Rare Book Monthly

Articles - February - 2016 Issue

The Bergé Bible – The Creation of a Monumental Catalogue

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Exceptional sales require exceptional catalogues. On your coffee table, weighing 6 pounds, being several hundred full colour pages thick and more than 10 inches tall, here is the catalogue of the first sale of the Pierre Bergé sale!

 

When I wrote an article about the Pierre Bergé sale for a French website, a few weeks before it actually took place, I quoted the catalogue, and received several messages right away: “Where did you get your copy? Can you get me one? I’m looking for it.” It was not available yet, but everyone was already after it. In fact, the expert Benoit Forgeot—who put it together with Stéphane Clavreuil and Michel Scognamillo—had sent me some extracts for the article. But it took me a while before I eventually got a physical copy. That’s when I fully realized how incredible it is. Catalogues are the shop front of any sale, and an essential tool for any buyer. Not only do they detail the specificities of a book —is it complete, restored? etc.—, but they are also valuable sources of information written by experts. Yet, only a few of them go beyond their practical purpose.

 

This one does, as it is the result of an eight-month full-time job. “The colour itself has been meticulously chosen,” says Mr Forgeot. “There will be six sales and each catalogue will look alike except for the colour of the cover; but it shall remain a pale and discreet declension of this one. Even the colour of the sewing thread of the booklet, which goes along the catalogue, was carefully picked up.” Indeed, since a mouse may be of service to a lion, the thick folio catalogue goes along with a tiny booklet dedicated to noting down the result of each lot. This imposing beige/orange catalogue was printed at 6,000 copies. “It is not a classical catalogue,” resumes Mr Forgeot, “it was designed as the link of a global chain of communication. As such, it plays its part. It is built differently from other catalogues, and is supposed to stick in people’s mind.” For instance, apart from the somewhat expected introductions—one by Pierre Bergé himself and one by the Professor Antoine Compagnon, a part of the catalogue is dedicated to a special year: “1913 arrived suddenly, like an earthquake,” writes Pierre Bergé. “And what a seism! In the field of literature, Proust, Appolinaire, Roussel. This is the very year Marcel Duchamp, Barnum of culture, exhibited his watches at the Armory Show, in New York, then in Chicago and Boston. There were Cézanne, Matisse, Brancusi, Braque, and others.” Thus, the books linked to 1913, though not necessarily the most expensive ones are given a special treatment. They include a manuscript letter sent by Proust to Jean-Louis Vaudoyer, a copy of the first edition of Apollinaire’s Alcools—with a dedication of the author—, or George Barbier’s Designs on the Danced of Vaslav Nijinsky (London, 1913).

 

According to Mr Forgeot a list of underestimated books is enough to attract buyers. But the idea behind the catalogue was to seduce, and to incite people to take an active interest in the lots. As a matter of fact, not only do these descriptions give required details, but they also tell full and often fascinating stories. The punch lines alone make you want to read more: A painter, A marketer... and a Printer from Venice, in the wake of Piero Della Francesca. A literary rarity (about Leon Battista Alberti), The most brilliant treatise of the Renaissance in France: a humanist manifest (about Geoffrey Tory) or One of the jewels of the French Renaissance (about Maurice Scève), etc. Of course, the true value of this catalogue is the books it lists. But in this case, the catalogue adds value to the books. Indeed, it is helpful for the non-deeply committed bibliophilists to truly understand the historical value of Bergé’s collection. Precise and concise, the articles read like detective stories, and the various entries form a sort of historical dictionary of old books. From printers to authors to binders, meet hundreds of boiling lives and masterpieces—no wonder it looks like an in-folio Bible from the 17th century! “We wanted to publish a catalogue that would find its place on a bookshelf,” says Mr Forgeot. “The aim was to speak to the hard-core bibliophilists as well as to a larger audience.

 

This catalogue is only the first part of a six-volume set. The second one will be issued for the next sale that was postponed to next November—in order to “give birth to desire again”. Curiously, it is only available in French. Pierre Bergé apparently thought it unnecessary to put out an English—or bilingual—version. The very good results of the sale probably proved him right. The only negative point about this catalogue is that it cruelly reminds us how badly we miss a serious and in-depth publication about old books featuring pictures and texts that would match the seriousness of the subject.

 

The catalogue is available at Pierre Bergé & Associés. 80 euros. www.pba-auctions.com.

 

Thibault Ehrengardt

Rare Book Monthly

  • <b><center>Potter & Potter Auctions<br>Fine Books & Manuscripts<br>October 20, 2022</b></center>
    <b>Potter & Potter, Oct. 20:</b> JOYCE, James. <i>Ulysses.</i> London: John Lane the Bodley Head, 1937. PRESENTATION COPY OF THE FIRST ENGLISH EDITION PRINTED IN ENGLAND. $50,000 to $60,000.
    <b>Potter & Potter, Oct. 20:</b> [SHACKLETON, Ernest]. –– BROWNING, Robert. <i>Poetical Works of…</i> London: Smith and Elder, 1906. PRESENTED TO SHACKLETON AND THE OFFICERS OF THE NIMROD BY A MEMBER OF THE ROYAL GEOGRAPHICAL SOCIETY. $40,000 to $60,000.
    <b>Potter & Potter, Oct. 20:</b> AUDUBON, John James. <i>The Birds of America, from Drawings Made in the United States and Their Territories.</i> New York: George R. Lockwood, [1870]. $30,000 to $40,000.
    <b><center>Potter & Potter Auctions<br>Fine Books & Manuscripts<br>October 20, 2022</b></center>
    <b>Potter & Potter, Oct. 20:</b> ARISTOTLE. Opera, in Greek, parts one and two only: Organon and Natural Philosophy I. Edited by Aldus and others. Venice: Aldus Manutius, 1 November 1495–February 1498. $20,000 to $30,000.
    <b>Potter & Potter, Oct. 20:</b> COOK, James, Capt. [Collected Voyages]. First and Second Voyages: London: W. Strahan; and T. Cadell, 1773, 1777; Third Voyage: London: H. Hughes for G. Nicol and T. Cadell, 1785. $14,000 to $18,000.
    <b>Potter & Potter, Oct. 20:</b> CLEMENS, Samuel Langhorne (“Mark Twain”). <i>The Writings of…</i> Hartford: American Publishing Co., 1899–1900. $12,000 to $16,000.
    <b><center>Potter & Potter Auctions<br>Fine Books & Manuscripts<br>October 20, 2022</b></center>
    <b>Potter & Potter, Oct. 20:</b> [KELMSCOTT PRESS]. SHAKESPEARE, William. <i>The Poems of…</i> Edited by Frederick S. Ellis. Hammersmith: William Morris for the Kelmscott Press, 1893. $12,000 to $15,000.
    <b>Potter & Potter, Oct. 20:</b> LONDON, Jack. <i>The Call of the Wild.</i> New York: The Macmillan Company, 1905. PRESENTATION COPY INSCRIBED BY LONDON. $10,000 to $15,000.
    <b>Potter & Potter, Oct. 20:</b> CROWLEY, Aleister (1875–1947). <i>The Winged Beetle.</i> London: privately printed, 1910. $10,000 to $15,000.
    <b><center>Potter & Potter Auctions<br>Fine Books & Manuscripts<br>October 20, 2022</b></center>
    <b>Potter & Potter, Oct. 20:</b> WILDE, Oscar (“C.3.3.”). <i>The Ballad of Reading Gaol.</i> London: Leonard Smithers, January 1898. $6,000 to $8,000.
    <b>Potter & Potter, Oct. 20:</b> DRYDEN, John. <i>Fables Ancient and Modern; translated into verse from Homer, Ovid, Boccace, & Chaucer: with original poems.</i> London: John Tonson, 1700. $4,000 to $6,000.
    <b>Potter & Potter, Oct. 20:</b> [MAP]. LINSCHOTEN, Jan Huygen van. <i>Delineatio Orarum Maritimarum…</i> London: John Wolfe, 1598. $3,000 to $4,000.
  • <b><center>Sotheby’s<br>Antiquarian Books<br>Including a series of views of Milan<br>September 27 to October 4</b></center>
    <b>Sotheby’s, Sep. 27 – Oct. 4:</b> Livius, Historia Romanae decades, Venice, Vindelinus de Spira, 1470, contemporary Morocco. €30,000 to €40,000.
    <b>Sotheby’s, Sep. 27 – Oct. 4:</b> Blaeu, Nieuw Stedeboeck van Italien (Piemont), The Hague, 1724-1725, 8 volumes, marbled calf gilt. €70,000 to €90,000.
    <b>Sotheby’s, Sep. 27 – Oct. 4:</b> Baysio, Rosarium decretorum, Venice, 1481, later vellum. €10,000 to €15,000.
    <b>Sotheby’s, Sep. 27 – Oct. 4:</b> [Niccolò da Poggibonsi], Viaggio da Venetia al santo Sepulchro, Venice, 1529, later half calf. €2,000 to €3,000.
    <b>Sotheby’s, Sep. 27 – Oct. 4:</b> Hieronymus, Epistole [Italian], Ferrara, 1497, blue crushed morocco with the Rocco di Torrepadula arms. €12,000 to €15,000.
  • <center><b>Swann Auction Galleries<br>Printed & Manuscript Americana<br>September 29, 2022</b>
    <b>Swann September 29:</b> Extensive archive of papers of Lincoln’s Secretary of the Navy, Gideon Welles. $60,000 to $90,000.
    <b>Swann September 29:</b> George Catlin, <i>North American Indian Portfolio,</i> 1844. $40,000 to $60,000.
    <b>Swann September 29:</b> The Twenty-Four Books of the Holy Scriptures, Carefully Translated…after the Best Jewish Authorities, Philadelphia, 1853-54. $10,000 to $15,000.
    <center><b>Swann Auction Galleries<br>Printed & Manuscript Americana<br>September 29, 2022</b>
    <b>Swann September 29:</b> Wedding book of Eleanor Roosevelt’s bodyguard, Earl Miller, signed by the Roosevelts, 1932. $6,000 to $9,000.
    <b>Swann September 29:</b> Textile titled <i>The Resignation of Pres’t Washington,</i> Scotland, circa 1800. $5,000 to $7,500.
    <b>Swann September 29:</b> Gideon Welles, Pass for President Lincoln’s White House funeral, 1865. $4,000 to $6,000.
    <b>Swann September 29:</b> Confirmation of arms and nobility in favor of the Diez y Mora family, Madrid, 1710. $2,500 to $3,500.

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