• <center><b>Arader Galleries<br>December Sale<br>December 5, 2020</b>
    <b>Arader Galleries, Dec. 5:</b> SHERBURNE, BRANTZ, and WIRGMAN. The Original Drawings of the First Modern Scientific Survey of the Patapsco River and Chesapeake Bay. $350,000 to $500,000.
    <b>Arader Galleries, Dec. 5:</b> LAFON, Barthelemy. The Earliest Comprehensive Survey of Louisiana and its Adjacent Regions. $350,000 to $450,000.
    <b>Arader Galleries, Dec. 5:</b> Giacomo GASTALDI. The Most Important Renaissance Wall Map of Asia Published in the 16th Century – with all four sheets having full margins. $300,000 to $400,000.
    <center><b>Arader Galleries<br>December Sale<br>December 5, 2020</b>
    <b>Arader Galleries, Dec. 5:</b> CAO, Junyi. The Most Important Map of China to Come to Market in 50 Years. One of only three known copies of the last Ming Dynasty world map. $325,000 to $375,000.
    <b>Arader Galleries, Dec. 5:</b> ORTELIUS, Abraham. Ortelius Atlas Spanish 1588 Magnificently Rich Original Hand Color in Full. $225,000 to $350,000.
    <b>Arader Galleries, Dec. 5:</b> An Exceptionally Fine and Historically Important Manuscript Map Showing the Origins of Texas in the 19th Century. $250,000 to $350,000.
    <center><b>Arader Galleries<br>December Sale<br>December 5, 2020</b>
    <b>Arader Galleries, Dec. 5:</b> PRICE, William and BONNER, John. Map of Boston 1769. $225,000 to $325,000.
    <b>Arader Galleries, Dec. 5:</b> John James AUDUBON. Audubon’s Brilliant Icon, That Has Never Been Equaled for Drama. $150,000 to $250,000.
    <b>Arader Galleries, Dec. 5:</b> Pierre-Joseph REDOUTE. Original Watercolor, Red Lily. $175,000 to $250,000.
    <center><b>Arader Galleries<br>December Sale<br>December 5, 2020</b>
    <b>Arader Galleries, Dec. 5:</b> John James AUDUBON. The Most Famous Image of a Bird in All of History. $150,000 to $200,000.
    <b>Arader Galleries, Dec. 5:</b> Martin WALDSEEMULLER. The Finest Example in Existence of Martin Waldseemuller’s Map of the New World, with Spectacular Full Original Color. $150,000 to $200,000.
    <b>Arader Galleries, Dec. 5:</b> GORDON, Peter. The First State of the First View of Savannah: The Template for American Urban Planning. $100,000 to $150,000.
  • <b>Swann Auction Galleries Dec 17:</b> Bernardus Sylvanus, one of the earliest printed maps of the New World, woodcut, Venice, 1511. $20,000 to $30,000.
    <b>Swann Auction Galleries Dec 17:</b> Johannes Blaeu, <i>Nova et Accuratissima Totius Terrarum Orbis Tabula,</i> Amsterdam, 1662. $8,000 to $12,000.
    <b>Swann Auction Galleries Dec 17:</b> Emanuel Bowen & John Gibson, <i>Atlas Minimus,</i> miniature atlas, London, 1758. $2,500 to $3,500.
    <b>Swann Auction Galleries Dec 17:</b> Henry Andrews, <i>The Botanist's Repository for New & Rare Plants,</i> London, 1797-1815. $3,000 to $5,000.
    <b>Swann Auction Galleries Dec 17:</b> John James Audubon, <i>Night Heron or Qua Bird, Plate CCXXXVI,</i> hand-colored aquatint, 1835. $25,000 to $35,000.
    <b>Swann Auction Galleries Dec 17:</b> Basilius Besler, group of 30 folio engravings, <i>Hortus Eystettensis,</i> Eichstatt, 1613. $7,000 to $10,000.
    <b>Swann Auction Galleries Dec 17:</b> Henri Chatelain, <i>Carte Tres Curieuse de la Mer du Sud...,</i> Amsterdam, 1719. $8,000 to $12,000.
    <b>Swann Auction Galleries Dec 17:</b> Arnoldus Montanus, <i>Die Unbekante Neue Welt...,</i> German text edition, Amsterdam, 1673. $4,000 to $6,000.
    <b>Swann Auction Galleries Dec 17:</b> John Woodhouse Audubon, <i>California Gray Squirrel,</i> oil on canvas, c. 1853. $30,000 to $50,000.
  • <b>ANZAAB Joint Catalogue:</b> BULLER, Walter Lawry. <i>A HISTORY OF THE BIRDS OF NEW ZEALAND.</i> London, Van Voorst, 1873. Special De-Luxe edition of this already rare work.
    <b>ANZAAB Joint Catalogue:</b> GIBBS, May. <i>Gum-Nut Babies.</i> Sydney: Angus and Robertson, Ca. 1918.
    <b>ANZAAB Joint Catalogue:</b> SWIFT, Jonathan. <i>TRAVELS INTO SEVERAL REMOTE NATIONS OF THE WORLD.</i> London: Printed for Benj.Motte. 1727.
    <b>ANZAAB Joint Catalogue:</b> JUKES, Joseph Beete. <i>NARRATIVE OF THE SURVEYING VOYAGE OF H.M.S. FLY…</i> London: T. & W. Boone, 1847. First Edition.
    <b>ANZAAB Joint Catalogue:</b> <i>SOMERVILLE, E OE. IN THE VINE COUNTRY.</i> London: W H Allen & Co Limited, 1893.
    <b>ANZAAB Joint Catalogue:</b> MAWE, John. <i>The voyager’s companion, or shell collector’s pilot.</i> London : 1825. Rare.
    <b>ANZAAB Joint Catalogue:</b> PARKINSON, John. <i>Theatrum Botanicum, The Theater of Plants…</i> London, Thomas Cotes, 1640.
    <b>ANZAAB Joint Catalogue:</b> c. 1150 decorated MONASTIC MISSAL LEAF, Southern Germany/Austria.
    <b>ANZAAB Joint Catalogue:</b> LEGGE, Captain W. Vincent. <i>A HISTORY OF THE BIRDS OF CEYLON.</i> London, The Author, 1880.
    <b>ANZAAB Joint Catalogue:</b> AUNT HANNAH. <i>SOME ADVENTURES IN THE LIFE OF A COCKATOO.</i> Published in New York by R. Shugg and Co., 1872.
  • <center><b>Fonsie Mealy Auctioneers<br>Christmas Rare Books<br>& Collectors’ Sale<br>9 & 10 December 2020</b>
    <b>Fonsie Mealy, Dec. 9:</b> Joyce (James), <i>Ulysses,</i> 4to, Paris: (Shakespeare & Co.) 1922, First Edn. €7,000 to €9,000.
    <b>Fonsie Mealy, Dec. 9:</b> Of the Utmost Rarity with Swift Association. Harward (Michael). <i>Philomath. A New Almanack for the Year of Our Lord,</i> 1666. €6,000 to €9,000.
    <b>Fonsie Mealy, Dec. 9:</b> With Full Complement of Hand Coloured & Other Plates. Rosellini (Ippolito). <i>Monumenti dell Egitto e della Nubia,</i> Vols. I, II, & III Plate Volumes only. €5,000 to €7,000.
    <center><b>Fonsie Mealy Auctioneers<br>Christmas Rare Books<br>& Collectors’ Sale<br>9 & 10 December 2020</b>
    <b>Fonsie Mealy, Dec. 9:</b> With Magnificent Hand Coloured Plates. [Bivort, Debabay, & others] <i>Annales de Pomologie,</i> 8 vols., folio, Brussels, 1853-1861. €4,000 to €6,000.
    <b>Fonsie Mealy, Dec. 9:</b> With Very Fine Coloured Plates & Illustrations. Barbier (George) Vogel (Lucien) & others, <i>Gazette du Bon Ton - Arts-modes et frivolities, </i> 1914 to 1922. €4,000 to €6,000.
    <b>Fonsie Mealy, Dec. 9:</b> “I have seen War... I hate War," Signed Presentation Copy to William C. Bullitt, Roosevelt (Franklin D.) August 14, 1936. €3,000 to €4,000.
    <center><b>Fonsie Mealy Auctioneers<br>Christmas Rare Books<br>& Collectors’ Sale<br>9 & 10 December 2020</b>
    <b>Fonsie Mealy, Dec. 9:</b> Victorian Hostess & Horticulturist. An Important Collection Relating to Lady Dorothy Nevill (1826-1913). €2,500 to €3,200.
    <b>Fonsie Mealy, Dec. 9:</b> Fine Original Portrait Photos of The O'Brien Ladies by Margaret Cameron. Two black and white Photos, each 8" x 10". €1,200 to €1,800.
    <b>Fonsie Mealy, Dec. 9:</b> James Hume Nesbitt Illustrations: A collection of twelve pen and ink Drawings and Etchings intended for publication as book of illustrations for his thriller novels. €800 to €1,200.
    <center><b>Fonsie Mealy Auctioneers<br>Christmas Rare Books<br>& Collectors’ Sale<br>9 & 10 December 2020</b>
    <b>Fonsie Mealy, Dec. 9:</b> Attributed to Kitagawa Utamavo (1753-1806). A pair of attractive colourful woodblock prints, of Court Ladies in decorative robes with numerous stamps and script. €800 to €1,000.
    <b>Fonsie Mealy, Dec. 9:</b> Contemporaneous Notes from Captain Cook's Voyage Travel: [Anon] <i>Voyage to the South Sea by Mr. Banks, Mr. Parkinson and Dr. Solender, with Capt. Cooke,</i> a 7 page m/ss document. €700 to €1,000.
    <b>Fonsie Mealy, Dec. 9:</b> Very Rare First U.K. Edition with Yellow Paper Band. Herbert (Frank). <i>Dune,</i> 8vo London (Victor Gollancz Ltd.) 1966. €500 to €700.

Rare Book Monthly

Articles - April - 2017 Issue

The “Old” LIFE: Art, Politics & Humor - What a Difference a Century Makes

Ddb71e17-92b4-4ed5-9710-4fc0a34f85be

Teddy Roosevelt rides his ostrich.

Most dealers and collectors are well aware of the American magazine LIFE, founded by Henry Luce in 1936. Luce’s LIFE became a long running showcase for photo journalism. But few are familiar with the other LIFE, the “old” LIFE, the New York City humor magazine that had an equally interesting niche in the late 19th and early 20th century.

 

The “old” LIFE (1883-1936) specialized in gentle and not so gentle satire and featured a wide array of artists and illustrators, many of whom became household names. Those whose work appeared on its cover and pages included James Montgomery Flagg, Charles Dana Gibson, C(larence) Coles Phillips, Rea Irvin, Balfour Ker, Cory Kilvert, Orson Lowell, Power O’Malley, and many many more - all with a light touch and a steady hand. In later years Norman Rockwell was a regular contributor. His first cover was published in May 1917 and other Rockwell paintings were featured on LIFE’s cover 28 times between then and 1924.

 

Though the old LIFE had a long run it’s best years in my opinion were roughly late 1908 to early 1912, coinciding with the presidency of Theodore Roosevelt and overlapping into William Howard Taft. These were big men, big money, big deals and they were big times too. In a way it’s a period that almost directly imitates our own - with larger than life “Capitalism” front and center, income inequality, radical new ideas in the social order (like votes for women), waves of immigration and dramatic new technology including the airplane and the automobile, turning all established norms upside down.

 

LIFE is collectible both as complete issues of the magazine and/or as individual pieces (such as covers, centerfolds and ads) appearing in the periodical. Though the magazine started out as a black and white publication by 1908 every issue had a color cover, a double page centerfold spread in black and white which often focused on the perceived ironies of the day - be they the expanding empire of Guggenheim in Alaska, the excess of the privileged class, or the newfangled inventions spooking the livestock. Most issues had a full color ad on the back cover, often for the latest in automotive gear including electric cars. The inside pages contained many more cartoons as well as other ads especially for long vanished cars manufactured in fast growing industrial towns like Detroit, Indianapolis, Cleveland and Toledo.

 

In its editorial pages LIFE had cartoons on virtually every page. Some of LIFE’s biggest and best ones were in the center. These included clever line art by names like Harry Grant Dart, a whiz at predicting what fantastical form aviation might soon take. Another frequent contributor was Harrison Cady (the illustrator associated with Thornton Burgess) whose intricate drawings for LIFE were both complex and amusing. These two artists and other like them spared the feeling of no one: man, woman, bug or beast.

 

Targets for humor range from the unseemly habits of the recently rich (one centerfold cartoon showing a bevy of ugly damsels each with a purse and dollar signs over her head), another makes fun of presidential excess showing the jungle’s version of TR - a scene filled with animals running from the great White Hunter. There was an unlimited supply of derision for suffrage. From social commentary to sentimental valentines the centerfolds includes them all: pretty Gibson girls, young love, college days, fat people being readied for the cannibal’s pot, rich people looking ridiculous as they crash their airplanes and cars, poor people struggling to get by as the great ball labeled “greed” mows them down.

 

Among themes that interest today’s collector that show up quite a bit in these early issues of LIFE are the rights of women, anti-vivisection, how people of color are portrayed and attitudes towards Jews and immigrants.

 

When it came to votes for women the official view at LIFE was “No way.” To make sure the reader was perfectly clear on their point of view the magazine went as far as to sponsor a contest on “Why I would Not Marry a Suffragette” and offered a prize of $300 (a very respectable sum for the day) for the best contributions. They not only solicited entries but published the submissions as a regular feature. In the pages of LIFE women who favored the vote are depicted as stout, grumpy, unappealing, misguided and undesirable. As a genre these anti-women's rights cartoons were well drawn, funny (if you weren’t a woman) and uniformly took the position that votes for women was one one of the silliest ideas ever to come down the pike.

 

Though they never took it seriously, they gave it a lot of space both in pictures and words, and even devoted special issues and any number special sections devoted to predictions of what would become of emasculated “husbands” should women ever move up a notch in the food chain.

 

Other topics LIFE did well were explicit and moving, the anti-vivisection drawings showing evil scientists just about to slice up the family dog. They were early with drawings that put forward the then new idea of conservation of public land and preserving open space. Though few of LIFE cartoons were overtly “racist,” race does play a role in many of the images they published. There are lots of cartoons, illustrations and ads featuring people of color, mainly as maids, porters, chauffeurs and other service occupations.

 

Both immigration and antisemitism make frequent appearances. The tilt against immigrants is palpable, especially against Italians who are depicted as dark and thieving and prone to leave the Black Hand in their wake. Jews are drawn marching in formation all with enormous noses, and also frequently depicted as a nasty bunch whose long reach stretched out to control the New York theaters.

 

The hot technology a hundred years ago was not the iPhone or the Android tablet, it was the automobile and the airplane. LIFE was one of the first magazines to really cater to the fantasies of the newly rich for speed, mobility and elegance. Early on the magazine gave the new inventions superior color printing, top placement, great typography, impressive copy, vivid art and photos that extol a life of fast cars, ease, luxury and the willingness to drop a bundle on the latest and the greatest automotive technology.

 

LIFE also ran the line counts on the various models so it was possible not only to see what was being advertised but also how frequently. Among the large automotive ads are both color and black and white for Pierce Arrow, Locomobile, REO, Willys, Olds, Studebaker, Packard cars and trucks, Marmon, Baker Electric and indeed electric vehicles of all kinds, not to mention tires, accessories including horns and speedometers.

 

What pages LIFE did not fill with snappy patter, cartoons, jibes at women, and car ads they saved to extol the virtues of guns (You should have one, a small one if you’re a lady), breakfast cereal, soap (Ponds, Mennen, Ivory), nice clothes from Brooks Brothers and rather awkward looking garters for your socks, not to mention Coca Cola, Wrigley’s gum and stiffer brew in the form of beer and spirits.

 

Reading "old" LIFE in the age of Trump is to realize we’ve already been down this road at least once before and lived to tell about. It’s all there from the 1% to micro-aggressions played out in an earlier incarnation that’s now more than a century old.

 

If you keep an eye out for the “old” LIFE watch for names that will appear again in a larger or different context. Two that come to mind are Walt Kuhn, an American cartoonist and artist who drew for LIFE in its early years and went on in 1913 to be one of the principal organizers of the Armory Show. He was a painter of some note by the time the 20s rolled around. Another fine artist, Edward Borein, best known for his scenes of life in the American West, appeared from time to time as the illustrator for Pierce Arrow car ads.

 

I don’t really see a lot of issues of LIFE being offered as complete magazines or as bound volumes. What I do see is individual pages or work by individual artists. Particularly popular are the fade-away girls of C. Coles Phillips and the iconic women of Charles Dana Gibson as well as and other images by the popular artists of the day like James Montgomery Flagg.

 

When it comes to recent selling prices they seem to range from about $20 for a nice centerfold to over $200 for the prized issue with Teddy Roosevelt riding an ostrich on the cover. When offered as individual issues most of these magazines are still in the $25-$50 range.

 

The “old” LIFE ended in 1936, when Luce bought the name for his new, but unrelated periodical. Don’t confuse them, there’s nothing that ties them together except the name. In the meantime the “old” LIFE is still a great place to find illustrated ephemera and political and social commentary of the period.

 

Links: Here’s a site that carries a good inventory of “old” LIFE all years and displays the individual issues in a visual format.

 

https://2neat.com/magazine/product-category/life-magazine-1883-1936/

Rare Book Monthly

  • <center><b>Sotheby’s<br>Livres et Manuscrits<br>7 – 15 December, 2020</b>
    <b>Sotheby’s, 7 – 15 Dec.:</b> [RELIURE BRODÉE]. <i>Horae beatissimae...</i> Anvers, 1570. Reliure brodée de la Renaissance aux armes du duc d'Anjou. €50,000 to €70,000.
    <b>Sotheby’s, 7 – 15 Dec.:</b> ARTOIS, comte d', futur Charles X. 75 lettres autographes au comte de Vaudreuil entre 1792 et 1804. €15,000 to €20,000.
    <b>Sotheby’s, 7 – 15 Dec.:</b> [Pascal, Blaise]. <i>Lettres de A. Dettonville ...</i> Paris, 1658-1659. Rarissime édition originale en reliure de l'époque. €30,000 to €50,000.
    <center><b>Sotheby’s<br>Livres et Manuscrits<br>7 – 15 December, 2020</b>
    <b>Sotheby’s, 7 – 15 Dec.:</b> Aragon, Louis. Ens. de 8 ouvrages avec envois à Jacques Lacan, dont "Blanche et l'oubli", 1967, sur grand papier. €2,000 to €3,000.
    <b>Sotheby’s, 7 – 15 Dec.:</b> Fermat, Pierre de. <i>Varia opera mathematica.</i> Toulouse,1679. Petit in-folio. Edition originale. De la bibliothèque de Jacques Lacan. €6,000 to €8,000.
    <b>Sotheby’s, 7 – 15 Dec.:</b> Leduc, Violette. <i>La Bâtarde.</i> 1958-1963. Important manuscrit autographe, premier jet. 20 cahiers, env 2048 p. ms. €40,000 to €60,000.
  • <center><b>Sotheby’s<br>English Literature, History, Science,<br>Children’s Books and Illustrations<br>1 – 8 December, 2020</b>
    <b>Sotheby’s, 1-8 Dec.:</b> JAMES OF MILAN | <i>Pricking of love,</i> illuminated manuscript in Middle English [England, fifteenth century]. £60,000 to £80,000.
    <b>Sotheby’s, 1-8 Dec.:</b> BEARDSLEY | <i>The Toilet of Helen,</i> original ink drawing for Savoy, 1895. £30,000 to £50,000.
    <b>Sotheby’s, 1-8 Dec.:</b> DICKENS | <i>A Christmas Carol,</i> 1844, seventh edition, presentation copy inscribed by the author. £20,000 to £30,000.
    <center><b>Sotheby’s<br>English Literature, History, Science,<br>Children’s Books and Illustrations<br>1 – 8 December, 2020</b>
    <b>Sotheby’s, 1-8 Dec.:</b> DARWIN | <i>For Private Distribution... Extracts from Letters addressed to Professor Henslow...,</i> 1835, original wrappers. £70,000 to £90,000.
    <b>Sotheby’s, 1-8 Dec.:</b> DEFOE | Autograph manuscript poem, 'Resignation', 1708. £20,000 to £30,000.
    <b>Sotheby’s, 1-8 Dec.:</b> GRAHAME | <i>The Wind in the Willows,</i> 1908, first edition, dust-jacket. £12,000 to £16,000.

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