Rare Book Monthly

Articles - March - 2003 Issue

It’s the (Book) Antiques Road ShowWith Kenneth Gloss of the Brattle Book Shop

Ken Gloss appraises an old book for its owner.

Ken Gloss appraises an old book for its owner.


How can you tell whether you have a first edition? Generally if it says it’s a first edition, it is, though sometimes exact reprints are exactly that. They even reprint the title page word for word. Usually, if it says it’s a later edition, it’s not a first, although not even this is certain. Some books, he explains, started with printings such as “fifteenth edition,” in the hopes would-be buyers would conclude that it was a very popular book and therefore one they must have.

Bibliographies, which spell out differences between varying editions, are a good place to look to determine whether an edition is a first. And then there’s always copyright vs. printing dates. If these two are the same, there’s a good chance it is a first edition. If the copyright date is much earlier than the printing date, it is more likely a later edition.

Dust jackets can and often do make all of the difference when it comes to 20th century books. This leads to an important point. A lot of collecting is for prestige, he explains. People who can afford it will pay top dollar for the very best copy, but may pay nothing for something less. Absence of a dust jacket, or even a torn one, makes the copy less than perfect. Some books are so old and rare that there may be nothing but fair copies left, and those can be very valuable. However, where mint copies are in existence, the drop off in value can be substantial between mint and good. In other words, condition is very important if not crucial, and unfortunately, many of those old books we have in the attic have not been well cared for over the years.

Another issue is signatures and associations. How much does an author’s signature or notes add to the value of a book? That depends on the author, Mr. Gloss explains. If the author is significant, his signature can be valuable, but if the author is not significant, his signature is also likely to be insignificant. Another factor is whether the author signed many books. For example, a book signed by J.D. Salinger is likely to be valuable as Salinger is a reclusive person who rarely signs his books.

“Association” is a term that is used to indicate that a particular book associates one famous significant figure with another. An association copy of a book might be one given by General George Washington, for instance, to his trusted military right hand man, or the word association might be used to indicate, say, Melville’s copy of Moby Dick with his notes throughout. If you own either of the afore described books, get yourself to an appraiser immediately as you may well have hit lotto! However, association copies of books are extremely uncommon, especially in attics or family trunks.

Rare Book Monthly

  • ALDE, Apr. 8: GUEVARA (ANTONIO DE). Histoire de Marc-Aurèle, Empereur Romain, vray miroir et horloge des Princes. Paris, Pierre et Galliot du Pré, frères, 1565. €3,000 to €4,000.
    ALDE, Apr. 8: HEURES DE LA VIERGE. Horæ in laudem beatissimæ virginis Mariæ ad usum Romanum. Paris, Charles L'Angelier, 1556. €4,000 to €5,000.
    ALDE, Apr. 8: MONTAIGNE (MICHEL DE). Les Essais. Édition nouvelle, trouvée après le deceds de l'autheur… Paris, Abel L'Angelier, 1595. €6,000 to €8,000.
    ALDE, Apr. 8: [ROJAS (FERNANDO DE)]. Celestina, tragicomedia di Calisto et Melibea, tradotta de lingua castigliana in italiano idioma… Venise, 1531. €2,000 to €3,000.
    ALDE, Apr. 8: CAMÕES (LUÍS DE). Os Lusiadas. Lisbonne, Pedro Crasbeeck, 1613. €2,000 to €3,000.
    ALDE, Apr. 8: CERVANTES (MIGUEL DE). El Ingenioso hidalgo Don Quixote de la Mancha. Bruxelles, Roger Velpius & Huberto Antonio, 1611. €6,000 to €8,000.
    ALDE, Apr. 8: LA FONTAINE (JEAN DE). Fables choisies, mises en vers. Paris, Denys Thierry et Claude Barbin, 1678-1694. €6,000 to €8,000.
    ALDE, Apr. 8: CERVANTES (MIGUEL DE). El Ingenioso hidalgo Don Quixote de la Mancha. Madrid, Joaquin Ibarra, 1780. €3,000 to €4,000.
    ALDE, Apr. 8: DIDEROT (DENIS) ET JEAN LE ROND D'ALEMBERT. Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris, 1751-1765. €15,000 to €20,000.
    ALDE, Apr. 8: [LIVRE TISSÉ]. LAMARTINE (Alphonse de). Les Laboureurs. Poème tiré de Jocelyn… Lyon, J. A. Henry, 1883. €8,000 to €10,000.
    ALDE, Apr. 8: [LIVRE TISSÉ]. Livre de prières tissé d'après les enluminures des manuscrits du XIVe au XVIe siècle. Lyon, [A. Roux], 1886. €5,000 to €6,000.
  • Sotheby’s
    Books, Manuscripts & Objects from Three Important Collections
    Open for Bidding 2-17 April
    Sotheby’s, Apr. 2-17: [Guillaume de Lorris and Jean de Meun]. Le Roman de la Rose, [Geneva or Lyons, c.1481], first printed edition of the most important medieval French vernacular poem. £200,000 to £300,000.
    Sotheby’s, Apr. 2-17: Castiglione. Il libro del cortegiano. [Venice], April 1528, first edition, in a magnificent binding by Jean Picard for Jean Grolier. £100,000 to £150,000.
    Sotheby’s, Apr. 2-17: Jacobus de Cessolis. Schachzabelbuch, Strasbourg, 1483, von der Lasa copy. £50,000 to £70,000.
    Sotheby’s, Apr. 2-17: World Championship, 1972. A collection of 84 press photographs of the famed match between Spassky and Fischer. £2,000 to £3,000.
    Sotheby’s, Apr. 2-17: Ben Franklin. Autograph letter signed, to Lord Shelburne, British Prime Minister, during peace negotiations, November 1782. £15,000 to £20,000.

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