• <b><center>Sotheby’s<br>Livres et Manuscrits :<br>de Cervantès à Houellebecq<br>18 – 25 June</b>
    <b>Sotheby’s, 18 – 25 June:</b> Jouve, Paul -- François-Louis Schmied -- Rudyard Kipling. <i>Le Livre de la Jungle,</i> 1919.<br>€ 80,000 to € 120,000.
    <b>Sotheby’s, 18 – 25 June:</b> Cervantès Saavedra, Miguel de. <i>El ingenioso hidalgo Don Quixote de la Mancha.</i> Bruxelles, 1607.<br>€ 30,000 to € 50,000.
    <b>Sotheby’s, 18 – 25 June:</b> Buren, Daniel - Aimé Césaire. Cahier d'un retour au pays natal. Solstice, 2004. 1/140 ex. Avec 1/20 suites d'œuvres originales.<br>€ 4,000 to € 6,000.
    <b>Sotheby’s, 18 – 25 June:</b> [Musique] - Gioacchino Traversa. Six sonates à violon seul. [Vers 1770].<br>€ 3,000 to € 5,000.
  • <b>Swann Auction Galleries Jun 24:</b> C.F. Payne, <i>Micawber, Imitating Norman Rockwell’s “Triple self-portrait,”</i> mixed media, 2002. $800 to $1,200.
    <b>Swann Auction Galleries Jun 24:</b> Brian Froud, media illustration published in <i>The Land of Froud,</i> 1977. Estimate $6,000 to $9,000.
    <b>Swann Auction Galleries Jun 24:</b> Haddon Sundblom, <i>All a Girl Needs,</i> oil on canvas, published in <i>The Ladies’ Home Journal,</i> 1942. $8,000 to $10,000.
    <b>Swann Auction Galleries Jun 24:</b> Adrianne Lobel, <i>My One and Only,</i> 26 scenic concept collages for the Broadway musical, 1983. $6,000 to $9,000.
    <b>Swann Auction Galleries Jun 24:</b> Charles Schulz, original four-panel pen and ink <i>Peanuts</i> comic strip, 1971. $15,000 to $25,000.
    <b>Swann Auction Galleries Jun 24:</b>Jack Davis, mixed media cartoon for <i>Playboy,</i> 1959. $6,000 to $9,000.
    <b>Swann Auction Galleries Jun 24:</b> Charles Addams, mixed media cartoon for <i>The New Yorker,</i> 1937. $6,000 to $9,000.
  • <b><center>Doyle<br>Fine Literature<br>Online Auction<br>June 8 to June 22</b>
    <b>Doyle, Fine Literature:</b> CALDWELL, ERSKINE. <i>Tobacco Road,</i> First Edition. $3,000 to $5,000.
    <b>Doyle, Fine Literature:</b> ELIOT, GEORGE. <i>Middlemarch: A Study of Provincial Life.</i> Edinburgh & London: William Blackwood and Sons, 1871-72. First edition in book form. $1,000 to $1,500.
    <b>Doyle, Fine Literature:</b> BYRON, GEORGE GORDON NOEL, LORD. <i>Don Juan.</i> London: the Thomas Davison; John Hunt; John and H.L. Hunt, 1819-24. First edition. $4,000 to $6,000.
    <b>Doyle, Fine Literature:</b> [BURNEY, FRANCES]. <i>Evelina, Or, A Young Lady's Entrance into the World.</i> London: T. Lowndes, 1778. First edition. $2,000 to $3,000.
    <b><center>Doyle<br>Fine Literature<br>Online Auction<br>June 8 to June 22</b>
    <b>Doyle, Fine Literature:</b> SHEPARD, ERNEST H. Colored drawing of Winnie-the-Pooh and Piglet, in an autograph letter signed by Shepard. Dated February 29th, 1932. $15,000 to $25,000.
    <b>Doyle, Fine Literature:</b> CARROLL, LEWIS (CHARLES LUTWIDGE DODGSON). <i>The Nursery "Alice".</i> London: MacMillan, 1890. Second (first published) edition. $7,000 to $10,000.
    <b>Doyle, Fine Literature:</b> DANA, RICHARD HENRY, Jr. <i>Two Years Before the Mast.</i> New York, 1840. First edition with an autograph letter signed by Dana laid-in. $2,500 to $3,500.
    <b>Doyle, Fine Literature:</b> FINE BINDING-RIVIERE] HAZLITT, WILLIAM. <i>Liber Amoris: or, the New Pygmalion.</i> London: John Hunt, 1823. First edition. $3,000 to $5,000.
  • <center><b>Galleri Bygdoy Allé<br>Sales Exhibition Catalogue 47<br>Part III<br>Antiquarian Temptations:<br>Rare Books, Atlases & Maps,<br>Photos & Manuscripts</b>
    <b>Galleri Bygdoy Allé:</b> PIETER MORTIER. “Le Neptune Francois ou Atlas Nouveau des Cartes Marines. Levées et Gravées par ordre Exprés du Roy…” Paris, 1693.
    <b>Galleri Bygdoy Allé:</b> MARC CHAGALL illus. SHAKESPEARE. “The Tempest.” Large folio. Monte-Carlo, 1975. Signed by the artist.
    <b>Galleri Bygdoy Allé:</b> JOHN SPEED and followers. “A New and Accurate Map of the World.” Hand-colored engraving. London (1626 – 1627 – circa 1650) – 1676.
    <center><b>Galleri Bygdoy Allé<br>Sales Exhibition Catalogue 47<br>Part III<br>Antiquarian Temptations:<br>Rare Books, Atlases & Maps,<br>Photos & Manuscripts</b>
    <b>Galleri Bygdoy Allé:</b> MATTHÄUS SEUTTER. “The Colossus Series.” Set of 4 prints, contemporary hand-colored engravings, each c. 57x49cm. Augsburg c. 1730
    <b>Galleri Bygdoy Allé:</b> (CHARLES LE BRUN). “La Grande Galerie De Versailles, et Les Deux Salons qui L’Accompagnent, peints Par Charles Le Brun premier Peintre de Louis XIV…” Paris, 1752.
    <b>Galleri Bygdoy Allé:</b> G. BRAUN – F. HOGENBERG. “Danorum Marca.” Contemporary hand-colored engraving, 33x48cm. Cologne, 1588.

Rare Book Monthly

Articles - October - 2015 Issue

Louise Labé, Head Corner Stone.

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The 1555 first edition of Louise Labé's poems. Photo by Stephane Briolant.

This is the kind of book that you’ll see once in a lifetime. Or, more likely, that you’ll never see in a lifetime. This is the fiery and disturbing testimony of a one of a kind woman, who lived in Lyon, France, in the 16th century, and whose sensuality—not to say eroticism—, gave birth to a masterpiece of French literature. Her name was Louise Labé, and her passionate poems keep on disturbing people almost five centuries after they were published chez Jean de Tovrnes, in 1555. An original copy will be sold in Paris this winter, bound in contemporary vellum; it is said to be “the nicest known copy,” by the expert for the sale, Benoit Forgeot.

 

Our book will, no doubt, attract a lot of curious during the exhibition for the sale, next December. “We’ll be careful,” says Benoit Forgeot, “but every book will be accessible to all.” This is one of the miracles about auction sales. “I’ll attend the exhibition, yes”, casually confesses Mr Wolfi, a serious collector, who buys nothing but books from the 18th century bound in contemporary full morocco. “I can’t afford the Louis Labé, but I’m not sure I’ll ever see a copy again.”

 

People will pack the exhibition room, but not for this book only, as we’re here talking about the sale of Pierre Bergé’s personal collection. “Trees lose their leaves in autumn,” explains the 85 years old businessman and collector, former companion of Yves Saint Laurent. And these are gorgeous leaves! A first edition of St Augustine’s Confessiones (circa 1470); a 1532 edition of Villon’s works, the first edition of Montaigne’s Essais, “printed in Bordeaux by Simon Millanges,” reads the catalogue, in 1580; the first edition of Lafontaine’s Fables (Barbin, 1668), in full contemporary morocco; and so on, and so on... not to mention the manuscripts, or the modern books. “There’ll be six sales,” explains Mr Forgeot. “The first one, which will be held on December 11, at Drouot’s, is quite impressive; but we have some nice surprises for the following ones, especially for the last one.”

 

The book of Louise Labé is just one jewel among a breath-taking treasure. Many of Pierre Bergé’s books are head corner stones of the history of French literature—but they are real stones, made at the time when the edifice was built. A lot of these books have a pedigree. The copy of Montaigne, for instance, made some noise when it was sold, a few years ago, for several hundreds of thousands euros; and the copy of Louise Labé “was listed in a catalogue of Pierre Berès’ bookshop (catalogue 85, (...) 1994, N°173),” reads the remarkable catalogue of the sale (yet to be published). “The bookseller had bought it during an anonymous sale in Lyon, in 1985.” Okay, let’s put it straight. If you don’t own one or two buildings in Manhattan, this book is unlikely to land on your bookshelf. The appraisal is 300,000 to 400,000 euros—before commission. “But it will sell for more than that,” sighs Mr Wolfi.

 

 

Lovely Ropie

 

Louise Labé’s book contains 27 pieces of work only; “one of the most precious books in the history of French literature,” reads the catalogue. Louise Labé was an outspoken woman, who can be called a feminist before the term was coined—she was actually among the women who coined it. Louise Charly said Labé (1526-1568) had received a good and manly education. She was a very good rider, could wield a sword, and Dandeline’s Dictionnaire Historique reads: “Dressed as a man, she valiantly fought during the siege of Perpignan, and made herself terrible under the name of Captain Loys.” She also probably partook in a tournament in Lyon—King Henri II allegedly noticed her on that occasion. She married a rope maker aged 16, thus earning the nickname of La belle cordièreLovely Ropie.

 

She was also a learned woman, who could speak French, Spanish and Italian. She received, says Du Verdier, “Lords, gentlemen and people of quality, at home”—elletenait salon, as we say in France. Music, literature, poetry, philosophy, all topics were discussed. And some more down to earth topics were also thoroughly explored in her bedroom. She was close to another poetess, Pernette du Guillet; both women are described by the contemporary historian Paradin as “exceling both in knowledge and poetry.” But another contemporary writer, Claude de Rubys, describes them as “two distinguished courtesans(...) with no literary existence.” Indeed, Louise Labé was probably a courtesan; or rather, a ‘free lover’, who sold—or gave away, according to merits—her favours. “This woman was both honouring and dishonouring literature,” claims Pierre Bayle in his Dictionary (Paris, 1820). “Dishonouring because, being a writer, she was also a courtesan; honouring because men of lettres were better received by her—and often for free—, than the ignorant, yet ready to pay her a fortune.”

 

Her poems weren’t meant to be published—so she said, as anybody else; but are today studied by the most learned French professors. “Never had the soul and the body been so slightly separated,” writes Thierry Maulnier in 1939. “A nuptial fusion of knowledge and sensuality.” Louise Labé used her body and soul as weapons to gain independence. “The time is come that the severe laws of men stop preventing women from studying sciences,” she writes, then urging her female peers to “look beyond the distaff and the bobbin laces.” A hell of a woman, indeed; who became even more fascinating a few years ago when a researcher called her a “paper creature”. Indeed, Mireille Huchon, in her book Louise Labé, a paper creature (Droz, 2006), considers her book as a compilation “elaborated in Jean de Tovrnes’s shop by a group of writers close to this printer.” But this controversy aroused just after Labé’s work was featured on the program of a prestigious national exam, l’agrégation—making it suspicious to some, while others denounced another attempt at belittling the input of women in literature. “Louise the warrior,” claims Mireille Huchon, “who set the biographers’ imagination afire (...) is nothing but an epic exaggeration, a clever invention.” But her thesis lacks evidence.

 

Labé’s book was reprinted in 1556, in a smaller format—in-16°—, and then... nothing, until 1762! This 1762 edition, the only one during the course of the 18th century, was duly printed in Lyon, and it has also become quite rare—the copies listed on international websites are sold around 1,000 euros. “Louise Labé (...) was rediscovered in the 19th century,” writes Laurent Angard.  “The poetess like Marceline Desbordes Valmore or Renée Vivien, made hers Louise Labé and her freedom of speech, to celebrate the emancipation of both customs and women.” She stands today among the most praised poets of the French Renaissance, though she was only published three times in almost 300 years!

 

A Carnal Copy

 

In a filmed promotional interview for the sale, Pierre Bergé confesses that he hardly opens his antiquarian books—out of respect, or fear to damage them? In the case of Louise Labé, it seems like neglecting a lascivious and fiery beauty waiting for you— doesn’t Umberto Eco, in the preface of the catalogue, compare bibliophilism to onanism? Poor Umberto! This is yet such a carnal copy, printed at the very time Louise Labé was laughing, writing, and loving. And we can almost feel her warm breathing on our neck, as she whispers: “I live, I die: I burn and I also drown / I’m utterly hot and all feel is cold. / Life is too soft and too hard for me to hold/ my joy and my heavy burden are mixed in one. / I laugh at the same time that I weep and frown; / the tarnish of grief has marred my pleasure’s gold; / my good flies away, but stays until it’s old; / I wither just as I find out that I’ve grown / This is how love guides me, so changeably / that when I think the pain has me controlled, / with my very next thought I find that I am free. / Then, just as I trust in joy so certainly / that the peak of a yearned-for hour makes me bold, / he shows me my familiar grief unfold.” And our copy is even more deeply rooted in its time, as it was actually annotated at one point by a contemporary reader, “Le plesir des lettres”.

 

This book testifies of the necessity for the soul to take onto flesh to manifest; in fact, it testifies of the necessity of books. And it’s quite representative of the collection of Pierre Bergé, made of classics in their original form. A rich man’s collection; but a rich collection, indeed.

 

 

- La Bibliothèque de Pierre Bergé, Premier vente, 11 Décembre 2015 (Pierre Bergé & Associés / Sotheby’s).

- Picture courtesy of Pierre Bergé & Associés / Benoit Forgeot.

 

(c) Thibault Ehrengardt

Rare Book Monthly

  • <b>Bonhams, June 29:</b> LIFE OF OSLER, PRESENTATION COPY TO NEPHEW NORMAN GWYN. CUSHING, HARVEY. 1869-1939. <i>The Life of Sir William Osler.</i> Oxford: Oxford University Press, 1925. $1,500 to $2,500.
    <b>Bonhams, June 29:</b> OSLER TO HALSTED MENTIONING CUSHING AND WELCH. Autograph Letter Signed ("Wm Osler") to William Stewart Halsted on medical matters, 2 pp, January 19, 1919. $1,500 to $2,500.
    <b>Bonhams, June 29:</b> CUSHING PRESENTATION COPY TO LUCIEN PRICE. CUSHING, HARVEY. <i>Intracranial Tumours.</i> Springfield, 1932. $1,000 to $1,500.
    <b>Bonhams, June 29:</b> OSLER ON HIS CHILDHOOD. Autograph Letter Signed ("Wm Osler") to Mabel [Brewster] on returning home to Staplehurst. $800 to $1,200.
    <b>Bonhams, June 29:</b> SCULTETUS, JOHANNES. 1595-1645. <i>Cheiroplotheke, seu armamentarium chirurgicum XLIII.</i> Ulm: Balthasar Kühnen, 1655. $3,000 to $4,000.
    <b>Bonhams, June 29:</b> VICQ D'AZYR, FELIX. 1748-1794. <i>Traite d'anatomie et de physiologie.</i> Paris: Didot l'aine, 1786. $3,000 to $5,000.
    <b>Bonhams, June 29:</b> TAGAULT, JEAN. C.1499-1546. <i>De chirugica institutione libri quinque....</i> Lyon: Guillaume Rouillé, 1549. $400 to $600.
    <b>Bonhams, June 30:</b> EDWARD S. CURTIS (1868-1952). Autograph Logs and Journals from his 1927 Alaska Expedition. $7,000 to $ 9,000.
    <b>Bonhams, June 30:</b> EDWARD S. CURTIS (1868-1952). Cañon de Chelley, 1904. Oversized orotone, 17 x 22in in original Curtis Studio frame. $30,000 to $50,000.
    <b>Bonhams, June 30:</b> EDWARD S. CURTIS (1868-1952). 26 cyanotypes, featuring images of Cheyenne tribes from Volume VI of <i>North American Indian,</i> c.1907, made by Curtis in the field. $30,000 to $50,000.
    <b>Bonhams, June 30:</b> EDWARD S. CURTIS (1868-1952). The Vanishing Race, 1904. Oversized orotone, 18 x 24in in original Curtis Studio frame. $20,000 to $30,000.
  • <center><b>Cowan’s<br>American Historical Ephemera<br>& Photography<br>June 25, 2021</b>
    <b>Cowan’s, June 25:</b> [CIVIL WAR] -- [SHERIDAN, Philip Henry]. Personal headquarters flag of Philip Henry Sheridan used when he led the 2nd Michigan Cavalry. Spring - Summer 1862. $20,000 to $30,000.
    <b>Cowan’s, June 25:</b> [EARLY PHOTOGRAPHY]. Half plate daguerreotype of firefighter Walter Van Erven Dorens. [San Francisco]: n.p., [ca 1854-1856]. $15,000 to $25,000.
    <b>Cowan’s, June 25:</b> [LINCOLNIANA]. Abraham Lincoln banner possibly made for the 1864 presidential campaign. $10,000 to $15,000.
    <center><b>Cowan’s<br>American Historical Ephemera<br>& Photography<br>June 25, 2021</b>
    <b>Cowan’s, June 25:</b> [REVOLUTIONARY WAR - CONTINENTAL CONGRESS]. [HOLTEN, Dr. Samuel]. An archive of letters related to Danvers, Massachusetts, physician and statesman Dr. Samuel Holten. $10,000 to $15,000.
    <b>Cowan’s, June 25:</b> [UNION PACIFIC RAILROAD]. CARBUTT, John, photographer. Exceptional collection of 27 stereoviews from the series, "Excursion to the 100th Meridian, October 1866." Chicago, [1866]. $10,000 to $15,000.
    <b>Cowan’s, June 25:</b> [ALASKAN GOLD RUSH]. William Steele West and family, extensive archive of photographs, diaries, correspondence, and personal items. [Ca 19th - 20th century]. $8,000 to $12,000.
    <center><b>Cowan’s<br>American Historical Ephemera<br>& Photography<br>June 25, 2021</b>
    <b>Cowan’s, June 25:</b> [TAYLOR, Zachary]. Quarter plate daguerreotype featuring the 12th President of the United States. N.p.: n.p., [ca 1845]. $8,000 to $10,000.
    <b>Cowan’s, June 25:</b> [WASHINGTON, George]. Signed Society of the Cincinnati document. $5,000 to $7,000.
    <b>Cowan’s, June 25:</b> LINCOLN, Abraham. Autograph endorsement signed ("A. Lincoln"), as President. [Washington], 29 September 1862. 1 page, 4to, old creases. $5,000 to $7,000.
    <center><b>Cowan’s<br>American Historical Ephemera<br>& Photography<br>June 25, 2021</b>
    <b>Cowan’s, June 25:</b> JEFFERSON, Thomas. Autograph letter signed ("Th. Jefferson"), as United States President, to Robert Patterson. Washington DC, 2 July 1805. 1 page, 4to, evenly toned, small tear from seal. $4,000 to $6,000.
    <b>Cowan’s, June 25:</b> [EARLY PHOTOGRAPHY] -- [ALCOTT, Elizabeth Sewall]. Ninth plate ruby ambrotype attributed to Elizabeth Sewall Alcott. N.p., [ca 1856-1857]. $3,000 to $5,000.
    <b>Cowan’s, June 25:</b> [WESTERN AMERICANA]. RUSSELL, Andrew Joseph, photographer. <i>Salt Lake City, From the Top of the Tabernacle.</i> [1869]

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