• <center><b>Galleri Bygdoy Allé<br>Sales Exhibition Catalogue 47<br>Part III<br>Antiquarian Temptations:<br>Rare Books, Atlases & Maps,<br>Photos & Manuscripts</b>
    <b>Galleri Bygdoy Allé:</b> PIETER MORTIER. “Le Neptune Francois ou Atlas Nouveau des Cartes Marines. Levées et Gravées par ordre Exprés du Roy…” Paris, 1693.
    <b>Galleri Bygdoy Allé:</b> MARC CHAGALL illus. SHAKESPEARE. “The Tempest.” Large folio. Monte-Carlo, 1975. Signed by the artist.
    <b>Galleri Bygdoy Allé:</b> JOHN SPEED and followers. “A New and Accurate Map of the World.” Hand-colored engraving. London (1626 – 1627 – circa 1650) – 1676.
    <center><b>Galleri Bygdoy Allé<br>Sales Exhibition Catalogue 47<br>Part III<br>Antiquarian Temptations:<br>Rare Books, Atlases & Maps,<br>Photos & Manuscripts</b>
    <b>Galleri Bygdoy Allé:</b> MATTHÄUS SEUTTER. “The Colossus Series.” Set of 4 prints, contemporary hand-colored engravings, each c. 57x49cm. Augsburg c. 1730
    <b>Galleri Bygdoy Allé:</b> (CHARLES LE BRUN). “La Grande Galerie De Versailles, et Les Deux Salons qui L’Accompagnent, peints Par Charles Le Brun premier Peintre de Louis XIV…” Paris, 1752.
    <b>Galleri Bygdoy Allé:</b> G. BRAUN – F. HOGENBERG. “Danorum Marca.” Contemporary hand-colored engraving, 33x48cm. Cologne, 1588.
  • <b>Bonhams, June 29:</b> LIFE OF OSLER, PRESENTATION COPY TO NEPHEW NORMAN GWYN. CUSHING, HARVEY. 1869-1939. <i>The Life of Sir William Osler.</i> Oxford: Oxford University Press, 1925. $1,500 to $2,500.
    <b>Bonhams, June 29:</b> OSLER TO HALSTED MENTIONING CUSHING AND WELCH. Autograph Letter Signed ("Wm Osler") to William Stewart Halsted on medical matters, 2 pp, January 19, 1919. $1,500 to $2,500.
    <b>Bonhams, June 29:</b> CUSHING PRESENTATION COPY TO LUCIEN PRICE. CUSHING, HARVEY. <i>Intracranial Tumours.</i> Springfield, 1932. $1,000 to $1,500.
    <b>Bonhams, June 29:</b> OSLER ON HIS CHILDHOOD. Autograph Letter Signed ("Wm Osler") to Mabel [Brewster] on returning home to Staplehurst. $800 to $1,200.
    <b>Bonhams, June 29:</b> SCULTETUS, JOHANNES. 1595-1645. <i>Cheiroplotheke, seu armamentarium chirurgicum XLIII.</i> Ulm: Balthasar Kühnen, 1655. $3,000 to $4,000.
    <b>Bonhams, June 29:</b> VICQ D'AZYR, FELIX. 1748-1794. <i>Traite d'anatomie et de physiologie.</i> Paris: Didot l'aine, 1786. $3,000 to $5,000.
    <b>Bonhams, June 29:</b> TAGAULT, JEAN. C.1499-1546. <i>De chirugica institutione libri quinque....</i> Lyon: Guillaume Rouillé, 1549. $400 to $600.
    <b>Bonhams, June 30:</b> EDWARD S. CURTIS (1868-1952). Autograph Logs and Journals from his 1927 Alaska Expedition. $7,000 to $ 9,000.
    <b>Bonhams, June 30:</b> EDWARD S. CURTIS (1868-1952). Cañon de Chelley, 1904. Oversized orotone, 17 x 22in in original Curtis Studio frame. $30,000 to $50,000.
    <b>Bonhams, June 30:</b> EDWARD S. CURTIS (1868-1952). 26 cyanotypes, featuring images of Cheyenne tribes from Volume VI of <i>North American Indian,</i> c.1907, made by Curtis in the field. $30,000 to $50,000.
    <b>Bonhams, June 30:</b> EDWARD S. CURTIS (1868-1952). The Vanishing Race, 1904. Oversized orotone, 18 x 24in in original Curtis Studio frame. $20,000 to $30,000.
  • <center><b>Cowan’s<br>American Historical Ephemera<br>& Photography<br>June 25, 2021</b>
    <b>Cowan’s, June 25:</b> [CIVIL WAR] -- [SHERIDAN, Philip Henry]. Personal headquarters flag of Philip Henry Sheridan used when he led the 2nd Michigan Cavalry. Spring - Summer 1862. $20,000 to $30,000.
    <b>Cowan’s, June 25:</b> [EARLY PHOTOGRAPHY]. Half plate daguerreotype of firefighter Walter Van Erven Dorens. [San Francisco]: n.p., [ca 1854-1856]. $15,000 to $25,000.
    <b>Cowan’s, June 25:</b> [LINCOLNIANA]. Abraham Lincoln banner possibly made for the 1864 presidential campaign. $10,000 to $15,000.
    <center><b>Cowan’s<br>American Historical Ephemera<br>& Photography<br>June 25, 2021</b>
    <b>Cowan’s, June 25:</b> [REVOLUTIONARY WAR - CONTINENTAL CONGRESS]. [HOLTEN, Dr. Samuel]. An archive of letters related to Danvers, Massachusetts, physician and statesman Dr. Samuel Holten. $10,000 to $15,000.
    <b>Cowan’s, June 25:</b> [UNION PACIFIC RAILROAD]. CARBUTT, John, photographer. Exceptional collection of 27 stereoviews from the series, "Excursion to the 100th Meridian, October 1866." Chicago, [1866]. $10,000 to $15,000.
    <b>Cowan’s, June 25:</b> [ALASKAN GOLD RUSH]. William Steele West and family, extensive archive of photographs, diaries, correspondence, and personal items. [Ca 19th - 20th century]. $8,000 to $12,000.
    <center><b>Cowan’s<br>American Historical Ephemera<br>& Photography<br>June 25, 2021</b>
    <b>Cowan’s, June 25:</b> [TAYLOR, Zachary]. Quarter plate daguerreotype featuring the 12th President of the United States. N.p.: n.p., [ca 1845]. $8,000 to $10,000.
    <b>Cowan’s, June 25:</b> [WASHINGTON, George]. Signed Society of the Cincinnati document. $5,000 to $7,000.
    <b>Cowan’s, June 25:</b> LINCOLN, Abraham. Autograph endorsement signed ("A. Lincoln"), as President. [Washington], 29 September 1862. 1 page, 4to, old creases. $5,000 to $7,000.
    <center><b>Cowan’s<br>American Historical Ephemera<br>& Photography<br>June 25, 2021</b>
    <b>Cowan’s, June 25:</b> JEFFERSON, Thomas. Autograph letter signed ("Th. Jefferson"), as United States President, to Robert Patterson. Washington DC, 2 July 1805. 1 page, 4to, evenly toned, small tear from seal. $4,000 to $6,000.
    <b>Cowan’s, June 25:</b> [EARLY PHOTOGRAPHY] -- [ALCOTT, Elizabeth Sewall]. Ninth plate ruby ambrotype attributed to Elizabeth Sewall Alcott. N.p., [ca 1856-1857]. $3,000 to $5,000.
    <b>Cowan’s, June 25:</b> [WESTERN AMERICANA]. RUSSELL, Andrew Joseph, photographer. <i>Salt Lake City, From the Top of the Tabernacle.</i> [1869]
  • <b><center>Sotheby’s<br>Livres et Manuscrits :<br>de Cervantès à Houellebecq<br>18 – 25 June</b>
    <b>Sotheby’s, 18 – 25 June:</b> Jouve, Paul -- François-Louis Schmied -- Rudyard Kipling. <i>Le Livre de la Jungle,</i> 1919.<br>€ 80,000 to € 120,000.
    <b>Sotheby’s, 18 – 25 June:</b> Cervantès Saavedra, Miguel de. <i>El ingenioso hidalgo Don Quixote de la Mancha.</i> Bruxelles, 1607.<br>€ 30,000 to € 50,000.
    <b>Sotheby’s, 18 – 25 June:</b> Buren, Daniel - Aimé Césaire. Cahier d'un retour au pays natal. Solstice, 2004. 1/140 ex. Avec 1/20 suites d'œuvres originales.<br>€ 4,000 to € 6,000.
    <b>Sotheby’s, 18 – 25 June:</b> [Musique] - Gioacchino Traversa. Six sonates à violon seul. [Vers 1770].<br>€ 3,000 to € 5,000.

Rare Book Monthly

Articles - February - 2014 Issue

Pulpit Preschi Prescha or the Art of Preaching

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The art of preaching.

Most people enjoy reading fashionable books, I prefer weird books with unexpected subjects—some titles alone have haunted me for years like the wonderful Torrent de feu sortant de la face de DieuStream of Fire Proceeding for the Face of God. The other day, curiosity urged me to buy a bizarre book entitled L’Art de PrescherThe Art of Preaching. The vast majority of religious books are plain boring to me. But this one had arguments. First, it is anonymous—a good omen, usually the signature of some satirical writer. Plus, it was printed by Pierre du Marteau, the notorious fictive printer under whose name were printed forbidden or sulphurous works. I thus expected a dark satire of the hypocritical religious. I was wrong; but I was right—to buy it. Yes my brethren, the Lord moves in a mysterious way, and He drove me to an extinct literary genre, the sermon.

 

Pierre de Marteau

 

I soon found out about my anonymous author, Pierre de Villiers (1648-1728). According to F. X. de Feller’s dictionary, he was a highly respectable man. Now, that was a first blow—Feller was a conservative man, and a Voltaire-hater; which means he would have never said any good about any anti-clerical writer. Indeed, Pierre de Villiers was first a respected Jesuit, then a respected member of the congregation of Cluny. I got scared. What if I had spent some money over a boring religious book? But then, how come Pierre de Marteau was involved? A matter of privilège—the official authorization to publish a book—, maybe? Or was it a pirate edition? Though the preface mentions previous editions that allegedly earned this work general approbation, the National Library of France lists no anterior copy—another printer’s trick, probably. Disillusioned and resigned, I nonetheless opened my book, and started to read. “We need no help to make out a good piece of work,” wrote our author. “When good, it speaks for itself—and we listen, never mistaking a bad for a good.” As a matter of fact, his pretty fine verses spoke to me—and I lent an ear.

 

Bourdaloue & Massillon

 

Writers from the Grand Siècle unveiled the torments of Man’s heart, but always elegantly—and thus nurtured a precious and tortured literature. Everything was then subject to excellence—including sermons. Two eloquent preachers became famous at the time, Fathers Bourdaloue and Massillon. “Father Bourdaloue preached divinely well in Les Tuileries,” wrote Countess de Sévigné after the religious’ first sermon in front of Louis XIV in 1670. “His talent is way beyond everything we expected.” As a matter of fact, he was called the king of preachers, and the king’s preacher. But the gentle Massillon was a serious contender who also preached before the Sun King. “Father,” said the King at the end of one of his sermons, “when I hear other preachers, I’m quite satisfied with them. But anytime I hear you, I’m hardly satisfied with myself.” According to F. X. de Feller, Bourdaloue was more of a bold conqueror (...) when Massillon was more of a clever mediator. Their sermons were printed—Bourdaloue’s works filled sixteen in-8° volumes in 1707—and now clutter up the shelves of our booksellers. The Court attended their sermons with excitement. Countess de Sévigné wrote that she visited Bourdaloue, like a country—she was quite a colourful writer—and that every single person of quality was present. But her somewhat ironic remarks tell a lot about the state of mind of the Court: “Good God!” she voluntarily swore. “Everything is below the praises Bourdaloue deserves.” The Court was a carnivorous animal, harmful to beauty and simplicity. Sermons became fashionable, and ended up far from what they were in the mouths of the Early Church Fathers. In Les Caractères, La Bruyère—who attended Bourdaloue’s sermons—underlined the change: “Nobody seriously listens to the Holy Word any more, it has become an entertainment among others; a game with emulation and gamblers.” Furthermore, many young gamblers of quality embraced a religious career as other opportunities at the time were reserved to their eldest brothers. And many were motivated by fame and vanity. “People very different from Saints nowadays climb the steps of the pulpit,” deplored the author of L’Art de Prescher. Whether saints or devils, we can hardly believe that there was a time when young people dreamt of becoming a Bourdaloue!

 

Ghosts & Hypocrites

 

In order to teach how to preach, De Villiers gave counter-examples, and drew various portraits of bad preachers à la La Bruyère. “There’s no abbot at Court whom I shall not beat,” says a proud young preacher imagined by De Villiers, “My gestures are charming, my hands are moving elegantly, I know it. / At least twenty less talented abbots have preached, whom the pulpit offered a bishopric. / All is said, on Wednesday I’ll preach for the first time.” In the pulpit like anywhere else, eloquence starts with a good text. That’s why many preachers—mostly in the country, where they dreamt of the Court—hired ghost writers. “This is quite common,” wrote De Villiers, “and thousands of orators in France, / To complacent ghost writers owe their eloquence. /Everyday people in the country, / Hear the words of some absentee.” Nevertheless, the text wasn’t all. One needed memory as well. Even the greatest forgot their lines from time to time, and when asked about his best piece of work, Massillon—though some attribute the quote to Bourdaloue—answered: “The one I remember the best.” M. De Feller had a suggestion: “We might ease their difficulties by granting the preachers the right to take a quick look at their notes from time to time.” But some young preachers didn’t even care about their blunders; their flattering friends were always here to comfort them.

 

Martin & the flatterers: De Villiers went to listen to one Martin: “After his trembling introduction, he hesitated, repeated himself, and got confuse’, / He drifted on a sea of uncertainty, without oars or sails to use.” At the end of the sermon, his friends praised Martin. “Humble in the middle of glory,” writes De Villiers, “he deplored his laps in memory / Though otherwise finding his sermon quite satisfactory. / “Blanks?” laughed his friends, “There was none, you must be kidding!” / Who did notice anyway? No one who was listening.” / Upon hearing his friends, Martin smiled and felt better, / Taking their words for it, he remembered he was a terrific preacher. / Standing aside,” concluded the author, “I blushed with shame to see he wasn’t doing the same.”  

Rare Book Monthly

  • <b>Swann Auction Galleries Jun 24:</b> C.F. Payne, <i>Micawber, Imitating Norman Rockwell’s “Triple self-portrait,”</i> mixed media, 2002. $800 to $1,200.
    <b>Swann Auction Galleries Jun 24:</b> Brian Froud, media illustration published in <i>The Land of Froud,</i> 1977. Estimate $6,000 to $9,000.
    <b>Swann Auction Galleries Jun 24:</b> Haddon Sundblom, <i>All a Girl Needs,</i> oil on canvas, published in <i>The Ladies’ Home Journal,</i> 1942. $8,000 to $10,000.
    <b>Swann Auction Galleries Jun 24:</b> Adrianne Lobel, <i>My One and Only,</i> 26 scenic concept collages for the Broadway musical, 1983. $6,000 to $9,000.
    <b>Swann Auction Galleries Jun 24:</b> Charles Schulz, original four-panel pen and ink <i>Peanuts</i> comic strip, 1971. $15,000 to $25,000.
    <b>Swann Auction Galleries Jun 24:</b>Jack Davis, mixed media cartoon for <i>Playboy,</i> 1959. $6,000 to $9,000.
    <b>Swann Auction Galleries Jun 24:</b> Charles Addams, mixed media cartoon for <i>The New Yorker,</i> 1937. $6,000 to $9,000.
  • <b><center>Doyle<br>Fine Literature<br>Online Auction<br>June 8 to June 22</b>
    <b>Doyle, Fine Literature:</b> CALDWELL, ERSKINE. <i>Tobacco Road,</i> First Edition. $3,000 to $5,000.
    <b>Doyle, Fine Literature:</b> ELIOT, GEORGE. <i>Middlemarch: A Study of Provincial Life.</i> Edinburgh & London: William Blackwood and Sons, 1871-72. First edition in book form. $1,000 to $1,500.
    <b>Doyle, Fine Literature:</b> BYRON, GEORGE GORDON NOEL, LORD. <i>Don Juan.</i> London: the Thomas Davison; John Hunt; John and H.L. Hunt, 1819-24. First edition. $4,000 to $6,000.
    <b>Doyle, Fine Literature:</b> [BURNEY, FRANCES]. <i>Evelina, Or, A Young Lady's Entrance into the World.</i> London: T. Lowndes, 1778. First edition. $2,000 to $3,000.
    <b><center>Doyle<br>Fine Literature<br>Online Auction<br>June 8 to June 22</b>
    <b>Doyle, Fine Literature:</b> SHEPARD, ERNEST H. Colored drawing of Winnie-the-Pooh and Piglet, in an autograph letter signed by Shepard. Dated February 29th, 1932. $15,000 to $25,000.
    <b>Doyle, Fine Literature:</b> CARROLL, LEWIS (CHARLES LUTWIDGE DODGSON). <i>The Nursery "Alice".</i> London: MacMillan, 1890. Second (first published) edition. $7,000 to $10,000.
    <b>Doyle, Fine Literature:</b> DANA, RICHARD HENRY, Jr. <i>Two Years Before the Mast.</i> New York, 1840. First edition with an autograph letter signed by Dana laid-in. $2,500 to $3,500.
    <b>Doyle, Fine Literature:</b> FINE BINDING-RIVIERE] HAZLITT, WILLIAM. <i>Liber Amoris: or, the New Pygmalion.</i> London: John Hunt, 1823. First edition. $3,000 to $5,000.

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