Pratella, Carrà, a.o. <i>Collection of 35 Futurist manifestos.</i> 1909-1933. 7000 €<b>Jeschke Jádi, Sep. 29:</b> Johann Elert Bode, Rare engraved celestial globe. (1804). 6000 €<b>Jeschke Jádi, Sep. 29:</b> Sebastian Brant (ed.). <i>Tertia pars huius operis in se continens glosam ordinariam cum expositione lyre litterali et morali.</i> 1498. 5000 €
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<center><b>Christie’s<br>Charlie Watts: Literature and Jazz<br>London and online auction<br>15–29 September</b><b>Christie’s, Explore now:</b><br>F. Scott Fitzgerald (1896–1940). <i>The Great Gatsby.</i> New York: Charles Scribner's Sons, 1925. £100,000–150,000<b>Christie’s, Explore now:</b><br>Arthur Conan Doyle (1859–1930). </i>The Hound of the Baskervilles: Another Adventure of Sherlock Holmes.</b> London: George Newnes, 1902. £70,000–100,000<b>Christie’s, Explore now:</b><br>Agatha Christie (1890–1976). <i>The Thirteen Problems.</i> London: for the Crime Club Ltd. by W. Collins Sons & Co. Ltd., 1932. £40,000–60,000<b>Christie’s, Explore now:</b><br>Dashiell Hammett (1894–1961). <i>The Maltese Falcon.</i> New York: Alfred A. Knopf, 1930. £30,000–50,000
Rare Book Monthly
Prose & Poetry to Inflame our Imagination
By Bruce McKinney
Literary firsts, poetry and prose, are a Venus in the Jupiter-sized world of literature. Every day, tens of thousands of books are sold, much of it fiction. A few examples, here and there, are collectible copies. Often they are first editions, some signed by the author, others signed by interesting owners. Another few otherwise insignificant examples, by luck and sometimes intention are preserved in perfect condition with pristine dust jackets. Such examples, the firsts, the signed copies and exceptional examples in time become the currency of collecting in the field of fiction.
AE Comet
The market is four sided: the academics that write about the authors and their works; the dealers who identify, describe, explain, price and sell; the collectors who acquire and accumulate, and the auction houses that disperse. As every individual owns, and every home contains, fiction there are no shortage of possibilities and hence the need for expertise to identify the occasional examples that cross the Gobi from readable into collectible, an always uncertain journey. To illuminate the path, the opinion of the masters in the field are sought, then valued and later repeated – adding word by word to the gathering history of specific books that, upon the shoulders of advocates can carry the once unsaleable at $2.00 to $30,000 and more. Such is the alchemy of fiction and its appeal to many quarters: material often more easily appreciated than understood. Thus many, attracted by the text and sometimes entirely by the form, find a vocation or career in this field that rewards the diligent.
For writers the path from draft to print is winding and uncertain, the path from print to immortality the stuff of legendary luck, perseverance and the complex interaction of a generation with the voices that put to paper what people come to know is true but can not express themselves. In every era a few giants roam while a thousand others express subjective truths that resonate with the Balkan states, if not the entire universe, of human emotion and experience. This is the essence of the statement "let me see your library that I may know you." Some may believe that you are what you eat. The better informed know you are what you read.
In the discovering and unearthing of the voices that speak of and for a generation dealers and collectors find common ground to fend, weed and garden, to unearth the undiscovered authors, to champion by their selection voices not yet appreciated and to locate all the posters, papers, mimeographs, drafts, marked and signed copies and other paraphernalia of those selected. In fiction, much more than in non-fiction, the cult of personality, the alter ego and the reflected life all permit and encourage the reader and collector to acquire the debris and the building blocks that comprise a life or the story. The beauty of this approach to collecting is that its limits are both as clear and uncertain as the perimeter of a rainbow and hence such collections can both grow and morph with the collector's changing perceptions, understanding and needs. For many, the reading if not necessarily the collecting, of fiction is both the cheapest and most enduring therapy for coming to grips with life's challenges. The great books inevitably engage the great issues. For some, life's answers are on Dr. Phil, for readers they lie between the covers.