Rare Book Monthly

Articles - October - 2021 Issue

From Here to Eternity: Collecting in your old age

The collector and his family

The collector and his family

Collections start randomly, and some day end.  Most don’t start out to be epic, rather they often turn out to be simply episodes.  The collector’s experience shapes what happens next.

Money, time and intellectual acuity play roles.  Partner preferences matter as does luck.  The early sources you rely on are crucial.  Bill Reese influenced two of my collections; The New World to 1625, and the other, The American West to 1890.  He provided perspective on how to intelligently collect, providing reading lists and sources when/if the material was not within his personal experience.  For me, collecting might have turned out to only be the accumulation of collectible material but he made the distinction, the material should have a rock solid focus.  The collection should encompass a story.

 

In addition to his perspective, I began to experiment, looking for personal relevance.  The New World to 1625 was interesting to me because I was living on the Florida east coast in the early 1990’s.  In time I built that collection [1991-1999], moved to San Francisco in 1995 and then built the collection related to the development of the American west.  I sold them at auction, the first in 2009 at Bloomsbury in New York, and second at Bonhams in New York in 2010 when I was 64.

 

I suppose at that age some collectors would throw in the towel but from when I was a kid, I always hoped I could collect a collection of Ulster County, New York where I grew up.  I did so randomly without much success.  But the internet, in the late 1990’s exposed all kinds of material relating to Ulster and found the county’s commercial history was accessible and saw the day to day details of life and business could be purchased online.  For me, this meant I was going to build one more collection and continue to build it today.

 

But I’m 75 now and completing and placing the Ulster County collection is complicated.  For starters, I’m still collecting, increasingly focusing on paintings.  I find them easy to live with.

 

But I have to plan the disposition of this collection because, while it matters to me, it’s not something my family will value in the way I do.  And, because it’s a complex collection it has to be organized in a way it will still make sense when its author is gone.  Simply stated, my wife Jenny made allowances to my interest in Ulster County, but I’m simply obligated to ensure this collection will not be a burden for either her or our children.

 

To do that suggests the complete collection will need to be catalogued.  Years ago I used to think that was the auction house’s responsibility but there are so many ways that sections of this collection reinforce each other it’s important I explain how the pieces fit together.  So I’m planning to have assistance to create catalogues by categories, such as manuscripts, books, maps and ephemera, paintings, disasters, kitsch, furniture and artifacts.  So when that day comes I don’t leave a burden.


Posted On: 2021-10-06 04:32
User Name: mairin

A good piece, Bruce, wishing you success placing the McKinney Ulster Collection. Yes, every collection should have its own unique narrative, reflecting the character, tastes, and life of the collector (influences / mentors). Absolutely. And your collecting habits, as you explained, surely have done all of that. Back to your Ulster material: I'd approach the Ulster Historical Society; the New-York Historical Society; and the NYPL (its Family History Division, maybe). Dr Alice Browne, Rare Book Cataloguer emerita, New-York Historical Society, and one of my best Brooklyn friends, may have some thoughts -- shall ask her. And, yes, assembling a catalogue of one's collection must be a priority for collectors of all ages, a serious & tedious task. It's just around my corner, as well (sigh).
All the luck,
Maureen E. Mulvihill,
Collector, Early Women Writers / RBH Guest Writer.
__


Rare Book Monthly

  • ALDE, Apr. 8: GUEVARA (ANTONIO DE). Histoire de Marc-Aurèle, Empereur Romain, vray miroir et horloge des Princes. Paris, Pierre et Galliot du Pré, frères, 1565. €3,000 to €4,000.
    ALDE, Apr. 8: HEURES DE LA VIERGE. Horæ in laudem beatissimæ virginis Mariæ ad usum Romanum. Paris, Charles L'Angelier, 1556. €4,000 to €5,000.
    ALDE, Apr. 8: MONTAIGNE (MICHEL DE). Les Essais. Édition nouvelle, trouvée après le deceds de l'autheur… Paris, Abel L'Angelier, 1595. €6,000 to €8,000.
    ALDE, Apr. 8: [ROJAS (FERNANDO DE)]. Celestina, tragicomedia di Calisto et Melibea, tradotta de lingua castigliana in italiano idioma… Venise, 1531. €2,000 to €3,000.
    ALDE, Apr. 8: CAMÕES (LUÍS DE). Os Lusiadas. Lisbonne, Pedro Crasbeeck, 1613. €2,000 to €3,000.
    ALDE, Apr. 8: CERVANTES (MIGUEL DE). El Ingenioso hidalgo Don Quixote de la Mancha. Bruxelles, Roger Velpius & Huberto Antonio, 1611. €6,000 to €8,000.
    ALDE, Apr. 8: LA FONTAINE (JEAN DE). Fables choisies, mises en vers. Paris, Denys Thierry et Claude Barbin, 1678-1694. €6,000 to €8,000.
    ALDE, Apr. 8: CERVANTES (MIGUEL DE). El Ingenioso hidalgo Don Quixote de la Mancha. Madrid, Joaquin Ibarra, 1780. €3,000 to €4,000.
    ALDE, Apr. 8: DIDEROT (DENIS) ET JEAN LE ROND D'ALEMBERT. Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris, 1751-1765. €15,000 to €20,000.
    ALDE, Apr. 8: [LIVRE TISSÉ]. LAMARTINE (Alphonse de). Les Laboureurs. Poème tiré de Jocelyn… Lyon, J. A. Henry, 1883. €8,000 to €10,000.
    ALDE, Apr. 8: [LIVRE TISSÉ]. Livre de prières tissé d'après les enluminures des manuscrits du XIVe au XVIe siècle. Lyon, [A. Roux], 1886. €5,000 to €6,000.
  • Sotheby’s
    Books, Manuscripts & Objects from Three Important Collections
    Open for Bidding 2-17 April
    Sotheby’s, Apr. 2-17: [Guillaume de Lorris and Jean de Meun]. Le Roman de la Rose, [Geneva or Lyons, c.1481], first printed edition of the most important medieval French vernacular poem. £200,000 to £300,000.
    Sotheby’s, Apr. 2-17: Castiglione. Il libro del cortegiano. [Venice], April 1528, first edition, in a magnificent binding by Jean Picard for Jean Grolier. £100,000 to £150,000.
    Sotheby’s, Apr. 2-17: Jacobus de Cessolis. Schachzabelbuch, Strasbourg, 1483, von der Lasa copy. £50,000 to £70,000.
    Sotheby’s, Apr. 2-17: World Championship, 1972. A collection of 84 press photographs of the famed match between Spassky and Fischer. £2,000 to £3,000.
    Sotheby’s, Apr. 2-17: Ben Franklin. Autograph letter signed, to Lord Shelburne, British Prime Minister, during peace negotiations, November 1782. £15,000 to £20,000.

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