Rare Book Monthly

Articles - May - 2018 Issue

Fore-Edge Play - Is Turning Your Books Around Backwards Art?

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A better way to display your books?

Backward facing books? Apparently, it has become the rage, or outrage. It all depends upon your point of view. The trend, at least among the trendy, is to place your books backwards on a bookshelf. Fore edges are finally getting their due. The spine goes to the back, where it cannot be seen, while the fore edge is exposed.

 

Why? Evidently, it has something to do with art. Exactly what is hard for some of us to understand. However, "why" is a question that should never be asked when it comes to art. It implies there is a rational answer. Art is not accountable to reason. This is fortunate, because if reason were applied here, it would clearly say this is a dumb idea. Seriously, how are you supposed to find a book this way?

 

The explanation for the beauty in viewing books backwards is that it provides a more consistent, neutral appearance. The spines can be all sorts of different, clashing colors, and have such unattractive features as words on them. Unless the fore edge has been colored, or worse yet, features a fore-edge painting, putting books on a shelf backwards will present a consistent, neutral, off-white look. It will match your neutral, off-white walls that real estate agents say buyers desire in a house. Of course, this begs the question why have these books in the first place? Why not just have more neutral wall instead of a neutral bookshelf? Perhaps the answer is this enables you to store old books you will never read again without taking up closet space. Or maybe this is another reminder that we shouldn't be asking "why" questions when it comes to art.

 

This trend is somewhat reminiscent of another trend that appears still to be going strong - buying books by the foot. This is where you buy a bunch of old books that no one wants to read to fill your bookshelf. Usually, they will be based on a theme. Often, that theme will be color. You buy only red books or blue books, which is a bit more daring than the typical colorless fore edge. Alternatively, you might buy them based on subject matter. You can fill your bookshelf with physics books, which implies you are erudite, someone with a passion for the same type of learning as Einstein. Others will buy books based on size, providing a uniformity of appearance similar to a row of off-white edges.

 

While artistic expression is a matter of taste, and there is no right or wrong when it comes to taste, it does say something about the person. For example, what if you start a new trend with paintings, where you turn the paintings on your walls around? Perhaps that will show you are on the cutting edge of artistic appreciation, but I'm more likely to interpret that as an expression of what you think of your paintings. They suck. Or, how about if you turn those family photographs we all have on our walls around? Does that say something about your artistic taste, or about what you think of your family? Try it and see what your spouse or children say. So, doesn't turning your books around say something similar about your feelings toward your books? Just wondering.


Posted On: 2018-05-01 22:00
User Name: twfmd

If this was anywhere near April 1st I would think this was a joke. If it is not a joke, it is completely absurd!


Rare Book Monthly

  • <center><b>Potter & Potter Auctions<br>Nobu Shirase and the Japanese Antarctic Expedition: the Collection of Chet Ross<br>October 12, 2023</b>
    <b>Potter & Potter, Oct. 12:</b> [BYRD]. VEER, Willard Van der and Joseph T. RUCKER, cinematographers. The 35mm motion picture Akeley camera that filmed the Academy Award-winning documentary “With Byrd at the South Pole”. $30,000 to $50,000.
    <b>Potter & Potter, Oct. 12:</b> [SHIRASE, Nobu, his copy]. RYUKEI, Yano. <i>Young Politicians of Thebes: Illustrious Tales of Statesmanship.</i> Tokyo(?), 1881-84. $15,000 to $20,000.
    <b>Potter & Potter, Oct. 12:</b> SHACKLETON, Ernest H. <i>The Antarctic Book.</i> Winter Quarters 1907-1909 [dummy copy of the supplement to: <i>The Heart of the Antarctic</i>]. London, 1909. $10,000 to $15,000.
    <b>Potter & Potter, Oct. 12:</b> [USS BEAR]. The original auxiliary deck wheel from the famed USS Bear, 1874-1933. “PROBABLY THE MOST FAMOUS SHIP IN THE HISTORY OF THE COAST GUARD” (USCG). $10,000 to $15,000.
    <b>Potter & Potter, Oct. 12:</b> HENSON, Matthew. <i>A Negro Explorer at the North Pole.</i> With a forward by Robert Peary. Introduction by Booker T. Washington. New York, [1912]. $3,000 to $4,000.
  • <center><b>Swann Auction Galleries View Our Record Breaking Results</b>
    <b>Swann:</b> Charles Monroe Schulz, <i>The Peanuts gang,</i> complete set of 13 drawings, ink, 1971. Sold June 15 — $50,000.
    <b>Swann:</b> Charlotte Perkins Gilman, Family Archive of Photographs & Letters. Sold June 1 — $60,000.
    <b>Swann:</b> Victor H. Green, <i>The Negro Motorist Green Book,</i> New York, 1949. Sold March 30 — $50,000.
    <b>Swann:</b> William Shakespeare, <i>King Lear; Othello;</i> [and] <i>Anthony & Cleopatra;</i> Extracted from the First Folio, London, 1623. Sold May 4— $185,000.
    <center><b>Swann Auction Galleries View Our Record Breaking Results</b>
    <b>Swann:</b> William Samuel Schwartz, <i>A Bridge in Baraboo, Wisconsin,</i> oil on canvas, circa 1938. Sold February 16 — $32,500.
    <b>Swann:</b> Lena Scott Harris, <i>Group of approximately 65 hand-colored botanical studies, all apparently California native plants,</i> hand-colored silver prints, circa 1930s. Sold February 23 — $37,500.
    <b>Swann:</b> Suzanne Jackson, <i>Always Something To Look For,</i> acrylic & pencil on linen canvas, circa 1974. Sold April 6 — $87,500.
    <b>Swann:</b> Gustav Klimt, <i>Das Werk von Gustav Klimt,</i> complete with 50 printed collotype plates, Vienna & Leipzig, 1918. Sold June 15 — $68,750.
  • <b><center>Sotheby’s<br>Bibliotheca Brookeriana: A Renaissance Library<br>Magnificent Books and Bindings<br>11 October 2023</b>
    <b>Sotheby’s, Oct. 11:</b> Francesco Colonna, Hypnerotomachie, Paris, 1546, Parisian calf by Wotton Binder C for Marcus Fugger. $300,000 to $400,000.
    <b>Sotheby’s, Oct. 11:</b> Leonardo da Vinci, Trattato della pittura, manuscript on paper, [Rome, ca. 1638–1641], a very fine pre-publication manuscript. $250,000 to $300,000.
    <b>Sotheby’s, Oct. 11:</b> Paradis, Ung petit traicte de Alkimie, [Paris, before 1540], contemporary morocco by the Pecking Crow binder for Anne de Montmorency. $300,000 to $350,000.
    <b>Sotheby’s, Oct. 11:</b> Capocaccia, Giovanni Battista, A wax relief portrait of Pius V, in a red morocco book-form box by the Vatican bindery, Rome, 1566–1568. $250,000 to $300,000.
    <b>Sotheby’s, Oct. 11:</b> Serlio, Il terzo libro; Regole generali, Venice, 1540, both printed on blue paper and bound together by the Cupid's Bow Binder. $400,000 to $500,000.
    <b>Sotheby’s, Oct. 11:</b> Tiraboschi, Carmina, manuscript on vellum, [Padua, c. 1471], the earliest surviving plaquette binding. $280,000 to $350,000.
    <b><center>Sotheby’s<br>Bibliotheca Brookeriana: A Renaissance Library<br>The Aldine Collection A–C<br>12 October 2023</b>
    <b>Sotheby’s, Oct. 12:</b> Anthologia graeca, Venice, Aldus, 1503, printed on vellum, Masterman Sykes-Syston Park copy. $150,000 to $200,000.
    <b>Sotheby’s, Oct. 12:</b> Castiglione, Il libro del cortegiano, Venice, Aldus, 1528, contemporary Italian morocco gilt, Accolti-Landau copy. $200,000 to $300,000.
    <b>Sotheby’s, Oct. 12:</b> Castiglione, Il libro del cortegiano, Venice, Aldus, 1545, contemporary morocco for Thomas Mahieu, Chatsworth copy. $200,000 to $300,000.
    <b>Sotheby’s, Oct. 12:</b> Cicero, Epistolae familiares, Venice, Aldus, 1502, printed on vellum, illuminated, Renouard-Vernon-Uzielli copy. $200,000 to $300,000.
    <b>Sotheby’s, Oct. 12:</b> Colonna, Hypnerotomachia Poliphili, Venice, Aldus, 1499, Gomar Estienne binding for Jean Grolier, Spencer copy. $400,000 to $600,000.
    <b>Sotheby’s, Oct. 12:</b> Crinito, Libri de poetis Latinis, Florence, Giunta, 1505, Cupid's Bow Binder for Grolier, Paris d'Illins-Wodhull copy. $250,000 to $300,000.

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