• <b>Bonhams, Sep. 17:</b> EARLY AVIATION PHOTOGRAPHY ARCHIVE. Chronicling 20th century aviation from the earliest Wright Brothers images through commercial and military applications. $50,000 to $70,000.
    <b>Bonhams, Sep. 17:</b> SPUTNIK-1 EMC/EMI LAB MODEL, 1957. Full scale vintage test model of the Sputnik-1 satellite, Moscow, [February, 1957]. $400,000 to $600,000.
    <b>Bonhams, Sep. 17:</b> FIRST TELEPHONE CALL TO THE MOON. Partial transcription signed by Apollo 11 astronauts and President Nixon. $20,000 to $30,000.
    <b>Bonhams, Sep. 17:</b> Apollo 11 Beta cloth crew emblem, SIGNED BY THE ENTIRE APOLLO 11 CREW. $8,000 to $10,000.
    <b>Bonhams, Sep. 17:</b> GEMINI 1/8 SCALE MODEL. Rarely seen large-scale contractor's model. $3,000 to $5,000
    <b>Bonhams, Oct. 23:</b> SMITH, CHRISTOPHER WEBB. 1793-1871. <i>Indian Ornithology.</i> [Patna, India]: 1828. $50,000 to $80,000.
    <b>Bonhams, Oct. 23:</b> DUPRÉ, LOUIS. 1789-1837. <i>Voyage à Athènes et à Constantinople, ou Collection de portraits, vues et costumes grecs et ottomans.</i> Paris: Dondey-Dupré, 1825. $60,000 to $90,000.
    <b>Bonhams, Oct. 23:</b> ADAMS, JOHN. Autograph Letter Signed ("J Adams"), [to Dr. Perkins?] while recovering from his small pox inoculation, [late-April, 1764]. $30,000 to $50,000.
    <b>Bonhams, Oct. 23:</b> AUSTEN, JANE. Autograph Letter Signed ("J. Austen"), to her sister Cassandra, 4 pp, "Thursday – after dinner," [September 16, 1813,] Henrietta St. $80,000 to $120,000.
    <b>Bonhams, Oct. 23:</b> AUDUBON, JOHN JAMES. 1785-1851. <i>The Birds of America, from Drawings Made in the United States and Their Territories.</i> New York & Philadelphia: J.J. Audubon & J.B. Chevalier, 1840-1844. $20,000 to $30,000.
    <b>Bonhams, Oct. 23:</b> DODWELL, EDWARD. 1767-1832. <i>Views in Greece.</i> London: Rodwell and Martin, 1821. $20,000 to $30,000.
    <b>Bonhams, Oct. 23:</b> JAMES, JESSE. Autograph Letter Signed ("Jesse W. James"), to Mr. Flood demanding Flood retract spurious accusations, 3 pp, June 5, 1875. $200,000 to $300,000.
  • <center><b>Chiswick Auctions<br>Books & Works on Paper<br>September 25, 2019</b>
    <b>Chiswick Auctions, Sep. 25:</b> Rowling (J.K.) <i>Harry Potter and the Philosopher's Stone,</i> FIRST EDITION, first issue, 8vo, 1997. £15,000 to £20,000
    <b>Chiswick Auctions, Sep. 25:</b> Bible, Italian.- Malermi Bible, woodcut illustrations, folio, Lazaro de Soardi & Bernardino Benali, Venice,1517. £8,000 to £12,000
    <b>Chiswick Auctions, Sep. 25:</b> Germany.- Homann (Johann Baptist). <i>Atlas von Deutschland,</i> engraved half title, hand coloured, 87 double page engraved maps, [folio, Erben, Nuremberg, 1753]. £8,000 to £10,000
    <center><b>Chiswick Auctions<br>Books & Works on Paper<br>September 25, 2019</b>
    <b>Chiswick Auctions, Sep. 25:</b> [Mirk (John)].- <i>Liber festivalis et Quatuor sermons</i> [bound with], [Le Roy (Pierre)] <i>A Pleasant Satyre or Poesie,</i> first edition in English, Widdow Orwin for Thomas Man, 1595, 8vo. £1,500 to £2,000
    <b>Chiswick Auctions, Sep. 25:</b> Antoninus Florentinus (Saint Archbishop of Florence). <i>Confessionale: Defecerunt…,</i> 8vo, Pietro Quarengi, Venice, 15 February 1499. £1,000 to £1,500
    <b>Chiswick Auctions, Sep. 25:</b> Jesuit Letters.- [Froes (Father Luigi) & et al.)] Avvisi del Giapone de gli anni 1582, 1583, 1584…, 1586 [bound with] Avvisi della Cina et Giapone…, FIRST EDITIONS, Rome. £1,000 to £1,500
    <center><b>Chiswick Auctions<br>Books & Works on Paper<br>September 25, 2019</b>
    <b>Chiswick Auctions, Sep. 25:</b> Plutarch & Probus (Aemilius). <i>Plutarchi Cheronei et Aemilii Probi Illustrium,</i> folio, Nicolas de Pratis for Jean-Petit, Paris, 1521. £1,000 to £1,500
    <b>Chiswick Auctions, Sep. 25:</b> Bible.- English. <i>The Byble in Englyshe of the Largest and Greatest volume,</i> elaborate woodcut border, text vignettes, folio, 1541. £1,000 to £1,500
    <b>Chiswick Auctions, Sep. 25:</b> Fore-edge Painting.- Lord George Byron, The Giaour, a Fragment of a Turkish Tale, bound with 10 other titles, 4 plates marked 'Proof.', 1813. £800 to £1,200
    <center><b>Chiswick Auctions<br>Books & Works on Paper<br>September 25, 2019</b>
    <b>Chiswick Auctions, Sep. 25:</b> Manson (John). Twelve by Sixteen Papers of John Mason, a collection of 50 sheets of paper, some watermarked, 12 x 16”, c.1978. £800 to £1,200
    <b>Chiswick Auctions, Sep. 25:</b> Fleming (Ian). <i>Dr. No,</i> FIRST EDITION, original boards, dust-jacket, 8vo, 1958. £700 to £900
    <b>Chiswick Auctions, Sep. 25:</b> Eliot (T.S.) <i>Four Quartets,</i> NUMBER 121 of 290 COPIES, signed by author, 1960. £400 to £600
  • <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. September 26, 2019</b>
    <b>Forum Auctions, Sep. 26:</b> Joyce (James). <i>Dubliners,</i> first edition, signed presentation inscription from the author, 1914. £100,000 to £150,000
    <b>Forum Auctions, Sep. 26:</b> The Beatles.- Baker (Geoffrey.) 3 Autograph Letters and 1 Autograph Card signed to Ann Gosnell, addtionally sgn’d by George Harrison, John Lennon, Cynthia Lennon and others, 1968. £5,000 to £7,000
    <b>Forum Auctions, Sep. 26:</b> Pilgrim Press.- Dod (John). <i>A plaine and familiar exposition of the tenne commandements ...,</i> [Leiden], [William Brewster], 1617. £15,000 to £20,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. September 26, 2019</b>
    <b>Forum Auctions, Sep. 26:</b> Automaton Chess Player & Mechanical Illusion.- Reynell (H., printer). “The Famous Chess-Player, No.14, St.James's-Street, next Brooks's,” broadside advertisement for "The famous Automaton", [1784]. £2,000 to £3,000
    <b>Forum Auctions, Sep. 26:</b> Clemens (Samuel Langhorne). <i>Life on the Mississippi,</i> first English edition, signed presentation inscription from the author, 1883. £8,000 to £12,000
    <b>Forum Auctions, Sep. 26:</b> Arctic Sledge Flag.- Fulford (Reginald Baldwin). Sledge flag... HMS Discovery, 1875. £4,000 to £6,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. September 26, 2019</b>
    <b>Forum Auctions, Sep. 26:</b> Rowling (J.K.) <i>Harry Potter and the Philosopher's Stone,</i> first edition, first printing, 1997. £20,000 to £30,000
    <b>Forum Auctions, Sep. 26:</b> Piranesi (Giovanni Battista). <i>Le Antichità Romane,</i> 4 vol., 1756. £20,000 to £30,000
    <b>Forum Auctions, Sep. 26:</b> Canaletto (Giovanni Antonio Canal, called). <i>Urbis Venetiarum Prospectus Celebriores,</i> 3 parts in 1, Richard Ford's copy, Venice, Giovanni Battista Pasquali, 1751. £10,000 to £15,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. September 26, 2019</b>
    <b>Forum Auctions, Sep. 26:</b> Atlases.- Speed (John). <i>A Prospect of the Most Famous Parts of the World,</i> bound with <i>The Theatre of the Empire of Great Britaine,</i> 1631-27. £12,000 to £18,000
    <b>Forum Auctions, Sep. 26:</b> Anatomical illustration.- Aselli (Gaspare). <i>De lactibus sive lacteis venis... dissertatio,</i> first edition, Milan, Giovanni Battista Bidelli, 1627. £20,000 to £30,000
  • <b>Swann Auction Galleries Illustration Art:</b> Eric Carle, <i>The Very Hungry Caterpillar,</i> hand-painted collage. Sold for a record $20,000.
    <b>Swann Auction Galleries Illustration Art:</b> Charles Addams, <i>Couple passing a giant bird house,</i> watercolor cartoon for <i>The New Yorker,</i> 1948. Sold for $16,250.
    <b>Swann Auction Galleries Illustration Art:</b> Miriam Troop, <i>Rain on Laundry Day,</i> oil on canvas, cover for <i>The Saturday Evening Post,</i> 1940. Sold for $40,000.
    <b>Swann Auction Galleries Illustration Art:</b> Rockwell Kent, <i>To All Fascists,</i> ink broadside for The League of American Writers, circa 1937. Sold for $6,500.
    <b>Swann Auction Galleries Illustration Art:</b> Jo Mielziner, <i>Pet Shop Drop,</i> backdrop design for <i>Pal Joey</i> on Broadway, 1940. Sold for a record $55,000.
    <b>Swann Auction Galleries Illustration Art:</b> Lee Brown Coye, acrylic cover illustration for the 25th anniversary of <i>Weird Tales,</i> 1944. Sold for $18,750.
    <b>Swann Auction Galleries Illustration Art:</b> Virgil Finlay, <i>The Outsider & Others,</i> pen & ink dust jacket illustration for H.P. Lovecraft's book, 1939. Sold for $5,500.
    <b>Swann Auction Galleries Illustration Art:</b> Al Hirschfeld, <i>Paul Robeson as Othello,</i> illustration for <i>The New York Times,</i> 1942. Sold for $68,750
    <b>Swann Auction Galleries Illustration Art:</b> Frederic Remington, pen & ink illustration for <i>A Scout with the Buffalo Soldiers</i> in <i>The Century</i> magazine, 1889. Sold for $17,500.

Rare Book Monthly

Articles - September - 2015 Issue

Gossiping in Montignac-Lascaux - Is the only summer auction in France worth attending?

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A first edition of La Perouse's Voyage Around the World was offered.

August is the dead period for old books. Drouot closes its doors by mid-July and other websites like interenchères.com only list one auction sale in France for the period, the Galatau Pastaud's, which takes place every year in Montignac-Lascaux, Dordogne. Unfortunately, it suffers from a bad reputation. So, is the only old book sale of the season worth attending? “Of course,” according to Pierre Poulain, the expert for the sale. “Only if you're Russian,” giggles Mr. Labrish, a local bookseller.

 

Montignac-Lascaux is a highly touristic place, located 500 kilometers south of Paris, in the heart of the countryside. Its worldwide known prehistoric cave attracts dozens of thousands people every year. Yet, it's a strange location to host an old books sales. “In August 1995,” explained Pierre Poulain on the phone, “my friend Mr. Galatau, who works as an auctioneer in the nearby city of Limoges, and who owns a house nearby Montignac-Lascaux, called me for a sale which featured a handful of antiquarian books. Surprisingly, they sold very well. We went on from there.” But according to a few booksellers around, there's something fishy about this sale, one of the biggest of the year. «We all know where these books come from» smiled one of them - let's call him Mr. Labrish. «This is just a big made-up sale!» Meaning, the books are collected from various sources and not from a unique collection. «And the best sales,» resumed Mr. Labrish, «are the 'real' ones, those built up around the collection of a true bibliophile.» Pierre Poulain seemed quite aware of these rumors. “They come from wicked tongues; a couple of jealous and bitter booksellers, who tried to work with us, but whom we turned down since they asked too much for their books. And yes, this is a made-up sale; all sales are, including those of Christies'! There's no more great book collections around. Our 2015 sale features 50 various sellers; the books mostly come from three different estates, the collection of an old man from Limoges and, yes, from various booksellers, who sell off a part of their stocks. But that's how the business runs, and if we had been taking people for a ride all these years, we wouldn't be around since 1995.” Well, Madoff’s forgery lasted quite a long time, didn't it?

 

Mr Labrish's book store is open in the summer as he tries to benefit from the flow of tourists too. As an expert for a nearby auction house, he knows every trick in the game; and he laughed when asked if he would attend the sale of Montignac-Lascaux. «These books aren't interesting!» he said. «You know why? Because most of them are collected from professional booksellers who've been trying in vain to sell them, sometimes for years! If they haven't succeeded, it's because they ask too much for them.»

 

But our booksellers are honest merchants, of course – and they would never be part of a tricky business. Unfortunately, as times get hard every opportunity becomes an option. “The rare and luxury books will always sell at good prices,” said Pierre Poulain, “but we've stopped selling the smallest ones, as nobody buys them anymore. That's because the small booksellers, who used to buy them, disappear by the hour.” And that might embitter some of them. According to Mr. Labrish, many “dignified” booksellers even try to sell at Montignac-Lascaux nowadays. «I had to laugh when I saw some books coming from the shop of a well-known bookseller. I asked him: How dare you, after repeating for years you would never work with Galateau Pastaud? The books you listed in their catalog are already listed in yours, with their recognizable ex-libris!»

 

Apparently, to work with this sale openly makes it even worse. The real problem, Mr. Labrish said, lies in the reserve prices that prevent the books from selling for a “regulated” price. «If you noticed, the appraisals of the few interesting books in the catalog are ridiculously high.» But how does it work, then? “Well,” smiled Mr Labrish, “first, I guess the room in Montignac-Lascaux doesn't cost them a lot. For the mayor of the city, it's a good thing to welcome an alleged prestigious event. These books are supposed to attract some wealthy tourists, and it adds a cultural event on the agenda of the city. So they probably get the room for free. Furthermore, they don't care. They charge both the buyer and the seller 25 or 26%, (in fact, 21,10% for buyers, NDLR). Except bookseller, of course, who aren't charged more than 10%, I guess.»

 

But if they don't sell most of the books, what's the use? «Well, the last time, some Russian buyers attended the sale and paid ridiculous prices for a lot of books! That made the day of the auctioneers! Trust me, unless you wish to be the butt of the joke, you don't want to bid at this auction sale.» A few days before the sale, Pierre Poulain wasn't worried. “If we're lucky, we'll sell 70 to 80% of the items; if unlucky, maybe 50%. The book business has changed. We used to have some powerful buyers, a few years ago. Some Russians, indeed but not only; there were some Belgians and even some French. They've disappeared, probably because they had “too much” money at the time – it couldn’t last. And we sell 40% of our books through “live auction” on the internet! We must explain to the sellers that the market has evolved. The copies of Cook's voyages have lost a lot of value, for instance; and a book which was worth 150 euros yesterday might be worth 80 euros today. But at least it's still selling! Honestly, I think that the business is now stabilized. Right after the crisis in 2008, I feared that old books might go down just like the antique furniture. The biggest weakness of the market comes for the buyers of the upper middle-class, whose purchase power has suffered from the crisis. But there's a new generation of buyers; they’re in their thirties or forties, and they keep old books alive. Out of the roughly 1,000 French buyers of old books who exist today, 2 or 3 should build some exceptional collections.

 

Upon learning that this article was to be published by an American website, Pierre Poulain sighed: “The American buyers totally disappeared from auction sales when the dollar was so low; they're crawling back nowadays, but we've grown suspicious. Indeed, we've had bad experiences with several American buyers who never paid for the books they had bid on. It was getting even worse than with the Italians, at one point.” Wow! Come on, American buyers... “worse than the Italians”? Pull yourselves together quick, please.

 

No sale is a prophet in its own region. Mr. Labrish's opinion isn't isolated in Dordogne, but I noticed, while speaking with him, that he was trying to sell me a book I thought was overestimated. I didn't buy it. Hey! Who knows? It might resurface on a next Montignac-Lascaux sale; and I might get a better bargain – if no Russian is around, that is.

 

(c) T. Ehrengardt

 

Editorial Note:  Since this article was published, the auction house of Mr. Poulain has been in touch with us. They affirm that they do pay for the room where the sale takes place every year, in Montignac-Lascaux.

Rare Book Monthly

  • <center><b>Arader Galleries<br>Fall 2019 Auction<br>September 28, 2019</b>
    <b>Arader Galleries, Sep. 28:</b> AUDUBON, John James. Snowy Owl, Plate 121. Aquatint Engraving with original hand color. London: Havell Jr., 1827-1838 from <i>Birds of America.</i> $225,000 to $300,000.
    <b>Arader Galleries, Sep. 28:</b> JEFFERYS, Thomas. <i>The American Atlas...</i> London: Sayer and Bennett, 1776. $65,000 to $90,000.
    <b>Arader Galleries, Sep. 28:</b> RACKHAM, Arthur. Original Illustrations for <i>Jack and the Beanstalk.</i> Pen and ink with watercolor on paper. C. 1913. $60,000 to $80,000.
    <b>Arader Galleries, Sep. 28:</b> AUDUBON, John James. Ruffed Grous, Plate 41. Aquatint Engraving with original hand color. London: Havell Jr., 1827-1838 from <i>Birds of America.</i> $50,000 to $70,000.
    <b>Arader Galleries, Sep. 28:</b> ROESSLER, A. R. Latest Map of the State of Texas. Lithograph with original hand color. New York: Mittendorfer, 1874. $50,000 to $65,000.
    <center><b>Arader Galleries<br>Fall 2019 Auction<br>September 28, 2019</b>
    <b>Arader Galleries, Sep. 28:</b> AUDUBON, John James. American Bison or Buffalo (Male), Plate 56. Lithograph with original hand color. New York, 1845-1848 from <i>Viviparous Quadrupeds of North America.</i> $18,000 to $25,000.
    <b>Arader Galleries, Sep. 28:</b> HOOKER, Sir William Jackson & FITCH, Walter Hood. Victoria Regia. Lithograph with original hand color. London: Bradbury & Evans, 1851. $20,000 to $30,000.
    <b>Arader Galleries, Sep. 28:</b> AUDUBON, John James. Pin Tailed Duck, Plate 227. Aquatint Engraving with original hand color. London: Havell Jr., 1827-1838 from <i>Birds of America.</i> $15,000 to $20,000.
    <b>Arader Galleries, Sep. 28:</b> LEWIS, Meriwether and CLARK, William. <i>Travels to the Source of the Missouri River and Across the American Continent...</i> London, 1814. $7,000 to $10,000.
    <b>Arader Galleries, Sep. 28:</b> AUDUBON, John James. American Black or Silver Fox, Plate 116. Lithograph with original hand color. New York, 1845-1848 from <i>Viviparous Quadrupeds of North America.</i> $18,000 to $25,000.

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