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CHRISTIE’S
Valuable Books and Manuscripts
London auction
13 December
Find out moreChristie’s, Explore now
TREW, Christoph Jacob (1695–1769). Plantae Selectae quarum imagines ad exemplaria naturalia Londini in hortus curiosorum. [Nuremberg: 1750–1773]. £30,000–40,000Christie’s, Explore now
VERBIEST, Ferdinand (1623–88). Liber Organicus Astronomiae Europaeae apud Sinas restituate. [Beijing: Board of Astronomy, 1674]. £250,000–350,000Christie’s, Explore now
PROPERTY FROM THE COLLECTION OF ALICE & NIKOLAUS HARNONCOURT. Master of Jean Rolin (active 1445–65). Book of Hours, use of Paris, in Latin and French, [Paris, c.1450–1460]. £120,000–180,000Christie’s, Explore now
A SILVER MICROSCOPE. Probably by Antoni van Leeuwenhoek (1632–1723), c.1700. £150,000–250,000Christie’s, Explore now
AN ENGLISH HORARY QUADRANT
C.1311. £100,000–150,000 -
Sotheby’s
Important Modern Literature from the Library of an American Filmmaker
8 December 2023Sotheby’s, Dec. 8: Kerouac, Jack. Typescript scroll of The Dharma Bums. Typed by Kerouac in Orlando, Florida, 1957, published by Viking in 1958. 300,000 - 500,000 USDSotheby’s, Dec. 8: Hemingway, Ernest. The autograph manuscript of "The Short Happy Life of Francis Macomber." [Key West, finished April 1936]. 300,000 - 500,000 USDSotheby’s, Dec. 8: Miller, Henry. Typescript of The Last Book, a working title for Tropic of Cancer, written circa 1931–1932. 100,000 - 150,000 USDSotheby’s, Dec. 8: Ruscha, Ed. Twentysix Gasoline Stations, with a lengthy inscription to Joe Goode. 40,000 - 60,000 USDSotheby’s, Dec. 8: Hemingway, Ernest. in our time, first edition of Hemingway’s second book. 30,000 - 50,000 USD -
Swannm Dec. 14: Lot 2:
John Ford Clymer, U.S. Troops' Triumphant Return to New York Harbor, oil on canvas, circa 1944.Swannm Dec. 14: Lot 44:
Edward Gorey, Illustration of cover and spine for Fonthill, a Comedy by Aubrey Menen, pen and ink, 1973.Swannm Dec. 14: Lot 50:
Harrison Cady, frontispiece for Buster Bear's Twins by Thornton W. Burgess, watercolor and ink, 1921.Swannm Dec. 14: Lot 54:
Ludwig Bemelmans, Pepito, portrait of Pepito from the Madeline book series, mixed media.Swannm Dec. 14: Lot 79:
Gluyas Williams, Fellow Citizens Observation Platform, pen and ink, cartoon published in The New Yorker, March 11, 1933.Swannm Dec. 14: Lot 86:
Thomas Nast, Victory, – for the moment, political cartoon, pen and ink, 1884.Swannm Dec. 14: Lot 91:
Mischa Richter, Lot of 10 cartoons for Field Publications, ink and pencil, circa 1940.Swannm Dec. 14: Lot 111:
Arthur Getz, Sledding In Central Park, casein tempera on canvas, cover of The New Yorker, February 26, 1955.Swannm Dec. 14: Lot 124:
Richard Erdoes, Map of Boston, illustration for unknown children's magazine, gouache on board, circa 1960.Swannm Dec. 14: Lot 155:
Robert Fawcett, The old man looked him over carefully, gouache on board, published in The Saturday Evening Post, June 9, 1945.Swannm Dec. 14: Lot 170:
Violet Oakley, Portrait of Woodrow Wilson, charcoal and pastel, circa 1918.Swannm Dec. 14: Lot 188:
Robert J. Wildhack, Scribner's for March, 1907, mixed media. -
Fonsie Mealy’s, Dec. 12-13: Roberts (David) & Croly (George). The Holy Land, Syria, Idumae, Arabia, Egypt and Nubia. Lond. 1842 - 1843 [-49]. First Edn. €10,000 to €15,000.Fonsie Mealy’s, Dec. 12-13: Incunabula: O'Fihily (Maurice). Duns Scotus Joannes: O'Fihely, Maurice Abp… Venice, 20th November 1497. €8,000 to €12,000.Fonsie Mealy’s, Dec. 12-13: An important file of documents with provenance to G.A. Newsom, manager of the Jacob’s Factory in Dublin, occupied by insurgents during Easter Week 1916. €6,000 to €9,000.Fonsie Mealy’s, Dec. 12-13: WILDE (Oscar), 1854-1900, playwright, aesthete and wit. A lock of Wilde’s Hair, presented by his son to the distinguished Irish actor Mícheál MacLiammóir. €6,000 to €8,000.Fonsie Mealy’s, Dec. 12-13: Heaney (Seamus). Bog Poems, London, 1975. Special Limited Edition, No. 33 of 150 Copies, Signed by Author. Illus. by Barrie Cooke. €4,000 to €6,000.Fonsie Mealy’s, Dec. 12-13: Binding: Burke, Thomas O.P. (de Burgo). Hibernia Dominicana, Sive Historia Provinciae Hiberniae Ordinis Praedicatorum, ... 1762. First Edition. €4,000 to €6,000.Fonsie Mealy’s, Dec. 12-13: COLLINS, Michael. An important TL, 29 July 1922, addressed to GOVERNMENT on ‘suggested Proclamation warning all concerned that troops have orders to shoot prisoners found sniping, ambushing etc.’. €3,000 to €4,000.Fonsie Mealy’s, Dec. 12-13: Scott Fitzgerald (F.) The Great Gatsby, New York (Charles Scribner's Sons) 1925, First Edn. €2,000 to €3,000.Fonsie Mealy’s, Dec. 12-13: Yeats (W.B.) The Poems of W.B. Yeats, 2 vols. Lond. (MacMillan & Co.) 1949. Limited Edition, No. 46 of 375 Copies Only, Signed by W.B. Yeats. €1,500 to €2,000.Fonsie Mealy’s, Dec. 12-13: Miller (William) Publisher. The Costume of the Russian Empire, Description in English and French, Lg. folio London (S. Gosnell) 1803. First Edn. €1,000 to €1,500.Fonsie Mealy’s, Dec. 12-13: Miller (William) Publisher. The Costume of Turkey, Illustrated by a Series of Engravings. Lg. folio Lond.(T. Bensley) 1802. First Edn. €800 to €1,200.Fonsie Mealy’s, Dec. 12-13: Mason (Geo. Henry). The Costume of China, Illustrated with Sixty Engravings. Lg. folio London (for W. Miller) 1800. First Edn. €1,400 to €1,800
Rare Book Monthly
Articles - February - 2008 Issue
<i>Hell at the Library</i> -- Where Hell = Sex
The French National Library is lit up like a big "X" to mark its exhibit of erotic "art."
By Michael Stillman
Leave it to the French to employ reverse psychology to bring visitors back to the library. An exhibition is currently open at the French National Library entitled Hell at the Library. The devil is in the details. Amidst the living Hell of stacks upon stacks of dull, erudite tomes traditionally associated with a library, this collection is a brief glimpse of heaven. However, for over two centuries the library kept the heavenly bodies in this collection far from the leering eyes of its depraved patrons. It was open only to the responsible librarians, mature and intellectual enough to view it only for educational purposes.
This, of course, is an exhibition of books, prints, images, recordings, even old movies that can be classified as either art or pornography, depending on your level of honesty. "Hell" was the name librarians gave to the area that housed this collection over a century and a half ago. Evidently, they either believed that this was the appropriate place for such material, or where those who looked at it would go. Nonetheless, they seemed unable to discard the stuff either. We aren't sure why it all ended up in the library in the first place, though some reportedly came there after confiscation by the police. Still, it would be intriguing to know why it was kept for so long even though not made available to the public. I have a theory.
Among the items on display is a manuscript written by that pillar of high society and good taste, the Marquis de Sade. Marie Antoinette is pilloried by being displayed in various undignified poses, a reflection of the then brewing revolution which would leave her in the even less dignified pose of having one's head separated from her body. The clergy was granted no more quarter than royalty. A pamphlet from the same era contains a list of the names of priests who consorted with women of the night, including the names and addresses of those fine ladies. This, presumably, was for those who wanted to confirm the accuracy of these claims, rather than provide the ladies with additional business. In an aside to good taste and class, the pamphlet even describes the type of activities in which the priests and their women friends allegedly engaged.
A century later, they were still compiling lists of these businesswomen, though this time the report was prepared by the police. This accounting even contains a price list. Other items include inappropriate images behind peep show style paper doors, recorded readings of once banned poetry (wow, that sounds exciting) and some grainy old movies from the 1920s.
Frankly, it doesn't sound like any of this horse-and-buggy pornography would shock anyone today, but surprisingly enough, the French, who normally aren't upset by anything, are prohibiting anyone under age 16 from attending. My guess is this is not because the young would be shocked but because they would be disappointed. They have undoubtedly seen much better. This exhibit will be open until March 22 for those wishing to revisit that good old-time pornography.
