Word came over the news wires a few weeks back that the last combat veteran of World War I has died. Claude Choules joined the British Navy at the age of 16, serving for a year before the war ended. He later moved to Australia, where he spent most of his life. Choules was 110 years old.
There remains one surviving veteran, 110-year-old Florence Green of England, but she was involved in food preparation, not combat. The last American veteran, Frank Buckles, died earlier this year.
Choules was reportedly a good-natured man. His secret to long life was to "keep breathing." He also recommended cod liver oil, though having to consume that for 110 years sounds like a fate worse than death. His daughter commented, "It's going to be sad to think of him not being here any longer, but that's the way things go." The daughter is 84 years old.
Despite being a humorous man, Claude Choules had a serious side. He became something of a pacifist, and refused to participate in parades celebrating military service. "He didn't believe in war," his daughter said. One can understand the attitude. After all, the First World War was "the war to end all wars." It didn't turn out that way.
This may not sound like a story for a book site. Oh, there is one obvious connection. Choules was an author. He wrote an autobiography, The Last of the Last, published when he was a mere 108. I have no proof of this, but I think he must have been the oldest person to publish his first book. He recalls when the first automobile drove through his town, and when cigarettes were a penny a pack. However, there is another connection between Choules and the printed word. No, the last book has not yet passed on, though the role of the printed word is fading, being replaced by a new generation of technology. The more apt connection to the older technology is that Mr. Choules' war was the last to be brought home primarily by the printed word. A generation of technology, like that generation of soldiers, has been replaced.
In the nineteen-teens, news of the war reached people through newspapers and books. Our record of that conflict is found almost entirely in printed words. Sure there are photographs, but those offer no words of explanation. There are some grainy black and white soundless movies, a few with captions, and perhaps some people saw these in newsreels at the theater. You might think people were glued to their radios to hear the latest news, but radio broadcasting did not begin until 1920. Mr. Choules went off to war at the apex of the printed word.
By the Second World War, people were still getting much of their news from newspapers, but the most recent news flashes were now coming to them via radio. Newsreels with sound brought vivid images to their theater screens. By the Korean War, many homes had televisions. The Vietnam War became the first war, quite literally, "broadcast into America's living rooms." Newspaper circulation was declining. People watched the evening news, not the evening newspaper. Now, the seemingly endless wars in Afghanistan and Iraq reach people through television and the internet. Newspapers, fading away, are barely relevant as they publish yesterday's news to a generation that wants to know what is happening now. We see, hear, and read off of electronic screens. Paper and print are virtually irrelevant to news. Many newspapers will soon join Mr. Choules as pleasant memories of days gone by.
However, the printed word remains the primary source of collectible information from that age. I have no idea what people will collect should they ever collect the current wars. Most information was generated in electronic impulses, ephemeral but not collectible ephemera. However, for those who want to collect the First World War, and all of those previous conflicts through contemporary material, printed works will always be the primary source. All wars have their ephemera, but the news of those battles, and everything else that went on in the world from 1455 to around 1920, came via the printed word. Old books and printed works will always hold a place for those interested in those times, even if it is unclear what their relationship will be to events taking place in the world today.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
Swann, Dec. 9: Lot 206: John and Alexander Walker, Map of the United States, London and Liverpool, 1827.
Swann, Dec. 9: Lot 223: Abraham Ortelius, Typus Orbis Terrarum, hand-colored double-page engraved world map, Antwerp, 1575.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.
SD Scandinavian Art & Rare Book Auctions The Odfjell Collection Polar – History – Ornithology – Colour Plate Books Ending December 4th
Scandinavian Art & Rare Books Auctions, Dec. 4: ROALD AMUNDSEN: «Sydpolen» [ The South Pole] 1912. First edition in jackets and publisher's slip case.
Scandinavian Art & Rare Books Auctions, Dec. 4: AMUNDSEN & NANSEN: «Fram over Polhavet» [Farthest North] 1897. AMUNDSEN's COPY!
Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON [ed.]: «Aurora Australis» 1908. First edition. The NORWAY COPY.
Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON: «The heart of the Antarctic» + SUPPLEMENT «The Antarctic Book», 1909.
Scandinavian Art & Rare Books Auctions, Dec. 4: SHACKLETON, BERNACCHI, CHERRY-GARRARD [ed.]: «The South Polar Times» I-III, 1902-1911.
SD Scandinavian Art & Rare Book Auctions The Odfjell Collection Polar – History – Ornithology – Colour Plate Books Ending December 4th
Scandinavian Art & Rare Books Auctions, Dec. 4: [WILLEM BARENTSZ & HENRY HUDSON] - SAEGHMAN: «Verhael van de vier eerste schip-vaerden […]», 1663.
Scandinavian Art & Rare Books Auctions, Dec. 4: TERRA NOVA EXPEDITION | LIEUTENANT HENRY ROBERTSON BOWERS: «At the South Pole.», Gelatin Silver Print. [10¾ x 15in. (27.2 x 38.1cm.) ].
Scandinavian Art & Rare Books Auctions, Dec. 4: ELEAZAR ALBIN: «A natural History of Birds.» + «A Supplement», 1738-40. Wonderful coloured plates.
Scandinavian Art & Rare Books Auctions, Dec. 4: PAUL GAIMARD: «Voyage de la Commision scientific du Nord, en Scandinavie, […]», c. 1842-46. ONLY HAND COLOURED COPY KNOWN WITH TWO ORIGINAL PAINTINGS BY BIARD.
Scandinavian Art & Rare Books Auctions, Dec. 4: JAMES JOYCE: «Ulysses», 1922. FIRST EDITION IN ORIGINAL WRAPPERS.
Sotheby’s Book Week December 9-17, 2025
Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.