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Articles - March - 2020 Issue

A Survey about Book Fairs

- by Bruce E. McKinney

The opinions of buyers will matter

The opinions of buyers will matter

Many thousands of our members are frequent guests at book, manuscript, map and ephemera fairs.  Such events are time-old traditions that increasingly seem to be a step behind the many changes that have remade these fields electronically.  And this is important because the efficient use of time online underlies all assumptions about behavior.

 

If book fairs are less time efficient this survey considers some changes that will radically re-think and re-organize what book fairs may become.

 

Please share your opinions.

 

A Survey

 

How do you interact with rare book shows and fairs?

 

How many shows do you visit during an average year?

 

1 to 24

 

Your purposes for such visits

 

To meet dealers to buy material

To find interesting material

To offer to sell material to dealers

 

Material of interest such as

  Books,

  Manuscripts

  Ephemera

  Photography

  Objects

 

Material at shows is not consistently organized and sequentially displayed.

 

Do you find shows to be an efficient use of your time?

 

If a database of all material offered at a show could be a single search, and be marked as “I’d like to buy this” or “I’m making an expression of interest” would you find this capability useful?

 

Please note that dealers displaying material rarely offer more than 5% or 1/20th of their entire inventory.  If, displaying dealers offer a “show database” that includes both [1] searches of all inventory on the floor and [2] all material is held by exhibiting dealers, would you to be interested to make purchases?

 

Would you regularly use such databases?

 

Would you be more likely buy material if you could systematically search from show dealers.

 

If the show database was posted 21 days ahead of a fair would you be more likely to buy at a fair?

 

And if the full stock of participating dealers could be identified before the show are you open to have the displaying dealers to direct ship to you?

 

We will publish the results of this survey in the April issue of Rare Book Monthly.

 

 

 

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Posted On: 2020-03-01 15:21
User Name: zephyrbook

Exhibit at 12-14 shows per year, and attend at least another 4-6.

To sell material, buy material, build client base

Books, Manuscripts, Ephemera, Photography & Objects

I have been exhibiting at Antiquarian Book Fairs and Antique Shows on a consistent basis since I apprenticed in the trade in 1987. And yes, the concentrated amount of time is quite efficient for me, far more than a brick & mortar shop which I operated for 13 1/2 years.

Success at book fairs requires many permutations. I maintain a database of over 4500 names which are continually culled. I send 100s of postcards and letters, emails, and catalogues to potential clients at the respective cities or areas in which I will be attending. I will say that snail mail return rate is far higher than any other medium. As such I physically spoke to, sold to, interacted with, and queried 87 of the 227 customers to which I sent postcards, passes & letters to in Pasadena for the recent show.

I cannot speak for every dealer, but I will tell you that much of the material I bring to a Show is specifically for the Show, and is not listed online, downloaded into an electronic format, and is intended for customers to discover through serendipity. Furthermore, I am often making decisions on what to pack the day before I leave for a show, so preparing a database weeks in advance would offer little appeal, or advantage to me.

Customers who regularly purchase from me, interact with me, and/or make an effort will receive advance email versions of the catalogue and occasionally paper copies.

I attend book fairs and other similar venues for buying when I can actually see, touch, and look at the material. I often buy things which would be very difficult to describe to me in a physical description, and often I am purchasing items for an entirely different purpose than what the dealer, or seller may have intended originally.

Posted On: 2020-03-01 20:52
User Name: johnwindle

This section doesn;t work

Posted On: 2020-03-02 02:18
User Name: wormandcandy

Attend approx. 6-8 book fairs a year. The amount of material is overwhelming yet the rush and anticipation of discovery is exciting. Many ABAA book members already list their material on the discreet ABAA search engine rendering the proposed idea - although thoughtful - redundant. How would the proposal alter in any meaningful way the search sources that already exist? Most of the dealers also have business and promotional material which further directs clients to individual store/dealer websites.

Looking to evolve these traditional fairs in light of current business models is absolutely critical. Yet increasing the magnitude of inventory is less so than a thorough evaluation of the fair structure and format - beginning with the demographics.

The book fair model doesn't need more inventory data bases, it needs a ground-shifting move away from its narrowing, shrinking demographic.

For example, consider the "Printed Matter" fairs. Attendance numbers are astronomical and the demographics of the attendees and exhibitors vast. Prices are modest yet the excitement is palpable. An old ABAA hand - art book and ephemera dealer - attends both and reports sales at Printed Matter fair 3x-4x higher than ABAA fairs. I'm 65+, and the Printed Matter fair is exhilarating - brimming with young as well as mature book people whereas ABAA events (which I enjoy greatly) tend to be demographically limited to a very narrow group of enthusiasts in the upper range of age and affluence.

It would be best to integrate the old and the new into one event - but given institutional traditions, that may take more time. So symbiotic shadow events are a needed first step.
Look to the California Fair in Pasadena on which you have posted 2 reviews. You report that the Shadow Fair had an enthusiastic reception. Had that shadow been geared toward a younger demographic with a variety of book, paper publishers, dealers and their clientele, the energy at the main fair would have had a referential overlap likely providing a healthy, new group of attendees already with a captured interest.

Of course the details of such events need to be carefully analyzed and projected, but unless the traditional book fair promoters (ABAA, etc.) cast their nets wider, e.g. from the shrinking demographic willing to paying $5,000 - let alone collect - a Hemingway first ed., such events will continue the apparent slide in dealer participation, business growth and customer development.

Whatever caution dealers posses re customer respect, the "Printed Matter" attendees do not damage, drop, deface or destroy the material at those events. They posses great regard and respect as you'd expect from the traditional customer.. Such events are not "the future" of the trade, they are the present. New York, Boston and SF/LA need to take heed.

Rare Book Monthly

  • <b><center>SD Scandinavian Art & Rare Book Auctions<br>The Odfjell Collection<br>Polar – History – Ornithology – Colour Plate Books<br>Ending December 4th</center></b> <b>Scandinavian Art & Rare Books Auctions, Dec. 4:</b> ROALD AMUNDSEN: «Sydpolen» [ The South Pole] 1912. First edition in jackets and publisher's slip case. <b>Scandinavian Art & Rare Books Auctions, Dec. 4:</b> AMUNDSEN & NANSEN: «Fram over Polhavet» [Farthest North] 1897. AMUNDSEN's COPY! <b>Scandinavian Art & Rare Books Auctions, Dec. 4:</b> ERNEST SHACKLETON [ed.]: «Aurora Australis» 1908. First edition. The NORWAY COPY. <b>Scandinavian Art & Rare Books Auctions, Dec. 4:</b> ERNEST SHACKLETON: «The heart of the Antarctic» + SUPPLEMENT «The Antarctic Book», 1909. <b>Scandinavian Art & Rare Books Auctions, Dec. 4:</b> SHACKLETON, BERNACCHI, CHERRY-GARRARD [ed.]: «The South Polar Times» I-III, 1902-1911. <b><center>SD Scandinavian Art & Rare Book Auctions<br>The Odfjell Collection<br>Polar – History – Ornithology – Colour Plate Books<br>Ending December 4th</center></b> <b>Scandinavian Art & Rare Books Auctions, Dec. 4:</b> [WILLEM BARENTSZ & HENRY HUDSON] - SAEGHMAN: «Verhael van de vier eerste schip-vaerden […]», 1663. <b>Scandinavian Art & Rare Books Auctions, Dec. 4:</b> TERRA NOVA EXPEDITION | LIEUTENANT HENRY ROBERTSON BOWERS: «At the South Pole.», Gelatin Silver Print. [10¾ x 15in. (27.2 x 38.1cm.) ]. <b>Scandinavian Art & Rare Books Auctions, Dec. 4:</b> ELEAZAR ALBIN: «A natural History of Birds.» + «A Supplement», 1738-40. Wonderful coloured plates. <b>Scandinavian Art & Rare Books Auctions, Dec. 4:</b> PAUL GAIMARD: «Voyage de la Commision scientific du Nord, en Scandinavie, […]», c. 1842-46. ONLY HAND COLOURED COPY KNOWN WITH TWO ORIGINAL PAINTINGS BY BIARD. <b>Scandinavian Art & Rare Books Auctions, Dec. 4:</b> JAMES JOYCE: «Ulysses», 1922. FIRST EDITION IN ORIGINAL WRAPPERS.
    SD Scandinavian Art & Rare Book Auctions
    The Odfjell Collection
    Polar – History – Ornithology – Colour Plate Books
    Ending December 4th
    Scandinavian Art & Rare Books Auctions, Dec. 4: ROALD AMUNDSEN: «Sydpolen» [ The South Pole] 1912. First edition in jackets and publisher's slip case.
    Scandinavian Art & Rare Books Auctions, Dec. 4: AMUNDSEN & NANSEN: «Fram over Polhavet» [Farthest North] 1897. AMUNDSEN's COPY!
    Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON [ed.]: «Aurora Australis» 1908. First edition. The NORWAY COPY.
    Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON: «The heart of the Antarctic» + SUPPLEMENT «The Antarctic Book», 1909.
    Scandinavian Art & Rare Books Auctions, Dec. 4: SHACKLETON, BERNACCHI, CHERRY-GARRARD [ed.]: «The South Polar Times» I-III, 1902-1911.
    SD Scandinavian Art & Rare Book Auctions
    The Odfjell Collection
    Polar – History – Ornithology – Colour Plate Books
    Ending December 4th
    Scandinavian Art & Rare Books Auctions, Dec. 4: [WILLEM BARENTSZ & HENRY HUDSON] - SAEGHMAN: «Verhael van de vier eerste schip-vaerden […]», 1663.
    Scandinavian Art & Rare Books Auctions, Dec. 4: TERRA NOVA EXPEDITION | LIEUTENANT HENRY ROBERTSON BOWERS: «At the South Pole.», Gelatin Silver Print. [10¾ x 15in. (27.2 x 38.1cm.) ].
    Scandinavian Art & Rare Books Auctions, Dec. 4: ELEAZAR ALBIN: «A natural History of Birds.» + «A Supplement», 1738-40. Wonderful coloured plates.
    Scandinavian Art & Rare Books Auctions, Dec. 4: PAUL GAIMARD: «Voyage de la Commision scientific du Nord, en Scandinavie, […]», c. 1842-46. ONLY HAND COLOURED COPY KNOWN WITH TWO ORIGINAL PAINTINGS BY BIARD.
    Scandinavian Art & Rare Books Auctions, Dec. 4: JAMES JOYCE: «Ulysses», 1922. FIRST EDITION IN ORIGINAL WRAPPERS.
  • <center><b>Sotheby’s<br>Book Week<br>December 9-17, 2025</b></center> <b>Sotheby’s, Dec. 11:</b> Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] <i>Journal of the Proceedings of the Linnean Society,</i> Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000. <b>Sotheby’s, Dec. 11:</b> J.K. Rowling. <i>Harry Potter and the Philosopher's Stone,</i> 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000. <b>Sotheby’s, Dec. 11:</b> Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000. <b>Sotheby’s, Dec. 12:</b> Hooke, Robert. <i>Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses.</i> London: James Allestry for the Royal Society, 1667. $12,000 to $15,000. <b>Sotheby’s, Dec. 12:</b> Chappuzeau, Samuel. <i>The history of jewels,</i> first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000. <b>Sotheby’s, Dec. 12:</b> Sowerby, James. <i>Exotic Mineralogy, containing his most realistic mineral depictions,</i> London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.
    Sotheby’s
    Book Week
    December 9-17, 2025
    Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
    Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
    Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
    Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
    Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
    Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.
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    Rare Book Hub is now mobile-friendly!
  • <center><b>Swann<br>Maps & Atlases, Natural History & Color Plate Books<br>December 9, 2025</b></center> <b>Swann, Dec. 9:</b> Lot 156: Cornelis de Jode, <i>Americae pars Borealis,</i> double-page engraved map of North America, Antwerp, 1593. <b>Swann, Dec. 9:</b> Lot 206: John and Alexander Walker, <i>Map of the United States,</i> London and Liverpool, 1827. <b>Swann, Dec. 9:</b> Lot 223: Abraham Ortelius, <i>Typus Orbis Terrarum,</i> hand-colored double-page engraved world map, Antwerp, 1575. <center><b>Swann<br>Maps & Atlases, Natural History & Color Plate Books<br>December 9, 2025</b></center> <b>Swann, Dec. 9:</b> Lot 233: Aaron Arrowsmith, <i>Chart of the World,</i> oversize engraved map on 8 sheets, London, 1790 (circa 1800). <b>Swann, Dec. 9:</b> Lot 239: Fielding Lucas, <i>A General Atlas,</i> 81 engraved maps and diagrams, Baltimore, 1823. <b>Swann, Dec. 9:</b> Lot 240: Anthony Finley, <i>A New American Atlas,</i> 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826. <center><b>Swann<br>Maps & Atlases, Natural History & Color Plate Books<br>December 9, 2025</b></center> <b>Swann, Dec. 9:</b> Lot 263: John Bachmann, <i>Panorama of the Seat of War,</i> portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861. <b>Swann, Dec. 9:</b> Lot 265: Sebastian Münster, <i>Cosmographei,</i> Basel: Sebastian Henricpetri, 1558. <b>Swann, Dec. 9:</b> Lot 271: Abraham Ortelius, <i>Epitome Theatri Orteliani,</i> Antwerp: Johann Baptist Vrients, 1601. <center><b>Swann<br>Maps & Atlases, Natural History & Color Plate Books<br>December 9, 2025</b></center> <b>Swann, Dec. 9:</b> Lot 283: Joris van Spilbergen, <i>Speculum Orientalis Occidentalisque Indiae,</i> Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619. <b>Swann, Dec. 9:</b> Lot 285: Levinus Hulsius, <i>Achtzehender Theil der Newen Welt,</i> 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623. <b>Swann, Dec. 9:</b> Lot 341: John James Audubon, <i>Carolina Parrot, Plate 26,</i> London, 1827.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
    Swann, Dec. 9: Lot 206: John and Alexander Walker, Map of the United States, London and Liverpool, 1827.
    Swann, Dec. 9: Lot 223: Abraham Ortelius, Typus Orbis Terrarum, hand-colored double-page engraved world map, Antwerp, 1575.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
    Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
    Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
    Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
    Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
    Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
    Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.

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