• <b>Shapero Rare Books:</b> Fine Illustrated Books. 50 illustrated works across a range of subjects.
    <b>Shapero Rare Books:</b> Present Perfect. Books & works on paper including Literature, Children’s & Illustrated, Sports & Pastimes, Modern Prints and more.
    <b>Shapero Rare Books:</b> The House of Romanov, marking the centenary of the tragic demise of the Romanov dynasty.
    <b>Shapero Rare Books:</b> CHAGALL & GOGOL. Les âmes mortes, 1948. Chagall’s first major illustrated book.
    <b>Shapero Rare Books:</b> GUSTAV KLIMT, eine nachlese, 1931. An important early monograph on Klimt.
    <b>Shapero Rare Books:</b> ELLIOT. Birds of North America, 1866. One of 200 2 vols sets, folio.
    <b>Shapero Rare Books:</b> PURCHAS. His Pilgrimes/Pilgrimage, 1625-26. 5 vols. Probably the greatest collection of voyages ever published.
    <b>Shapero Rare Books:</b> HUXLEY. Brave New World, 1932. Exceptionally fine first edition.
    <b>Shapero Rare Books:</b> KELMSCOTT PRESS. Poems of Shakespeare, one of 500, publisher’s vellum.
    <b>Shapero Rare Books:</b> LEROUX. Phantom of the Opera, 1911. First UK edition in fine S&S binding.
    <b>Shapero Rare Books:</b> INDIANA, Robert. The American Dream, one of 30 AP copies, 30 screen prints.
    <b>Shapero Rare Books:</b> BENOIS. Tsarskoe Selo during the Reign of Elizaveta Petrovna, St Petersburg, 1910. Deluxe issue.
    <b>Shapero Rare Books:</b> CORONATION ALBUM. Description du sacre et du couronnement de leurs Majestés Impériales, 1883. One of 200.
    <b>Shapero Rare Books:</b> IMPERIAL FAMILY. Signed original photograph of Tsar Nicholas II’s 4 daughters.
    <b>Shapero Rare Books:</b> Souvenir du Couronnement de Leurs Majestés Imperiales a Moscou, 1896.
  • <b>Sotheby’s NY, Jan 24:</b> Kingsborough, Edward King. <i>Antiquities of Mexico: Comprising Facsimiles of Ancient Mexican Paintings and Hieroglyphics…</i> London, 1831-1848. $80,000 to $120,000
    <b>Sotheby’s NY, Jan 24:</b> Paul Revere. <i>The Bloody Massacre perpetrated In King-Street Boston on March 5th 1770 by a party of the 29th Reg. Boston, 1770.</i> $150,000 to $200,000
    <b>Sotheby’s NY, Jan 24:</b> Battle of the Alamo. <i>Suplemento al Diario del Gobierno de la Republica Mexicana.</i> (Núm. 326. Tom. IV.). Mexico City: Imprenta del Aguila, Dirigida por José Ximeno, 1836. $6,000 to $8,000
    <b>Sotheby’s NY, Jan 24:</b> The Declaration of Independence. The first book-form printing of the Declaration of Independence. $300,000 to $500,000
    <b>Sotheby’s NY, Jan 24:</b> Treaty of Paris, Ratification. By the United States in Congress Assembled, A Proclamation … Annapolis, [Ca. 16-17 January 1784]. $800,000 to $1,200,000
    <b>Sotheby’s NY, Jan 24:</b> Declaration of Independence. The only known privately held copy of the celebrated William J. Stone facsimile for which provenance can be traced back to a direct ancestor who received it in 1824. $600,000 to $800,000
    <b>Sotheby’s NY, Jan 24:</b> Crockett, David. Autograph letter signed ("David Crockett") to George Patton, announcing his intention to travel to Texas. $70,000 to $100,000
    <b>Sotheby’s NY, Jan 24:</b> Wytfliet, Cornelius. <i>Descriptionis Ptolemaicae Augmentum, Sive Occidentalis Notitia Brevi Commentario Illustrata.</i> Leuven: Johannes Bogaerts 1597. $35,000 to $50,000
    <b>Sotheby’s NY, Jan 24:</b> Schedel, Hartmann. <i>Liber Cronicarum cum Figuris et Ymaginibus.</i> Nuremberg, Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 12 July 1493. $70,000 to $100,000
    <b>Sotheby’s NY, Jan 24:</b> New York Mets. Baseball from the first victory of the New York Mets. $25,000 to $35,000
    <b>Sotheby’s NY, Jan 24:</b> Robert E. Lee. Autograph letter signed ("R E Lee") as Confederate commander, to Rabbi Max Michelbacher, declining to furlough Jewish Confederate troops for the high holy days. $150,000 to $250,000
  • <b>Doyle, Americana from the Library of Arnold “Jake” Johnson: Online Only Auction. Now thru January 29, 2019</b>
    <b>Doyle, Americana from the Library of Arnold “Jake” Johnson, thru Jan 29:</b> HUBBARD, LUCIUS L. <i>Summer Vacations at Moosehead Lake and Vicinity...</i> $300 to $500
    <b>Doyle, Americana from the Library of Arnold “Jake” Johnson, thru Jan 29:</b> HIND, HENRY YOULE. <i>Explorations in the Interior of the Labrador Peninsula, the Country of the Montagnais and Nasquapee Indians.</i> $700 to $1,000
    <b>Doyle, Americana from the Library of Arnold “Jake” Johnson, thru Jan 29:</b> TOME, PHILIP. <i>Pioneer Life; Or, Thirty Years a Hunter...</i> $1,000 to $1,500
    <b>Doyle, Americana from the Library of Arnold “Jake” Johnson, thru Jan 29:</b> CANOVA, ANDREW P. <i>Life and Adventures in South Florida.</i> $400 to $600
    <b>Doyle, Americana from the Library of Arnold “Jake” Johnson, thru Jan 29:</b> Photographically illustrated journal describing an 1890 hunting trip to Colorado. $700 to $1,000
  • <b>Bunch Auctions: Rare Books & Fine Prints. January 22, 2019</b>
    <b>Bunch Auctions, Jan 22:</b> Dickens, Charles. <i>A Tale of Two Cities,</i> first edition with inclusions. $18,000 to $26,000
    <b>Bunch Auctions, Jan 22:</b> John James Audubon. A la poupee color engraving on paper "Stanley Hawk." $6,000 to $12,000
    <b>Bunch Auctions, Jan 22:</b> [FIRST EDITION, FIRST ISSUE] Dickens, Charles. <i>Oliver Twist</i>, London, 1838. 3 vols. $8,000 to $10,000
    <b>Bunch Auctions: Rare Books & Fine Prints. January 22, 2019</b>
    <b>Bunch Auctions, Jan 22:</b> Land indenture between William Penn and Thomas Gell, dated October 12, 1681, wherein Gell purchased 500 acres Pennsylvania farmland; signed by Penn. $4,000 to $6,000
    <b>Bunch Auctions, Jan 22:</b> Thomas Hart Benton, lithograph on paper "The Woodpile", pencil signed, original AAA certificate. $1,500 to $2,500
    <b>Bunch Auctions, Jan 22:</b> Helen Dryden, <i>Vogue</i> cover design lithograph completed in hand watercolor, proof design for September 1922 issue. $600 to $800
    <b>Bunch Auctions: Rare Books & Fine Prints. January 22, 2019</b>
    <b>Bunch Auctions, Jan 22:</b> Fisher, John D. <i>Description of the Distinct, Confluent, and Inoculated Small Pox, Varioloid Disease, Cow Pox, and Chicken Pox,</i> Boston, 1829. $600 to $800
    <b>Bunch Auctions, Jan 22:</b> [Rare Dust Jacket] Crane, Stephen. <i>The Red Badge of Courage,</i> NY, 1896. $500 to $700
    <b>Bunch Auctions, Jan 22:</b> after Amedeo Modigliani (Italian, 1884-1920), chromolithograph on paper "Lunia Czechowska", signed in plate, artist's proof (A/P). $200 to $400
    <b>Bunch Auctions, Jan 22:</b> Samuel Arlent Edwards, color mezzotint on paper "A Visit to the Boarding School", pencil signed. $100 to $200

Rare Book Monthly

Articles - June - 2014 Issue

Amazon – Go Figure? Still a popular venue for book sellers

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AE Monthly usually doesn’t pay much attention to Amazon, the one-size-fits-all giant on-line retailer where you can buy books (and just about everything else) with one click simplicity and mind boggling speed. If you’re a member of their “prime” group all shipping charges are covered by one moderate fee. When it comes to popular, mass market bookselling, Amazon not only dominates, it rules.

 

If you happen to be an investor, you’d find that no less a financial authority than the NY Times (April 25, 2014) reported that “Amazon’s lofty valuation has long baffled many investors and analysts. But one thing they can agree on: Betting against Amazon has invariably turned out to be a mistake over the long term. (The stock has tripled over the past five years.)”

 

Yes indeed, Amazon seems to meet with widespread consumer satisfaction - that is if you can overlook reports of sweatshop working conditions, predatory pricing practices, or retribution against publishing firms and authors that don’t tow the company line. Amazon is doing just fine and its model of book selling that has everything to do with mathematical formulas and nothing to do with the books themselves does indeed keep the inventory moving.

 

This month we asked some of our bookseller friends and colleagues the question that has long lurked in the back of our late 20th century (read “olden days” pre-internet ) consciousness, that is, why would anyone list on Amazon?

 

The response was swift.

 

Peter Masi, a Massachussets dealer wrote: “I have 20,000 listings on Abe, Amazon, Alibris - Abe still performs best for me, but Amazon runs a close second lately.

 

“There is talk about Amazon being better for selling newer books and there is probably some merit to that,” he wrote, observing that “they are leaning towards newer material, but by no means limited to that – I sell antiquarian books there too – and Amazon shipping works wonderfully well…”

 

“Speaking from the bottom of the pile,” wrote Joyce Godsey, another Massachussets on line dealer, “I only list stuff on there that I am willing to let go at the lowest price. Basically, it’s easily gradable and has nothing special going on about it. If I have something better I list it elsewhere. And when I go shopping it’s the same way...If I end up buying something on Amazon (I start at Bookfinder) then I am buying something that I have no expectations of quality.

 

My Biggest Single Venue

 

“In answer to your question,” Lorrin Wong, an LA dealer replied, “Amazon is my biggest single sale venue. For many years I sold more on Amazon than ABE, Alibris, Biblio.com and Antiqbook combined. It still generates 40-50% of my total sales. My books are priced identically on Amazon as other venues.

 

Wong has been selling books online since 1995. “Initially, the vast majority of my sales were ordinary and everyday buyers. These were people who read mysteries or general fiction and probably didn't place a high priority on the condition of the book as long as it met or exceeded a minimal level. They weren't looking for a pristine copy. They simply wanted to read the book. Price was an important criterion.



“My books aren't priced at the penny or dollar level and the condition of my fiction is generally fine. However, my books, particularly fiction, are priced so they will appear on the first screen of search results. I don't think too many price conscientious fiction readers bother to look beyond one screen.

 

“The mix of books that I offer has changed over the years,” he continued. “In the early days, I sold 100% fiction. However, that has evolved to about 60% non-fiction and 40% fiction today. The prices of modern fiction have dropped so much in the past 20 years that I can't imagine how one could survive selling only fiction. I have not found the Amazon customer difficult to deal with. I doubt that I get more than one or two returns a year (and that estimate may be high). I think my Amazon rating is around 95% (I haven't checked in awhile) but you'd have to be pretty bad to get a rating below 90%.

 

“However, the customer mix is changing. Initially, I'd guess that 95+% of my Amazon customers were readers who were very price sensitive. There would be the occasional oddball collector tossed into this mix (but I think most serious collectors continue to buy on ABE).

 

“Over the years, new customers have appeared on Amazon,” he continued. “I now sell books to the libraries at Harvard, Princeton, Stanford, UCLA and many other colleges and universities and to professors at these institutions.

 

“This is almost exclusively non-fiction. I do not have an established relationship with these individuals or institutions. They are simply making the occasional purchase and I happen to have availability. In addition, I sell art books to some of the toniest art galleries in New York (I sell a lot of art books and catalogs). These customers are even more focused on availability than universities and price does not seem to be a key consideration.

 

“I think it's hard to talk about the Amazon marketplace as if it is one homogeneous mix. It is the 800 gorilla and it has changed the marketplace but the online used book marketplace is a lot different today than 20 years ago.

 

“It definitely has changed the low end fiction market. Just ask any customer who buys cheap fiction to read. They love Amazon. But upper end buyers are also using the venue.

 

“I have no idea why, but I think these buyers are not affected by the low end clutter that everyone complains about. They generally have specific needs that are hard to find. They know how to read and evaluate a condition description and must feel confident in placing an order through Amazon. It would seem that they could just as easily place the order on ABE or Alibris, but in general I find that they don't.

 

“I really don't understand why booksellers think that selling on Amazon will be a bad experience for them. I can understand why a bookseller may choose not to sell on Amazon at all, but the Amazon selling experience is pretty painless and is comparable to the other online venues.

 

“The genie is already out of the bottle. I don't think anyone on this planet doesn't know about Amazon and my belief is that more and more institutional buyers (colleges, universities, art galleries) are turning to Amazon.”

 

Peter Koffsky had a similar point of view: “To tell you the truth, I'm tired of uninformed Amazon-bashing,” he wrote. “Many buyers seem to know only Amazon. They go straight there for unusual items. I've sold well over 3,000 books there, and I've gotten thank-you's that indicate the buyers have been looking for certain items for years. Amazon does all the work except shipping; the items are on sale indefinitely so they are there when the buyer looks for them; the commission is reasonable; there is no up-front cost.”

 

Without Amazon, “we would wither and die,” said Betty Kilner of Ainsworth Books, a Canadian dealer in British Columbia. “I stopped listing on eBay years ago, such a crap shoot.

“My reasoning as far as Amazon is that as long as I keep up my listing standards, full descriptions and notes as well as images, I am giving the buyer the best chance of finding what he wants. Our average sale there is probably $25.00 or more. We recently took on a consignment of high end math & physics texts. Every one that has sold has been sold on Amazon.com.

“I know many feel like Amazon treats books as widgets and I have to agree but you also have to agree that for many, the first place they look to buy is Amazon.”

 

Arts specialist finds new business on Amazon

 

“I've been in the online book business since 1993,” wrote Judith Pynchon of Ruggles Books, an arts specialist in Wilmington, North Carolina and only started listing on Amazon last year. I resisted for a long time, arguing that Amazon buyers weren't ‘my people,’ because I have an inventory focused on mostly out-of-print gallery and museum catalogues in the arts. What finally convinced me to try, however, was data that showed people use Amazon as a search engine, some of whom are my people. I don't price my inventory differently on AZ from ABE or my own website.

“One of the interesting things is that only about a third of my inventory has made it on to Amazon; the rest has been rejected for not meeting the site's weird criteria for books. That’s fine with me, since the shipping allowance is pretty slim (especially for art books) and the fees pretty high. I do better with repeat customers and on ABE, but am sticking with AZ because I really do think I reach more people that way.”

 

 

Great for Buyers – Not So Great for Sellers - But not everyone is so sanguine

 

“I personally don't (use Amazon) because of the hassle along with having an open shop and other venues is too much for me,” Joanne Hoefer, a California dealer wrote, “(but) I do sell there for the local library - and as of now AZ is basically taking 55% + whatever the shipping is on new titles listed and it works out to around 40-45% depending on the title used. It’s great for buyers but not great for sellers. I have taken a ton of the library stuff down. If there is more than 15 of a title listed don't bother with it because most people just look at the first used page ….if you’re listed after that forget it.”


Prefers eBay

 

Despite the many who wrote that Amazon was not only a viable proposition, but a leading source of income, some like Jim Johnson thought differently. Johnson has been selling full-time for over 35 years...first in Pennsylvania and for the last 18 years in Birmingham Alabama. “Notwithstanding the flaws and annoyances of eBay, it is still the best way to sell for the money,” he wrote. “You have all the space in the world to describe the item, use numerous scans, etc. without having to jump through as many hoops as Amazon requires.

 

 

“Since I gravitate towards older and antiquarian stock, Amazon just doesn't work for me, and eBay does. It takes some time to learn …. but once you figure that out, and how to take advantage of their numerous free listing opportunities (in the past 6 months I have hardly had to pay for any listing fees other than my monthly $50 membership fee), it is by far the most efficient way to sell.”

 

Not a fan of Amazon Tactics but it does make me money

 

A thoughtful analysis came from Gene Alloway, owner of Motte & Bailey book shop in Ann Arbor, Michigan, which has a bricks and mortar book store and also an online presence.

 

“I do list on Amazon, and I sell a bit there,” he wrote (but) “ABE does better for me, as of course does my shop. I am not a fan of Amazon tactics, but it does make me money. I rarely list there first before it has been in my shops awhile,” and he noted “I do what I can to convert those buyers to direct buyers.

 

“What is wrong with the American consumer that they abandon local shops? Why do they shop at Amazon in such large numbers, even though they know Amazon is trying to overtake local businesses? Indeed, why did they embrace Walmart, which cost so many towns local businesses?



“I think the answer is in part prices, in part selection, in part ease of delivery. For many common goods, Amazon has great prices. For selection, Amazon has a wide range of stuff that no single shop can hold. For ease of delivery, it seems to even beat Sears.”



But then he comes back to the other part of the equation: “I want to buy books at my local bookshops. But the new ones carry only the most popular titles, which I think is absurd. They can never compete on pricing or selection on those with Amazon and thus choose to fight on ground their enemy chooses, yet they complain about it all the time. They don't carry esoteric titles, they don't carry university press. They don't support odd local or regional presses well on the whole. So, the only thing I get from them is the occasional sci-fi or fantasy hardcover. For history, science, and art well, they do not impress at all.



“I don't see them trying to develop these kinds of clientele either - I just see them complaining about Amazon and spending a ton of effort trying to fill every other evening with the latest fiction/mystery/kids author to hit the stands, all paid for by the publisher.”



Fight them where they ain’t

 

“So sellers,” according to Alloway, “have in many ways contributed to the run to online selling, and continue to do so by putting more effort there than into their own shops, or by refusing to develop audiences that are not just interested in best-selling fiction and popular non-fiction, thus leaving the buyers to find the more interesting books elsewhere.



“At this point, the way to beat Amazon is not to complain, but to fight them where they ain't. Do a better job in some area, have more interesting books (not every publisher sells books there), have a really attractive space, work on getting walk in traffic. Otherwise, complaining about AZ is like complaining that the Himalayas take up a lot of good farmland.”
------------------------

 

Links to booksellers mentioned in this article.

 


Peter L Masi, Monague,MA

peterlmasibooks.wordpress.com/

 

Joyce Godsey, Metheun MA.

Sic Press sicpress.com/

 

Lorrin Wong – LA – no link

 

Ainsworth Books, Delta, BC, Canada

www.ainsworthbooks.com/?page=shop/aboutus

Peter Koffsky – no link

 

Judith Pynchon, Ruggles Books, Wilmington,NC

www.rugglesbooks.com/

 

Gene Alloway, Motte & Bailey, Ann Arbor, MI

www.mottebooks.com/shop/motte/index.html

 

Jim Johnson, Birmingham AL user name eBay Johnsonal

 

Shirley Bryant Authors and Artists, Muskogee, OK

www.aaabooks.com/index.php?p=11

 

Joanne Hoefer - Phoenix Books, Los Banos, CA

Rare Book Monthly

  • <b>Bonhams: The Medical & Scientific Library of W. Bruce Fye. New York, March 11, 2019</b>
    <b>Bonhams NY, Mar 11:</b> VESALIUS, ANDREAS. 1514-1564. <i>De humani corporis fabrica libri septem.</i> Basel: Johannes Oporinus, June 1543. $300,000 to $500,000
    <b>Bonhams NY, Mar 11:</b> HARVEY, WILLIAM. 1578-1657. <i>De motu cordis & sanguinis in animalibus Anatomica Exercitatio.</i> Leiden: Joannis Maire, 1639. $25,000 to $35,000
    <b>Bonhams NY, Mar 11:</b> BERENGARIO DA CARPI, GIACOMO. 1460-1530. <i>Isagogae breves perlucide ac uberrimae in Anatomiam humani corporis.</i> Bologna: Benedictus Hectoris, 15 July 1523. $15,000 to $25,000
    <b>Bonhams NY, Mar 11:</b> FRANKLIN, BENJAMIN. 1706-1790. <i>Experiments and Observations on Electricity, made at Philadelphia in America…</i> London, 1769. $10,000 to $15,000
    <b>Bonhams NY, Mar 11:</b> BENIVIENI, ANTONIO. 1443-1502. <i>De abditis nonnullis ac mirandis morborum et sanationum causis.</i>Florence: Filippo Giunta, 1507. $8,000 to $12,000
  • <b>Il Ponte Casa d’Aste: Books and Manuscripts. January 22, 2019</b>
    <b>Il Ponte Casa d’Aste, Jan 22:</b> [MAGGIOLO, Vesconte] <i>Carta nautica manoscritta, bottega di Vesconte Maggiolo.</i> Italy, c.1550. Previously unknown extraordinary portolan chart. €50,000 to 80,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b><br>LA PÉROUSE, Jean-François. <i>Voyage de la Pérouse autour du monde.</i> Paris: L'Imprimerie de la République, 1797. €6,000 to 9,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> PEREA Y ROJAS, Daniel. The preparatory watercolours to the renown album <i>A Los Toros.</i> €4,000 to 6,000
    <b>Il Ponte Casa d’Aste: Books and Manuscripts. January 22, 2019</b>
    <b>Il Ponte Casa d’Aste, Jan 22:</b> MELA, Pomponio. <i>Cosmographia, sive De situ orbis.</i> Venice, 1478 [Bound with] DIONISIO il Periegeta. <i> De situ orbis…</i> Venice, 1478. €6,000 to 9,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> DE FELICE, Fortunato Bartolomeo. <i>Encyclopedie, ou dictionnaire universel raisonne des connoissances humaines.</i> Yverdon, 1770-1780. €4,000 to 6,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> VECELLIO, Cesare. <i>De gli habiti antichi et moderni di diverse parti del mondo.</i> Venice: Damian Zenaro, 1590. €3,000 to 5,000
    <b>Il Ponte Casa d’Aste: Books and Manuscripts. January 22, 2019</b>
    <b>Il Ponte Casa d’Aste, Jan 22:</b> FALDA, Giovanni Battista; SPECCHI, Alessandro. <i>Il nuovo teatro delle fabriche…</i> [bound with] <i>ll quarto libro del nuovo teatro delli palazzi in prospettiva di Roma moderna.</i> 1665-1699. €4,000 to 6,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> FALDA Giovan Battista. <i>Le fontane di Roma nelle piazze e luoghi pubblici della citta - Le fontane delle ville di Frascati nel Tusculano…</i> Rome, [1691]. €2,000 to 3,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> FERRERIO, Pietro & Giovanni Battista FALDA. <i> Palazzi di Roma de piu celebri architetti disegnati… [1655 – 1677]. €2,500 to 3,000
    <b>Il Ponte Casa d’Aste: Books and Manuscripts. January 22, 2019</b>
    <b>Il Ponte Casa d’Aste, Jan 22:</b> VON JACQUIN, Joseph Franz. <i>Eclogae graminum rariorum.</i> Vienna: Strauss Sommer, 1813-1844. €2,000 to 3,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> Prayer book according to the synagogical Ashkenazy rite in an elegant and precious silver binding. €3,000 to 5,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> BOCCACCIO, Giovanni. <i>Ameto.</i> Venice: Nicolo Zoppino, 1524. €3,000 to 5,000
  • <b>19th Century Shop:</b> Charles Darwin on sexuality and the transmission of hereditary characteristics: Autograph Letter Signed to Lawson Tait. Down, 17 January [1877].
    <b>19th Century Shop:</b> MILTON, JOHN. <i>Paradise Lost. A Poem written in ten books.</i> London: 1667. A very rare example with the contemporary binding untouched and with a 1667 title page.
    <b>19th Century Shop:</b> Hamilton secures the ratification of the Constitution: <i>The Debates and Proceedings of the Convention of the State of New-York, assembled at Poughkeespsie, on the 17th June, 1788.</i>
    <b>19th Century Shop:</b> The social contract “Man is born free, and everywhere he is in chains”: ROUSSEAU, JEAN-JACQUES. <i>Principes du Droit Politique [Du Contract Social]</i>. Amsterdam: Michel Rey, 1762
    <b>19th Century Shop:</b> “The first English textbook on geometrical land-measurement and surveying”: BENESE, RICHARD. <i>This Boke Sheweth the Maner of Measurynge All Maner of Lande…</i>
  • <b>Swann Auction Galleries, Jan 29:</b> Leonard Baskin, <i>Diptera: A Book of Flies & Other Insects,</i> Gehenna Press, 1983. $6,000 to $9,000.
    <b>Swann Auction Galleries, Jan 29:</b> Georg Heym, <i>Umbra Vitae,</i> illustrated by Ernst Ludwig Kirchner, first edition, Munich, 1924. $6,000 to $9,000.
    <b>Swann Auction Galleries, Jan 29:</b> Edgar Allan Poe, <i>The Raven,</i> special copy for illustrator Alan James Robinson, first book from Cheloniidae Press, 1980. $3,000 to $4,000.
    <b>Swann Auction Galleries, Jan 29:</b><br>W.B. Yeats, <i>Poems,</i> illustrated by Richard Diebenkorn, accompanied by a suite of 6 etchings, 1990. $12,000 to $18,000.
    <b>Swann Auction Galleries, Jan 29:</b> Georges Rouault, <i>Cirque de l’Étoile Filante,</i> Paris, 1938. $30,000 to $40,000.
    <b>Swann Auction Galleries, Jan 29:</b> François-Louis Schmied, <i>Le Cantique des Cantiques,</i> Paris, 1925. $10,000 to $15,000.
    <b>Swann Auction Galleries, Jan 29:</b> Frank Lloyd Wright, <i>Ausgeführte Bauten und Entwürfe,</i> Berlin, Ernst Wasmuth, 1910. $8,000 to $12,000.
    <b>Swann Auction Galleries, Jan 29:</b> Hans Bellmer & Georges Hugnet, <i>Oeillades ciselées en branch,</i> Paris, 1939. $2,000 to $3,000.
    <b>Swann Auction Galleries, Jan 29:</b> Wassily Kandinsky, <i>Klänge,</i> first edition, Munich, 1913. $30,000 to $40,000.
    <b>Swann Auction Galleries, Jan 29:</b> Charles Dickens, <i>The Nonesuch Dickens,</i> limited edition, 1937-38. $5,000 to $7,500.
    <b>Swann Auction Galleries, Jan 29:</b> Rudyard Kipling, <i>Le Livre de la Jungle,</i> plates by Paul Jouve, engraved by F.L. Schmied, Paris, 1919. $7,000 to $10,000.
    <b>Swann Auction Galleries, Jan 29:</b> Georges Lepape, <i>Les Choses de Paul Poiret,</i> Paris, 1911. $3,500 to $5,000.
  • <b>Forum Auctions: Private Press, Illustrated Books and Modern First Editions. January 30, 2019</b>
    <b>Forum Auctions, Jan 30:</b> Wilde (Oscar). <i>The Sphinx,</i> one of only 25 large paper copies, illustrations and original pictorial vellum, 1894. £10,000 to £15,000
    <b>Forum Auctions, Jan 30:</b> King (Jessie Marion, 1875-1949). The Lament, pen and black ink on vellum. £10,000 to £15,000
    <b>Forum Auctions, Jan 30:</b> Leger (Fernand). <i>Cirque,</i> one of 300 copies, Paris, Teriade, 1950. £10,000 to £15,000
    <b>Forum Auctions: Private Press, Illustrated Books and Modern First Editions. January 30, 2019</b>
    <b>Forum Auctions, Jan 30:</b> Picasso (Pablo).- Reverdy (Pierre). <i>Sable Mouvant,</i> one of 255 copies signed by the artist, Paris, Louis Broder, 1966. £8,000 to £12,000
    <b>Forum Auctions, Jan 30:</b> Joyce (James). <i>Ulysses,</i> one of only 250 copies signed by both the author and artist, 6 etchings by Matisse, New York, Limited Editions Club, 1935. £6,000 to £8,000
    <b>Forum Auctions, Jan 30:</b> Golden Cockerel Press.- <i>Four Gospels of the Lord Jesus Christ (The),</i> one of 500 copies, wood-engravings by Eric Gill, Laurence Hodson's copy, 1931. £5,000 to £7,000
    <b>Forum Auctions: Private Press, Illustrated Books and Modern First Editions. January 30, 2019</b>
    <b>Forum Auctions, Jan 30:</b> Camus (Albert). <i>The Stranger,</i> first American edition, signed presentation inscription from the author, New York, 1946. £5,000 to £7,000
    <b>Forum Auctions, Jan 30:</b> Greenhill (Elizabeth, binder).- Flint (Sir William Russell). <i>In Pursuit: An Autobiography,</i> limited edition signed by Francis Russell Flint, 1969. £4,000 to £6,000
    <b>Forum Auctions, Jan 30:</b> Cranach Press.- Shakespeare (William). <i>The Tragedie of Hamlet Prince of Denmarke,</i> one of 300 copies, Janet Leeper's copy signed by Edward Gordon Craig, 1930. £4,000 to £6,000
    <b>Forum Auctions: Private Press, Illustrated Books and Modern First Editions. January 30, 2019</b>
    <b>Forum Auctions, Jan 30:</b> Gray (John). <i>Silverpoints,</i> first edition, one of 25 large paper copies, initials and original vellum bidning designed by Charles Ricketts, 1893. £2,000 to £3,000
    <b>Forum Auctions, Jan 30:</b> Kelmscott Press.- Design for the frontispiece to 'A Dream of John Ball', pen & black ink over pencil and heightened with Chinese white, 1892. £2,000 to £3,000
    <b>Forum Auctions, Jan 30:</b> Crowder (Henry). <i>Henry Music…</i> Poems by Nancy Cunard, Richard Aldington, Walter Lowenfels…, first and only edition, one of 100 copies signed by Crowder and additionally inscribed by him, 1930. £1,500 to £2,000
  • <b>Potter & Potter Auctions: Fine Books & Manuscripts. February 2, 2018</b>
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 230: Charles Bukowski. <i>South of No North.</i> Los Angeles, 1973. First edition. Signed. $1,500 to $2,000
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 244: Aldous Huxley. <i>Brave New World.</i> Garden City, 1932. First American edition. Signed. $2,500 to $3,500
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 10: Frank Lloyd Wright. “Fallingwater Side Elevation” Original Blueprint. $1,500 to $2,500
    <b>Potter & Potter Auctions: Fine Books & Manuscripts. February 2, 2018</b>
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 169: <i>Chicago’s Progress: A Review of the World’s Fair City.</i> Chicago: Bishop Publishing, (1933). $150 to $250
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 299: [Tanguy, Yves] Benjamin Peret. <i>Dormir dans Les Pierres.</i> Paris: Editions Surrealistes, 1927. $2,500 to $3,500
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 276: Jean Hans Arp. <i>Arp: Eleven Configurations.</i> Zurich, 1945. $1,200 to $1,500
    <b>Potter & Potter Auctions: Fine Books & Manuscripts. February 2, 2018</b>
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 235: Joseph Conrad. <i>Nostromo: A Tale of the Seaboard.</i> New York: 1904. First edition. $800 to $1,200
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 290: Umberto Brunelleschi. Louys, Pierre. <i>Les Aventures du Roi Pausole.</i> Paris: 1930. $1,200 to $1,500
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 700: X-Men No. 94. Marvel Comics, 1975. CGC 9.0. $800 to $1,200
    <b>Potter & Potter Auctions: Fine Books & Manuscripts. February 2, 2018</b>
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 540: Travers, P.L. <i>Mary Poppins</i> [and] <i>Mary Poppins Comes Back.</i> Signed. New York: 1936. $1,000 to $1,500
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 576: Mickey Mouse. 17 Big Little Books. 1930s-40s. $300 to $500
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 429: Paracelsus. <i>Medicina Diastatica or Sympathecall Mumie.</i> London: 1653. $800 to $1,200
  • <b>Case Antiques: Historic Winter Fine Art and Antiques Auction.<br>January 26, 2019</b>
    <b>Case Antiques, Jan 26:</b> Archive of five items related to John Singleton Mosby, the Confederate “Gray Ghost,” including 3 ALS and 2 colored lithographs. $2,800 to $3,200
    <b>Case Antiques, Jan 26:</b> Defoe, Daniel. Double Fore-Edge Painted Robinson Crusoe, 2 Vols., 1820. $800 to $1,000
    <b>Case Antiques, Jan 26:</b> McCarthy, Cormac. <i>Blood Meridian or the Evening Redness in the West.</i> First edition, 1985. $1,000 to $1,200
    <b>Case Antiques: Historic Winter Fine Art and Antiques Auction.<br>January 26, 2019</b>
    <b>Case Antiques, Jan 26:</b> Chagall, Marc. “Le Bouquet Rouge,” limited edition color lithograph. October, 1969. $10,000 to $12,000
    <b>Case Antiques, Jan 26:</b> Stern, Bert. Marilyn Monroe’s “Last Sitting” for <i>Vogue,</i> signed photograph and two books. $1,800 to $2,200
    <b>Case Antiques, Jan 26:</b> Five single fore-edge painted Bibles. $1,000 to $1,200
    <b>Case Antiques: Historic Winter Fine Art and Antiques Auction.<br>January 26, 2019</b>
    <b>Case Antiques, Jan 26:</b> Sander, August. “Painter Brockmann” and “Courtyard Musicians” gelatin silver prints. $2,000 to $2,400
    <b>Case Antiques, Jan 26:</b> after Sheng Mou, Qing Dynasty scroll, landscape painting, ink and color on silk, signature of Wang Hui (Chinese, 1632-1717). $1,800 to $2,200
    <b>Case Antiques, Jan 26:</b> Russell, J. Map of Kentucky, London, 1794, showing Tennessee as a SW Territory. $1,200 to $1,800

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