Course to Explore Natural History Prints at University of Florida
- by Michael Stillman
Audubon's Double Crested Cormorant from the Harn collection.
A course covering natural history prints will be given at the University of Florida this summer. This subdivision in the field of works on paper has become increasingly desirable, collectible, and valuable over the past couple of decades. Still, we are not aware of any previous courses that delved deeply into the subject. This is an opportunity to learn from some experts in the field.
The course is entitled Knowing Nature: Naturalist Illustration from Art to Science. Natural history prints are truly where art meets science. The great naturalist illustrators were primarily just that in their day - illustrators. Even the greatest, such as John James Audubon, were mainly interested in relaying scientific information in the form of images to their audience. They were in effect the photographers of nature in the days before photography. However, as the photograph replaced the brush as the primary means of scientific imaging, the illustrations of the masters came to be appreciated more for their great artistic achievements than their ability to depict nature accurately. The most expensive printed book ever sold is a first edition of Audubon's Birds of America, and it is no longer because people need Audubon to identify species of birds. It is because of the fabulous prints of Audubon's drawings found in his book.
The course will use prints from the Harn Museum of Art's collection of 200-plus specimens. The collection contains botanical and zoological prints, including those of shells and insects. They were drawn from the 16th through the 19th century, with origins in Britain, France, Germany, Italy, and America. The weekly sessions will be handled by seven separate members of the University of Florida faculty, each bringing their own perspective to the topic. They include instructors whose expertise ranges from art to science, history, printmaking, literature and economics. The course description notes, "Not only are the prints beautiful objects, but they also embody ideas, beliefs, practices, economic relations, cultural values, and scientific learning of several centuries and continents."
The sessions will be held on Wednesdays during the summer at the University of Florida in Gainesville. The course has been organized by Eric Segal, Education Curator of Academic Programs at the Harn Museum, and Dulce Roman, Curator of Modern Art. They will be joined by the other seven interdisciplinary faculty in teaching the course. To learn more, contact Eric Segal at 352-392-9826 Ext. 2115 or esegal@harn.ufl.edu.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
Swann, Dec. 9: Lot 206: John and Alexander Walker, Map of the United States, London and Liverpool, 1827.
Swann, Dec. 9: Lot 223: Abraham Ortelius, Typus Orbis Terrarum, hand-colored double-page engraved world map, Antwerp, 1575.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.
Sotheby’s Book Week December 9-17, 2025
Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.