• Forum Auctions
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    28th March 2024
    Forum Mar. 28: [Langland (William)]. The vision of Pierce Plowman, nowe the seconde time imprinted..., Roberte Crowley, 1550. £8,000 to £10,000.
    Forum Mar. 28: [Shakespeare (William)]. [Comedies, Histories, and Tragedies], second folio edition, [by Tho.Cotes, for Robert Allot], [1632]. £30,000 to £40,000.
    Forum Mar. 28: Bible, Czech Biblia Bohemica, first complete Bible printed in the Czech vernacular, Prague, August 1488. £30,000 to £40,000.
    Forum Auctions
    Books, Manuscripts and Works on Paper
    28th March 2024
    Forum Mar. 28: Shabthai Tzvi.- Collection of four printed and illustrated broadsides detailing the appearance, rise and fall of the false messiah, Shabthai Tzvi, Augsburg, 1666-67. £40,000 to £60,000.
    Forum Mar. 28: Leaf from the Beauvais Missal, in Latin, illuminated manuscript on parchment, [Northern France (perhaps Beauvais or Amiens)], [fourteenth century (c.1310)]. £4,000 to £6,000.
    Forum Mar. 28: Aubrey (John). [Remaines of Gentilisme and Judaisme], manuscript in English, Latin and Greek, [c. 1693]. £30,000 to £50,000.
    Forum Auctions
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    28th March 2024
    Forum Mar. 28: Byron (George Gordon Noel, Lord). Poems on Various Occasions, first edition, Harriet Maltby's copy, Newark, Printed by S. & J. Ridge, 1807. £30,000 to £40,000.
    Forum Mar. 28: Tolkien (J.R.R.) The Hobbit, first edition, second impression with dust-jacket, 1937 [but 1938]. £7,000 to £10,000.
    Forum Mar. 28: Blake (William).- Thornton (Robert John). The Pastorals of Virgil, 2 vol., engraved plates by William Blake, 1821. £8,000 to £12,000.
    Forum Auctions
    Books, Manuscripts and Works on Paper
    28th March 2024
    Forum Mar. 28: America.- Mount (William J.) & Thomas Page. The English Pilot…, [bound with] The Fourth Book, describing The West Indies Navigation from Hudson's-Bay to the River Amazones, 1721. £20,000 to £30,000.
    Forum Mar. 28: Oldfield (Henry Ambrose), Rajman Singh Chitrakar & others. An album of 160 photographs and 13 original artworks, (1833-1919), [c. 1850s-1880s]. £20,000 to £30,000.
    Forum Mar. 28: Audubon (John James) [and William MacGillivray]. Ornithological Biography…, 5 vol., first edition, presentation copy inscribed by Audubon, Edinburgh, 1831-49 [i.e. 1831-39]. £10,000 to £15,000.
  • 19th Century Shop
    Catalogue 198 just published
    19th Century Shop. Darwin and Wallace, first printing of the first paper on natural selection
    19th Century Shop. Shakespeare’s Poems, first collected edition
    19th Century Shop. Walt Whitman portrait inscribed with a Leaves of Grass poem
    19th Century Shop. Major Elizabeth Barrett Browning manuscript notebook
    19th Century Shop. Spock's Baby Book, original MS
    19th Century Shop. Cellarius, Harmonia Macrocosmica, the great celestial atlas
  • Forum Auctions
    Colour Plate Books from the Library of Norman Bobins
    Part 2
    27th March 2024
    Forum Auctions, Mar. 27: Alken (Henry). Sporting Notions, first edition, T.McLean, 1832-33. £800 to £1,200.
    Forum Auctions, Mar. 27: Bardi (Lorenzo). Nuova Raccolta delle piu interessanti Vedute della Citta di Firenze…, Florence, Lorenzo Bardi, [c.1840]. £1,500 to £2,000.
    Forum Auctions, Mar. 27: Crawfurd (John). Journal of an Embassy from the Governor-General of India to the Court of Ava..., first edition, 1829. £1,000 to £1,500.
    Forum Auctions
    Colour Plate Books from the Library of Norman Bobins
    Part 2
    27th March 2024
    Forum Auctions, Mar. 27: Dawe (George, engraver). The Life of a Nobleman, first edition, Geo. Henderson, [c.1825]. £1,000 to £1,500.
    Forum Auctions, Mar. 27: [Doyle (John)], "H.B.". Political Sketches &c., 10 vol. including The Descriptive Key to H.B., Thomas McLean, [1829-51]. £4,000 to £6,000.
    Forum Auctions, Mar. 27: Eben (Adolphus Christian Frederick, Baron von) and Nicolaus Heideloff. Modèles de l'Uniforme Militaire Adopté dans l'Armée Royale de Suède, Rudolph Ackerman, 1808. £1,500 to £2,000.
    Forum Auctions
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    Part 2
    27th March 2024
    Forum Auctions, Mar. 27: Geissler (J.G.G.) and Friedrich Hempel. Mahlerische Darstellungen der Sitten, Gebrauche und Lustbarkeiten bey den Russischen, Tartarischen…, 4 parts in 1, Leipzig and Paris, [1804]. £1,000 to £1,500.
    Forum Auctions, Mar. 27: Hunt (Charles). Portraits of Winning Horses...of the Derby, Oaks, & St. Leger, from the Year 1842 to 1849…, Rock Brothers & Payne, 1849. £1,500 to £2,000.
    Forum Auctions, Mar. 27: Kunike (Adolf Friedrich). Zwey hundert und sechzig Donau-Ansichten nach dem Laufe des Donaustromes…, Vienna, Leopold Grund, 1826. £3,000 to £5,000.
    Forum Auctions
    Colour Plate Books from the Library of Norman Bobins
    Part 2
    27th March 2024
    Forum Auctions, Mar. 27: Lasinio (Carlo). [Matrimony], Florence, 1790. £1,500 to £2,000.
    Forum Auctions, Mar. 27: Reinhardt (Joseph). A Collection of Swiss Costumes, in Miniature, second English edition, James Goodwin, [1828]. £800 to £1,200.
    Forum Auctions, Mar. 27: Wengen (Gottfried Durst von). Die Öffentliche Maskerade Bamberg am Fastnachts-Montage 1833…, Bamberg, [1833]. £2,000 to £3,000.
  • Sotheby’s
    Modern First Editions
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    Sotheby’s, Available Now: Winston Churchill. The Second World War. Set of First-Edition Volumes. 6,000 USD
    Sotheby’s, Available Now: A.A. Milne, Ernest H. Shepard. A Collection of The Pooh Books. Set of First-Editions. 18,600 USD
    Sotheby’s, Available Now: Salvador Dalí, Lewis Carroll. Alice's Adventures in Wonderland. Finely Bound and Signed Limited Edition. 15,000 USD
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    Sotheby’s, Available Now: Ernest Hemingway. A Farewell to Arms. First Edition, First Printing. 4,200 USD

Rare Book Monthly

Articles - May - 2023 Issue

Court Rules for Copyright Protection Over Open Access in Library Dispute

Internet Archive Open Library Logo (from Internet Archive webpage).

In a major legal ruling pitting copyright protections against open access to books, the copyright interests have prevailed. The interests of copyright protection was represented by a group of four publishers, Hachette, HarperCollins, John Wiley, and Penguin Random House. On the other side was the Internet Archive and its Open Library. The publishers won. The Internet Archive will appeal.

 

The source of this dispute is the Online Library created by the Internet Archive. The Internet Archive is a non-profit dedicated to preserving history. They are most known for their Wayback Machine, that has preserved countless past views of the internet and preserved them for history. If you want to know what a website looked like several years ago, you can access the Wayback Machine and it will show that site on certain specified dates in the past. It's a caution against thinking you can erase all traces of your online past by deleting what is visible today.

 

The Internet Archive has also been copying complete books and creating digital copies. What it does is sort of like Google Books, and sort of like e-books you borrow from your local library, but also fundamentally different. Google also copies books and makes those scanned digital copies available free to the public, but they do not make books published more recently than 95 years ago available. That is the safe date to be certain the book is no longer under copyright. Google will make short “snippets” from the book available for more recent titles, something generally acknowledged as being “fair use,” but no more. On the other hand, your local library will make the entire electronic book available to you. However, these are not digitally scanned copies but copies created digitally from the start, and they pay the publishers for the right to lend these copies. The Internet Library does neither. It does make books available that are still under copyright protection (though nothing published more recently than five years ago), but does not pay the publishers a fee for their use.

 

What the Internet Archive does is to scan their physical copy of the book and make that available to the public for free. Since copying a copyrighted work is generally a violation of that copyright, why do they think this is legal? Their argument is that they are essentially doing the same thing as a regular library does with physical books – legally obtaining them, either through purchase or gift, and lending digital copies of those legally obtained books to the public. To keep it like a regular library, they only lend as many copies as they have of a book at one time. For example, if they have one physical copy of a book, they will lend no more than one digital copy at a time. It must be “returned” (access cancelled) before a digital copy will be loaned to another patron. If they have five copies, they will lend up to five copies at a time. They keep the original copies in storage as opposed to discarding them to maintain the requirements of acting like a traditional library. The only difference is they lend out a digital scan of the book they own rather than the physical book itself, the only practical way of reaching a much larger audience, particularly those far away from a physical library. It's a useful service.

 

So here is the conflict – on one side are the authors and publishers who have a right to profit from their work, versus the rule by which libraries exist, called “first sale,” that says once you buy a book, it is yours to do as you please (short of violating copyrights). You can sell it or lend it to your friends and the author or publisher cannot stop you, even if they would prefer your friend buy their own copy. However, copyright law usually prevents copying it. This takes us back to the “fair use” exception which provides guidelines as to when is copying legal “fair use,” and when is it illegal copyright infringement.

 

“Fair use” is determined by a set of rules that are subject to different interpretations, which is why we have disputes such as this. It involves factors such as how much is copied, is it for useful, non-profit reasons or commercial ones, what is the impact on the creators of the work, and is it a “transformative” use, that is, is the copy in fact something new and different from the original.

 

For example, the Internet Archive argued their copy was “transformative” because it made it available in a new way, and to more people. The publishers argued no, it was the same book, not something like a book review with a few quotes but essentially something different. You couldn't substitute a book review for the book, but you could substitute a digital copy for a printed one and still have essentially the same book.

 

While the court uses the various factors in its opinion, it is so one-sided that one imagines the judge looked at the situation, determined the publishers/writers were in the right, and wrote his opinion accordingly. The predictable split between conservative and liberal judges is a sign this happens all the time.

 

At the moment, copyright supporters hold sway. The length of copyright protections has been increased many times. The original copyright law in America, passed in 1790, provided for 14 years with eligibility to renew for another 14 years. Today, it is for the life of the author plus another 70 years, or for corporations, 95 years. Much of this came about at the behest of the Walt Disney Company that wanted to protect its copyright of the now very aged Mickey Mouse. That's a heck of a reason to determine the length of copyrights (one might say a Mickey Mouse justification).

 

That leads to the question more important than this particular case – what exactly should copyright law protect? To answer that question, we need to understand the purpose of copyrights. It is not to protect the financial interests of authors or publishers. It is, perhaps, more aligned with the Internet Archive's purpose. It is to enhance the spread of knowledge. That is why it is in the Constitution. However, the framers also understood that writers needed to be paid to write, so if they could not protect their financial interests from copying, they simply would not write books. Hence, copyrights are necessary to create and spread knowledge.

 

Based on that, the current life plus 70 years is absurd. What writer would refuse to write because their heirs will only be able to make money from those books for, say, 50 years after they die rather than 70? None. When Disney created Mickey Mouse, it was only 28 years plus one 28 year renewal. He almost outlived his copyright himself, let alone providing 70 years for his heirs, yet he created Mickey Mouse anyway.

 

Another factor is how knowledge is spread these days. It is no longer through the inefficient method of a big library with lots of physical books on stacks you can pull out, thumb through, and see if it has what you need. It is done by searching various digital sources, from the internet, databases, and such. It allows researchers to access not only huge volumes of material, but to search through it in a matter of seconds. The idea of searching the old way, book by book, library by library, for different books is absurd in the digital age. It's nice that OCLC now lets you determine which libraries have what you seek, but for an obscure title, the nearest library might be 2,000 miles away and you don't even know whether, as a nonmember, they will let you read the book when you get there. Besides which, digital searching allows you to access books you never would have thought to look through. You just can't do research the old way any more.

 

Still, the original purpose of copyrights, to encourage authors to write, is as important today as it was in 1790. My parents wrote school books and they did not do it for the fun of it. It was work. It is a difficult challenge to meet both needs and I don't pretend to have the answer. What I can say is the present law makes little sense today and is counterproductive to the purpose of copyrights, to enhance the spread of knowledge.

Rare Book Monthly

  • Potter & Potter Auctions
    How History Unfolds on Paper:
    Choice Selections from the Eric C. Caren Collection
    Part IX
    April 18, 2024
    Potter & Potter, Apr. 18: [RUTH, George Herman “Babe” (1895-1948)]. Signed photograph. Circa 1930s. 191 x 248 mm. $1,500 to $2,500.
    Potter & Potter, Apr. 18: HARRISON, Benjamin. Document signed (“Benj Harrison”) as governor of Virginia, certifying the service of Daniel Cumbo, a Black Revolutionary soldier. $6,000 to $9,000.
    Potter & Potter, Apr. 18: ONE OF THE FIRST PRINTED ANNOUNCEMENTS OF THE DECLARATION OF INDEPENDENCE. $4,000 to $6,000.
    Potter & Potter Auctions
    How History Unfolds on Paper:
    Choice Selections from the Eric C. Caren Collection
    Part IX
    April 18, 2024
    Potter & Potter, Apr. 18: FIRST PRINTING OF LINCOLN’S IMMORTAL GETTYSBURG ADDRESS. $4,000 to $6,000.
    Potter & Potter, Apr. 18: HIGHLY IMPORTANT MORMON ARCHIVE. ALLEY, George. Archive of 23 Autograph Letters Signed by Mormon Convert George Alley to His Brother Joseph Alley. $10,000 to $20,000.
    Potter & Potter, Apr. 18: [AVIATION]. [ARMSTRONG, Neil A.] Aviation Hall of Fame Gold Medal MS64 NGC, Awarded to Neil Armstrong in 1979. $2,000 to $3,000.
    Potter & Potter Auctions
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    Choice Selections from the Eric C. Caren Collection
    Part IX
    April 18, 2024
    Potter & Potter, Apr. 18: NEWLY DISCOVERED FIRST PRINTING OF "WITH MALICE TOWARDS NONE... " FROM THE ONLY NEWSPAPER ACTUALLY ALLOWED TO PARTICIPATE IN LINCOLN’S SECOND INAUGURAL PROCESSION. $4,000 to $8,000.
    Potter & Potter, Apr. 18: THE MOST IMPORTANT GEORGE WASHINGTON DOCUMENT IN PRIVATE HANDS; GEORGE WASHINGTON’S COMMISSION AS COMMANDER IN CHIEF, 1775, ONE OF ONLY TWO ORIGINALS. $150,000 to $250,000.
    Potter & Potter, Apr. 18: A VERY RARE ACCOUNT OF BLACKBEARD’S DEATH AND ONE OF THE MOST IMPORTANT PIRATE ITEMS EXTANT. $3,000 to $5,000.
    Potter & Potter Auctions
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    Choice Selections from the Eric C. Caren Collection
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    April 18, 2024
    Potter & Potter, Apr. 18: EDISON, Thomas. Patent for Edison’s Improvements on the Electric-Light, No. 219,628. [Washington, D.C.: U.S. Patent Office], 16 September 1879. $2,000 to $3,000.
    Potter & Potter, Apr. 18: [VIETNAM WAR]. The original pen used by Secretary of State William P. Rogers to sign the Vietnam Peace Agreement, Paris, 27 January 1973. $10,000 to $15,000.
    Potter & Potter, Apr. 18: SONS OF LIBERTY FOUNDER COLONEL BARRÉ ANNOTATED TITLE-PAGE, “WHICH OUGHT TO ROUSE UP BRITISH ATTENTION”. $4,000 to $6,000.
  • Bonhams, Mar. 22 – Apr. 2: A RUTH BADER GINSBURG BEADED JUDICIAL COLLAR. $80,000 - $120,000
    Bonhams, Mar. 22 – Apr. 2: ONLY KNOWN COPY OF THE ONLY BOOK BY THE REMARKABLE EVE ADAMS. $8,000 - $12,000
    Bonhams, Mar. 22 – Apr. 2: A COMPLETE RUN OF VISIONAIRE MAGAZINE THROUGH 2010. $6,000 - $9,000
    Bonhams, Mar. 22 – Apr. 2: LAW REVIEW OFFPRINT SIGNED AND INSCRIBED BY RUTH BADER GINSBURG. $3,000 - $5,000
    Bonhams, Mar. 22 – Apr. 2: META REBNER'S WORKING SCRIPT OF THE LOVED ONE. $1,500 - $2,000
    Bonhams, Mar. 22 – Apr. 2: A KATHY GROVE PORTRAIT OF CYNDI LAUPER FOR THE FEBRUARY 1989 DETAILS COVER. $800 - $1,200
    Bonhams, Mar. 22 – Apr. 2: A PLASTIC COAT BY MILLIE DAVID FEATURED IN SOHO NEWS STYLE SECTION, FROM THE COLLECTION OF ANNIE FLANDERS. $500 - $700
    Bonhams, Mar. 22 – Apr. 2: A RUTH BADER GINSBURG JEWELRY BOX. $600 - $900
    Bonhams, Mar. 22 – Apr. 2: A SET OF JONI MITCHELL LYRICS FOR "IF I HAD A HEART." $2,000 - $3,000

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