Rare Book Monthly

Articles - August - 2013 Issue

The Modern Theophraste, Or The Rehabilitation of Pierre-Jacques Brillon

Thig813a

The grand siècle was the paramount of French wit. Under the yoke of the Sun King, the Nobility was reduced to a bunch of courtisans. To be noticed by the King or some important people around him was the surest way to get a promotion, and to show some wit, the surest way to be noticed. But everyone was not witty, and ridicule became the most feared plague of the time. “Ridicule can not be defined,” wrote our author Pierre-Jacques Brillon; “it is useless even to call it a bad quality linked to the sayings or the doings of some. No matter what these people do, they are disliked, hated, despised; with no reason but the ridicule about them. The harder these people try to be kind and nice, the more ridicule they appear – and there is no escaping it.” But even the most witty courtisans had the cruel consciousness of their own vacuity, and ridicule sometimes bordered on drama, as described in the following poem of S. Martin:


“ To serve the Sovereign, or to give oneself a master,

To totally depend on the will of another,

To remain in some places we would like to ignore,

For a few pleasures, to suffer a lot of horror (...),

To kiss every one and to find a friend in no man,

Such is the abridged life of a courtisan.”

To ridicule ridiculousness

The bitter-sweet literature of the time is a faithful mirror of this “préciosité”. Some writers portrayed their contemporaries, ridiculing ridiculousness. La Bruyère was the most successful one. His Caractères’ became a best seller and inspired many authors such as Pierre-Jacques Brillon, a young writer who personally knew his model. Brillon was encouraged by La Bruyère to put out his own collection of portraits in 1696, Portraits Sérieux, galants et critiques (or Serious, Gallant or Critical Portraits). “To deal with the same topics as his model is not enough to deserve the same praises,” wrote a contemporary critic. “This particular writer is to his model what a painter of shop signs would be to Rubens.” Nevertheless, Brillon’s book was well received at the time, and he soon put out a new one, entitled Le Théophraste moderne (or Modern Theophraste, 1699). At the end of the day, our author remained in the shadow of La Bruyère and the copies of his books are not that sought-after nowadays. While reading him lately, I realized how unjust it was, then decided to rehabilitate the work of this author - so help me God.

Lives and romances

Many great authors of the time such as Montreuil or D’Aceilly were considered as inconsistent by the critics of the Enlightenment, because they mostly wrote about casual topics such as their lives at Court, or their romances. In the case of Brillon, things were even worse. He was an imitator. FX de Feller wrote, in his Dictionnary (Liège, 1790): “These bad imitations of a good book enjoyed a short-lived popularity because readers had then developed a taste for books written in the vein of La Bruyère’s”. Should I boldly add that this success was partly due to his talent?

Born in Paris in 1671, Brillon was a man of law from the start – a general prosecutor, and a member of the Grand Conseil of Paris, he had a brilliant career. As a young man, he was attracted to literature. His reading La Bruyère was probably a revelation, so was his meeting him. “I follow Labruyère’s footsteps,” reads his preface, “who loved me enough to encourage me in this way; he was not idolizing his work enough to consider that nothing could be added to it. (...) I was occasionally happy enough to be approved by a man of such good taste – I was flattered, I even thought that it entitled me to write a book.” He was only 25 when he published Portraits Sérieux, galants et critiques (Paris, Michel Brunet – 1696). It features a brilliant author’s note. “This is the first book I offer the readers, and the last if so they wish. I am not the type of stubborn writers who keep on working without the readers’ consent. Else I shall choose to do very early what many have only done too late, and retire from writing.” He eventually did. But not before putting out a second book. Aged 25, he was writing twice as well as most fifty-year-old writers.

Rare Book Monthly

  • <b>Bonhams, Jun 13 results:</b> Darwin, Charles. <i>On the Origin of Species.</i> Presentation Copy. Sold for $500,075.
    <b>Bonhams, Jun 13 results:</b> Darwin, Charles. Autograph Letter Signed, 3 pp, negotiating the 2nd American edition with Appleton. Sold for $21,325.
    <b>Bonhams, Jun 13 results:</b> Hemingway, Ernest. Autograph Letter Signed, 8 pp, Paris, 1924, to his father discussing Bullfighting, Stories, and his new baby. Sold for $25,075.
    <b>Bonhams, Jun 13 results:</b> Shakespeare, William. <i>Corialanus.</i> London, 1623. 1st printing [Extracted from the First Folio]. Sold for $50,075.
    <b>Bonhams, Jun 13 results:</b> Swift, Jonathan. <i>Gulliver's Travels.</i> London, 1726. 1st edition, Teerink's A edition, fine, large copy. Sold for $21,325.
    <b>Bonhams, Jun 13 results:</b> Fitzroy, Robert. Autograph Letter Signed to agent Thomas Stilwell, informing him of the progress of H.M.S. Beagle. Sold for $17,575.
    <center><b>Bonhams<br> Property from the Collection of Nicole and William R. Keck II</b>
    <b>Bonhams, Jun 13 results:</b> Shakespeare, William. <i>Sonnets.</i> 1901. 2 volumes. Printed on vellum and illuminated by Ross Turner, bound by Trautz-Bauzonnet. Sold for $13,825.
    <b>Bonhams, Jun 13 results:</b> Beardsley, Aubrey. <i>The Birth, Life, and Acts of King Arthur.</i> 1893-94. 2 volumes. Contemporary painted vellum gilt by Chivers. Sold for $5,325.
    <b>Bonhams, Jun 13 results:</b> Assisi, St. Francis. <i>The Canticle of Brother Sun.</i> Illuminated on vellum, for the Grolier Society. Sold for $7,575.
    <b>Bonhams, Jun 13 results:</b> Rackham, Arthur. <i>Peter Pan in Kensington Gardens.</i> 1/500 copies signed by Rackham. Sold for $4,825.
    <b>Bonhams, Jun 13 results:</b> Proust, Marcel. <i>Du coté de chez Swann.</i> 1st edition, 1st issue. Inscribed by Proust. Sold for $8,825.
  • <b>Christie’s London, Jul. 9:</b> Pushkin, Alexander. <i>Evgenii Onegin. A novel in verse.</i> A first edition of the most important work in Russian literature in its original parts, 1825–32. £120,000 to £160,000
    <b>Christie’s London, Jul. 9:</b> Gogol, Nikolai. <i>Evenings on a Farm near Dikanka.</i> A rare first edition of Gogol's first masterpiece, 1831–32. £70,000 to £100,000
    <b>Christie’s London, Jul. 9:</b> Darwin, Charles Robert. <i>On the Origin of Species by Means of Natural Selection.</i> First edition, owned and read by two contemporaries of Darwin. London: John Murray, 1859. £140,000 to £200,000
    <b>Christie’s London, Jul. 9:</b> Galilei, Galileo. <i>Sidereus Nuncius.</i> First edition, announcing the first astronomical discoveries made with the telescope. Venice: Tommaso Baglioni, [March] 1610. £300,000 to £500,000
    <b>Christie’s London, Jul. 9:</b> The seal of Wulfric. England, first half 11th century. £70,000 to £100,000
    <b>Christie’s London, Jul. 9:</b> Bible, <i>Ezechiel</i> in Latin. [Northern Italy, 5th century]. £120,000 to £180,000
    <b>Christie’s London, Jul. 9:</b> Blaeu, Jan and Willem Blaeu. <i>Grooten Atlas [Atlas Major]</i>. Amsterdam: Johannes Blaeu, 1664. £450,000 to £650,000
    <b>Christie’s London, Jul. 9:</b> Petites Heures of Charles VIII use of Paris, in Latin. An exquisite Hours illuminated by the Master of the Chronique Scandaleuse. [Paris, 1490s]. £300,000 to £500,000
  • <b>Christie’s Paris:</b> Blaise Cendrars and Fernand Léger, <i>La Fin du monde filmée par l’ange N.-D.,</i> Paris, Editions de la Sirène, 1919
    <b>Christie’s Paris:</b> André Breton, <i>Second manifeste du Surréalisme,</i> Paris, Editions Kra, 1930
    <b>Christie’s Paris:</b> Paul Eluard and Pablo Picasso, <i>La Barre d’appui,</i> Paris, Editions « Cahiers d’Art », 1936
    <b>Christie’s Paris:</b> Blaise Cendrars and Fernand Léger, <i>La Fin du monde filmée par l’ange N.-D.,</i> Paris, Editions de la Sirène, 1919
    <b>Christie’s Paris:</b> Hans Bellmer, <i>Die Puppe,</i> Paris, G.L.M., 1936
    <b>Christie’s Paris:</b> Salvador Dali, <i>La femme visible,</i> Paris, Editions Surréalistes, 1930
  • <b>Swann Auction Galleries:</b> Ian Fleming, <i>Goldfinger,</i> first edition, inscribed to Sir Henry Cotton, MBE, London, 1959. Sold for $25,000.
    <b>Swann Auction Galleries:</b> Joseph Brant, Mohawk Chief, ALS, writing after pledging support to King George III against American rebels, 1776. Sold for a record $35,000.
    <b>Swann Auction Galleries:</b> Sonia Delaunay, <i>Ses Peintures</i> . . ., 20 pochoir plates, Paris, 1925. Sold for a record $13,750.
    <b>Swann Auction Galleries:</b> Diana, Princess of Wales, 6 autograph letters signed to British <i>Vogue</i> editor, 1989-92. Sold for $10,400.
    <b>Swann Auction Galleries:</b> Alexander Hamilton, ALS, as Secretary of the Treasury covering costs of the new U.S. Mint, 1793. Sold for $12,500.
    <b>Swann Auction Galleries:</b> Benjamin Graham & David L. Dodd, <i>Security Analysis,</i> first edition, inscribed by Graham to a Wall Street trader, NY, 1934. Sold for $20,000.
    <b>Swann Auction Galleries:</b> George Barbier & François-Louis Schmied, <i>Personnages de Comédie,</i> Paris, 1922. Sold for $9,375.
    <b>Swann Auction Galleries:</b> Alphonse Mucha, <i>Ilsée, Princesse de Tripoli,</i> Paris, 1897. Sold for a record $13,000.
    <b>Swann Auction Galleries:</b> Ralph Waldo Emerson, <i>The Dial,</i> first edition of the reconstituted issue, Emerson’s copy with inscriptions, Cincinnati, 1860. Sold for a record $3,250.

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