AI is creeping into the book world, and not everyone is happy about it. If there is anyone left who doesn't know what “AI” stands for, it's “artificial intelligence.” AI can not only answer your questions, it can speak to you in natural language. It can even write a story, but we are getting ahead of ourselves. It can learn and master everything it “reads,” and that includes the content of thousands of books, articles, and everything else it reads on the internet (and as we all know, you can't post something on the internet if it isn't true).
Now, AI has stuck its big toe in the waters of the book publishing business. It is not writing books...yet...but it is about to begin translating some books. Veen Bosch & Keuning, a 100-year-old group of Dutch book publishers acquired by Simon & Schuster in May of this year, said it is using AI to “assist” in the translation of fewer than ten books of commercial fiction. It is not using it on great literary works, although that might be somewhat dismissive of commercial fiction (though likely accurate). VBK insisted that they will not be using AI to create books and authors will need to give their permission for their works to be translated in this manner.
Automated translating has come a long way in the past few years. You may remember a time not long ago when Google translations were often hard to decipher. Literal word-for-word translations often make no sense as the words, when put together in a string, may form an expression with a different meaning. A word-for-word translator won't capture this meaning. “That idea won't fly” has a clear meaning in English, but a literal translation to another language that does not share that expression will make no sense to the reader. The question is whether AI, with its great amount of stored knowledge, will be able to translate that expression into something of comparable meaning in the other language.
Not surprisingly, the use of AI to translate is an idea that won't fly with translators. They understand the intricacies of creating a translation that is true to the words' meaning, but then again, they aren't exactly a neutral party. A survey by the Society of Authors found that 36% of translators have already lost work to AI, and 77% believe it will negatively impact their future earnings. It's hard to be totally objective when your livelihood is at stake. Nevertheless, 37% of translators admitted that they had used generative AI in their work. It can be a tool, but not necessarily a replacement.
In an “open letter” to VBK, the European Council of Literary Translators' Association wrote that they were “horrified” to learn of this “limited experiment.” They said, “AI usage standardises translations, impoverishing written cultures and languages...” They continued, “Machines do not translate, they merely generate textual material; books are written by human authors and should be translated by human translators. Imagination, understanding and creativity are intrinsically human and should not be left out of any literary text.” The Authors Guild stated that publishers should include the following in contracts with authors - “...a human translator may use artificial intelligence technologies as a tool to assist in the translation, provided that the translation substantially comprises human creation and the human translator has control over, and reviews and approves, each word in the translation.”
Of course, translations are just the tip of the iceberg. Next up, coming to a book near you soon, is AI written books. AI can write stories now and undoubtedly full-length books if assigned the task. My guess is it may be able to write passable pulp fiction, standardized works that are pumped out as cheap paperbacks for readers not in the mood for taking on Ulysses. But, could it write Ulysses? Can it equal Shakespeare? Can it be creative instead of formulaic? Does creativity require the ability to think? AI can't. That's something to think about.
Forum Auctions Online: India Ends 19th February 2026
Forum, Feb. 19: Lot 40 Ramasvami (Kavali Venkata). A Digest of the Different Castes of India, 83 charming hand-coloured lithographed plates, Madras, 1837. £5,000-7,000
Forum, Feb. 19: Lot 50 Watson (John Forbes) & John William Kaye. The People of India: A Series of Photographic Illustrations...of the Races and Tribes of Hindustan, 8 vol., 480 mounted albumen prints, 1868-75. £4,000-6,000
Forum, Feb. 19: Lot 53 Afghanistan.- Elphinstone (Hon. Mountstuart). An Account of the Kingdom of Caubul, first edition, hand-coloured aquatint plates, a fine copy, 1815. £2,000-3,000
Forum, Feb. 19: Lot 57 [Album and Treatise on Hinduism], manuscript treatise on Hinduism in French, 31 watercolours of Hindu deities, Pondicherry, 1865. £3,000-4,000
Forum, Feb. 19: Lot 62 Allan (Capt. Alexander). Views in the Mysore Country,
[1794]. £2,000-3,000
Forum Auctions Online: India Ends 19th February 2026
Forum, Feb. 19: Lot 76 Bird (James). Historical Researches on the Origin and Principles of the Bauddha and Jaina Religions..., first edition, lithographed plates, Bombay, American Mission Press, 1847. £3,000-4,000
Forum, Feb. 19: Lot 100 Ceylon.- Daniell (Samuel). A Picturesque Illustration of the scenery, animals, and native inhabitants, of the Island of Ceylon: in twelve plates, 1808. £5,000-7,000
Forum, Feb. 19: Lot 123 D'Oyly (Charles). Behar Amateur Lithographic Scrap Book, lithographed throughout with title and 55 plates mounted on 43 paper leaves, [Patna], [1828]. £3,000-5,000
Forum, Feb. 19: Lot 139 Gandhi (known as Mahatma Gandhi,) Fine Autograph Letter signed to Jawaharlal Nehru, Sevagram, Wardha, 1942, emphasising the importance of education in rural communities. £10,000-15,000
Forum Auctions Online: India Ends 19th February 2026
Forum, Feb. 19: Lot 140 Gantz (John). Indian Microcosm, first edition, Madras, John Gantz & Son, 1827. £10,000-15,000
Forum, Feb. 19: Lot 146 Grierson (Sir George Abraham). Linguistic Survey of India, 11 vol. in 20, folding maps, original cloth, Calcutta, Superintendent Government Printing, 1903-28. £2,000-3,000
Forum, Feb. 19: Lot 195 Madras.- Fort St. George Gazette (The), No.276-331, pp.493-936 and Index to all of 1834 at end, modern half calf, Madras, 2nd July - 31st December 1834. £2,000-3,000
Forum, Feb. 19: Lot 205 Marshall (Sir John) and Alfred Foucher. The Monuments of Sanchi, 3 vol., first edition, 141 plates, most photogravure, [Calcutta], [1940]. £3,000-4,000
Il Ponte, Feb. 25-26: HAMILTON, Sir William (1730-1803) - Campi Phlegraei. Napoli: [Pietro Fabris], 1776, 1779. € 30.000 - 50.000
Il Ponte, Feb. 25-26: [MORTIER] - BLAEU, Joannes (1596-1673) - Het Nieuw Stede Boek van Italie. Amsterdam: Pieter Mortier, 1704-1705. € 15.000 - 25.000
Il Ponte, Feb. 25-26: TULLIO D'ALBISOLA (1899-1971) - Bruno MUNARI (1907-1998) - L'Anguria lirica (lungo poema passionale). Roma e Savona: Edizioni Futuriste di Poesia, senza data [ma 1933?]. € 20.000 - 30.000
Il Ponte, Feb. 25-26: IL MANOSCRITTO RITROVATO DI IPPOLITA MARIA SFORZA. TITO LIVIO - Ab Urbe Condita. Prima Decade. Manoscritto miniato su pergamena, metà XV secolo. € 280.000 - 350.000
Sotheby's Fine Books & Manuscripts Available for Immediate Purchase
Sotheby’s: Balthus, Emily Brontë. Wuthering Heights, New York: The Limited Editions Club, 1993. 6,600 USD.
Sotheby’s: Charles Dickens. Complete Works, Philadelphia & London: J.B. Lippincott Company & Chapman & Hall, LD, 1850. Limited Edition set of 30 volumes. 7,500 USD.
Sotheby’s: John Lennon, Yoko Ono. Handwritten Letter from John Lennon and Yoko Ono to their Chauffer. 1971. 32,500 USD.
Sotheby’s: Winston Churchill. First edition of War Speeches, Cassell and Company, Ltd., 1941. Set of 7 volumes. 5,500 USD.
Sotheby’s: Andy Warhol, Julia Warhola. Holy Cats First Edition, Signed by Andy Warhol. 1954. 30,000 USD.