Rare Book Monthly

Articles - October - 2018 Issue

Paris Will be Paris, Update 18.01

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Before Mercier’s LeTableau de Paris (Neuchatel, 1780), books about Paris were mostly catalogues of monuments and compilations of historical anecdotes or satirical writings. Mercier, focusing on the details of everyday life, penetrated the heart of Man, and drew a moving portrait of his contemporaries. He inspired many, including Jean-Baptiste Pujoulx (1762-1821), who published Paris à la Fin du XVIIIe Siècle (Paris), some twenty years later. In between broke the French Révolution (1789). Thus, Pujoulx’s book appears to be an update to Mercier’s.

 

Second First Edition

 

This in-8° volume was apparently printed for the first time in 1800—Year IX of the Republican, or revolutionary calendar established in 1792, and abandoned in 1806. In fact, although mentioned in Feller’s Dictionary... (Lyon, 1823), this first edition is nowhere to be found on the Internet, unlike the so-called second one, published in 1801, chez Brigite Mathé, Libraire, Palais du Tribunat, sous les colonnades du Passage Radziwill—An IX, 1801. Regarding the latter, the French expert Benoît Forgeot wrote in a catalogue of a Pierre Bergé’s sale in 2011: “Second edition, published the same year than the first one.” Yet, could this 1801 edition be the very first one? A second edition did come out in 1801, indeed—but at La Librairie Economique...(Paris), Year IX—1801. The title page of this edition also bears the mention “SECOND EDITION”. Then the forewords state: “There are two ways the author of a book can judge of its success; the opinions of the reviewers and the promptness of the sales. This edition is the proof that the first one sold very quickly.” Could it refer to a first Libraire Economique’s edition? This was nowhere to be found either. The confusion could come from the Republican calendar—according to it, Year IX went from September 1800 to September 1801. To make it even more complicated, in La France Littéraire (Paris, 1835), J.M Quérard lists two editions: 1) Paris, Brig(ite). Mathé, 1800, in-8 of 390 pages, 3 fr. 50c. 2) Seconde edition. Paris, Librairie Economique, 1801. Yet, all the Brigite Mathé’s copies I have come across (Year IX—1801) feature 388 pages only! Was Quérard counting the half-title page? Or did he make a mistake?

 

Brigite Mathé or Mathey

 

The “Year IX—1801” edition was published by Brigite Mathé. You won’t find much about her either, until you correct the spelling of her name in Mathey. The Bibliothèque Nationale de France (BNF) states that she became a librarian in 1791, aged 22, and that she also had a “reading salon.” “The bookshop and the salon,” the BNF states, “were funded by the printer-librarian and journalist Antoine-Joseph Gorsas (1751-1793)—Mrs. Mathey used to be his servant.” They were actually lovers—Gorsas was a married man—, and when the revolutionary government put a price on Gorsas’ head following his implication in politics, he naturally sought refuge with her. “Not only was he careless enough to go to a mistress of his,” the Biographie Nouvelle des Contemporains... (Paris, 1822) reads, “but he also showed up in the middle of the assistance of her salon.” Consequently, he was arrested and “guillotiné” (beheaded) on October 7, 1793. Brigite Mathey later worked with Gorsas’ widow—until they fell out with each other—, and then she directed the Gazette de Paris (around 1797) and took care of the subscriptions of La Toilette. She retired in August 1824, selling her licence to Augustin Vattebault.

 

Update 18.01

 

The period following the Révolution was a bloody and confused one. Paris became the theatre of massacres, political revolutions, and Mercier’s portraits were now vague souvenirs from another world—and his Nouveau Paris/New Paris (Brunswik, 1800) was not as good as the “old” one. All these dramatic events made Pujoulx a prudent man. In his preface, he makes sure that his observations are “of a man of letters, who remained sort of independent during this long period of time, when all excesses, errors and crimes degraded humanity.” Consequently, his book shows that, beyond politics, and as Napoléon Bonaparte was reigning, Paris was still Paris.

 

Drawers of Water 18.01

 

The drawers of water, described by Mercier 20 years earlier were now enjoying a far better condition: “Sliding on the pavement with their hooves, they used to break their necks; and had to walk 8 miles a day to earn 30 pieces. Nowadays, they have their small horse-drawn carts, upon which they put their barrel—the barrel is nicely painted, the horse well harnessed (...). Thus, their job is less difficult and more lucrative.” The four or five ice cream vendors who used to control the lemonade business were now replaced by dozens of Italians, and the coaches, described by Mercier as filthy—some even used them as a last resort to relieve their stomachs—, were now so clean that they stood the comparison with the best private coaches; except, Pujoulx notes, for the insolence of their drivers—some things never change, and taxi drivers in Paris are still rude today.

 

 

Voltaire 18.01

 

Great writers such as Voltaire or Rousseau had a crucial influence on society, especially during the Révolution—yet, in the street, they were far less popular than secondary, and sometimes anonymous authors, whose works were even rented by the hour on the sidewalk—Mercier says that some of these books had to be split in several parts in order to satisfy the demand! The dramatic events of 1789 gave birth to a multitude of writings—but Pujoulx wasn’t impressed: “Have a look at the thousands of brochures that have been published over the past twelve years, if you dare,” he says. “What do you learn? Nothing, or almost.” People in 1801 were reading a lot, especially novels “full of haunted castles, dark forests, ugly caves and dreadful tunnels.” He means Gothic novels—books of little value, according to him, in both senses of the word. “A penny only! Two pennies!, is what you can hear the most on the boulevard Montmartre and the Quai du Louvre; and what does the vendor sell, according to you? Small cakes? No, books!” The police of books was no more, yet nobody was pouncing on Voltaire’s fiery writings, except for the vendors—“for the past six months, (...) all the vendors of my community have been wrapping their merchandise in leaves taken from the Letters of Voltaire, nice fonts and paper.” If you think that the 2008 crisis was a blow to book business, then think again: “Should the collection of the Duke de la Vallière, that was sold for almost a million Francs 15 years or so ago, be sold today, it wouldn’t bring more than 50,000 Francs; and most of it would end up on the “one penny” pile.” Pujoulx adds: “Let’s be honest, a few books like dictionaries, treatises of geography, or travel books are still selling—at a very low price.

 

Rousseau 18.01

 

One of the most interesting parts of Pujoulx’ book regards education, which he calls “the base of happiness”—a notion that is still at the heart of French society today. Rousseau did a lot for children before 1789, especially with his book Emile ou De L’Education (La Haye, 1762); but his method, Pujloux thought, was too demanding, unrealistic, and discouraged many people of good will. He had his own views. First, he wanted to free young children, who were tightly wrapped in nappies. “We all agree that this horrible habit of suffocating our children (...) is the cause of all their deformities and diseases, because of the ill-circulation of blood or the compression of the lungs that it implies.” It is true that a lot of engravings from the 18th century show children wrapped like eggrolls. “Most of these children cry and shout when being wrapped; those who do not are probably even more miserable, since they are used to a suffering that they endure with resignation; most of them cry and throw up during this daily torture.” Pujoulx calls it “physical slavery”, and then he goes on: “Here is what I advocate: you bind your children, set them free! You treat them like exotic plants, treat them like acclimated beings; you beat them, caress them instead; you flatter their pride, you’d better teach them their mutual dependency, and teach them love for their likes.” Update 20.18?

 

Pujoulx’s book is very entertaining and full of interesting facts about Paris and his contemporaries. Yet, it doesn’t stand the final comparison, and gently joins the dozens of other books on the “not-as-good-as-Mercier’s Tableau de Paris” pile. Paris will be Paris... and Mercier will be Mercier.

 

 

Thibault Ehrengardt

Rare Book Monthly

  • <center><b>The Collectors’ Sale<br>March 3, 2021</b>
    <b>Fonsie Mealy, Mar. 3:</b> Verlag, Luzern, Publishers: <i>The Book of Kells,</i> the most precious illuminated manuscript of the early Middle Ages, now reproduced, the FIRST AND ONLY COMPLETE FINE ART FACSIMILE EDITION. €5,000 to €6,000.
    <b>Fonsie Mealy, Mar. 3:</b> Rowling (J.K.) <i>Harry Potter and the Philosophers Stone,</i> 8vo, L. (Bloomsbury) 1997, First Deluxe Edn., Signed by the Author on title page. €4,000 to €5,000.
    <b>Fonsie Mealy, Mar. 3:</b> Gilbert (John T.) Account of Facsimiles of National Manuscripts of Ireland, from the earliest extant specimens to A.D. 719. €2,000 to €3,000.
    <center><b>The Collectors’ Sale<br>March 3, 2021</b>
    <b>Fonsie Mealy, Mar. 3:</b> <i>The Georgian Society Records of Eighteenth-Century Domestic Architecture in Dublin [-Ireland],</i> 5 vols. lg. 4to D. 1909 - 1913. Limited Editions. €1,500 to €2,000.
    <b>Fonsie Mealy, Mar. 3:</b> Yeats (W.B.) <i>The Poems of W.B. Yeats,</i> 2 vols., roy 8vo, L. (MacMillan & Co.) 1949, Limited Edn., No. 185 (of 375 copies). Signed. €1,500 to €2,000.
    <b>Fonsie Mealy, Mar. 3:</b> Crone (John S.)ed. <i>The Irish Book Lover, A Monthly Review of Irish Literature and Bibliography.</i> Vol. I No 1 August 1909 - Vol. XXXII No. 6, September 1957. €1,250 to €2,000.
    <center><b>The Collectors’ Sale<br>March 3, 2021</b>
    <b>Fonsie Mealy, Mar. 3:</b> Yeats (John Butler) <i>An original self-portrait Sketch,</i> Signed and dated April 1919, N[ew] York. €1,200 to €1,500.
    <b>Fonsie Mealy, Mar. 3:</b> Photograph Album. Entitled ''A Souvenir of the Visit to Jeypore Samasthanam of His Excellency the Right Hon'ble Viscount Goschen of Hawkhurst… 14th December 1927''. €1,000 to €1,500.
    <b>Fonsie Mealy, Mar. 3:</b> Pistolesi (Erasmo) <i>Il Vaticano,</i> 8vols. large atlas, folio Rome (Tipografia della Societa..) 1829. €500 to €600.
    <center><b>The Collectors’ Sale<br>March 3, 2021</b>
    <b>Fonsie Mealy, Mar. 3:</b> Chagall (Marc)illus., Legmarie (Jean) comp., <i>The Jerusalem Windows,</i> folio N.Y. (George Braziller) 1962. €400 to €500.
    <b>Fonsie Mealy, Mar. 3:</b> Bullitt (Thos. W.) <i>My Life at Oxmoor,</i> Life on a Farm in Kentucky before the War. Roy 8vo Louisville, Kentucky, 1911. Privately Printed No. 86 of 100 Copies Only. €300 to €400.
    <b>Fonsie Mealy, Mar. 3:</b> Popish Plot: Oates (Titus) <i>The Popes Whore House or The Merchandise of The Whore of Rome,</i> folio L. 1679. First Edn. €100 to €150.
  • <b>Swann Auction Galleries Mar 11:</b> Dorothea Lange, <i>Migrant Mother (horizontal),</i> silver print, 1936. $20,000 to $30,000.
    <b>Swann Auction Galleries Mar 11:</b> Group of 32 WWII-era identification badges for manufacturing & military-related companies, 1940-50s. $2,000 to $3,000.
    <b>Swann Auction Galleries Mar 11:</b> Julia Margaret Cameron, <i>Alfred, Lord Tennyson,</i> albumen print, 1869. $10,000 to $15,000.
    <b>Swann Auction Galleries Mar 11:</b> Arnold Genthe, <i>Portrait of Theodore Roosevelt,</i> silver print, circa 1908. $1,000 to $1,500.
    <b>Swann Auction Galleries Mar 11:</b> Edward Curtis, <I>Oasis in the Badlands,</I> toned platinum print, 1905. $8,000 to $12,000.
    <b>Swann Auction Galleries Mar 11:</b> Francis Frith, three volumes, approximately 140 photographs, 1860-70s. $10,000 to $15,000.
    <b>Swann Auction Galleries Mar 11:</b> Eugène Atget, <i>20 Photographs,</i> gold-toned silver prints by Berenice Abbott, 1898-1927. $8,000 to $12,000.
    <b>Swann Auction Galleries Mar 11:</b> Neil Leifer, <i>Muhammad Ali,</i> chromogenic print, 1965. $4,000 to $6,000.
    <b>Swann Auction Galleries Mar 11:</b><br>A group of approximately 50 Photomatic selfies of the same man taken over a period of time, 1940s. Estimate $1,500 to $2,500.
  • <b><center>Hindman Auctions<br>Literature from a Private New Orleans Collection<br>March 19, 2021</b>
    <b>Hindman Auctions, Mar. 19:</b> STEINBECK, John (1902-1968). <i>The Pastures of Heaven.</i> New York: Brewer, Warren & Putnam, 1932. $10,000 to $15,000.
    <b>Hindman Auctions, Mar. 19:</b> FITZGERALD, F. Scott (1896-1940). <i>Tender is the Night.</i> New York: Charles Scribner's Sons, 1934. $6,000 to $8,000.
    <b>Hindman Auctions, Mar. 19:</b> STOKER, Bram (1847-1912). <i>Dracula.</i> Westminster: Archibald Constable and Company, 1897. $5,000 to $7,000.
    <b><center>Hindman Auctions<br>Literature from a Private New Orleans Collection<br>March 19, 2021</b>
    <b>Hindman Auctions, Mar. 19:</b> GOLDING, William (1911-1993). <i>Lord of the Flies.</i> London: Faber and Faber, 1954. $4,000 to $6,000.
    <b>Hindman Auctions, Mar. 19:</b> SALINGER, J. D. (1919-2010). The Catcher in the Rye. Boston: Little, Brown and Company, 1951. $4,000 to $6,000.
    <b>Hindman Auctions, Mar. 19:</b> HEMINGWAY, Ernest (1899-1961). <i>The Torrents of Spring.</i> New York: Scribner's, 1926. $3,000 to $4,000.
    <b><center>Hindman Auctions<br>Literature from a Private New Orleans Collection<br>March 19, 2021</b>
    <b>Hindman Auctions, Mar. 19:</b> HUXLEY, Aldous (1894-1963). <i>Brave New World.</i> London: Chatto & Windus, 1932. $3,000 to $4,000.
    <b>Hindman Auctions, Mar. 19:</b> WELLS, H.G. <i>The Time Machine, an Invention.</i> New York: Henry Holt, 1895. $3,000 to $4,000.
    <b>Hindman Auctions, Mar. 19:</b> DAHL, Roald (1916-1990). <i>Charlie and the Chocolate Factory.</i> New York: Alfred A. Knopf, 1964. $2,000 to $3,000.
    <b><center>Hindman Auctions<br>Literature from a Private New Orleans Collection<br>March 19, 2021</b>
    <b>Hindman Auctions, Mar. 19:</b> HERBERT, Frank (1920-1986). Dune. Philadelphia: Chilton Books, 1965. $2,000 to $3,000.
    <b>Hindman Auctions, Mar. 19:</b> KESEY, Ken (1935-2001). <i>One Flew Over the Cuckoo's Nest.</i> New York: The Viking Press, 1962. $2,000 to $3,000.
    <b>Hindman Auctions, Mar. 19:</b> VONNEGUT, Kurt, Jr. (1922-2007). <i>Slaughterhouse-Five or The Children's Crusade.</i> New York: Seymour Lawrence Delacorte Press, 1969. $2,000 to $3,000.
  • <center><b>California Virtual Book Fair<br>March 4-6, 2021<br>www.abaa.org/vbf</b>
    <center><b>California Virtual Book Fair<br>March 4-6, 2021<br>www.abaa.org/vbf</b>
    <center><b>California Virtual Book Fair<br>March 4-6, 2021<br>www.abaa.org/vbf</b>
    <center><b>California Virtual Book Fair<br>March 4-6, 2021<br>www.abaa.org/vbf</b>
    <center><b>California Virtual Book Fair<br>March 4-6, 2021<br>www.abaa.org/vbf</b>
    <center><b>California Virtual Book Fair<br>March 4-6, 2021<br>www.abaa.org/vbf</b>
    <center><b>California Virtual Book Fair<br>March 4-6, 2021<br>www.abaa.org/vbf</b>
    <center><b>California Virtual Book Fair<br>March 4-6, 2021<br>www.abaa.org/vbf</b>
    <center><b>California Virtual Book Fair<br>March 4-6, 2021<br>www.abaa.org/vbf</b>
    <center><b>California Virtual Book Fair<br>March 4-6, 2021<br>www.abaa.org/vbf</b>
    <center><b>California Virtual Book Fair<br>March 4-6, 2021<br>www.abaa.org/vbf</b>
    <center><b>California Virtual Book Fair<br>March 4-6, 2021<br>www.abaa.org/vbf</b>
    <center><b>California Virtual Book Fair<br>March 4-6, 2021<br>www.abaa.org/vbf</b>
    <center><b>California Virtual Book Fair<br>March 4-6, 2021<br>www.abaa.org/vbf</b>
    <center><b>California Virtual Book Fair<br>March 4-6, 2021<br>www.abaa.org/vbf</b>
    <center><b>California Virtual Book Fair<br>March 4-6, 2021<br>www.abaa.org/vbf</b>

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