• <b>Bonhams: The Medical & Scientific Library of W. Bruce Fye. New York, March 11, 2019</b>
    <b>Bonhams NY, Mar 11:</b> VESALIUS, ANDREAS. 1514-1564. <i>De humani corporis fabrica libri septem.</i> Basel: Johannes Oporinus, June 1543. $300,000 to $500,000
    <b>Bonhams NY, Mar 11:</b> HARVEY, WILLIAM. 1578-1657. <i>De motu cordis & sanguinis in animalibus Anatomica Exercitatio.</i> Leiden: Joannis Maire, 1639. $25,000 to $35,000
    <b>Bonhams NY, Mar 11:</b> BERENGARIO DA CARPI, GIACOMO. 1460-1530. <i>Isagogae breves perlucide ac uberrimae in Anatomiam humani corporis.</i> Bologna: Benedictus Hectoris, 15 July 1523. $15,000 to $25,000
    <b>Bonhams NY, Mar 11:</b> FRANKLIN, BENJAMIN. 1706-1790. <i>Experiments and Observations on Electricity, made at Philadelphia in America…</i> London, 1769. $10,000 to $15,000
    <b>Bonhams NY, Mar 11:</b> BENIVIENI, ANTONIO. 1443-1502. <i>De abditis nonnullis ac mirandis morborum et sanationum causis.</i>Florence: Filippo Giunta, 1507. $8,000 to $12,000
  • <b>Sotheby’s NY, Jan 24:</b> Kingsborough, Edward King. <i>Antiquities of Mexico: Comprising Facsimiles of Ancient Mexican Paintings and Hieroglyphics…</i> London, 1831-1848. $80,000 to $120,000
    <b>Sotheby’s NY, Jan 24:</b> Paul Revere. <i>The Bloody Massacre perpetrated In King-Street Boston on March 5th 1770 by a party of the 29th Reg. Boston, 1770.</i> $150,000 to $200,000
    <b>Sotheby’s NY, Jan 24:</b> Battle of the Alamo. <i>Suplemento al Diario del Gobierno de la Republica Mexicana.</i> (Núm. 326. Tom. IV.). Mexico City: Imprenta del Aguila, Dirigida por José Ximeno, 1836. $6,000 to $8,000
    <b>Sotheby’s NY, Jan 24:</b> The Declaration of Independence. The first book-form printing of the Declaration of Independence. $300,000 to $500,000
    <b>Sotheby’s NY, Jan 24:</b> Treaty of Paris, Ratification. By the United States in Congress Assembled, A Proclamation … Annapolis, [Ca. 16-17 January 1784]. $800,000 to $1,200,000
    <b>Sotheby’s NY, Jan 24:</b> Declaration of Independence. The only known privately held copy of the celebrated William J. Stone facsimile for which provenance can be traced back to a direct ancestor who received it in 1824. $600,000 to $800,000
    <b>Sotheby’s NY, Jan 24:</b> Crockett, David. Autograph letter signed ("David Crockett") to George Patton, announcing his intention to travel to Texas. $70,000 to $100,000
    <b>Sotheby’s NY, Jan 24:</b> Wytfliet, Cornelius. <i>Descriptionis Ptolemaicae Augmentum, Sive Occidentalis Notitia Brevi Commentario Illustrata.</i> Leuven: Johannes Bogaerts 1597. $35,000 to $50,000
    <b>Sotheby’s NY, Jan 24:</b> Schedel, Hartmann. <i>Liber Cronicarum cum Figuris et Ymaginibus.</i> Nuremberg, Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 12 July 1493. $70,000 to $100,000
    <b>Sotheby’s NY, Jan 24:</b> New York Mets. Baseball from the first victory of the New York Mets. $25,000 to $35,000
    <b>Sotheby’s NY, Jan 24:</b> Robert E. Lee. Autograph letter signed ("R E Lee") as Confederate commander, to Rabbi Max Michelbacher, declining to furlough Jewish Confederate troops for the high holy days. $150,000 to $250,000
  • <b>Doyle, Americana from the Library of Arnold “Jake” Johnson: Online Only Auction. Now thru January 29, 2019</b>
    <b>Doyle, Americana from the Library of Arnold “Jake” Johnson, thru Jan 29:</b> HUBBARD, LUCIUS L. <i>Summer Vacations at Moosehead Lake and Vicinity...</i> $300 to $500
    <b>Doyle, Americana from the Library of Arnold “Jake” Johnson, thru Jan 29:</b> HIND, HENRY YOULE. <i>Explorations in the Interior of the Labrador Peninsula, the Country of the Montagnais and Nasquapee Indians.</i> $700 to $1,000
    <b>Doyle, Americana from the Library of Arnold “Jake” Johnson, thru Jan 29:</b> TOME, PHILIP. <i>Pioneer Life; Or, Thirty Years a Hunter...</i> $1,000 to $1,500
    <b>Doyle, Americana from the Library of Arnold “Jake” Johnson, thru Jan 29:</b> CANOVA, ANDREW P. <i>Life and Adventures in South Florida.</i> $400 to $600
    <b>Doyle, Americana from the Library of Arnold “Jake” Johnson, thru Jan 29:</b> Photographically illustrated journal describing an 1890 hunting trip to Colorado. $700 to $1,000
  • <b>Bunch Auctions: Rare Books & Fine Prints. January 22, 2019</b>
    <b>Bunch Auctions, Jan 22:</b> Dickens, Charles. <i>A Tale of Two Cities,</i> first edition with inclusions. $18,000 to $26,000
    <b>Bunch Auctions, Jan 22:</b> John James Audubon. A la poupee color engraving on paper "Stanley Hawk." $6,000 to $12,000
    <b>Bunch Auctions, Jan 22:</b> [FIRST EDITION, FIRST ISSUE] Dickens, Charles. <i>Oliver Twist</i>, London, 1838. 3 vols. $8,000 to $10,000
    <b>Bunch Auctions: Rare Books & Fine Prints. January 22, 2019</b>
    <b>Bunch Auctions, Jan 22:</b> Land indenture between William Penn and Thomas Gell, dated October 12, 1681, wherein Gell purchased 500 acres Pennsylvania farmland; signed by Penn. $4,000 to $6,000
    <b>Bunch Auctions, Jan 22:</b> Thomas Hart Benton, lithograph on paper "The Woodpile", pencil signed, original AAA certificate. $1,500 to $2,500
    <b>Bunch Auctions, Jan 22:</b> Helen Dryden, <i>Vogue</i> cover design lithograph completed in hand watercolor, proof design for September 1922 issue. $600 to $800
    <b>Bunch Auctions: Rare Books & Fine Prints. January 22, 2019</b>
    <b>Bunch Auctions, Jan 22:</b> Fisher, John D. <i>Description of the Distinct, Confluent, and Inoculated Small Pox, Varioloid Disease, Cow Pox, and Chicken Pox,</i> Boston, 1829. $600 to $800
    <b>Bunch Auctions, Jan 22:</b> [Rare Dust Jacket] Crane, Stephen. <i>The Red Badge of Courage,</i> NY, 1896. $500 to $700
    <b>Bunch Auctions, Jan 22:</b> after Amedeo Modigliani (Italian, 1884-1920), chromolithograph on paper "Lunia Czechowska", signed in plate, artist's proof (A/P). $200 to $400
    <b>Bunch Auctions, Jan 22:</b> Samuel Arlent Edwards, color mezzotint on paper "A Visit to the Boarding School", pencil signed. $100 to $200

Rare Book Monthly

Articles - September - 2016 Issue

Tom Lecky: the next stage

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Tom Lecky, consultant to Christie's, and proprietor of Riverrun Books & Manuscripts

Tom Lecky – until recently Department Head, Books & Manuscripts at Christie’s New York – has moved on, if not far, to establish himself in business. This summer he assumed control of Riverrun Books & Manuscripts in Hastings-on-Hudson, NY, a firm that, since 1978, has specialized in fine material from all periods. He works both as a bookseller and appraiser, and maintains a close relationship with Christie’s as a consultant. His career has been meteoric.

 

His resume, beyond his 17 years at Christie’s, includes four and a half years as Head of Books and Prints at William Doyle Galleries, now Doyle New York, as well as a master’s degree from Stanford and a bachelor’s degree from Columbia.  At 44 years old, he enters this next phase of his career.

 

I recently asked Tom for his perspective on the rare book field.

 

Books, manuscripts, maps and ephemera are all part of the same game but dealers tend to specialize in one or two categories.  Will you maintain the focus on books and manuscripts?

 

Diversity has always driven me further in this field. I never sought to pigeonhole myself in a particular area, or narrow focus. I suppose my tastes and interests are too eclectic – I have always considered myself a generalist (and I have been fortunate to handle outstanding material in virtually every category imaginable). In books and manuscripts – especially in the auction world – one can’t afford to be too specialized. You may have just sent a catalog of medical books to the printer, and the next phone call offers a collection of atlases. Or children’s books. Or incunables. It’s natural to gravitate to certain areas that are of greater interest – for me those are American literature, historical Americana, travel, art, science and technology – but the diversity keeps me going everyday. I’ve never met a good book I haven’t liked.

 

At Christie’s you mastered the high end.  Do you expect to stay in that realm? If so, how will that fit with the inventory you acquired? For more than a generation dealers have been able to sell their best examples while increasingly struggling to sell the more common collectibles. What’s your view?

 

Christie’s is my auction home, and continuing there as a consultant means that I maintain a role at the highest level of the market. Riverrun gives me access to the entire breadth of the market. I became interested in book collecting as a teenager trying to read Black Mountain School poets. Their books were printed in one edition only, and although they were affordable ($10-50 at the time), they were hard to track down. I understand the desire to seek books at every level.  A great copy of a $10 book can be as rewarding as a great copy of a $10 million book. I am lucky that my career has allowed me to handle many examples at both ends of that spectrum!

 

I’m biased, but I believe that books represent the greatest technological invention in human history – allowing the spread of knowledge, freedom, and democracy. It was their democratic purpose that first excited me. Combine that with their ability to change the world, influence thought, and – not of minor importance – to be beautiful and you understand what motivates me to keep moving forward.

 

 

Your principal experience is on the auction side and in acquiring Riverrun you are moving over to the dealer side. Auctions have been on a tear while dealers have been finding the going tougher. Your view?

 

I want a strong market for books, regardless of the venue. The book market is centuries old, and will continue for many more. Certain books are more suited to auction, others to private sale, and many more to being part of the immense stocks available through independent dealers. Lamenting a past that is no more does not help the booksellers’ cause. My focus is on what I am doing today, and in the future, to buy, sell, and promote books.

 

The rare book world is undergoing systemic change. Over the past ten years the majority of shops have closed and their inventories posted on line. In taking over an existing firm you’ve come down with two feet on the shop side. What does the future look like to you?

 

The majority of Riverrun’s sales come through the Internet, and there are so many online venues available to booksellers. I take advantage of all of them. Daily sales of modest material are the foundation of the business. The pre-existing inventory had over 13,000 items already listed and I’ve added 500 since taking over two months ago. One has to keep building. The store has a steady stream of people coming to buy and sell books, so a portion of the inventory turns over quickly.

 

The invention of the book led to the invention of the Internet. They are entwined technological leaps-forward. I hear a lot of talk about how “people don’t read anymore.” It is not true. I believe people read as much if not more than ever, just not in the same way. They may read digital texts more than books, but they are reading. And reading somehow always leads to more reading. And reading always leads to books. People still collect candlesticks and Tiffany lamps even though residential electricity and LEDs are far more efficient and practical. I think people, the market, the world, and a collector’s urges are far too complicated to define.

 

I grew up in the Adirondack region of Upstate New York. It was largely rural and isolated, and in the pre-Internet days it was hard to satisfy a hunger to read unusual books or listen to obscure music, both of which are my life-long passions. There was one used bookstore that had a lot of tired stock. An occasional gem would walk in. I learned the thrill of the hunt. But I also learned how limiting the world could be. It is easy for those of us in urban areas to take for granted the diversity of everything available. I moved to it, but the Internet has allowed us to move things and ideas to everyone. At 38 I released my first album. How? I met a like-minded musician online who lived in Wales and he inspired me to keep recording. He released that album on his label. I met more people, and released three more albums. Two years later I performed with him at Café Oto in London, and I count him as one of my best friends. Having left a limited world, I find this kind of access to real-life change and contact immensely rewarding. This relates to Riverrun because it is about keeping books available, to all, and perpetuating their spread through the market.

 

For years people talked about the death of the music industry in the wake of the Internet revolution. Yes, part of it died, or was terminally wounded: the corporate behemoth part.  Yet we have more access to more music now than at any time in human history. And what is the area of greatest growth in physical sales? Vinyl LPs. Record plants were over-booked with production in the last few years, encouraging more plants to be built. For me, that indicates just how important the physical object is to some people. The LP demands attention, care, and tending to deliver its content. It is intimate, and personal. Sounds a lot like a book to me.

 

The number of auction lots has been increasing while realizations in the rooms for the majority of items offered in the print field have been declining.  And dealers generally accept David Lilburne’s recent characterization of the rare book business over the past five years as “working harder to make less.” I think there are some strong reasons to be optimistic but the interregnum will be difficult. You’ve taken over a shop so I assume you too are optimistic. Your perspective?

 

In my first two months at Riverrun I have shipped books to over 30 different countries. There are people all over the world, at every moment, looking for books. Some of these books are well known, and a very surprising number of them are very obscure. They are of modest value, generally niche scholarly subjects, or by lesser-known literary authors – the kind that drew me into book collecting when I was young. I have been coming to Riverrun at intervals for fifteen years and have seen the flow of material. With 30,000 books in stock, there is usually something here that will appeal to someone, at some level. Buying a pre-existing inventory of this size, scope, quality and condition provided an attractive opportunity, as opposed to founding “Thomas Lecky, bookseller” and trying to build a stock one book at a time. I have so much on hand already that I can be selective and thoughtful with what I add. The shop offers a place for people to come talk, look at, sell, and purchase books. But the marketplace that supports the business is in 24 time zones.

 

The rare book business needs to sell itself anew to collectors. Shops long provided the doors through which fledgling collectors first encountered dealers and their stock.  You’ll potentially be providing a local presence. Do you have plans to make this effective?

 

Absolutely. Hastings is an artistic, intellectual, and literary town. Five Nobel Laureates have lived here. Jasper Cropsey’s studio was here (and is open to the public). Jacques Lipschitz’s studio is visible while walking along the Old Aqueduct Trail. Writers and thinkers as diverse as Martin Gardner, Kenneth B. Clark, Giuseppe Garibaldi, Lewis Hine, and Margaret Sanger all called Hastings home. The observatory where Henry Draper took the first photographs of the moon can be visited at the park that bears his name. And not one, but two, actors from The Wizard of Oz lived here: Billie Burke and the Wizard himself, Frank Morgan.

 

Frank Scioscia, who founded Riverrun, knew many authors through his other career as a sales executive for Harper & Row. He held readings and discussions at the shop, and I plan to carry on that tradition. In fact, I am already planning our first talk for October.

 

Do you plan to join trade organizations and, if so, do shows?

 

Joining the ABAA/ILAB is an important goal. I have made a lot of friends in the trade over the past 25 years, and I hope to join them as a colleague. As I grow into things I may find that shows are a valuable component of my outreach, but I don’t have any immediate plans.

 

I believe we are entering a market bottom that, by bits and starts, should take hold over the next three years.  The rare book business is actually more than a dozen collecting categories and while some have barely slowed others seem destined for life-support. How do you see this and how will you adapt? 

 

I’m reminded of the well-worn adage, “a tool is only as good as the person using it.” Booksellers are only as good as the books they bring to market, how they bring them, and with whom they share them. I see myself in three tiers: the highest-end of the auction market with Christie’s; working directly with private collectors seeking specific things in specific fields; and fulfilling orders to a vast and immeasurable world of book buyers – not collectors per se – who buy books for the information they contain. I feel I have a good grasp and reputation in that first tier. My job is to develop my role in the second, and continue to buy interesting, diverse and plentiful stock to fulfill the needs of the third. Again, books from $10 to $10 million.

 

What does the future overall look like to you? Where do you see strengths and weaknesses? What needs to happen?

 

I am a forward-looking person and have always liked to solve problems. In the auction world, we work with vast amounts of material in a defined time-span. Since we are agents for the owner, there is a great sense of responsibility, but also pride in how we present things to market. I see myself in the private market in a similar way, only now I represent myself. I believe in the field that has made my career. And I am proud to be one more name in a list of names that goes back centuries in the book trade. I will represent that lineage the best that I can:  no matter what book I am discussing nor to whom I am speaking.  Books are not for the elite, they are for everyone.

 

Our strength as booksellers is our memory. Luckily we can build more of it everyday. Our weakness is that we can lose sight of the forest when we fall too in love with a tree. I guess I am more of a park ranger than an arborist. We need to keep at it, haul heavy boxes from one place to another, unpack them, and keep bringing books in front of people whether to their hands or their screens. And, of course, we need to occasionally prune and put out any fires.

 

Tom Lecky. Proprietor

 

Riverrun Books & Manuscripts

12 Washington Avenue

Hastings-on-Hudson, New York 10706

 

Open by appointment

 

(914) 216-1336

Email:  info@riverrunbookshop.com

Rare Book Monthly

  • <b>Il Ponte Casa d’Aste: Books and Manuscripts. January 22, 2019</b>
    <b>Il Ponte Casa d’Aste, Jan 22:</b> [MAGGIOLO, Vesconte] <i>Carta nautica manoscritta, bottega di Vesconte Maggiolo.</i> Italy, c.1550. Previously unknown extraordinary portolan chart. €50,000 to 80,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b><br>LA PÉROUSE, Jean-François. <i>Voyage de la Pérouse autour du monde.</i> Paris: L'Imprimerie de la République, 1797. €6,000 to 9,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> PEREA Y ROJAS, Daniel. The preparatory watercolours to the renown album <i>A Los Toros.</i> €4,000 to 6,000
    <b>Il Ponte Casa d’Aste: Books and Manuscripts. January 22, 2019</b>
    <b>Il Ponte Casa d’Aste, Jan 22:</b> MELA, Pomponio. <i>Cosmographia, sive De situ orbis.</i> Venice, 1478 [Bound with] DIONISIO il Periegeta. <i> De situ orbis…</i> Venice, 1478. €6,000 to 9,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> DE FELICE, Fortunato Bartolomeo. <i>Encyclopedie, ou dictionnaire universel raisonne des connoissances humaines.</i> Yverdon, 1770-1780. €4,000 to 6,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> VECELLIO, Cesare. <i>De gli habiti antichi et moderni di diverse parti del mondo.</i> Venice: Damian Zenaro, 1590. €3,000 to 5,000
    <b>Il Ponte Casa d’Aste: Books and Manuscripts. January 22, 2019</b>
    <b>Il Ponte Casa d’Aste, Jan 22:</b> FALDA, Giovanni Battista; SPECCHI, Alessandro. <i>Il nuovo teatro delle fabriche…</i> [bound with] <i>ll quarto libro del nuovo teatro delli palazzi in prospettiva di Roma moderna.</i> 1665-1699. €4,000 to 6,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> FALDA Giovan Battista. <i>Le fontane di Roma nelle piazze e luoghi pubblici della citta - Le fontane delle ville di Frascati nel Tusculano…</i> Rome, [1691]. €2,000 to 3,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> FERRERIO, Pietro & Giovanni Battista FALDA. <i> Palazzi di Roma de piu celebri architetti disegnati… [1655 – 1677]. €2,500 to 3,000
    <b>Il Ponte Casa d’Aste: Books and Manuscripts. January 22, 2019</b>
    <b>Il Ponte Casa d’Aste, Jan 22:</b> VON JACQUIN, Joseph Franz. <i>Eclogae graminum rariorum.</i> Vienna: Strauss Sommer, 1813-1844. €2,000 to 3,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> Prayer book according to the synagogical Ashkenazy rite in an elegant and precious silver binding. €3,000 to 5,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> BOCCACCIO, Giovanni. <i>Ameto.</i> Venice: Nicolo Zoppino, 1524. €3,000 to 5,000
  • <b>Shapero Rare Books:</b> Fine Illustrated Books. 50 illustrated works across a range of subjects.
    <b>Shapero Rare Books:</b> Present Perfect. Books & works on paper including Literature, Children’s & Illustrated, Sports & Pastimes, Modern Prints and more.
    <b>Shapero Rare Books:</b> The House of Romanov, marking the centenary of the tragic demise of the Romanov dynasty.
    <b>Shapero Rare Books:</b> CHAGALL & GOGOL. Les âmes mortes, 1948. Chagall’s first major illustrated book.
    <b>Shapero Rare Books:</b> GUSTAV KLIMT, eine nachlese, 1931. An important early monograph on Klimt.
    <b>Shapero Rare Books:</b> ELLIOT. Birds of North America, 1866. One of 200 2 vols sets, folio.
    <b>Shapero Rare Books:</b> PURCHAS. His Pilgrimes/Pilgrimage, 1625-26. 5 vols. Probably the greatest collection of voyages ever published.
    <b>Shapero Rare Books:</b> HUXLEY. Brave New World, 1932. Exceptionally fine first edition.
    <b>Shapero Rare Books:</b> KELMSCOTT PRESS. Poems of Shakespeare, one of 500, publisher’s vellum.
    <b>Shapero Rare Books:</b> LEROUX. Phantom of the Opera, 1911. First UK edition in fine S&S binding.
    <b>Shapero Rare Books:</b> INDIANA, Robert. The American Dream, one of 30 AP copies, 30 screen prints.
    <b>Shapero Rare Books:</b> BENOIS. Tsarskoe Selo during the Reign of Elizaveta Petrovna, St Petersburg, 1910. Deluxe issue.
    <b>Shapero Rare Books:</b> CORONATION ALBUM. Description du sacre et du couronnement de leurs Majestés Impériales, 1883. One of 200.
    <b>Shapero Rare Books:</b> IMPERIAL FAMILY. Signed original photograph of Tsar Nicholas II’s 4 daughters.
    <b>Shapero Rare Books:</b> Souvenir du Couronnement de Leurs Majestés Imperiales a Moscou, 1896.
  • <b>19th Century Shop:</b> Charles Darwin on sexuality and the transmission of hereditary characteristics: Autograph Letter Signed to Lawson Tait. Down, 17 January [1877].
    <b>19th Century Shop:</b> MILTON, JOHN. <i>Paradise Lost. A Poem written in ten books.</i> London: 1667. A very rare example with the contemporary binding untouched and with a 1667 title page.
    <b>19th Century Shop:</b> Hamilton secures the ratification of the Constitution: <i>The Debates and Proceedings of the Convention of the State of New-York, assembled at Poughkeespsie, on the 17th June, 1788.</i>
    <b>19th Century Shop:</b> The social contract “Man is born free, and everywhere he is in chains”: ROUSSEAU, JEAN-JACQUES. <i>Principes du Droit Politique [Du Contract Social]</i>. Amsterdam: Michel Rey, 1762
    <b>19th Century Shop:</b> “The first English textbook on geometrical land-measurement and surveying”: BENESE, RICHARD. <i>This Boke Sheweth the Maner of Measurynge All Maner of Lande…</i>
  • <b>Forum Auctions: Private Press, Illustrated Books and Modern First Editions. January 30, 2019</b>
    <b>Forum Auctions, Jan 30:</b> Wilde (Oscar). <i>The Sphinx,</i> one of only 25 large paper copies, illustrations and original pictorial vellum, 1894. £10,000 to £15,000
    <b>Forum Auctions, Jan 30:</b> King (Jessie Marion, 1875-1949). The Lament, pen and black ink on vellum. £10,000 to £15,000
    <b>Forum Auctions, Jan 30:</b> Leger (Fernand). <i>Cirque,</i> one of 300 copies, Paris, Teriade, 1950. £10,000 to £15,000
    <b>Forum Auctions: Private Press, Illustrated Books and Modern First Editions. January 30, 2019</b>
    <b>Forum Auctions, Jan 30:</b> Picasso (Pablo).- Reverdy (Pierre). <i>Sable Mouvant,</i> one of 255 copies signed by the artist, Paris, Louis Broder, 1966. £8,000 to £12,000
    <b>Forum Auctions, Jan 30:</b> Joyce (James). <i>Ulysses,</i> one of only 250 copies signed by both the author and artist, 6 etchings by Matisse, New York, Limited Editions Club, 1935. £6,000 to £8,000
    <b>Forum Auctions, Jan 30:</b> Golden Cockerel Press.- <i>Four Gospels of the Lord Jesus Christ (The),</i> one of 500 copies, wood-engravings by Eric Gill, Laurence Hodson's copy, 1931. £5,000 to £7,000
    <b>Forum Auctions: Private Press, Illustrated Books and Modern First Editions. January 30, 2019</b>
    <b>Forum Auctions, Jan 30:</b> Camus (Albert). <i>The Stranger,</i> first American edition, signed presentation inscription from the author, New York, 1946. £5,000 to £7,000
    <b>Forum Auctions, Jan 30:</b> Greenhill (Elizabeth, binder).- Flint (Sir William Russell). <i>In Pursuit: An Autobiography,</i> limited edition signed by Francis Russell Flint, 1969. £4,000 to £6,000
    <b>Forum Auctions, Jan 30:</b> Cranach Press.- Shakespeare (William). <i>The Tragedie of Hamlet Prince of Denmarke,</i> one of 300 copies, Janet Leeper's copy signed by Edward Gordon Craig, 1930. £4,000 to £6,000
    <b>Forum Auctions: Private Press, Illustrated Books and Modern First Editions. January 30, 2019</b>
    <b>Forum Auctions, Jan 30:</b> Gray (John). <i>Silverpoints,</i> first edition, one of 25 large paper copies, initials and original vellum bidning designed by Charles Ricketts, 1893. £2,000 to £3,000
    <b>Forum Auctions, Jan 30:</b> Kelmscott Press.- Design for the frontispiece to 'A Dream of John Ball', pen & black ink over pencil and heightened with Chinese white, 1892. £2,000 to £3,000
    <b>Forum Auctions, Jan 30:</b> Crowder (Henry). <i>Henry Music…</i> Poems by Nancy Cunard, Richard Aldington, Walter Lowenfels…, first and only edition, one of 100 copies signed by Crowder and additionally inscribed by him, 1930. £1,500 to £2,000
  • <b>Potter & Potter Auctions: Fine Books & Manuscripts. February 2, 2018</b>
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 230: Charles Bukowski. <i>South of No North.</i> Los Angeles, 1973. First edition. Signed. $1,500 to $2,000
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 244: Aldous Huxley. <i>Brave New World.</i> Garden City, 1932. First American edition. Signed. $2,500 to $3,500
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 10: Frank Lloyd Wright. “Fallingwater Side Elevation” Original Blueprint. $1,500 to $2,500
    <b>Potter & Potter Auctions: Fine Books & Manuscripts. February 2, 2018</b>
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 169: <i>Chicago’s Progress: A Review of the World’s Fair City.</i> Chicago: Bishop Publishing, (1933). $150 to $250
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 299: [Tanguy, Yves] Benjamin Peret. <i>Dormir dans Les Pierres.</i> Paris: Editions Surrealistes, 1927. $2,500 to $3,500
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 276: Jean Hans Arp. <i>Arp: Eleven Configurations.</i> Zurich, 1945. $1,200 to $1,500
    <b>Potter & Potter Auctions: Fine Books & Manuscripts. February 2, 2018</b>
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 235: Joseph Conrad. <i>Nostromo: A Tale of the Seaboard.</i> New York: 1904. First edition. $800 to $1,200
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 290: Umberto Brunelleschi. Louys, Pierre. <i>Les Aventures du Roi Pausole.</i> Paris: 1930. $1,200 to $1,500
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 700: X-Men No. 94. Marvel Comics, 1975. CGC 9.0. $800 to $1,200
    <b>Potter & Potter Auctions: Fine Books & Manuscripts. February 2, 2018</b>
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 540: Travers, P.L. <i>Mary Poppins</i> [and] <i>Mary Poppins Comes Back.</i> Signed. New York: 1936. $1,000 to $1,500
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 576: Mickey Mouse. 17 Big Little Books. 1930s-40s. $300 to $500
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 429: Paracelsus. <i>Medicina Diastatica or Sympathecall Mumie.</i> London: 1653. $800 to $1,200
  • <b>Swann Auction Galleries, Jan 29:</b> Leonard Baskin, <i>Diptera: A Book of Flies & Other Insects,</i> Gehenna Press, 1983. $6,000 to $9,000.
    <b>Swann Auction Galleries, Jan 29:</b> Georg Heym, <i>Umbra Vitae,</i> illustrated by Ernst Ludwig Kirchner, first edition, Munich, 1924. $6,000 to $9,000.
    <b>Swann Auction Galleries, Jan 29:</b> Edgar Allan Poe, <i>The Raven,</i> special copy for illustrator Alan James Robinson, first book from Cheloniidae Press, 1980. $3,000 to $4,000.
    <b>Swann Auction Galleries, Jan 29:</b><br>W.B. Yeats, <i>Poems,</i> illustrated by Richard Diebenkorn, accompanied by a suite of 6 etchings, 1990. $12,000 to $18,000.
    <b>Swann Auction Galleries, Jan 29:</b> Georges Rouault, <i>Cirque de l’Étoile Filante,</i> Paris, 1938. $30,000 to $40,000.
    <b>Swann Auction Galleries, Jan 29:</b> François-Louis Schmied, <i>Le Cantique des Cantiques,</i> Paris, 1925. $10,000 to $15,000.
    <b>Swann Auction Galleries, Jan 29:</b> Frank Lloyd Wright, <i>Ausgeführte Bauten und Entwürfe,</i> Berlin, Ernst Wasmuth, 1910. $8,000 to $12,000.
    <b>Swann Auction Galleries, Jan 29:</b> Hans Bellmer & Georges Hugnet, <i>Oeillades ciselées en branch,</i> Paris, 1939. $2,000 to $3,000.
    <b>Swann Auction Galleries, Jan 29:</b> Wassily Kandinsky, <i>Klänge,</i> first edition, Munich, 1913. $30,000 to $40,000.
    <b>Swann Auction Galleries, Jan 29:</b> Charles Dickens, <i>The Nonesuch Dickens,</i> limited edition, 1937-38. $5,000 to $7,500.
    <b>Swann Auction Galleries, Jan 29:</b> Rudyard Kipling, <i>Le Livre de la Jungle,</i> plates by Paul Jouve, engraved by F.L. Schmied, Paris, 1919. $7,000 to $10,000.
    <b>Swann Auction Galleries, Jan 29:</b> Georges Lepape, <i>Les Choses de Paul Poiret,</i> Paris, 1911. $3,500 to $5,000.
  • <b>Case Antiques: Historic Winter Fine Art and Antiques Auction.<br>January 26, 2019</b>
    <b>Case Antiques, Jan 26:</b> Archive of five items related to John Singleton Mosby, the Confederate “Gray Ghost,” including 3 ALS and 2 colored lithographs. $2,800 to $3,200
    <b>Case Antiques, Jan 26:</b> Defoe, Daniel. Double Fore-Edge Painted Robinson Crusoe, 2 Vols., 1820. $800 to $1,000
    <b>Case Antiques, Jan 26:</b> McCarthy, Cormac. <i>Blood Meridian or the Evening Redness in the West.</i> First edition, 1985. $1,000 to $1,200
    <b>Case Antiques: Historic Winter Fine Art and Antiques Auction.<br>January 26, 2019</b>
    <b>Case Antiques, Jan 26:</b> Chagall, Marc. “Le Bouquet Rouge,” limited edition color lithograph. October, 1969. $10,000 to $12,000
    <b>Case Antiques, Jan 26:</b> Stern, Bert. Marilyn Monroe’s “Last Sitting” for <i>Vogue,</i> signed photograph and two books. $1,800 to $2,200
    <b>Case Antiques, Jan 26:</b> Five single fore-edge painted Bibles. $1,000 to $1,200
    <b>Case Antiques: Historic Winter Fine Art and Antiques Auction.<br>January 26, 2019</b>
    <b>Case Antiques, Jan 26:</b> Sander, August. “Painter Brockmann” and “Courtyard Musicians” gelatin silver prints. $2,000 to $2,400
    <b>Case Antiques, Jan 26:</b> after Sheng Mou, Qing Dynasty scroll, landscape painting, ink and color on silk, signature of Wang Hui (Chinese, 1632-1717). $1,800 to $2,200
    <b>Case Antiques, Jan 26:</b> Russell, J. Map of Kentucky, London, 1794, showing Tennessee as a SW Territory. $1,200 to $1,800

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