• <b>Announcing a new Books for Sale platform hosted by Biblio!</b>
    <b>List your books simultaneously on Rare Book Hub and Biblio!</b>
  • <b>Bonhams: History of Science and Technology. Wednesday, December 6, 2017. New York</b>
    <b>Bonhams, Dec. 6:</b> Lot 95. Turing. <i>Systems of Logic Based on Ordinals</i>. Offprint. London, 1939. Robin Gandy's Copy. $20,000 to $30,000
    <b>Bonhams, Dec. 6:</b> Lot 98. Zernike, Fritz. The 1953 Nobel Prize for Physics: The Invention of the Phase-Contrast Microscope. $100,000 to $150,000
    <b>Bonhams, Dec. 6:</b> Lot 111. Apple 1 Computer, operational, with exceptional provenance. $400,000 to $600,000
    <b>Bonhams: Voices of the 20th Century. Wednesday, December 6, 2017. New York</b>
    <b>Bonhams, Dec. 6:</b> Lot 1074. Bruce, Lenny. An unreleased 16 mm film by "Count" Lewis DePasquale featuring Lenny Bruce. $7,000 to $10,000
    <b>Bonhams, Dec. 6:</b> Lot 1254. Hirohito. Manuscript in Japanese, "The Emperor's Monologue," transcribed by Terasaki Hidenari. $100,000 to $150,000
    <b>Bonhams, Dec. 6:</b> Lot 1095. Goldman. Emma. Large archive of correspondence, much of it to Warren Starr Van Valkenburgh. $70,000 to $100,000
    <b>Bonhams: History of Science and Technology. Wednesday, December 6, 2017. New York</b>
    <b>Bonhams, Dec. 6:</b> Lot 109. Wozniak and Jobs. The First Digital "Blue Box", Berkeley, 1972. $30,000 to $50,000
    <b>Bonhams, Dec. 6:</b> Lot 46. Newton, Isaac. <i>Philosophiae naturalis principia mathematica</i>. 1st issue. London, 1687. $300,000 to $500,000
    <b>Bonhams, Dec. 6:</b> Lot 49. Newton. Autograph Manuscript in English, a portion of a draft of Newton's study on revelation. $15,000 to $20,000
    <b>Bonhams: Voices of the 20th Century. Wednesday, December 6, 2017. New York</b>
    <b>Bonhams, Dec. 6:</b> Lot 1027. Fitzgerald, F. Scott. The Great Gatsby. 1st edition, 1st issue. Scribners, 1925. $40,000 to $60,000
    <b>Bonhams, Dec. 6:</b> Lot 1042. Hemingway., Ernest. For Whom the Bell Tolls. Presentation copy, one of 15 copies. Scribners, 1940. $25,000 to $35,000
    <b>Bonhams, Dec. 6:</b> Lot 1215. A 48-star American Flag, flown from LCT-703, sunk on Omaha Beach, December 1944. $15,000 to $20,000
  • <b>Christie’s Online, Dec. 5 – Dec. 12:</b> <i>John the Baptist</i>. initial 'H' cut from a choirbook [Lombardy or Siena, c. 1470s]. US$6,000–9,000
    <b>Christie’s Online, Dec. 5 – Dec. 12:</b> <i>Maharaja Ranjit Singh (1780–1839) seated on a terrace with Sikh noblemen</i>. [Punjab, North India, circa 1830-40]. Estimate: US$10,000–15,000
  • <b>19th Century Shop:</b> Charles Darwin on sexuality and the transmission of hereditary characteristics: Autograph Letter Signed to Lawson Tait. Down, 17 January [1877].
    <b>19th Century Shop:</b> MILTON, JOHN. <i>Paradise Lost. A Poem written in ten books.</i> London: 1667. A very rare example with the contemporary binding untouched and with a 1667 title page.
    <b>19th Century Shop:</b> Hamilton secures the ratification of the Constitution: <i>The Debates and Proceedings of the Convention of the State of New-York, assembled at Poughkeespsie, on the 17th June, 1788.</i>
    <b>19th Century Shop:</b> The social contract “Man is born free, and everywhere he is in chains”: ROUSSEAU, JEAN-JACQUES. <i>Principes du Droit Politique [Du Contract Social]</i>. Amsterdam: Michel Rey, 1762
    <b>19th Century Shop:</b> “The first English textbook on geometrical land-measurement and surveying”: BENESE, RICHARD. <i>This Boke Sheweth the Maner of Measurynge All Maner of Lande…</i>

Rare Book Monthly

Articles - April - 2016 Issue

Antoine-Francois Desrues, (Not) Just Another Villain

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Vie Privée et Criminelle de Desrues.

Nobody knows about Antoine-Francois Desrues (1744-1777) nowadays. Yet, he once stood among the most notorious French villains. The story of his life even made it to the peddling books—some small and attractive books that dealt with nothing but bankable topics—at the turn of the 19th century. He was just another villain, who had murdered a woman and her son to rob them. But was he as hated as some publications pretend? And how come so many engravings linked to his petty crimes were printed? Looks like all these suspicious details lead us to... the police of books.

 

On May 6, 1777, in Place de Grève, Paris, Antoine-François Desrues went to death with fortitude. “As his legs were being tied,” reads Vie Privée et Criminelle d’Antoine-François Desrues (Cailleau, 1777), “he asked the executioner (the famous Sanson—editor’s note) to make him suffer as less as possible, and then he courageously lay on the cross of St. Andrew. (...) His face had hardly been covered up with his gown that his arms, his back, his legs and thighs were broken. He squealed a little, but ceased after the ninth strike.” Apparently, Desrues was not totally dead when thrown unto a stake and burnt to ashes. But our author, André-Charles Cailleau, shows no compassion: “Thus, this abominable destroyer of mankind received the due punishment for his crimes, the worst ever since the beginning of time.”

 

Damned! The worst ever? Desrues had poisoned an aristocrat, Madame de la Motte, and her teen-age son to get a hold on her valuable property, burying her body in a cave. This is a terrible thing to do, no doubt; but clearly not the worst crime in the history of mankind. On the contrary, the public was probably not that horrified by the murders of two aristocrats on the brink of the French Révolution (1789). So, could this open exaggeration (among many others scattered all through the story of his life) be a deliberate attempt at darkening him? That’s what some modern historians think. In Cailleau’s book, Desrues is depicted as a “monster”—including physically, as he is said to be a hermaphrodite—, a “villain” who had “vicious inclinations” from his youngest age; worst of all, he was a “Tartuffe”, or fake devout. An epitaph printed on the front page of Vie privée et criminelle..., reads: “Peaceful in crime and mildly false, he up to his death stuck to wickedness.”

 

There are two main books about Desrues’ life, and they both depict him as a monster. The first one is entitled Vie de Desrues (Paris, Thiboust’s widow), and the second one, which became more popular, is Vie Privée et Criminelle de Desrues (Cailleau, 1777). But they are almost the same. In Année Littéraire (Paris, 1777), Grosier and Fréron write about the Cailleau edition: “The title itself should warn us about this book. What is the meaning, indeed, of criminal life’? It is the pale copy of another Life of the same villain (...), which was written by a famous author, whose work is here curiously disfigured by a plagiarist.”

 

One thing is for sure, if we are to believe the amount of engravings and books published at the time, the Desrues’ case made a lot of noise: “Not that much because of his crimes,” writes the French professor Annie Dupart in L’Affaire Desrues, ou le premier tombeau de l’Ancien Régime (CAIRN). “But rather because they had a strong impact on the public, quite willing to side with the criminals anytime the police and justice hit the streets of Paris.” According to her, the people saw Desrues as a sort of avenger, who “had tried to take the goods of an aristocrat a little bit too soon—just ten years before the Révolution.” Furthermore, just like Cartouche and Mandrin, Desrues was later used as a tool of propaganda by the revolutionists, since stealing from a thief—meaning an aristocrat—was an act of social justice. One man, who knew the people of Paris well, might have foretold the importance of Desrues’ case in these times of social unrest. His name was Jean-Charles-Pierre Lenoir, and he was the powerful Lieutenant of Police. “The ambivalent feelings of the public towards Desrues,” goes on Annie Duprat, “pushed Lenoir (...) to order a series of libels and engravings dedicated at exposing the darkness of his soul.” To create a monster, Lenoir apparently called upon a few printers.

 

Police and books

 

The police underwent crucial changes during the 18th century, as they started to use manipulation and misinformation in their enquiries—as in Cartouche’s case. Printing propaganda books and engravings had become one of their regular weapons. Thus, the impressive amount of publications linked to Desrues appears quite suspicious. In Manuscripts Upon Papyrus, Vellum, and Paper... (London, 1843), Thomas Thorpe lists many of them, including a series of “one hundred and twenty (!) curious portraits and plates, with duplicates of some in colors.” The Cailleau edition of Vie privée et criminelle...potentially came with 39 engravings plus a frontispiece, all signed Esnault and Rapilly.

 

But what makes Annie Dupart think that Lenoir “ordered” their printing? Joined on the phone, she confesses: “Well, there’s no proof of it. First, the archives of the police were burnt during La Commune, in 1871; then, I guess Lenoir was clever enough not to give written orders in that kind of matters.” Let’s bear in mind that Lenoir was also controlling the police of books. But did he really order Cailleau or Thiboust’s widow to publish the life of Desrues? This type of book was selling quite well, the publishers probably waited upon no one to put them out. What about these obvious exaggerations, then? Well, the assigned authors of these ill-considered works, usually some second-hand writers, had little glory to expect from them; they never signed them, and they probably rushed their work so it might come out shortly after the execution.

 

The Thiboust’s widow edition has since been credited to Baculard d’Arnaud (1718-1803), once a protégé of Voltaire, but who, “in 1777, aged 59, was writing books like Vie de Desrues... to earn a living,” underlines A. Fouquier in Causes Célèbres (Paris, 1862). He adds: “We can imagine the inconsistency of such a trivial work, hastily written for a publisher who expected to capitalize as soon as possible on the public’s interest.” Cailleau, for his part, is commonly credited for both the publishing and the writing of Vie privée et criminelle de Desrues..., tough no one really says on which ground. Their styles lack subtlety, and they use sensationalism to give life to their stories. Their books are some sort of early tabloids, and educated people had little consideration for them. In their Historical Dictionary (Lyon, 1804), while celebrating Nero or Caligula, Chaudon and Dandeline reluctantly talk about Desrues. “We would be ashamed of ourselves to feature such an odious article in our dictionary, had not it been by public request; some readers have reproached us to leave some criminals out, who made a small and momentary noise; as if a Historical Dictionary should tell the story of the Grève.”

 

What is disturbing in the Desrues’ case is the amount of existing engravings. Though sometimes bound in a book, they were usually sold separately. There was a series of more than 100 of them, and at least two “series of scenes telling the principal events in Desrues’ life”. We are almost dealing with comic strips! Lieutenant Lenoir—or the printers—were aware of the fact that most of the French population was then illiterate; drawings were the surest way to be understood. Those featuring Desrues on the stake, or burying his victim, were obviously attractive. But what about the less significant ones like Desrues welcoming his future victim in Paris, the bodies being exhumed, etc? “Well,” says Annie Duprat, “we know that they were printed; but did they sell? Of course, they were very cheap (1) and Desrues’ case was captivating news. The story itself is incredible! When he dressed as a woman, for example, pretending to be his victim to cheat a lawyer in Lyon, or when he poisoned his victim’s son in Versailles, claiming he died from a venereal disease before having him buried under a false name. This is like a thrilling detective novel!”

 

(1) The edition of 1777 (Cailleau) was sold for 24 sols without the engravings (“to be found at Enaults & Rapilly as well as at Mr. Mondhare”) and 48 sols with the series 39 engravings plus the frontispiece, representing the portrait of Desrues.

Rare Book Monthly

  • <b>Les Collections Aristophil:<br>December 20, 2017</b>
    <b>Collections Aristophil, Dec. 20:</b> SAINT-EXUPERY, ANTOINE DE. Kodachrome Film (16mm) showing Antoine de Saint-Exupery and Consuelo on a boat, 1942. JOINED: Guestbook for the Boat, signed, with a drawing of the Little Prince. 15 000 to 20 000 €
    <b>Collections Aristophil, Dec. 20:</b> CANDEE, HELEN CHURCHILL. Autograph manuscript. TITANIC, 40 leaves. Original account of the most famous shipwreck, by a survivor of the ordeal. 300 000 to 400 000 €
    <b>Collections Aristophil, Dec. 20:</b> TITANIC. Collection of 7 documents relating to the shipwreck of the Titanic (14 April 1912). 20 000 to<br>30 000 €
    <b>Les Collections Aristophil:<br>December 20, 2017</b>
    <b>Collections Aristophil, Dec. 20:</b> DUPLEIX DE CADIGNAN, JEANBAPTISTE. Signed autograph manuscript. Thirty years of memoirs related to military services and important information on the American War of Independence.<br>40 000 to 50 000 €
    <b>Collections Aristophil, Dec. 20:</b> CURTIUS. Faiz et Conquestes d'Alexandre [Histoire d'Alexandre le Grand]. In French, illuminated manuscript on paper and parchment, 16 large miniatures. 300 000 to<br>500 000 €
    <b>Collections Aristophil, Dec. 20:</b> NELSON, HORATIO. Signed autograph letter, ‘Nelson & Bronte,” aboard the Amazon, 14 October 1801, addressed to Sir William Hamilton. 4 000 to 5 000 €
    <b>Les Collections Aristophil:<br>December 20, 2017</b>
    <b>Collections Aristophil, Dec. 20:</b> GIROLAMO FRANCESCO MARIA MAZZUOLI DIT LE PARMESAN. Le couple amoureux. Pen and brown ink. 80 000 to 120 000 €
    <b>Collections Aristophil, Dec. 20:</b> SADE, DONATIEN-ALPHONSE-FRANÇOIS, MARQUIS DE. Autograph manuscript. The 120 Days of Sodom, or the School of Libertinage, 1785.<br>4 000 000 to 6 000 000 €
    <b>Collections Aristophil, Dec. 20:</b> MIRÓ, JOAN. Signed autograph correspondence to Thomas and Diane Bouchard (1949-1976). 50 000 to 60 000 €
    <b>Les Collections Aristophil:<br>December 20, 2017</b>
    <b>Collections Aristophil, Dec. 20:</b> BALZAC, HONORÉ DE. Signed autograph manuscript, Ursule Mirouët, [1841]. One of only two manuscripts of novels by Balzac in private hands. 800 000 to<br>1 200 000 €
    <b>Collections Aristophil, Dec. 20:</b> LENOIR, ALEXANDRE. Essai sur l'histoire des arts en Egypte pouvant servir d'appendice au grand ouvrage de la Commission. autograph manuscript with numerous additions and corrections. 40 000 to 50 000 €
    <b>Collections Aristophil, Dec. 20:</b> SCHRÖDINGER, ERWIN. Autograph manuscript [Spring 1946, sent to Albert Einstein]. 1 500 to 2 000 €
  • <b>Swann Auction Galleries Dec 14: Illustration Art</b>
    <b>Swann Auction Galleries Dec 14:</b> James Montgomery Flagg, <i>Friend, Wife</i>, graphite & watercolor cover for Judge magazine, May 1920. $6,000 to $9,000.
    <b>Swann Auction Galleries Dec 14:</b> Georges Lepape, <i>Après la Tempête</i>, watercolor, ink & graphite cover for <i>Vogue</i>, April 1919, inscribed to Madame Condé Nast. $25,000 to $35,000.
    <b>Swann Auction Galleries Dec 14:</b> Maurice Sendak, <i>Little Bear & His Parents </i>, pencil study & finished watercolor for <i>Bears of the World</i>, 1981. $15,000 to $25,000.
    <b>Swann Auction Galleries Dec 14: Illustration Art</b>
    <b>Swann Auction Galleries Dec 14:</b><br>Dr. Seuss (Theodor Geisel), <i>A Great Gallumphing Galoot!</i>, original drawing & inscription, signed twice, in <i>Dr. Seuss's ABC</i>. $8,000 to $12,000.
    <b>Swann Auction Galleries Dec 14:</b> Scrapbook relating to the production of <i>Snow White & the Seven Dwarfs</i>, with 20 original drawings, circa 1937. $7,000 to $10,000.
    <b>Swann Auction Galleries Dec 14:</b> Charles M. Schulz, <i>Gentleman Biographer</i>, pen & ink, <i>Peanuts</i> comic strip, 1972. $8,000 to $12,000.
    <b>Swann Auction Galleries Dec 14: Illustration Art</b>
    <b>Swann Auction Galleries Dec 14:</b> Jerry Pinkney, <i>[Brer Rabbit & Brer Bear]</i>, watercolor, pen & ink on paper, 1990. $20,000 to $25,000.
    <b>Swann Auction Galleries Dec 14:</b> <i>Daffydils</i>, festschrift for Harry Hershfield, signed with cartoons & caricatures by George Herriman, Winsor McCay & others, 1911. $5,000 to $7,500.
    <b>Swann Auction Galleries Dec 14:</b> W.W. Denslow, <i>Higglepy, Piggleby, My Black Hen</i>, ink & gouache, for <i>Denslow's Mother Goose </i>, 1901. $10,000 to $15,000.
    <b>Swann Auction Galleries Dec 14: Illustration Art</b>
    <b>Swann Auction Galleries Dec 14:</b> Pavel Tchelitchew, <i>Savonarola</i>, graphite & gouache, sketch for the production at Theater in der Königgrätzer Straße, 1923. $5,000 to $7,000.
    <b>Swann Auction Galleries Dec 14:</b> John Philip Falter, <i>Strictly Off the Record</i>, oil on canvas, for Four Roses Whiskey, 1942. $15,000 to $20,000.
    <b>Swann Auction Galleries Dec 14:</b> Charles Addams, <i>Movie Scream</i>, pen, ink & watercolor cartoon for <i>The New Yorker</i>, January 1947. $12,000 to $18,000.
  • <b>Bloomsbury Auctions: Books and Works on Paper, including Fine Photographs. December 14, 2017</b>
    <b>Bloomsbury, Dec. 14:</b> Rowling (J.K.). Hogwarts School of Witchcraft and Wizardry, original fine black pen and ink manuscript book by the author J.K.Rowling, with 31pp of text and illustrations. £80,000 to £120,000
    <b>Bloomsbury, Dec. 14:</b> Blaeu (Johannes). <i>Vierde Stuck der Aerdrycks-Beschryving, welck vervat Engelandt</i>, i.e. <i>Theatrum Orbis Terrarum</i>. vol 4, England & Wales. £10,500 to £12,500
    <b>Bloomsbury, Dec. 14:</b> Miró (Joan). L'Homme au Balencier, etching, aquatint and carborundum, printed in colours on Japan paper, signed in pencil lower right. £4,000 to £6,000
    <b>Bloomsbury Auctions: Books and Works on Paper, including Fine Photographs. December 14, 2017</b>
    <b>Bloomsbury, Dec. 14:</b> Steve McCurry (b.1950). Afghan Girl, 1984, pigment inkjet print, signed and numbered 48/250 in pencil on lower margin. £2,500 to £3,500
    <b>Bloomsbury, Dec. 14:</b> Keough (Pat and Rosemarie). <i>Antarctica</i>, no 228 of 950 copies, signed by the authors, many colour illustrations, original dark grey morocco. £2,800 to £3,200
    <b>Bloomsbury, Dec. 14:</b> Rowlandson (Thomas). Darby & Joan, the idyllically contended couple sit either side of a stove in a cosy domestic interior, ink and watercolour on wove paper. £1,000 to £1,500
    <b>Bloomsbury Auctions: Books and Works on Paper, including Fine Photographs. December 14, 2017</b>
    <b>Bloomsbury, Dec. 14:</b> Procktor (Patrick). Tiny blue-eyed goldfish, watercolour, 310 x 460mm., signed in blue crayon, lower right, titled and inscribed Muscat Jan 19. £1,000 to £1,500
    <b>Bloomsbury, Dec. 14:</b> Iouri Abramochkin (b.1936). Horsemen, Dagestan, 1968, Lambda print, printed later, signed, dated, editioned 1/8 and annotated in black ink verso. £800 to £1,200
    <b>Bloomsbury, Dec. 14:</b> Ravilious (Eric).- Shakespeare (William). Twelfth NIght, or, What You Will, number 79 of 275 copies , wood-engraved title. £800 to £1,200
    <b>Bloomsbury Auctions: Books and Works on Paper, including Fine Photographs. December 14, 2017</b>
    <b>Bloomsbury, Dec. 14:</b> Michelangelo.- Chastel (André). <i>The Vatican Frescoes of Michelangelo</i>, Photography by Takashi Okamura, 2 vol., one of 600 sets, colour plates. £500 to £700
    <b>Bloomsbury, Dec. 14:</b> Wyndham (John). <i>The Day of the Triffids; The Kraken Wakes; The Chrysalids;</i> together with 8 other volumes. All first editions. £400 to £600
    <b>Bloomsbury, Dec. 14:</b> Alfred Stieglitz (1864-1946). Goats Along The Seine, 1894. Photogravure, printed 1990s by Dorothy Norman, one from an edition of 40 published by Aperture. £400 to £600
  • <b>Cowan’s Auctions: Fine Books, Including the Alan Culpin WWI Art Collection – Live Online Auction. Dec. 18, 2017</b>
    <b>Cowan’s, Dec. 18:</b> Unique Association Copy of Signed Limited Roosevelt, African Game Trails, Extra-Illustrated. $5,000 - 7,500
    <b>Cowan’s, Dec. 18:</b> 24 Volumes Henry James in 1/2 Morocco - Alvin Langdon Coburn Frontis Illustrations. $3,000 - $5,000
    <b>Cowan’s, Dec. 18:</b> French Surrealism by Claude Cahun and Marcel Moore, 1930 Limited Edition in Lovely Condition. $3,000 - $5,000
    <b>Cowan’s Auctions: Fine Books, Including the Alan Culpin WWI Art Collection – Live Online Auction. Dec. 18, 2017</b>
    <b>Cowan’s, Dec. 18:</b> Unique and Beautifully Written Manuscript of 650 Quarto Pages - Unpublished History of Belle-Isle-En-Mer, 1754. $3,000 - $5,000
    <b>Cowan’s, Dec. 18:</b> William Beebe's Classic 4 Volume Work on "The Pheasants," Signed and Inscribed in 1919. $2,000 - $3,000
    <b>Cowan’s, Dec. 18:</b> Three Volumes of Washington's War Era Letters Published in New York in 1796. $1,500 - $2,000
    <b>Cowan’s Auctions: Fine Books, Including the Alan Culpin WWI Art Collection – Live Online Auction. Dec. 18, 2017</b>
    <b>Cowan’s, Dec. 18:</b> 19th C. Vintage Album with 48 Sepia Toned Albumen Prints by Fratelli Alinari et. al.<br>$1,500 - $2,000
    <b>Cowan’s, Dec. 18:</b> Report of Phipps' Voyage in 1773 In Search of a Passage to India Via the North Pole. $1,500 - $2,000
    <b>Cowan’s, Dec. 18:</b> 17 Volumes of Wallace's American Trotting Register, 1874-1891. $1,500 - $2,500
    <b>Cowan’s Auctions: Fine Books, Including the Alan Culpin WWI Art Collection – Live Online Auction. Dec. 18, 2017</b>
    <b>Cowan’s, Dec. 18:</b> Rare First English Edition of Monardes, Joyfull Newes, 1577, Woodcut Illustrations.<br>$1,500 - $3,000
    <b>Cowan’s, Dec. 18:</b> 6 Volume Shakespeare Presented to Virginia Congressman Involved in the "Trent Affair". $1,200 - $1,500
    <b>Cowan’s, Dec. 18:</b> Classic Lothar Meggendorfer Movable Book Complete with 8 Chromolithograph Plates, Ca. 1890. $750 - $1,000

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