Rare Book Monthly

Articles - October - 2021 Issue

From Here to Eternity: Collecting in your old age

The collector and his family

The collector and his family

Collections start randomly, and some day end.  Most don’t start out to be epic, rather they often turn out to be simply episodes.  The collector’s experience shapes what happens next.

Money, time and intellectual acuity play roles.  Partner preferences matter as does luck.  The early sources you rely on are crucial.  Bill Reese influenced two of my collections; The New World to 1625, and the other, The American West to 1890.  He provided perspective on how to intelligently collect, providing reading lists and sources when/if the material was not within his personal experience.  For me, collecting might have turned out to only be the accumulation of collectible material but he made the distinction, the material should have a rock solid focus.  The collection should encompass a story.

 

In addition to his perspective, I began to experiment, looking for personal relevance.  The New World to 1625 was interesting to me because I was living on the Florida east coast in the early 1990’s.  In time I built that collection [1991-1999], moved to San Francisco in 1995 and then built the collection related to the development of the American west.  I sold them at auction, the first in 2009 at Bloomsbury in New York, and second at Bonhams in New York in 2010 when I was 64.

 

I suppose at that age some collectors would throw in the towel but from when I was a kid, I always hoped I could collect a collection of Ulster County, New York where I grew up.  I did so randomly without much success.  But the internet, in the late 1990’s exposed all kinds of material relating to Ulster and found the county’s commercial history was accessible and saw the day to day details of life and business could be purchased online.  For me, this meant I was going to build one more collection and continue to build it today.

 

But I’m 75 now and completing and placing the Ulster County collection is complicated.  For starters, I’m still collecting, increasingly focusing on paintings.  I find them easy to live with.

 

But I have to plan the disposition of this collection because, while it matters to me, it’s not something my family will value in the way I do.  And, because it’s a complex collection it has to be organized in a way it will still make sense when its author is gone.  Simply stated, my wife Jenny made allowances to my interest in Ulster County, but I’m simply obligated to ensure this collection will not be a burden for either her or our children.

 

To do that suggests the complete collection will need to be catalogued.  Years ago I used to think that was the auction house’s responsibility but there are so many ways that sections of this collection reinforce each other it’s important I explain how the pieces fit together.  So I’m planning to have assistance to create catalogues by categories, such as manuscripts, books, maps and ephemera, paintings, disasters, kitsch, furniture and artifacts.  So when that day comes I don’t leave a burden.


Posted On: 2021-10-06 04:32
User Name: mairin

A good piece, Bruce, wishing you success placing the McKinney Ulster Collection. Yes, every collection should have its own unique narrative, reflecting the character, tastes, and life of the collector (influences / mentors). Absolutely. And your collecting habits, as you explained, surely have done all of that. Back to your Ulster material: I'd approach the Ulster Historical Society; the New-York Historical Society; and the NYPL (its Family History Division, maybe). Dr Alice Browne, Rare Book Cataloguer emerita, New-York Historical Society, and one of my best Brooklyn friends, may have some thoughts -- shall ask her. And, yes, assembling a catalogue of one's collection must be a priority for collectors of all ages, a serious & tedious task. It's just around my corner, as well (sigh).
All the luck,
Maureen E. Mulvihill,
Collector, Early Women Writers / RBH Guest Writer.
__


Rare Book Monthly

  • Sotheby's Fine Books & Manuscripts
    Available for Immediate Purchase
    Sotheby’s: Balthus, Emily Brontë. Wuthering Heights, New York: The Limited Editions Club, 1993. 6,600 USD.
    Sotheby’s: Charles Dickens. Complete Works, Philadelphia & London: J.B. Lippincott Company & Chapman & Hall, LD, 1850. Limited Edition set of 30 volumes. 7,500 USD.
    Sotheby’s: John Lennon, Yoko Ono. Handwritten Letter from John Lennon and Yoko Ono to their Chauffer. 1971. 32,500 USD.
    Sotheby’s: Winston Churchill. First edition of War Speeches, Cassell and Company, Ltd., 1941. Set of 7 volumes. 5,500 USD.
    Sotheby’s: Andy Warhol, Julia Warhola. Holy Cats First Edition, Signed by Andy Warhol. 1954. 30,000 USD.
  • Forum Auctions
    Online: India
    Ends 19th February 2026
    Forum, Feb. 19: Lot 40
    Ramasvami (Kavali Venkata). A Digest of the Different Castes of India, 83 charming hand-coloured lithographed plates, Madras, 1837. £5,000-7,000
    Forum, Feb. 19: Lot 50
    Watson (John Forbes) & John William Kaye. The People of India: A Series of Photographic Illustrations...of the Races and Tribes of Hindustan, 8 vol., 480 mounted albumen prints, 1868-75. £4,000-6,000
    Forum, Feb. 19: Lot 53
    Afghanistan.- Elphinstone (Hon. Mountstuart). An Account of the Kingdom of Caubul, first edition, hand-coloured aquatint plates, a fine copy, 1815. £2,000-3,000
    Forum, Feb. 19: Lot 57
    [Album and Treatise on Hinduism], manuscript treatise on Hinduism in French, 31 watercolours of Hindu deities, Pondicherry, 1865. £3,000-4,000
    Forum, Feb. 19: Lot 62 Allan (Capt. Alexander). Views in the Mysore Country, [1794]. £2,000-3,000
    Forum Auctions
    Online: India
    Ends 19th February 2026
    Forum, Feb. 19: Lot 76
    Bird (James). Historical Researches on the Origin and Principles of the Bauddha and Jaina Religions..., first edition, lithographed plates, Bombay, American Mission Press, 1847. £3,000-4,000
    Forum, Feb. 19: Lot 100
    Ceylon.- Daniell (Samuel). A Picturesque Illustration of the scenery, animals, and native inhabitants, of the Island of Ceylon: in twelve plates, 1808. £5,000-7,000
    Forum, Feb. 19: Lot 123
    D'Oyly (Charles). Behar Amateur Lithographic Scrap Book, lithographed throughout with title and 55 plates mounted on 43 paper leaves, [Patna], [1828]. £3,000-5,000
    Forum, Feb. 19: Lot 139
    Gandhi (known as Mahatma Gandhi,) Fine Autograph Letter signed to Jawaharlal Nehru, Sevagram, Wardha, 1942, emphasising the importance of education in rural communities. £10,000-15,000
    Forum Auctions
    Online: India
    Ends 19th February 2026
    Forum, Feb. 19: Lot 140
    Gantz (John). Indian Microcosm, first edition, Madras, John Gantz & Son, 1827. £10,000-15,000
    Forum, Feb. 19: Lot 146
    Grierson (Sir George Abraham). Linguistic Survey of India, 11 vol. in 20, folding maps, original cloth, Calcutta, Superintendent Government Printing, 1903-28. £2,000-3,000
    Forum, Feb. 19: Lot 195
    Madras.- Fort St. George Gazette (The), No.276-331, pp.493-936 and Index to all of 1834 at end, modern half calf, Madras, 2nd July - 31st December 1834. £2,000-3,000
    Forum, Feb. 19: Lot 205
    Marshall (Sir John) and Alfred Foucher. The Monuments of Sanchi, 3 vol., first edition, 141 plates, most photogravure, [Calcutta], [1940]. £3,000-4,000
  • Il Ponte, Feb. 25-26: HAMILTON, Sir William (1730-1803) - Campi Phlegraei. Napoli: [Pietro Fabris], 1776, 1779. € 30.000 - 50.000
    Il Ponte, Feb. 25-26: [MORTIER] - BLAEU, Joannes (1596-1673) - Het Nieuw Stede Boek van Italie. Amsterdam: Pieter Mortier, 1704-1705. € 15.000 - 25.000
    Il Ponte, Feb. 25-26: TULLIO D'ALBISOLA (1899-1971) - Bruno MUNARI (1907-1998) - L'Anguria lirica (lungo poema passionale). Roma e Savona: Edizioni Futuriste di Poesia, senza data [ma 1933?]. € 20.000 - 30.000
    Il Ponte, Feb. 25-26: IL MANOSCRITTO RITROVATO DI IPPOLITA MARIA SFORZA. TITO LIVIO - Ab Urbe Condita. Prima Decade. Manoscritto miniato su pergamena, metà XV secolo. € 280.000 - 350.000

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