Rare Book Monthly

Articles - March - 2022 Issue

NFT Collectors Face the Real World – Fraud Is Rampant

Pizza NFT from Cent website. Why would you buy this when, for a few bucks, you could have your pizza and eat it too?

Pizza NFT from Cent website. Why would you buy this when, for a few bucks, you could have your pizza and eat it too?

NFTs have looked to many to be the new frontier of collecting. In a world where more people are deeply involved in digital worlds (Metaverse, here we come!), and younger people are living in smaller homes because of affordability issues, it may make sense. Practically anything collectible can be made into an NFT, they live in blockchain or the Metaverse, and they take up no physical space. What's not to like?

 

First, before we proceed, a quick explanation of NFTs for those not familiar. NFT, an abbreviation of non-fungible token, is a way of creating unique copies of something that is digital in form. Something digital is inherently reproducible, fungible if you will. A non-fungible token, then, is something that “attaches” to a digital image that shows it is a unique copy, even if it looks the same as all others. So, for example, if you have an electronic piece of artwork that can be downloaded onto any computer, each of which look will look the same, the artist can attach an NFT to it. This NFT will establish that it is the original copy of that electronic piece of art, sort of like an original painting. The artist could also make original copies, sort of like prints, in a limited edition of, say, 100. Those could have NFTs with numbers 1, 2, 3 and so on. They won't be as valuable as the original artwork, but more valuable than ordinary downloaded images with no established precedence, like original prints.

 

We are already seeing NFTs for artworks and collectible sports cards, things formerly only collectible in physical form, and some fitting the category of “works on paper.” Books cannot be far behind. Hand or typewritten paper manuscripts have been replaced with books being written on computers, making physical manuscript collecting impossible. Letters have been replaced by digital email and “tweets.” How long before the same happens to other forms of paper, notably books? An author could sell the first copy of his/her e-book for big bucks. Or, like prints, sell a limited, first edition copy with an NFT, like limited first editions of physical books are sold today.

 

While the convenience of this form of collecting is one advantage, another supposed benefit has also been touted – security. With these unique tokens, and storage on blockchain, these unique items cannot be stolen or forged, like physical copies. Or can they? A recent event has upended the assumption that NFTs really are so secure. Cent, the company that made the $2.9 million sale of the NFT of Twitter founder Jack Dorsey's first “tweet,” recently suspended the use of its platform to create NFTs. Cent and other companies such as OpenSea, allow you to create your own NFTs. However, the blockchain universe, sometimes referred to as Web3, has no owners and consequently no regulators. It's a place where people do pretty much as they please. It is why blockchain currency – cryptocurrency – can be used for funneling money illegally, such as for drug sales or blackmail, and for evading taxes. Unlimited freedom sometimes has its downside.

 

The problem Cent and others have been experiencing in large volumes is the crypto equivalent of forgery. People are using the platforms to create counterfeit NFTs, that is, placing their token on someone else's work and claiming it to be authentic. Unlike forged books, that are few and far between because of the amount of work and skill needed to create a believable forgery, it is easy to create a perfectly real-looking counterfeit NFT. Cent explained, “Recently, on our network, we’ve seen people taking others’ work and re-minting it using our services. We believe these people are bad actors, who only engage with Cent for the purpose of tricking others into purchasing counterfeit work. We do not condone this behavior – ethically, legally, and philosophically, it goes against our values and what we stand for as a company.”

 

The extent of this fraud seems unimaginable, but according to a January 27 “tweet” by OpenSea, “we've recently seen misuse of this feature increase exponentially. Over 80% of the items created with this tool were plagiarized works, fake collections, and spam.”

 

Cent went on to note, “Our response has been to ban the offending accounts, but we believe that this approach is not sustainable. That’s why, effective today, we’re removing the ability to sell NFTs here. Our intent is to make this limitation temporary until we can rollout a strategy to overcome the challenges we’re facing.” In other words, attempting to stop the forgeries one by one, a process they describe as “whack-a-mole,” is not very effective. It has become too pervasive. They also point out, “Currently, there is no industry wide standard for counteracting bad behavior.” Even if one is created, it will at most be voluntary, and easily ignored, as blockchain has no authority and is not regulated by the government. And this is a form of collecting once thought of as being more secure. 80%!

 

There is a lesson in this. NFTs are a very different form of collectible than physical objects. Their appeal may be hard for many of us to understand, but according to Reuters, there were $25 billion in sales of NFTs in 2021. There is big money here, and where there is serious money, crime, theft, fraud will surely follow. Welcome to the real world, denizens of the Metaverse!

Rare Book Monthly

  • Forum Auctions
    The Library of Barry Humphries
    26th March 2025
    Forum, Mar. 26: Beckford (William) [Vathek] An Arabian Tale, first (but unauthorised) edition, Lady Caroline Lamb's copy with her signature and notes, 1786. £2,000 to £3,000.
    Forum, Mar. 26: Baudelaire (Charles) Les Fleurs du Mal, first edition containing the 6 suppressed poems, first issue, contemporary half black morocco, Paris, 1857. £4,000 to £6,000.
    Forum, Mar. 26: Beardsley (Aubrey).- Pope (Alexander) The Rape of the Lock, one of 25 copies on Japanese vellum, Leonard Smithers, 1896. £4,000 to £6,000.
    Forum, Mar. 26: Douglas (Lord Alfred) Sonnets, first edition, the dedication copy, with signed presentation inscription from the author to his wife Olive Custance, The Academy, 1909. £2,000 to £3,000.
    Forum Auctions
    The Library of Barry Humphries
    26th March 2025
    Forum, Mar. 26: Crowley (Aleister) The Works..., 3 vol. in 1 (as issued)"Essay Competition" issue on India paper, signed presentation inscription from the author, 1905-07. £1,500 to £2,000.
    Forum, Mar. 26: Rodin (Auguste).- Mirbeau (Octave) Le Jardin des Supplices, one of 30 copies on chine with an additional suite, bound in dark purple goatskin, Paris, 1902. £3,000 to £4,000.
    Forum, Mar. 26: Pellar (Hans) Eight original book illustrations for 'Der verliebte Flamingo' [together with] a published copy of the first edition of the book, 1923. £6,000 to £8,000.
    Forum, Mar. 26: Cretté (Georges, binder).- Louÿs (Pierre) Les Aventures du Roi Pausole, 2 vol., one of 99 copies, with 2 original drawings, superbly bound in blue goatskin, gilt, Paris, 1930. £3,000 to £4,000.
  • Sotheby's
    Sell Your Fine Books & Manuscripts
    Sotheby’s: The Shem Tov Bible, 1312 | A Masterpiece from the Golden Age of Spain. Sold: 6,960,000 USD
    Sotheby’s: Ten Commandments Tablet, 300-800 CE | One of humanity's earliest and most enduring moral codes. Sold: 5,040,000 USD
    Sotheby’s: William Blake | Songs of Innocence and of Experience. Sold: 4,320,000 USD
    Sotheby’s: The Declaration of Independence | The Holt printing, the only copy in private hands. Sold: 3,360,000 USD
    Sotheby's
    Sell Your Fine Books & Manuscripts
    Sotheby’s: Thomas Taylor | The original cover art for Harry Potter and the Philosopher's Stone. Sold: 1,920,000 USD
    Sotheby’s: Machiavelli | Il Principe, a previously unrecorded copy of the book where modern political thought began. Sold: 576,000 GBP
    Sotheby’s: Leonardo da Vinci | Trattato della pittura, ca. 1639, a very fine pre-publication manuscript. Sold: 381,000 GBP
    Sotheby’s: Henri Matisse | Jazz, Paris 1947, the complete portfolio. Sold: 312,000 EUR
  • Koller, Mar. 26: Wit, Frederick de. Atlas. Amsterdam, de Wit, [1680]. CHF 20,000 to 30,000
    Koller, Mar. 26: Merian, Maria Sibylla. Der Raupen wunderbare Verwandelung, und sonderbare Blumennahrung. Nürnberg, 1679; Frankfurt a. M. und Leipzig, 1683. CHF 20,000 to 30,000
    Koller, Mar. 26: GOETHE, JOHANN WOLFGANG VON. Faust. Ein Fragment. Von Goethe. Ächte Ausgabe. Leipzig, G. J. Göschen, 1790. CHF 7,000 to 10,000
    Koller, Mar. 26: Hieronymus. [Das hochwirdig leben der außerwoelten freünde gotes der heiligen altuaeter]. Augsburg, Johann Schönsperger d. Ä., 9. Juni 1497. CHF 40,000 to 60,000.
    Koller, Mar. 26: BIBLIA GERMANICA - Neunte deutsche Bibel. Nürnberg, A. Koberger, 17. Feb. 1483. CHF 40,000 to 60,000
    Koller, Mar. 26: HORAE B.M.V. - Stundenbuch. Lateinische Handschrift auf Pergament, Kalendarium französisch. Nordfrankreich (Rouen?). CHF 25,000 to 40,000
  • Forum Auctions
    Fine Books, Manuscripts and Works on Paper
    27th March 2025
    Forum, Mar. 27: Dürer (Albrecht) Hierin sind begriffen vier bücher von menschlicher Proportion, 4 parts in 1, first edition, Nuremberg, Hieronymus Andreae for Agnes Dürer, 1528. £30,000 to £40,000.
    Forum, Mar. 27: Book of Hours, Use of Rome, illuminated manuscript in Latin, on vellum, 26 fine hand-painted miniatures, 17th century dark brown morocco, [Lyon], [c. 1475 and later c. 1490-1500]. £25,000 to £35,000.
    Forum, Mar. 27: Brontë (Emily) The North Wind, watercolour, [1842]. £15,000 to £20,000.
    Forum, Mar. 27: Titanic.- Mudd (Thomas Cupper, one of the youngest victims of the sinking of the Titanic, 1895-1912) Autograph Letter signed on board RMS Titanic to his mother, April 11th 1912. £20,000 to £30,000.
    Forum Auctions
    Fine Books, Manuscripts and Works on Paper
    27th March 2025
    Forum, Mar. 27: [Austen (Jane)] Emma: A Novel, 3 vol., first edition, for John Murray, 1816. £10,000 to £15,000.
    Forum, Mar. 27: Picasso (Pablo).- Ovid. Les Metamorphoses, one of 95 copies, signed by the artist, Lausanne, Albert Skira, 1931. £10,000 to £15,000.
    Forum, Mar. 27: America.- Ogilby (John) America: Being the Latest, and Most Accurate Description of the New World..., all maps with vibrant hand-colouring in outline, probably by an early hand, 1671. £15,000 to £25,000.
    Forum, Mar. 27: Iceland.- Geological exploration.- Bright (Dr. Richard )and Edward Bird. Collection of twenty original drawings from travels in Iceland with Henry Holland and George Mackenzie, watercolours, [1810]. £20,000 to £30,000.

Article Search

Archived Articles

Ask Questions