Even booksellers from Hawaii have an equal opportunity with eBay.
Likewise one of my interests is illustrated books and magazines and some of them may be humorous or have cartoon style graphics. I don't list them in books; I list them in comics. There are many sub-sections to comics, but the real reason to use comics rather than books is that there's been a huge increase in interest in comics and comic related material and even bigger increases in prices for good examples.
People who are interested in comics are also interested in vintage illustration, cartoon albums, older sci-fi and pulp magazines, and oddball paper items with art of every kind. Comic buyers are not primarily looking for books, but they will buy books if they find them in the comic category, because they are looking for vintage illustrated material of a certain style and period.
TIP #2: Understand the difference between Auction and Buy It Now (BIN)
If you sell Buy It Now/Best Offer you pay a low listing fee but a higher percentage of the selling price to eBay. If you sell Buy It Now the price you set is the most you can possibly receive if the item sells. If you also select the Best Offer option you may get offers that are even lower than your original asking price.
If you sell in Auction, you pay a much higher listing fee but a lower percentage of the selling price for final value. The price you set as the opening bid is the least amount you can receive if the item sells. However, if your item actually sells at auction, it is possible to get more, even substantially more than the starting price.
But -- what many booksellers do not realize -- is even a small seller can have a standing account where for a monthly base fee plus a nominal additional per-item charge sellers can list Buy It Now (BIN) items for up to 30 days. The additional amount ranges from about 5 cents to about 20 cents per item depending on which plan is selected and the anticipated volume. The point is --- you can start out selling something at a high price using BIN and risk a maximum of 20 cents in exchange for exposure to a very large number of potential viewers. Think of it as a showroom window or a display case.
Sellers can usually tell by the number of watchers and to a lesser extent by the number of hits, if a BIN item is something that might do better as an auction which costs more and only runs for a week. If there are five or more watchers within the first few days of a month-long BIN item it is an easy task to move it over to Auction. Yes, you'll be out as much 20 cents but chances are very good that there will be at least one bid in the auction format and possibly it may go higher or even much higher. Items that don't get a lot of hits or watchers are probably not good bets for the auction format - so leave them in BIN where the upfront cost is very low and let the clock run out.
This is not rocket science, but most sellers don't do it that way, because they think eBay is only for cheap, cheap, and cheaper where in my experience eBay is the vehicle of choice for buyers seeking scarce, unusual, and hard-to-find.
Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.
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Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
Swann, Dec. 9: Lot 206: John and Alexander Walker, Map of the United States, London and Liverpool, 1827.
Swann, Dec. 9: Lot 223: Abraham Ortelius, Typus Orbis Terrarum, hand-colored double-page engraved world map, Antwerp, 1575.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.