• <center><b>Galleri Bygdoy Allé<br>Sales Exhibition Catalogue 47<br>Part III<br>Antiquarian Temptations:<br>Rare Books, Atlases & Maps,<br>Photos & Manuscripts</b>
    <b>Galleri Bygdoy Allé:</b> PIETER MORTIER. “Le Neptune Francois ou Atlas Nouveau des Cartes Marines. Levées et Gravées par ordre Exprés du Roy…” Paris, 1693.
    <b>Galleri Bygdoy Allé:</b> MARC CHAGALL illus. SHAKESPEARE. “The Tempest.” Large folio. Monte-Carlo, 1975. Signed by the artist.
    <b>Galleri Bygdoy Allé:</b> JOHN SPEED and followers. “A New and Accurate Map of the World.” Hand-colored engraving. London (1626 – 1627 – circa 1650) – 1676.
    <center><b>Galleri Bygdoy Allé<br>Sales Exhibition Catalogue 47<br>Part III<br>Antiquarian Temptations:<br>Rare Books, Atlases & Maps,<br>Photos & Manuscripts</b>
    <b>Galleri Bygdoy Allé:</b> MATTHÄUS SEUTTER. “The Colossus Series.” Set of 4 prints, contemporary hand-colored engravings, each c. 57x49cm. Augsburg c. 1730
    <b>Galleri Bygdoy Allé:</b> (CHARLES LE BRUN). “La Grande Galerie De Versailles, et Les Deux Salons qui L’Accompagnent, peints Par Charles Le Brun premier Peintre de Louis XIV…” Paris, 1752.
    <b>Galleri Bygdoy Allé:</b> G. BRAUN – F. HOGENBERG. “Danorum Marca.” Contemporary hand-colored engraving, 33x48cm. Cologne, 1588.
  • <b>Bonhams, June 29:</b> LIFE OF OSLER, PRESENTATION COPY TO NEPHEW NORMAN GWYN. CUSHING, HARVEY. 1869-1939. <i>The Life of Sir William Osler.</i> Oxford: Oxford University Press, 1925. $1,500 to $2,500.
    <b>Bonhams, June 29:</b> OSLER TO HALSTED MENTIONING CUSHING AND WELCH. Autograph Letter Signed ("Wm Osler") to William Stewart Halsted on medical matters, 2 pp, January 19, 1919. $1,500 to $2,500.
    <b>Bonhams, June 29:</b> CUSHING PRESENTATION COPY TO LUCIEN PRICE. CUSHING, HARVEY. <i>Intracranial Tumours.</i> Springfield, 1932. $1,000 to $1,500.
    <b>Bonhams, June 29:</b> OSLER ON HIS CHILDHOOD. Autograph Letter Signed ("Wm Osler") to Mabel [Brewster] on returning home to Staplehurst. $800 to $1,200.
    <b>Bonhams, June 29:</b> SCULTETUS, JOHANNES. 1595-1645. <i>Cheiroplotheke, seu armamentarium chirurgicum XLIII.</i> Ulm: Balthasar Kühnen, 1655. $3,000 to $4,000.
    <b>Bonhams, June 29:</b> VICQ D'AZYR, FELIX. 1748-1794. <i>Traite d'anatomie et de physiologie.</i> Paris: Didot l'aine, 1786. $3,000 to $5,000.
    <b>Bonhams, June 29:</b> TAGAULT, JEAN. C.1499-1546. <i>De chirugica institutione libri quinque....</i> Lyon: Guillaume Rouillé, 1549. $400 to $600.
    <b>Bonhams, June 30:</b> EDWARD S. CURTIS (1868-1952). Autograph Logs and Journals from his 1927 Alaska Expedition. $7,000 to $ 9,000.
    <b>Bonhams, June 30:</b> EDWARD S. CURTIS (1868-1952). Cañon de Chelley, 1904. Oversized orotone, 17 x 22in in original Curtis Studio frame. $30,000 to $50,000.
    <b>Bonhams, June 30:</b> EDWARD S. CURTIS (1868-1952). 26 cyanotypes, featuring images of Cheyenne tribes from Volume VI of <i>North American Indian,</i> c.1907, made by Curtis in the field. $30,000 to $50,000.
    <b>Bonhams, June 30:</b> EDWARD S. CURTIS (1868-1952). The Vanishing Race, 1904. Oversized orotone, 18 x 24in in original Curtis Studio frame. $20,000 to $30,000.
  • <center><b>Cowan’s<br>American Historical Ephemera<br>& Photography<br>June 25, 2021</b>
    <b>Cowan’s, June 25:</b> [CIVIL WAR] -- [SHERIDAN, Philip Henry]. Personal headquarters flag of Philip Henry Sheridan used when he led the 2nd Michigan Cavalry. Spring - Summer 1862. $20,000 to $30,000.
    <b>Cowan’s, June 25:</b> [EARLY PHOTOGRAPHY]. Half plate daguerreotype of firefighter Walter Van Erven Dorens. [San Francisco]: n.p., [ca 1854-1856]. $15,000 to $25,000.
    <b>Cowan’s, June 25:</b> [LINCOLNIANA]. Abraham Lincoln banner possibly made for the 1864 presidential campaign. $10,000 to $15,000.
    <center><b>Cowan’s<br>American Historical Ephemera<br>& Photography<br>June 25, 2021</b>
    <b>Cowan’s, June 25:</b> [REVOLUTIONARY WAR - CONTINENTAL CONGRESS]. [HOLTEN, Dr. Samuel]. An archive of letters related to Danvers, Massachusetts, physician and statesman Dr. Samuel Holten. $10,000 to $15,000.
    <b>Cowan’s, June 25:</b> [UNION PACIFIC RAILROAD]. CARBUTT, John, photographer. Exceptional collection of 27 stereoviews from the series, "Excursion to the 100th Meridian, October 1866." Chicago, [1866]. $10,000 to $15,000.
    <b>Cowan’s, June 25:</b> [ALASKAN GOLD RUSH]. William Steele West and family, extensive archive of photographs, diaries, correspondence, and personal items. [Ca 19th - 20th century]. $8,000 to $12,000.
    <center><b>Cowan’s<br>American Historical Ephemera<br>& Photography<br>June 25, 2021</b>
    <b>Cowan’s, June 25:</b> [TAYLOR, Zachary]. Quarter plate daguerreotype featuring the 12th President of the United States. N.p.: n.p., [ca 1845]. $8,000 to $10,000.
    <b>Cowan’s, June 25:</b> [WASHINGTON, George]. Signed Society of the Cincinnati document. $5,000 to $7,000.
    <b>Cowan’s, June 25:</b> LINCOLN, Abraham. Autograph endorsement signed ("A. Lincoln"), as President. [Washington], 29 September 1862. 1 page, 4to, old creases. $5,000 to $7,000.
    <center><b>Cowan’s<br>American Historical Ephemera<br>& Photography<br>June 25, 2021</b>
    <b>Cowan’s, June 25:</b> JEFFERSON, Thomas. Autograph letter signed ("Th. Jefferson"), as United States President, to Robert Patterson. Washington DC, 2 July 1805. 1 page, 4to, evenly toned, small tear from seal. $4,000 to $6,000.
    <b>Cowan’s, June 25:</b> [EARLY PHOTOGRAPHY] -- [ALCOTT, Elizabeth Sewall]. Ninth plate ruby ambrotype attributed to Elizabeth Sewall Alcott. N.p., [ca 1856-1857]. $3,000 to $5,000.
    <b>Cowan’s, June 25:</b> [WESTERN AMERICANA]. RUSSELL, Andrew Joseph, photographer. <i>Salt Lake City, From the Top of the Tabernacle.</i> [1869]
  • <b><center>Sotheby’s<br>Livres et Manuscrits :<br>de Cervantès à Houellebecq<br>18 – 25 June</b>
    <b>Sotheby’s, 18 – 25 June:</b> Jouve, Paul -- François-Louis Schmied -- Rudyard Kipling. <i>Le Livre de la Jungle,</i> 1919.<br>€ 80,000 to € 120,000.
    <b>Sotheby’s, 18 – 25 June:</b> Cervantès Saavedra, Miguel de. <i>El ingenioso hidalgo Don Quixote de la Mancha.</i> Bruxelles, 1607.<br>€ 30,000 to € 50,000.
    <b>Sotheby’s, 18 – 25 June:</b> Buren, Daniel - Aimé Césaire. Cahier d'un retour au pays natal. Solstice, 2004. 1/140 ex. Avec 1/20 suites d'œuvres originales.<br>€ 4,000 to € 6,000.
    <b>Sotheby’s, 18 – 25 June:</b> [Musique] - Gioacchino Traversa. Six sonates à violon seul. [Vers 1770].<br>€ 3,000 to € 5,000.

Rare Book Monthly

Articles - November - 2017 Issue

Dear Mrs. Trump – A Librarian's Snarky Attack on the First Lady and Dr. Seuss Not a Great Moment in Library Science

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Of what race was the Cat in the Hat? Black? White? Feline?

A Massachusetts librarian managed to deliver an embarrassing blow to what was presumably her cause, tolerance and racial justice, with one of the more inept public attacks you will ever see. Her obvious target was the President, fair game for criticism, but instead attacked his wife and an American icon, Dr. Seuss.

 

It all started harmlessly enough. First Lady Melania Trump sent out a letter in honor of National Read a Book Day. In it, the First Lady emphasized the importance of reading and noted she was recognizing a school in each state that "achieved high standards of excellence." In Massachusetts, the school selected was Cambridgeport Elementary School in Cambridge. Along with the recognition each school would receive ten books, all by the wondrous Dr. Seuss.

 

Reading is a good, thoroughly noncontroversial cause. It's the type most First Ladies have settled upon. Laura Bush was a heavy promoter of reading. This was not enough for Ms. Soeiro, who in the name of sensitivity issued a most insensitive reply online, one mercilessly picked up by the press across the nation. After beginning with a sarcastic comment about how "expensive" it must have been to send the books by second-day air, she went on to lecture the First Lady on ethnic diversity, socioeconomic status, gender, differing abilities, per pupil spending, free all-day kindergarten, white supremacy and the miserable policies of the Secretary of Education, whom Mrs. Trump did not appoint. She pointed to libraries in inner city schools being closed, not a problem in this wealthy Boston area community that is home to Harvard University. She exclaimed that her school did not have a "NEED" for these books, undoubtedly true, but ten books with the First Lady's seal is evidently more like an award certificate than an attempt to build a library.

 

If this wasn't bad enough, Ms. Soeiro then proceeded to lambaste Dr. Seuss. She explains to the First Lady something I did not know either - "You may not be aware of this, but Dr. Seuss is a bit of a cliché, a tired and worn ambassador for children’s literature." Those are fighting words. I don't think it's Dr. Seuss who is the tired cliché here. The good doctor was beloved not only by me but my children as well. If today children don't appreciate him, which I cannot believe, then they are missing the most important part of their young lives – childhood. He did more to get children to read then probably anyone else on earth. Perhaps if Ms. Soeiro had to endure Dick and Jane as a child in school she would better appreciate just how wonderful this man was.

 

The librarian then continues, "Another fact that many people are unaware of is that Dr. Seuss’s illustrations are steeped in racist propaganda, caricatures, and harmful stereotypes. Open one of his books (If I Ran a [sic – the] Zoo or And to Think That I Saw It On Mulberry Street, for example), and you’ll see the racist mockery in his art." No longer possessing those books myself, I would go to the library to check them out and see, but either they got rid of them, or it must be a racist institution I wouldn't want to patronize. She cites a book entitled Was the Cat in the Hat black and another titled Is the Cat in the Hat Racist? The answer is of course he was. After all, he wears a top hat, bow tie, and white gloves. What could be more racist than that? Never mind that Abe Lincoln wore a top hat, Bill Nye a bow tie, and Mickey Mouse white gloves. Apparently, these are indicia of blackface minstrel shows. Still, I think I would be less offended by someone wearing a top hat than by someone saying the Cat in the Hat looks like people of my race. He barely even resembles someone of the feline race let alone the human race. And he wore whiteface.

 

Now Dr. Seuss, like all of us, was a product of his times. George Washington owned slaves, Abraham Lincoln did not free the slaves until three years into the Civil War, one Roosevelt was an imperialist, the other interred the Japanese. All were ahead of their time in terms of humane and compassionate sentiments, but they were not perfect. So should we smugly condemn them for failing to meet today's standards? You can be certain that our descendants, 100 years from now, could similarly condemn us for behavior we do not even see as wrong from the vantage point in which we live. Seuss was actually way ahead of his time in terms of being progressive and tolerant, and a bizarre target for a thinly veiled attack on President Trump. In the days before the Second World War, he churned out many cartoons forcefully attacking the original "America First" movement. This despite the pro-Nazi movement being concentrated with ethnic Germans, just like Theodore Seuss Geisel himself. Seuss did not see Nazi sympathizers as "fine people." Believe me.

 

He was not only sympathetic to Jews, he was to African-Americans. That leads us to a specific criticism. In the 1930s, before writing his books, he did some advertising drawings which depicted Africans in a stereotypical, demeaning manner. That was common in his day and even black entertainers of the era performed in ways that would be considered demeaning today. Mulberry Street depicts a Chinese man in stereotypical dress with a set of chopsticks, and this has led to calls to remove a mural containing this image from the Seuss Museum. But, even when I was growing up in the 1950s and 1960s, Irish comedians still played drunkards, Italians gangsters. When boys and girls played doctor and nurse, the boys were always the doctor, the girls the nurse. Were we all misogynists? By today's standards, yes, but none of us, girls included, saw anything wrong. It took the women's movement to open our eyes to understanding the subtle harm to the stereotypes we were unconsciously promoting. People need to be judged within the context of their times.

 

Dr. Seuss did have one blind spot for which criticism is fair. During the war years, he let his anger at Japan spill over to unfair attacks on Japanese Americans. He portrayed them as disloyal and supported their internment, one of America's darker episodes. Of course, so did Franklin Roosevelt, a very progressive President, and many other Americans, caught up in the hysteria of war. He should have known better. Even in those times, that was too far, though in the 1950s, when boys played war games, we were still fighting the "Japs." Seuss' attitude toward the Japanese slowly evolved, and a decade later he visited Japan and dedicated his 1954 book, Horton Hears a Who!, to a Japanese friend. That is a book whose message is steeped in tolerance, just as The Lorax presents a powerful environmental message. Perhaps unlike some of today's pro-diversity books, Dr. Seuss may have imparted that message in a way that better reached the young, as he also entertained them and encouraged their imaginations to run wild. Dr. Seuss was a good man who changed with the times. Do not denigrate him.

 

Returning to Melania Trump's books, it should be noted that the Cambridge school system quickly issued a message saying that while Ms. Soeiro had a right to express her views, the decision on whether to accept or reject the books was not hers to make. As for Mrs. Trump herself, she seems to be a decent and well-meaning lady. She did not grow up in America and probably does not understand all the nuances of our culture and politics. I grew up here and I haven't mastered them all. It undoubtedly never occurred to her that giving some books out as a reward to high performing schools could somehow be construed as evil. If this was an opportunity to point out the greater needs of poorer schools, that could have been done with a helpful, respectful reply, not a snarky one. If Mrs. Trump doesn't understand all the nuances of American sensitivity, she has spent her years here with a husband who probably doesn't teach sensitivity all that well. If a day goes by where he doesn't say something to offend me, I worry that he has taken ill. Attack her husband all you like, leave the family alone. Instead of helping the cause of tolerance, you set it up for ridicule. That is not helpful. Liz Phipps Soeiro, will you please go now.


Posted On: 2017-11-25 14:43
User Name: jklaw77

Michael, to answer one point of yours: my 8 and 10 year old kids love and appreciate Dr Seuss (along with millions of their contemporaries I am sure!)--John Kirsner


Rare Book Monthly

  • <b>Swann Auction Galleries Jun 24:</b> C.F. Payne, <i>Micawber, Imitating Norman Rockwell’s “Triple self-portrait,”</i> mixed media, 2002. $800 to $1,200.
    <b>Swann Auction Galleries Jun 24:</b> Brian Froud, media illustration published in <i>The Land of Froud,</i> 1977. Estimate $6,000 to $9,000.
    <b>Swann Auction Galleries Jun 24:</b> Haddon Sundblom, <i>All a Girl Needs,</i> oil on canvas, published in <i>The Ladies’ Home Journal,</i> 1942. $8,000 to $10,000.
    <b>Swann Auction Galleries Jun 24:</b> Adrianne Lobel, <i>My One and Only,</i> 26 scenic concept collages for the Broadway musical, 1983. $6,000 to $9,000.
    <b>Swann Auction Galleries Jun 24:</b> Charles Schulz, original four-panel pen and ink <i>Peanuts</i> comic strip, 1971. $15,000 to $25,000.
    <b>Swann Auction Galleries Jun 24:</b>Jack Davis, mixed media cartoon for <i>Playboy,</i> 1959. $6,000 to $9,000.
    <b>Swann Auction Galleries Jun 24:</b> Charles Addams, mixed media cartoon for <i>The New Yorker,</i> 1937. $6,000 to $9,000.
  • <b><center>Doyle<br>Fine Literature<br>Online Auction<br>June 8 to June 22</b>
    <b>Doyle, Fine Literature:</b> CALDWELL, ERSKINE. <i>Tobacco Road,</i> First Edition. $3,000 to $5,000.
    <b>Doyle, Fine Literature:</b> ELIOT, GEORGE. <i>Middlemarch: A Study of Provincial Life.</i> Edinburgh & London: William Blackwood and Sons, 1871-72. First edition in book form. $1,000 to $1,500.
    <b>Doyle, Fine Literature:</b> BYRON, GEORGE GORDON NOEL, LORD. <i>Don Juan.</i> London: the Thomas Davison; John Hunt; John and H.L. Hunt, 1819-24. First edition. $4,000 to $6,000.
    <b>Doyle, Fine Literature:</b> [BURNEY, FRANCES]. <i>Evelina, Or, A Young Lady's Entrance into the World.</i> London: T. Lowndes, 1778. First edition. $2,000 to $3,000.
    <b><center>Doyle<br>Fine Literature<br>Online Auction<br>June 8 to June 22</b>
    <b>Doyle, Fine Literature:</b> SHEPARD, ERNEST H. Colored drawing of Winnie-the-Pooh and Piglet, in an autograph letter signed by Shepard. Dated February 29th, 1932. $15,000 to $25,000.
    <b>Doyle, Fine Literature:</b> CARROLL, LEWIS (CHARLES LUTWIDGE DODGSON). <i>The Nursery "Alice".</i> London: MacMillan, 1890. Second (first published) edition. $7,000 to $10,000.
    <b>Doyle, Fine Literature:</b> DANA, RICHARD HENRY, Jr. <i>Two Years Before the Mast.</i> New York, 1840. First edition with an autograph letter signed by Dana laid-in. $2,500 to $3,500.
    <b>Doyle, Fine Literature:</b> FINE BINDING-RIVIERE] HAZLITT, WILLIAM. <i>Liber Amoris: or, the New Pygmalion.</i> London: John Hunt, 1823. First edition. $3,000 to $5,000.

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