• <b>Doyle, Americana from the Library of Arnold “Jake” Johnson: Online Only Auction. Now thru January 29, 2019</b>
    <b>Doyle, Americana from the Library of Arnold “Jake” Johnson, thru Jan 29:</b> HUBBARD, LUCIUS L. <i>Summer Vacations at Moosehead Lake and Vicinity...</i> $300 to $500
    <b>Doyle, Americana from the Library of Arnold “Jake” Johnson, thru Jan 29:</b> HIND, HENRY YOULE. <i>Explorations in the Interior of the Labrador Peninsula, the Country of the Montagnais and Nasquapee Indians.</i> $700 to $1,000
    <b>Doyle, Americana from the Library of Arnold “Jake” Johnson, thru Jan 29:</b> TOME, PHILIP. <i>Pioneer Life; Or, Thirty Years a Hunter...</i> $1,000 to $1,500
    <b>Doyle, Americana from the Library of Arnold “Jake” Johnson, thru Jan 29:</b> CANOVA, ANDREW P. <i>Life and Adventures in South Florida.</i> $400 to $600
    <b>Doyle, Americana from the Library of Arnold “Jake” Johnson, thru Jan 29:</b> Photographically illustrated journal describing an 1890 hunting trip to Colorado. $700 to $1,000
  • <b>Bunch Auctions: Rare Books & Fine Prints. January 22, 2019</b>
    <b>Bunch Auctions, Jan 22:</b> Dickens, Charles. <i>A Tale of Two Cities,</i> first edition with inclusions. $18,000 to $26,000
    <b>Bunch Auctions, Jan 22:</b> John James Audubon. A la poupee color engraving on paper "Stanley Hawk." $6,000 to $12,000
    <b>Bunch Auctions, Jan 22:</b> [FIRST EDITION, FIRST ISSUE] Dickens, Charles. <i>Oliver Twist</i>, London, 1838. 3 vols. $8,000 to $10,000
    <b>Bunch Auctions: Rare Books & Fine Prints. January 22, 2019</b>
    <b>Bunch Auctions, Jan 22:</b> Land indenture between William Penn and Thomas Gell, dated October 12, 1681, wherein Gell purchased 500 acres Pennsylvania farmland; signed by Penn. $4,000 to $6,000
    <b>Bunch Auctions, Jan 22:</b> Thomas Hart Benton, lithograph on paper "The Woodpile", pencil signed, original AAA certificate. $1,500 to $2,500
    <b>Bunch Auctions, Jan 22:</b> Helen Dryden, <i>Vogue</i> cover design lithograph completed in hand watercolor, proof design for September 1922 issue. $600 to $800
    <b>Bunch Auctions: Rare Books & Fine Prints. January 22, 2019</b>
    <b>Bunch Auctions, Jan 22:</b> Fisher, John D. <i>Description of the Distinct, Confluent, and Inoculated Small Pox, Varioloid Disease, Cow Pox, and Chicken Pox,</i> Boston, 1829. $600 to $800
    <b>Bunch Auctions, Jan 22:</b> [Rare Dust Jacket] Crane, Stephen. <i>The Red Badge of Courage,</i> NY, 1896. $500 to $700
    <b>Bunch Auctions, Jan 22:</b> after Amedeo Modigliani (Italian, 1884-1920), chromolithograph on paper "Lunia Czechowska", signed in plate, artist's proof (A/P). $200 to $400
    <b>Bunch Auctions, Jan 22:</b> Samuel Arlent Edwards, color mezzotint on paper "A Visit to the Boarding School", pencil signed. $100 to $200
  • <b>Bonhams: The Medical & Scientific Library of W. Bruce Fye. New York, March 11, 2019</b>
    <b>Bonhams NY, Mar 11:</b> VESALIUS, ANDREAS. 1514-1564. <i>De humani corporis fabrica libri septem.</i> Basel: Johannes Oporinus, June 1543. $300,000 to $500,000
    <b>Bonhams NY, Mar 11:</b> HARVEY, WILLIAM. 1578-1657. <i>De motu cordis & sanguinis in animalibus Anatomica Exercitatio.</i> Leiden: Joannis Maire, 1639. $25,000 to $35,000
    <b>Bonhams NY, Mar 11:</b> BERENGARIO DA CARPI, GIACOMO. 1460-1530. <i>Isagogae breves perlucide ac uberrimae in Anatomiam humani corporis.</i> Bologna: Benedictus Hectoris, 15 July 1523. $15,000 to $25,000
    <b>Bonhams NY, Mar 11:</b> FRANKLIN, BENJAMIN. 1706-1790. <i>Experiments and Observations on Electricity, made at Philadelphia in America…</i> London, 1769. $10,000 to $15,000
    <b>Bonhams NY, Mar 11:</b> BENIVIENI, ANTONIO. 1443-1502. <i>De abditis nonnullis ac mirandis morborum et sanationum causis.</i>Florence: Filippo Giunta, 1507. $8,000 to $12,000
  • <b>19th Century Shop:</b> Charles Darwin on sexuality and the transmission of hereditary characteristics: Autograph Letter Signed to Lawson Tait. Down, 17 January [1877].
    <b>19th Century Shop:</b> MILTON, JOHN. <i>Paradise Lost. A Poem written in ten books.</i> London: 1667. A very rare example with the contemporary binding untouched and with a 1667 title page.
    <b>19th Century Shop:</b> Hamilton secures the ratification of the Constitution: <i>The Debates and Proceedings of the Convention of the State of New-York, assembled at Poughkeespsie, on the 17th June, 1788.</i>
    <b>19th Century Shop:</b> The social contract “Man is born free, and everywhere he is in chains”: ROUSSEAU, JEAN-JACQUES. <i>Principes du Droit Politique [Du Contract Social]</i>. Amsterdam: Michel Rey, 1762
    <b>19th Century Shop:</b> “The first English textbook on geometrical land-measurement and surveying”: BENESE, RICHARD. <i>This Boke Sheweth the Maner of Measurynge All Maner of Lande…</i>

Rare Book Monthly

Articles - March - 2014 Issue

Master Adam, Craftsman-Poet: If I had a hammer...

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Master Adam.

If I had a hammer, or rather a brace, I would write verses to add my humble kingpin to the magnificent work of poetry—just like Master Adam Billaut did. In the 17th century, this carpenter-poet from Nevers, France, though deprived of all literary education, as Voltaire put it, turned poet in his workshop. But he was born a commoner in 1602, and was then reduced to create verses in the middle of his tools and bottles, to quote Chaudon’s Dictionary (Lyon, 1804). This situation lasted until he was 32; then he met the Abbot of Marolles who read his verses to the Duchess of Nevers, and then decided to promote them. “I was more than willing to expose his poems to the public who would undoubtedly like them as much as I did. The following year he came to Paris where he became acquainted with many people of quality,” wrote the Abbot. Mr. Adam’s life changed for the better—but during the Grand Siècle, a leopard couldn’t change its spots, or a commoner turn a respectable poet.

 

From Nevers to Paris

 

Adam Billaut came to Paris where he eventually became a relative of Saint-Amand who introduced him to several literary salons. The court soon grew infatuated with this carpenter who prided himself on writing verses. Adam got some recognition but could never rise above the rank of burlesque or Bacchic writer. As a matter of fact, noticing he had afterwards sunk into oblivion, the 1731 edition of Moreri’s Dictionary underlined: “It was quite inevitable for an author of his rank.” Adam used his social position as a selling point, entitling his first collection of poems-The Kingpins—and got trapped. But he was probably ready to endure a certain amount of mockery, or humiliation, to finally get the recognition he wished for.

 

In The Kingpins, he sought the Approbation of the Parnassus and published a hundred pages of dedicatory epistles from various poets.He loved praises, and begged for dedicatory verses,” read Moreri’s Dictionary. Everyone complied, and those who couldn’t write them had them written by friends.” Most of them were just basic plays on words about his ambivalent condition. Saint-Amand, his mentor, wrote he could build verses as well as furniture; Scarron said he was writing verses with a plane-pushing hand. Corneille, Benserade or Quinet were among the numerous writers who said a silly word about this silly work—Mr. Scudery even wondered whether he was a genius or a monster. The then famous painter Mr. Chauveau drew the portrait of the author that was added as a frontispiece to the first edition of The Kingpins (in-4°, chez Quinet—1644). A few months later, every one in Paris was singing along his song As soon as the light comes back to gild our hills—his most popular piece of work ever. “It is said,” continued Moreri’s Dictionary, “that he obtained a pension from Monsieur Duke of Orléans, Gaston Jean-Baptiste.” He became a curiosity at court where he was called the planing Virgil, and even ventured into politics. Indeed, in 1651, he published a Mazarinade—a text against Cardinal Mazarin—entitled Le Claquet de la Fronde, as well as an epigram on the same topic. “These pieces that brought nothing to his reputation,” underlined C. Moreau in his Bibliographie des Mazarinades (Paris, 1850), “were first re-published in the 1840 edition of his works.”

 

Pensions

 

When I first came across Adam’s works, I thought it was a joke—or a literary fraud. A craftsman-poet from the 17th century who entitled his works The Kingpins or The Plane? Come on... History recalls a few working-poets, though; such as Burns, a peasant; Hans Sacks, a shoemaker; or a pastry cook from the same period, who even stated that Adam’s works made more noise, but that his own were more fiery. They were the first working-artists in a time when education was the privilege of a few, and when birth was of the utmost importance. To come from a dignified family would place you above the rest, and insure you respect and privileges. To come from the rabble, on the contrary, made a vulgar man out of you; not even good verses could save you from such damnation. No doubt these working-artists were regularly mocked and made fun at in society. Furthermore, Adam could be trivial at times. As a matter of fact, Jean Pinet, who published his complete works in 1842, cut off the incriminating passages to print them separately. Adam wrote about wine and its consequences, about farting too; some asses and whores would also pop up every now and then. Worse, some of his poems lacked polishing—or should we say planing? Ferdinand Denis, who wrote the Biographic and literary notice of the Pinet edition, blamed it on the lack of time. Several persons of quality including Richelieu and the Prince of Condé generously promised Adam a pension—but talk is cheap, and most of these pensions were never honoured. Therefore, Adam was reduced to earning a living as a carpenter.

 

Some of his poems also happened to be boring—mostly those never-ending flattering epistles from his second collection, The Brace. “Among a lot of dull verses, we find a few happy lines,” stated Chaudon. Moreri’s Dictionary added: “His works did good to him, but can’t make him a good poet.” In 1842, mentalities had evolved regarding working-artists, and Ferdinand Denis justified the author: “The centuries have been misled; Voltaire himself saw in Master Adam nothing but a cabaret poet (...). But we must speak up now! To say that Adam Billaut was a disheartened poet with elevated thoughts (...) who was forced to sing Bacchic songs, and to liven up some noisy orgies where, a miserable host, he excited both mockery and admiration.” But Master Adam genuinely enjoyed the cabaret, as confessed to a Lord who complained of his not attending his dinners: “In this place (...) everything pleases my belly, / Here I despise war heartily, / And the bottom of a whore / Ain’t worth a glass of liquor.” There was something melancholic about him too—probably since the death of his beloved mother. “Ever since the sad and fateful hour, / When the messenger of despair came to tell me: (...) Your mother has died from the plague, / I haven’t stopped sighing, I haven’t stopped crying.” Death is omnipresent in his poems, and he had morbid images reminiscent of the poetry of the middle age. He was far from the fashionable love epigrams of the time—he knew it, and didn’t care. Ronsard was his model, but he saw a rose withering with tenderness, if not with pleasure: “Even though you are but a withered flower, / How happy I am, proud Rose / To see these changes chasing my rivals away forever.

 

Adam’s favour only lasted for a time. He was in an uncomfortable position, so he walked away and came back to Nevers. As Chaudon put it: “He stuck to mediocrity to preserve his happiness.” In his dictionary, Pierre Bayle wrote he was then living in poverty, which sounds quite exaggerated as his protector, Marie de Gonzague, appointed him bailiff of the court of accounts of the Nivernais before she left for Poland. The Duke of Nevers, from his part, graciously sheltered him until his death in 1662—Mr. Adam’s house still stands today.

Rare Book Monthly

  • <b>Shapero Rare Books:</b> Fine Illustrated Books. 50 illustrated works across a range of subjects.
    <b>Shapero Rare Books:</b> Present Perfect. Books & works on paper including Literature, Children’s & Illustrated, Sports & Pastimes, Modern Prints and more.
    <b>Shapero Rare Books:</b> The House of Romanov, marking the centenary of the tragic demise of the Romanov dynasty.
    <b>Shapero Rare Books:</b> CHAGALL & GOGOL. Les âmes mortes, 1948. Chagall’s first major illustrated book.
    <b>Shapero Rare Books:</b> GUSTAV KLIMT, eine nachlese, 1931. An important early monograph on Klimt.
    <b>Shapero Rare Books:</b> ELLIOT. Birds of North America, 1866. One of 200 2 vols sets, folio.
    <b>Shapero Rare Books:</b> PURCHAS. His Pilgrimes/Pilgrimage, 1625-26. 5 vols. Probably the greatest collection of voyages ever published.
    <b>Shapero Rare Books:</b> HUXLEY. Brave New World, 1932. Exceptionally fine first edition.
    <b>Shapero Rare Books:</b> KELMSCOTT PRESS. Poems of Shakespeare, one of 500, publisher’s vellum.
    <b>Shapero Rare Books:</b> LEROUX. Phantom of the Opera, 1911. First UK edition in fine S&S binding.
    <b>Shapero Rare Books:</b> INDIANA, Robert. The American Dream, one of 30 AP copies, 30 screen prints.
    <b>Shapero Rare Books:</b> BENOIS. Tsarskoe Selo during the Reign of Elizaveta Petrovna, St Petersburg, 1910. Deluxe issue.
    <b>Shapero Rare Books:</b> CORONATION ALBUM. Description du sacre et du couronnement de leurs Majestés Impériales, 1883. One of 200.
    <b>Shapero Rare Books:</b> IMPERIAL FAMILY. Signed original photograph of Tsar Nicholas II’s 4 daughters.
    <b>Shapero Rare Books:</b> Souvenir du Couronnement de Leurs Majestés Imperiales a Moscou, 1896.
  • <b>Sotheby’s NY, Jan 24:</b> Kingsborough, Edward King. <i>Antiquities of Mexico: Comprising Facsimiles of Ancient Mexican Paintings and Hieroglyphics…</i> London, 1831-1848. $80,000 to $120,000
    <b>Sotheby’s NY, Jan 24:</b> Paul Revere. <i>The Bloody Massacre perpetrated In King-Street Boston on March 5th 1770 by a party of the 29th Reg. Boston, 1770.</i> $150,000 to $200,000
    <b>Sotheby’s NY, Jan 24:</b> Battle of the Alamo. <i>Suplemento al Diario del Gobierno de la Republica Mexicana.</i> (Núm. 326. Tom. IV.). Mexico City: Imprenta del Aguila, Dirigida por José Ximeno, 1836. $6,000 to $8,000
    <b>Sotheby’s NY, Jan 24:</b> The Declaration of Independence. The first book-form printing of the Declaration of Independence. $300,000 to $500,000
    <b>Sotheby’s NY, Jan 24:</b> Treaty of Paris, Ratification. By the United States in Congress Assembled, A Proclamation … Annapolis, [Ca. 16-17 January 1784]. $800,000 to $1,200,000
    <b>Sotheby’s NY, Jan 24:</b> Declaration of Independence. The only known privately held copy of the celebrated William J. Stone facsimile for which provenance can be traced back to a direct ancestor who received it in 1824. $600,000 to $800,000
    <b>Sotheby’s NY, Jan 24:</b> Crockett, David. Autograph letter signed ("David Crockett") to George Patton, announcing his intention to travel to Texas. $70,000 to $100,000
    <b>Sotheby’s NY, Jan 24:</b> Wytfliet, Cornelius. <i>Descriptionis Ptolemaicae Augmentum, Sive Occidentalis Notitia Brevi Commentario Illustrata.</i> Leuven: Johannes Bogaerts 1597. $35,000 to $50,000
    <b>Sotheby’s NY, Jan 24:</b> Schedel, Hartmann. <i>Liber Cronicarum cum Figuris et Ymaginibus.</i> Nuremberg, Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 12 July 1493. $70,000 to $100,000
    <b>Sotheby’s NY, Jan 24:</b> New York Mets. Baseball from the first victory of the New York Mets. $25,000 to $35,000
    <b>Sotheby’s NY, Jan 24:</b> Robert E. Lee. Autograph letter signed ("R E Lee") as Confederate commander, to Rabbi Max Michelbacher, declining to furlough Jewish Confederate troops for the high holy days. $150,000 to $250,000
  • <b>Forum Auctions: Private Press, Illustrated Books and Modern First Editions. January 30, 2019</b>
    <b>Forum Auctions, Jan 30:</b> Wilde (Oscar). <i>The Sphinx,</i> one of only 25 large paper copies, illustrations and original pictorial vellum, 1894. £10,000 to £15,000
    <b>Forum Auctions, Jan 30:</b> King (Jessie Marion, 1875-1949). The Lament, pen and black ink on vellum. £10,000 to £15,000
    <b>Forum Auctions, Jan 30:</b> Leger (Fernand). <i>Cirque,</i> one of 300 copies, Paris, Teriade, 1950. £10,000 to £15,000
    <b>Forum Auctions: Private Press, Illustrated Books and Modern First Editions. January 30, 2019</b>
    <b>Forum Auctions, Jan 30:</b> Picasso (Pablo).- Reverdy (Pierre). <i>Sable Mouvant,</i> one of 255 copies signed by the artist, Paris, Louis Broder, 1966. £8,000 to £12,000
    <b>Forum Auctions, Jan 30:</b> Joyce (James). <i>Ulysses,</i> one of only 250 copies signed by both the author and artist, 6 etchings by Matisse, New York, Limited Editions Club, 1935. £6,000 to £8,000
    <b>Forum Auctions, Jan 30:</b> Golden Cockerel Press.- <i>Four Gospels of the Lord Jesus Christ (The),</i> one of 500 copies, wood-engravings by Eric Gill, Laurence Hodson's copy, 1931. £5,000 to £7,000
    <b>Forum Auctions: Private Press, Illustrated Books and Modern First Editions. January 30, 2019</b>
    <b>Forum Auctions, Jan 30:</b> Camus (Albert). <i>The Stranger,</i> first American edition, signed presentation inscription from the author, New York, 1946. £5,000 to £7,000
    <b>Forum Auctions, Jan 30:</b> Greenhill (Elizabeth, binder).- Flint (Sir William Russell). <i>In Pursuit: An Autobiography,</i> limited edition signed by Francis Russell Flint, 1969. £4,000 to £6,000
    <b>Forum Auctions, Jan 30:</b> Cranach Press.- Shakespeare (William). <i>The Tragedie of Hamlet Prince of Denmarke,</i> one of 300 copies, Janet Leeper's copy signed by Edward Gordon Craig, 1930. £4,000 to £6,000
    <b>Forum Auctions: Private Press, Illustrated Books and Modern First Editions. January 30, 2019</b>
    <b>Forum Auctions, Jan 30:</b> Gray (John). <i>Silverpoints,</i> first edition, one of 25 large paper copies, initials and original vellum bidning designed by Charles Ricketts, 1893. £2,000 to £3,000
    <b>Forum Auctions, Jan 30:</b> Kelmscott Press.- Design for the frontispiece to 'A Dream of John Ball', pen & black ink over pencil and heightened with Chinese white, 1892. £2,000 to £3,000
    <b>Forum Auctions, Jan 30:</b> Crowder (Henry). <i>Henry Music…</i> Poems by Nancy Cunard, Richard Aldington, Walter Lowenfels…, first and only edition, one of 100 copies signed by Crowder and additionally inscribed by him, 1930. £1,500 to £2,000
  • <b>Potter & Potter Auctions: Fine Books & Manuscripts. February 2, 2018</b>
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 230: Charles Bukowski. <i>South of No North.</i> Los Angeles, 1973. First edition. Signed. $1,500 to $2,000
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 244: Aldous Huxley. <i>Brave New World.</i> Garden City, 1932. First American edition. Signed. $2,500 to $3,500
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 10: Frank Lloyd Wright. “Fallingwater Side Elevation” Original Blueprint. $1,500 to $2,500
    <b>Potter & Potter Auctions: Fine Books & Manuscripts. February 2, 2018</b>
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 169: <i>Chicago’s Progress: A Review of the World’s Fair City.</i> Chicago: Bishop Publishing, (1933). $150 to $250
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 299: [Tanguy, Yves] Benjamin Peret. <i>Dormir dans Les Pierres.</i> Paris: Editions Surrealistes, 1927. $2,500 to $3,500
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 276: Jean Hans Arp. <i>Arp: Eleven Configurations.</i> Zurich, 1945. $1,200 to $1,500
    <b>Potter & Potter Auctions: Fine Books & Manuscripts. February 2, 2018</b>
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 235: Joseph Conrad. <i>Nostromo: A Tale of the Seaboard.</i> New York: 1904. First edition. $800 to $1,200
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 290: Umberto Brunelleschi. Louys, Pierre. <i>Les Aventures du Roi Pausole.</i> Paris: 1930. $1,200 to $1,500
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 700: X-Men No. 94. Marvel Comics, 1975. CGC 9.0. $800 to $1,200
    <b>Potter & Potter Auctions: Fine Books & Manuscripts. February 2, 2018</b>
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 540: Travers, P.L. <i>Mary Poppins</i> [and] <i>Mary Poppins Comes Back.</i> Signed. New York: 1936. $1,000 to $1,500
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 576: Mickey Mouse. 17 Big Little Books. 1930s-40s. $300 to $500
    <b>Potter & Potter Auctions, Feb. 2:</b><br>Lot 429: Paracelsus. <i>Medicina Diastatica or Sympathecall Mumie.</i> London: 1653. $800 to $1,200
  • <b>Case Antiques: Historic Winter Fine Art and Antiques Auction.<br>January 26, 2019</b>
    <b>Case Antiques, Jan 26:</b> Archive of five items related to John Singleton Mosby, the Confederate “Gray Ghost,” including 3 ALS and 2 colored lithographs. $2,800 to $3,200
    <b>Case Antiques, Jan 26:</b> Defoe, Daniel. Double Fore-Edge Painted Robinson Crusoe, 2 Vols., 1820. $800 to $1,000
    <b>Case Antiques, Jan 26:</b> McCarthy, Cormac. <i>Blood Meridian or the Evening Redness in the West.</i> First edition, 1985. $1,000 to $1,200
    <b>Case Antiques: Historic Winter Fine Art and Antiques Auction.<br>January 26, 2019</b>
    <b>Case Antiques, Jan 26:</b> Chagall, Marc. “Le Bouquet Rouge,” limited edition color lithograph. October, 1969. $10,000 to $12,000
    <b>Case Antiques, Jan 26:</b> Stern, Bert. Marilyn Monroe’s “Last Sitting” for <i>Vogue,</i> signed photograph and two books. $1,800 to $2,200
    <b>Case Antiques, Jan 26:</b> Five single fore-edge painted Bibles. $1,000 to $1,200
    <b>Case Antiques: Historic Winter Fine Art and Antiques Auction.<br>January 26, 2019</b>
    <b>Case Antiques, Jan 26:</b> Sander, August. “Painter Brockmann” and “Courtyard Musicians” gelatin silver prints. $2,000 to $2,400
    <b>Case Antiques, Jan 26:</b> after Sheng Mou, Qing Dynasty scroll, landscape painting, ink and color on silk, signature of Wang Hui (Chinese, 1632-1717). $1,800 to $2,200
    <b>Case Antiques, Jan 26:</b> Russell, J. Map of Kentucky, London, 1794, showing Tennessee as a SW Territory. $1,200 to $1,800
  • <b>Il Ponte Casa d’Aste: Books and Manuscripts. January 22, 2019</b>
    <b>Il Ponte Casa d’Aste, Jan 22:</b> [MAGGIOLO, Vesconte] <i>Carta nautica manoscritta, bottega di Vesconte Maggiolo.</i> Italy, c.1550. Previously unknown extraordinary portolan chart. €50,000 to 80,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b><br>LA PÉROUSE, Jean-François. <i>Voyage de la Pérouse autour du monde.</i> Paris: L'Imprimerie de la République, 1797. €6,000 to 9,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> PEREA Y ROJAS, Daniel. The preparatory watercolours to the renown album <i>A Los Toros.</i> €4,000 to 6,000
    <b>Il Ponte Casa d’Aste: Books and Manuscripts. January 22, 2019</b>
    <b>Il Ponte Casa d’Aste, Jan 22:</b> MELA, Pomponio. <i>Cosmographia, sive De situ orbis.</i> Venice, 1478 [Bound with] DIONISIO il Periegeta. <i> De situ orbis…</i> Venice, 1478. €6,000 to 9,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> DE FELICE, Fortunato Bartolomeo. <i>Encyclopedie, ou dictionnaire universel raisonne des connoissances humaines.</i> Yverdon, 1770-1780. €4,000 to 6,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> VECELLIO, Cesare. <i>De gli habiti antichi et moderni di diverse parti del mondo.</i> Venice: Damian Zenaro, 1590. €3,000 to 5,000
    <b>Il Ponte Casa d’Aste: Books and Manuscripts. January 22, 2019</b>
    <b>Il Ponte Casa d’Aste, Jan 22:</b> FALDA, Giovanni Battista; SPECCHI, Alessandro. <i>Il nuovo teatro delle fabriche…</i> [bound with] <i>ll quarto libro del nuovo teatro delli palazzi in prospettiva di Roma moderna.</i> 1665-1699. €4,000 to 6,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> FALDA Giovan Battista. <i>Le fontane di Roma nelle piazze e luoghi pubblici della citta - Le fontane delle ville di Frascati nel Tusculano…</i> Rome, [1691]. €2,000 to 3,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> FERRERIO, Pietro & Giovanni Battista FALDA. <i> Palazzi di Roma de piu celebri architetti disegnati… [1655 – 1677]. €2,500 to 3,000
    <b>Il Ponte Casa d’Aste: Books and Manuscripts. January 22, 2019</b>
    <b>Il Ponte Casa d’Aste, Jan 22:</b> VON JACQUIN, Joseph Franz. <i>Eclogae graminum rariorum.</i> Vienna: Strauss Sommer, 1813-1844. €2,000 to 3,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> Prayer book according to the synagogical Ashkenazy rite in an elegant and precious silver binding. €3,000 to 5,000
    <b>Il Ponte Casa d’Aste, Jan 22:</b> BOCCACCIO, Giovanni. <i>Ameto.</i> Venice: Nicolo Zoppino, 1524. €3,000 to 5,000
  • <b>Swann Auction Galleries, Jan 29:</b> Leonard Baskin, <i>Diptera: A Book of Flies & Other Insects,</i> Gehenna Press, 1983. $6,000 to $9,000.
    <b>Swann Auction Galleries, Jan 29:</b> Georg Heym, <i>Umbra Vitae,</i> illustrated by Ernst Ludwig Kirchner, first edition, Munich, 1924. $6,000 to $9,000.
    <b>Swann Auction Galleries, Jan 29:</b> Edgar Allan Poe, <i>The Raven,</i> special copy for illustrator Alan James Robinson, first book from Cheloniidae Press, 1980. $3,000 to $4,000.
    <b>Swann Auction Galleries, Jan 29:</b><br>W.B. Yeats, <i>Poems,</i> illustrated by Richard Diebenkorn, accompanied by a suite of 6 etchings, 1990. $12,000 to $18,000.
    <b>Swann Auction Galleries, Jan 29:</b> Georges Rouault, <i>Cirque de l’Étoile Filante,</i> Paris, 1938. $30,000 to $40,000.
    <b>Swann Auction Galleries, Jan 29:</b> François-Louis Schmied, <i>Le Cantique des Cantiques,</i> Paris, 1925. $10,000 to $15,000.
    <b>Swann Auction Galleries, Jan 29:</b> Frank Lloyd Wright, <i>Ausgeführte Bauten und Entwürfe,</i> Berlin, Ernst Wasmuth, 1910. $8,000 to $12,000.
    <b>Swann Auction Galleries, Jan 29:</b> Hans Bellmer & Georges Hugnet, <i>Oeillades ciselées en branch,</i> Paris, 1939. $2,000 to $3,000.
    <b>Swann Auction Galleries, Jan 29:</b> Wassily Kandinsky, <i>Klänge,</i> first edition, Munich, 1913. $30,000 to $40,000.
    <b>Swann Auction Galleries, Jan 29:</b> Charles Dickens, <i>The Nonesuch Dickens,</i> limited edition, 1937-38. $5,000 to $7,500.
    <b>Swann Auction Galleries, Jan 29:</b> Rudyard Kipling, <i>Le Livre de la Jungle,</i> plates by Paul Jouve, engraved by F.L. Schmied, Paris, 1919. $7,000 to $10,000.
    <b>Swann Auction Galleries, Jan 29:</b> Georges Lepape, <i>Les Choses de Paul Poiret,</i> Paris, 1911. $3,500 to $5,000.

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