Rare Book Monthly

Articles - August - 2013 Issue

The Modern Theophraste, Or The Rehabilitation of Pierre-Jacques Brillon

Thig813a

The grand siècle was the paramount of French wit. Under the yoke of the Sun King, the Nobility was reduced to a bunch of courtisans. To be noticed by the King or some important people around him was the surest way to get a promotion, and to show some wit, the surest way to be noticed. But everyone was not witty, and ridicule became the most feared plague of the time. “Ridicule can not be defined,” wrote our author Pierre-Jacques Brillon; “it is useless even to call it a bad quality linked to the sayings or the doings of some. No matter what these people do, they are disliked, hated, despised; with no reason but the ridicule about them. The harder these people try to be kind and nice, the more ridicule they appear – and there is no escaping it.” But even the most witty courtisans had the cruel consciousness of their own vacuity, and ridicule sometimes bordered on drama, as described in the following poem of S. Martin:


“ To serve the Sovereign, or to give oneself a master,

To totally depend on the will of another,

To remain in some places we would like to ignore,

For a few pleasures, to suffer a lot of horror (...),

To kiss every one and to find a friend in no man,

Such is the abridged life of a courtisan.”

To ridicule ridiculousness

The bitter-sweet literature of the time is a faithful mirror of this “préciosité”. Some writers portrayed their contemporaries, ridiculing ridiculousness. La Bruyère was the most successful one. His Caractères’ became a best seller and inspired many authors such as Pierre-Jacques Brillon, a young writer who personally knew his model. Brillon was encouraged by La Bruyère to put out his own collection of portraits in 1696, Portraits Sérieux, galants et critiques (or Serious, Gallant or Critical Portraits). “To deal with the same topics as his model is not enough to deserve the same praises,” wrote a contemporary critic. “This particular writer is to his model what a painter of shop signs would be to Rubens.” Nevertheless, Brillon’s book was well received at the time, and he soon put out a new one, entitled Le Théophraste moderne (or Modern Theophraste, 1699). At the end of the day, our author remained in the shadow of La Bruyère and the copies of his books are not that sought-after nowadays. While reading him lately, I realized how unjust it was, then decided to rehabilitate the work of this author - so help me God.

Lives and romances

Many great authors of the time such as Montreuil or D’Aceilly were considered as inconsistent by the critics of the Enlightenment, because they mostly wrote about casual topics such as their lives at Court, or their romances. In the case of Brillon, things were even worse. He was an imitator. FX de Feller wrote, in his Dictionnary (Liège, 1790): “These bad imitations of a good book enjoyed a short-lived popularity because readers had then developed a taste for books written in the vein of La Bruyère’s”. Should I boldly add that this success was partly due to his talent?

Born in Paris in 1671, Brillon was a man of law from the start – a general prosecutor, and a member of the Grand Conseil of Paris, he had a brilliant career. As a young man, he was attracted to literature. His reading La Bruyère was probably a revelation, so was his meeting him. “I follow Labruyère’s footsteps,” reads his preface, “who loved me enough to encourage me in this way; he was not idolizing his work enough to consider that nothing could be added to it. (...) I was occasionally happy enough to be approved by a man of such good taste – I was flattered, I even thought that it entitled me to write a book.” He was only 25 when he published Portraits Sérieux, galants et critiques (Paris, Michel Brunet – 1696). It features a brilliant author’s note. “This is the first book I offer the readers, and the last if so they wish. I am not the type of stubborn writers who keep on working without the readers’ consent. Else I shall choose to do very early what many have only done too late, and retire from writing.” He eventually did. But not before putting out a second book. Aged 25, he was writing twice as well as most fifty-year-old writers.

Rare Book Monthly

  • <b>Swann Auction Galleries, May 12:</b> <i>Westvaco–Inspirations for Printers,</i> 3 volumes, 1938-61. $200 to $300.
    <b>Swann Auction Galleries, May 12:</b> Proef van Letteren, <i>Welk gegooten worden in de Nieuwe Haerlemsche Lettergietery,</i> 1768. $3,000 to $4,000.
    <b>Swann Auction Galleries, May 12:</b> Paul Klee, <i>Bauhaus Ausstellung Juli – Sept.,</i> Weimar, 1923. $4,000 to $6,000.
    <b>Swann Auction Galleries, May 12:</b> Michel Seuphor & Jozef Peeters, <i>Het Overzicht Nos.</i> 22-23-24, Antwerp, 1922. $3,000 to $4,000.
    <b>Swann Auction Galleries, May 12:</b> Wolfrum & Co., <i>Modern Graphik, Serie I…,</i> complete portfolio, 1909. $1,200 to $1,800.
    <b>Swann Auction Galleries, May 12:</b> <i>Gravure et Fonderie deC. Derriey: Specimen-Album,</i> Paris, 1862. $5,000 to $7,500.
  • <b><center>Sotheby’s<br>Science: Books and Manuscripts<br>15-25 May 2021</b>
    <b>Sotheby’s, 15-25 May:</b> Mary Anning. Autograph letter signed, to William Buckland, 24 November 1834. £50,000 to £70,000.
    <b>Sotheby’s, 15-25 May:</b> Bolyai. <i>Scientiam spatii absolute veram exhibens,</i> Maros Vásárhelyi, 1832-1833, 2 volumes, half calf. £50,000 to £70,000.
    <b>Sotheby’s, 15-25 May:</b> Vesalius.<br><i>De humani corporis fabrica,</i> Basel, 1555, modern crushed burgundy morocco. £15,000 to £20,000.
    <b><center>Sotheby’s<br>Science: Books and Manuscripts<br>15-25 May 2021</b>
    <b>Sotheby’s, 15-25 May:</b> Copernicus.<br><i>De revolutionibus orbium coelestium,</i> Nuremberg, 1543, later boards, Rostock duplicate. £70,000 to £100,000.
    <b>Sotheby’s, 15-25 May:</b> Payan-Dumoulin. Profusely illustrated manuscript of fossils, France, c.1875-1979. £15,000 to £20,000.
    <b>Sotheby’s, 15-25 May:</b> Albert Einstein. Autograph letter signed, to his son Albert, 4 November [1915]. £10,000 to £15,000.
  • <center><b>Forum Auctions<br>Images of Angling:<br>The David Beazley Collection<br>of Angling Prints<br>Online Sale<br>20th May 2021</b>
    <b>Forum Auctions, May 20:</b> Alken (Henry), after. Salmon Fishing; Fishing in a Punt; Pike Fishing, three works, 1820. £600 to £800.
    <b>Forum Auctions, May 20:</b> Early Images of Angling.- Hollar (Wenceslaus) Angling; River Fishing; and Salmon Fishing, after Francis Barlow, 3 engravings, [c. 1671]. £500 to £700.
    <b>Forum Auctions, May 20:</b> Rolfe (Henry Leonidas). <i>Studies of Fresh Water Fish,</i> 1851. £500 to £700.
    <center><b>Forum Auctions<br>Images of Angling:<br>The David Beazley Collection<br>of Angling Prints<br>Online Sale<br>20th May 2021</b>
    <b>Forum Auctions, May 20:</b> Morland (George), After. A Party Angling; The Anglers' Repast, a pair, mezzotints, 1789. £400 to £600.
    <b>Forum Auctions, May 20:</b> Pollard (James), After. Bottom Fishing; Anglers Packing Up, etchings with aquatint, 1831. £400 to £600.
    <b>Forum Auctions, May 20:</b> Angling's Age of Romance.- Sayer (Robert, publisher) & J. Bennett. The Angelic Angler, mezzotint, 1781; and another. £300 to £400.
    <center><b>Forum Auctions<br>Images of Angling:<br>The David Beazley Collection<br>of Angling Prints<br>Online Sale<br>20th May 2021</b>
    <b>Forum Auctions, May 20:</b> Fishing Satire.- London.- Roberts (Piercy). Patience at Paddington or angling in the Junction Canal, etching after Woodward, 1807; together with Woodward's 'Angling at Sadler's Wells', and another, 1794. £300 to £400.
    <b>Forum Auctions, May 20:</b> Fishing Satire - Cats Fishing.- Seymour (Robert). Waltonizing or - Green-land Fisherman, [c. 1830s]; together with 3 lithographs of cats fishing, [c. 1830s]. £300 to £400.
    <b>Forum Auctions, May 20:</b> Fishing Portraits.- Zoffany (Johan), After. Master James Sayer, at the age of 13, mezzotint by Richard Houston, 1772. £300 to £400.
    <center><b>Forum Auctions<br>Images of Angling:<br>The David Beazley Collection<br>of Angling Prints<br>Online Sale<br>20th May 2021</b>
    <b>Forum Auctions, May 20:</b> Wilkinson (Norman). Come to Britain for Fishing, lithographic poster, [c. 1947]. £300 to £400.
    <b>Forum Auctions, May 20:</b> Scottish Fishing.- Heath (William). Sporting in the Scottish Isles no. III. Salmon Fishing, 1835; and another. £150 to £200.
    <b>Forum Auctions, May 20:</b> Simpson (Joseph). The Border Angler, drypoint, [c. 1927]. £150 to £200.
  • <b><center>Ketterer Rare Books<br>Auction on May 31</b>
    <b>Ketterer Rare Books, May 31:</b> Aristoteles, <i>Logica vetus,</i> Manuscript, around 1250. Est: € 60,000
    <b>Ketterer Rare Books, May 31:</b><br>L. Pacioli, <i>Divina proportione,</i> 1509<br>Est: € 80,000
    <b>Ketterer Rare Books, May 31:</b> A. Jorn, Fin de Copenhague, 1957.<br>Est: € 10,000
    <b><center>Ketterer Rare Books<br>Auction on May 31</b>
    <b>Ketterer Rare Books, May 31:</b> Gospel of Mark, Manuscript, around 1180.<br>Est: € 30,000
    <b>Ketterer Rare Books, May 31:</b><br>J. de Theramo, <i>Consolatio peccatorum,</i> 1481. Est: € 25,000
    <b>Ketterer Rare Books, May 31:</b><br>G. Braques in G. Apollinaire, <i>Si je mourais là-bas,</i> 1962. Est: € 6,000
    <b><center>Ketterer Rare Books<br>Auction on May 31</b>
    <b>Ketterer Rare Books, May 31:</b> Latin Choral manuscript, around 1500.<br>Est: € 25,000
    <b>Ketterer Rare Books, May 31:</b><br>P. J. Redouté, <i>Choix des plus belles fleurs,</i> 1827-33. Est: € 25,000
    <b>Ketterer Rare Books, May 31:</b><br>S. Delaunay, <i>27 tableaux vivants,</i> 1969. Est: € 3,000
    <b><center>Ketterer Rare Books<br>Auction on May 31</b>
    <b>Ketterer Rare Books, May 31:</b> Latin and French Book of Hours, around 1450-70. Est: € 30,000
    <b>Ketterer Rare Books, May 31:</b><br>L. Moholy-Nagy, Bauhaus postcard, 1923. Est: € 5,000
    <b>Ketterer Rare Books, May 31:</b><br>K. Price in Ch. Bukowski, <i>Heat wave,</i> 1995. Est: € 2,500.

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