Rare Book Monthly

Articles - January - 2022 Issue

“NFT” Is the Word of the Year. But What Is It?

This is not a real (as in physical) baseball card.

This is not a real (as in physical) baseball card.

Collins Dictionary has named its Word of the Year, and it's one that collectors of all stripes will need to know in the years ahead. The “word,” though it isn't really a word, is “NFT.” It's an abbreviation for two words and one prefix, “non-fungible token.” That's a mouthful and probably half the people who are familiar with NFTs don't know what it stands for, even if they understand the concept. For many others, they don't understand the concept even if they have read the definition. It is not easy for people who grew up in a physical world to understand the digital one. I know.

 

NFTs, which have only been around a few short years and were unknown to most a year ago, broke into the public consciousness last spring when a digital NFT artwork sold for $69.3 million. Say what? An artwork with no canvas, no physical being, just an electronic memory converted to a digital image by computer chips sold for $69.3 million. Nice job “Beeple,” aka Mike Winkelmann, the artist. You aren't going to hang that on your wall unless its via an electronic computer monitor attached to a computer.

 

Before we get to describing the relationship between NFTs and collectible paper, here is a brief explanation from someone who actually has no idea what an NFT is. First, “non-fungible.” “Fungible” means there are many like items that can replace each other. For example, a dollar bill is fungible. They are interchangeable. It doesn't matter which one you have. So, non-fungible means unique, such as an original painting, or the first handwritten manuscript of a book.

 

“Token” here means something that is “attached” to a digital copy. Like an inscription written in a book, the token is “attached” to the digital image. It stays with the image forever. Since it is non-fungible, the token is unique, one of a kind. Attach this unique token to an artwork or anything else in digital form, it now becomes unique, the only one with this token. Therefore, if your digital copy of an artwork has this first token “attached” to it, it means you have the first. It's as if you had the painting and everyone else had prints or photographs of it. So, while others may have digital images of your artwork that look the same on their computers, you have the only one that has been established as the first, the original artwork. Naturally, that is worth a whole lot more.

 

An associated word you have probably heard, particularly with regard to digital (or crypto) currencies like bitcoin, is “blockchain.” Like me, you may have no understanding of this either. Rather than NFTs and their digital works being stored in a database, in one place, controlled by one entity, it is stored on a “blockchain.” That consists of “blocks” of sealed, unchangeable data in private computers all over the world. They are attached to each other, so to speak, to create a chain of blocks. Since these blocks are sealed and cannot be changed, no one can ever change or remove the token. It is like that inscription in the writer's unique handwriting. It guarantees authenticity. Your ownership becomes guaranteed in the blockchain (though you can sell it to another who registers their ownership, sort of like a chain of property ownership documents at the county courthouse). This is how your ownership of cryptocurrencies like bitcoin is guaranteed until you transfer it to another.

 

Now you may still be wondering what all this has to do with collectible books and paper. If artwork can be converted to NFTs, why not other forms of paper? We are already seeing it with baseball and other sports trading cards. Tampa Bay (and formerly New England Patriot) wide receiver Rob Gronkowski sold a collection of 349 of his digital NFT trading cards for $1.2 million. Just imagine how much his long-time buddy and teammate, Tom Brady, will be able to get for his. Topps, long the maker of tradition paper baseball cards, is now offering NFT versions.

 

Jack Dorsey, the founder to Twitter, sold an NFT of his first “tweet” for $2.9 million. What is a “tweet” but a digital version of a paper memo? An NFT of an original email could replace collectible old handwritten letters. And books? How about an NFT marked original manuscript of a book? Most authors are writing digitally on computers these days rather than creating paper manuscripts. This may be the only way to get an original manuscript in the future.

 

Michael Cohen, Donald Trump's one-time attorney and fixer, has offered a one-page manuscript as an NFT. He wrote it in prison and it looks like it may have been a draft of the opening statement for his tell-all book. It begins, “The President of the United States wanted me dead, or, let me say it the way Donald Trump would: he wouldn't mind if I was dead. That was the way Trump talked. Like a mob boss...” In case you're concerned you'll be bumped off if you buy it, it is priced in etherium, an untraceable digital currency like bitcoin. The price is 2.17 Eth, which as of a few days ago was worth $8,500 (by now, that could be worth twice as much or half as much the way those values fluctuate).

 

So long as there is money to be made, these things will be created. While no one can say this will be a lasting passion rather than a fad, the prices indicate the seriousness of interest so far. Could this be the future of collecting?

 

Two of the other words that made it to Collins' top 10 were “crypto” and “Metaverse.” “Crypto” is short for cryptocurrency, the digital currency. “Metaverse” is that land combining reality and fantasy, a land where real people can live and converse in a digital world, where their avatars have virtual experiences, and what they display and trade are not their physical possessions. No, they will be digital ones, their NFTs. If you want to be a big man or woman in the Metaverse, you will need to have important and valuable NFTs. Just like the rich person today shows off his Picasso hanging on the wall, the rich one of tomorrow will have a Picasso NFT to show off in the Metaverse.

 

Sounds exciting? A lot of people think so. Facebook didn't change its name to “Meta” for no reason. Apple and others aren't devising AR (augmented reality) and VR (virtual reality) glasses for people who want to live only in the “real” world. Young people, so we hear, can only afford to live in tiny apartments that have no room for physical objects anyway. And Covid has taught us how to live in confined settings where our only connections to others is in the digital world. Is this sufficient? I don't know. To me, there seems to be something missing. The physical world can be experienced through five senses, sight, sound, touch, smell and taste, the digital world but two, sight and sound. Does this matter? I need a hug.


Posted On: 2022-01-04 09:26
User Name: 19531953

If enough idiots buy into a bad idea, it (lamentably) becomes a good idea!

Eric C. Caren


Posted On: 2022-01-31 02:31
User Name: bukowski

“NFT” is an acronym, isn’t it?


Rare Book Monthly

  • Rare Book Hub is now mobile-friendly!
  • Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
    Swann, Dec. 9: Lot 206: John and Alexander Walker, Map of the United States, London and Liverpool, 1827.
    Swann, Dec. 9: Lot 223: Abraham Ortelius, Typus Orbis Terrarum, hand-colored double-page engraved world map, Antwerp, 1575.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
    Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
    Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
    Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
    Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
    Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
    Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.
  • SD Scandinavian Art & Rare Book Auctions
    The Odfjell Collection
    Polar – History – Ornithology – Colour Plate Books
    Ending December 4th
    Scandinavian Art & Rare Books Auctions, Dec. 4: ROALD AMUNDSEN: «Sydpolen» [ The South Pole] 1912. First edition in jackets and publisher's slip case.
    Scandinavian Art & Rare Books Auctions, Dec. 4: AMUNDSEN & NANSEN: «Fram over Polhavet» [Farthest North] 1897. AMUNDSEN's COPY!
    Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON [ed.]: «Aurora Australis» 1908. First edition. The NORWAY COPY.
    Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON: «The heart of the Antarctic» + SUPPLEMENT «The Antarctic Book», 1909.
    Scandinavian Art & Rare Books Auctions, Dec. 4: SHACKLETON, BERNACCHI, CHERRY-GARRARD [ed.]: «The South Polar Times» I-III, 1902-1911.
    SD Scandinavian Art & Rare Book Auctions
    The Odfjell Collection
    Polar – History – Ornithology – Colour Plate Books
    Ending December 4th
    Scandinavian Art & Rare Books Auctions, Dec. 4: [WILLEM BARENTSZ & HENRY HUDSON] - SAEGHMAN: «Verhael van de vier eerste schip-vaerden […]», 1663.
    Scandinavian Art & Rare Books Auctions, Dec. 4: TERRA NOVA EXPEDITION | LIEUTENANT HENRY ROBERTSON BOWERS: «At the South Pole.», Gelatin Silver Print. [10¾ x 15in. (27.2 x 38.1cm.) ].
    Scandinavian Art & Rare Books Auctions, Dec. 4: ELEAZAR ALBIN: «A natural History of Birds.» + «A Supplement», 1738-40. Wonderful coloured plates.
    Scandinavian Art & Rare Books Auctions, Dec. 4: PAUL GAIMARD: «Voyage de la Commision scientific du Nord, en Scandinavie, […]», c. 1842-46. ONLY HAND COLOURED COPY KNOWN WITH TWO ORIGINAL PAINTINGS BY BIARD.
    Scandinavian Art & Rare Books Auctions, Dec. 4: JAMES JOYCE: «Ulysses», 1922. FIRST EDITION IN ORIGINAL WRAPPERS.
  • Sotheby’s
    Book Week
    December 9-17, 2025
    Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
    Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
    Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
    Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
    Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
    Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.

Article Search

Archived Articles