A Sordid Tale of The Destruction of a Great Collection
- by Michael Stillman
The Day of Judgment had the highest estimate ($1.5-2.0 million) but did not sell.
John Windle also considered the decision to split up the collection a poor sales choice as well. "As of now they have at least eight unsold lots, known to the entire art world as having failed to sell," he pointed out. Leading experts in the field, he explained, think the drawings will remain unsaleable for the foreseeable future unless the sellers dramatically reduce the price, or new buyers come along. He saw each of these possibilities as being remote.
Mr. Windle was not certain where all of the drawings purchased were headed. Other than the one he purchased, he said he understood that two were purchased by a British collector, two by an American buyer, possibly an institution, and the rest were single sales, one each going to French and German institutions. None appeared to go to resellers. As for the unsold eight, Windle said he had been reliably informed that two after-sale offers on single lots had been rejected, but as of roughly a week ago, none had been accepted. He pointed out that the auction house usually has a right to make after-market sales for 30 to 90 days after an auction, but that he would not be surprised if Sotheby's quietly returns the drawings to the owners. Windle noted that Sotheby's has shared in the bad press generated by this sale and may have no desire to rekindle it.
Blake's drawings are eerie and somewhat dreamlike. They depict the borderline between two worlds, that of the living and that of the dead. Souls reach out for heaven, or look back to their graves. The poem for which they were drawn was written during a time when there was great fascination with the world of the dead, a topic that might be considered morbid today. This may explain why Blair's poem, once enormously popular, has largely been forgotten. Blake, on the other hand, mostly unknown or ignored during his own lifetime, now has a sizeable following of rabidly devoted admirers. While not everyone puts him on a high pedestal, those who love his work have no question that he belongs in the pantheon of greats as an artist, poet, or both. His reputation is finally secure. His is the one name associated with this sorry spectacle that will emerge from it untarnished.
"I'll hear no more; it makes one's blood run chill."
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
Swann, Dec. 9: Lot 206: John and Alexander Walker, Map of the United States, London and Liverpool, 1827.
Swann, Dec. 9: Lot 223: Abraham Ortelius, Typus Orbis Terrarum, hand-colored double-page engraved world map, Antwerp, 1575.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.
Sotheby’s Book Week December 9-17, 2025
Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.
![<b>Sotheby’s, Dec. 11:</b> Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] <i>Journal of the Proceedings of the Linnean Society,</i> Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.](https://ae-files.s3.amazonaws.com/AdvertisementPhotos/00d5fd41-2542-4a80-b119-4886d4b9925f.png "<b>Sotheby’s, Dec. 11:</b> Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] <i>Journal of the Proceedings of the Linnean Society,</i> Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.")
