• <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop:</b> Exodus 10:10 to 16:15. Complete Biblical scroll sheet in Hebrew, a Torah scroll panel. Middle East, ca. 10th or 11th century.
    <b>19th Century Shop:</b> Copernicus Refuted. (Astronomy.). Scientific manuscript of a course of studies at Collège de la Trinité, Lyon. 1660s.
    <b>19th Century Shop:</b> Israel’s War of Independence and the Early Days of the IDF. 58 photographs presented to Israel Ber, IDF officer and later convicted spy.
    <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop:</b> Early Unpublished Darwin letter on the races of man. Autograph Letter Signed [to Henry Denny]. Down, Kent, June 1, [1844].
    <b>19th Century Shop:</b> Classic Image of American Slavery. Kimball, M. H. <i>Emancipated Slaves</i>. New York: George Hanks, 1863.
    <b>19th Century Shop:</b> (Underground Railroad.) Scaggs, Isaac. Important Runaway Slave Poster: $500 Reward Ran away, or decoyed from the subscriber…
  • <b>Results from Bonhams’ sale of <i>Fine Books & Manuscripts Featuring Exploration and Travel</i></b>
    <b>Bonhams, Sep. 26:</b> Columbus. De Insulis nuper in mari Indico repertis. Basel, 1494. SOLD for $751,500
    <b>Bonhams, Sep. 26:</b> Cook in Tahiti. [Playbill]. [Germany, c.1840.] SOLD for $6,250
    <b>Bonhams, Sep. 26:</b> Aa, Pieter van der. Naaukeurige versameling der gedenk-waardigste zee en land-reysen. Leyden, 1706-8. SOLD for $35,000
    <b>Bonhams, Sep. 26:</b> Dürer. Underweysung der messung [and two more]. Nuremberg, 1525-8. SOLD for $175,000
    <b>Bonhams, Sep. 26:</b> Cortes, Hernan. A Pleito signed by Antonio de Mendoza in the case of Hernan Cortes. 1542. SOLD for $8750
    <b>Results from Bonhams’ <i>The Air and Space Sale</i></b>
    <b>Bonhams, Sep. 27:</b> Russian Kholod 5D67 HFL Rocket Engine. SOLD for $25,000
    <b>Bonhams, Sep. 27:</b> Neil Armstrong Apollo Era Training Glove. SOLD for $50,000
    <b>Bonhams, Sep. 27:</b> Full Scale Sputnik-1 EMC/EMI Lab Model. SOLD for $847,500
    <b>Bonhams, Sep. 27:</b> SOLRAD GREB Spy Satellite Engineering Dummy. SOLD for $10,000
    <b>Bonhams, Sep. 27:</b> Soviet LK-3 Lunar Lander Model. SOLD for $25,000
  • <b>Sotheby’s Paris: Books & Manuscripts. 30 October 2017</b>
    <b>Sotheby’s Paris, Oct. 30:</b> MARCEL PROUST. Du côté de chez Swann. Grasset, 1913. First edition. One of 5 copies on Japan paper, inscribed by the author to Louis Brun. Est. €400,000 - 600,000
    <b>Sotheby’s Paris, Oct. 30:</b> Saint-Exupéry. <i>25 Autograph Illustrated Letters to his Friend Charles Sallès</i>. Est. €30,000-50,000
    <b>Sotheby’s Paris, Oct. 30:</b> French Revolution, 1793. Déclaration des droits de l’Homme. 2,55 x 1,30m. A monumental wallpaper poster of the 1793 version, with hand-colored highlights. Unique copy. Est. €100,000 - 150,000
    <b>Sotheby’s Paris, Oct. 30:</b> GIAMBATTISTA PIRANESI. <i>Vedute di Roma</i>, 1748-1775. 107 etchings. An exceptional copy, printed and bound before 1780. Est. €50,000 - 80,000
    <b>Sotheby’s Paris, Oct. 30:</b> Picasso, Pablo -- Fernando de Rojas. LA CÉLESTINE. [PARIS, EDITIONS DE L'ATELIER CROMMELYNCK, 1971.] One of the 30 copies hors commerce (n° X). 66 original etchings by Picasso. Signed. Est. €30,000 - €35,000
  • <b>Announcing a new Books for Sale platform hosted by Biblio!</b>
    <b>List your books simultaneously on Rare Book Hub and Biblio!</b>

Rare Book Monthly

Articles - January - 2015 Issue

Madame Deshoulières - The Melancholic Nature of Man

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Women, states a critic, carry their natural loquacity, their abundant, restless and unquenchable verbosity in everything they arrogantly undertake to say, and when infatuated with the bel-esprit, they will write huge volumes about nothing, or about serious topics, which, under a pile of words, are reduced to nothing. In a word, learnt women is something Nature had never planned. Such was Abbé Feller expressing himself in his Historical Dictionary (Liège, 1790). Mr Feller was an idiot, a reactionary, a Voltaire-hater; and, as stated before, to be stigmatized by such a man was probably a good omen. Nevertheless, many shared his view, and being a learnt, beautiful and—worst of all—intelligent woman like Mme Deshoulières during the 17th century was probably quite a delicate position. As a matter of fact, her life was no pastoral poem.

 

 

Born Antoinette de la Garde in 1633—or 1634—in a family close to the Crown, Mme Deshoulières was a beautiful woman. The portrait that usually illustrates her works might be disappointing at first; but let’s bear in mind that she was around sixty when it was drawn—and that she was living in the 17th century! Let’s trust the good taste of her many suitors, including the Great Condé. The preface of the Prault’s edition of her works (Paris, 1747), reads: “Nature had assembled in Damsel de la Garde spiritual and physical ornaments to an unusual extent. She was uncommonly beautiful; she was tall above average, had a natural elegance as well as noble and caring manners; she was sometimes filled with joy, and sometimes subject to a sweet melancholy not opposed to pleasure. She could dance, ride, and did nothing but with grace.” Such a female creature, planned by Nature for sure, could have become a successful courtesan; but Antoinette wasn’t only beautiful, she was also intelligent, and talented; she avoided the trap of beauty. “Beauty is not forever,” she wrote to a female friend of hers who was getting old, “and we are paving a sad future when we count on it only, / We don’t know what to become, when we’ve been nothing but beautiful.” She even portrayed beauty as a peril to one of her daughters, reminding her that once the bud has blossomed, of the rose only the thorns remain. Antoinette Deshoulières apparently tried to live a truthful life; she even disliked make-up: “Far from attracting men, / It only awakes their disgust.” Of course, such a disposition didn’t fit Court life. And she, who hated make-up in customs even more than on faces, soon realized that her talent was a sort of curse. She had learnt Latin, Spanish and Italian from a very young age, had read many books, and had become what was then known as a femme savante (learnt woman). To a friend of hers who had decided to follow the same path, she sent a warning: “How shall you escape the grievances that the bel-esprit at Court suffers? / The air you’ll breath there is deadly to those who undertake to write.” At the end of the day, her blessing became a source of suffering: “You, whom the heavens haven’t blessed with this talent of mine, which I hate, / Believe me, don’t you acquire it.”

 

THE CURSED POETS

 

Poetry is not the most thriving market as a far as antiquarian books are concerned. Of course, first editions with prestigious provenances are sought-after—but common poetry books sell for derisory sums—especially on eBay. Furthermore, Mme Deshoulières is somewhat out of fashion. An 18th century edition of her works in a very good condition will hardly reach 150 euros. Right now, a seller is offering an 1802 edition of her selected poems (bound in half leather) for... 5 euros. Just the other day, I found a scarce morocco-bound copy of the Prault’s edition of 1747. It features two volumes, with a frontispiece and two engraved title pages; a very nice book from the printery of J.B. Coignard, printer of the King. The small fonts are neatly printed, the overall composition quite perfect—a delight to read, and the nicest edition I’ve seen so far. It also contains the very good poems of her daughter, Antoine-Thérèse. I bought it from a famous Parisian bookseller, and got it for what I consider to be a good price. Such are some beauties of our culture, ignored. Mme Deshoulières enjoyed some popularity at the time, yet; but some social faux pas cost her a lot. First, her husband was a traitor to the Crown; he followed the Prince of Condé when the latter rebelled against his King to join the Spanish army. Antoinette followed him to Rocroi and Brussels—where her talent and wit started to blossom—, but the French seized the goods of her husband when he deserted, and they had nothing left but what the Spaniards had promised them; when she showed herself too insistent in asking her due, she was arrested, and then sent to the castle of Vilvorden, where the Spaniards “meditated nothing less than putting her to death,” according to the preface of the Prault’s edition. Realizing that his new friends had become his worst enemies, Lord Deshoulières deserted, freed his wife from Vilvorden—he pretended to act on orders of Condé—, and then galloped to France where he had arranged his return with Cardinal Mazarin. Mme Deshoulières arriving to the Court of France created a lot of waves, and several poets wrote her portrait in verse, including Gramont and Lignières. But the affairs of her husband were in a terrible state, and even the odes she dedicated to Louis XIV to prove her loyalty couldn’t help her. She “sent incense to deaf divinities”, wrote Chaudon (Dictionary). The Sun King didn’t forgive easily, and when Mme Deshoulières passed away in 1694, she left little to her children.

Rare Book Monthly

  • <b>Sotheby’s London: Fine Autograph Letters and Manuscripts from a Distinguished Private Collection. Part I: Music. 26 October 2017</b>
    <b>Sotheby’s London Oct 26:</b> Beethoven, Ludwig van. Autograph Manuscript of the Canon "Ewig Dein" Woo 161, signed at the end ("...[Ewig] Dein...Freund Ludwig Van Beethowen"). Est. £120,000 to £150,000
    <b>Sotheby’s London Oct 26:</b> Brahms, Johannes. Autograph Manuscript of the "Geistliches Wiegenlied", Op.91 No.2, for Contralto, Viola And Piano, the original version of 1864, signed and inscribed at the end by the composer. Est. £200,000 to £250,000
    <b>Sotheby’s London Oct 26:</b> Chopin, Frédéric. Autograph Manuscript of the Opening of the Étude Op.25 No.2, in A-Flat Major, signed and dated ("Paris Ce 28 Avril F. Chopin"). Est. £100,000 to £150,000
    <b>Sotheby’s London: Fine Autograph Letters and Manuscripts from a Distinguished Private Collection. Part I: Music. 26 October 2017</b>
    <b>Sotheby’s London Oct 26:</b> Haydn, Joseph. Autograph Letter Signed ("Jos Haydn[Paraph]"), to the Baden Choirmaster Anton Stoll, 30 July 1802. Est. £20,000 to £30,000
    <b>Sotheby’s London Oct 26:</b> Verdi, Giuseppe. Autograph Working Manuscript of a scene from Ernani. Est. £100,000 to £150,000
    <b>Sotheby’s London Oct 26:</b> Verdi, Giuseppe. Highly Important Series of Thirty-Six Autograph Letters Signed to The Librettist Salvadore Cammarano, written between 1844 And 1851, the greater part unpublished and unrecorded. Est. £250,000 to £300,000
  • <b>Sotheby’s New York: The Magnificent Botanical Library of D. F. Allen. October 26, 2017</b>
    <b>Sotheby’s NY, Oct. 26:</b> Redouté, Pierre Joseph, and Claude Antoine Thory. <i>Les Roses</I>. Paris: Firmin Didot, 1817–1824. Est. $225,000 to $325,000
    <b>Sotheby’s NY, Oct. 26:</b> Trew, Jakob Christoph. <i>Hortus Nitidissimis Omnen Per Annum Superbiens Floribus</i>… Nuremberg: Johann Joseph Fleischmann, 1750 [–1786]. Est. $200,000 to $300,000
    <b>Sotheby’s NY, Oct. 26:</b> Trew, Christoph Jakob, and Benedict Christian Vogel. <i>Plantæ Selectæ</i>…[Nuremberg:] 1750–1773; Supplement, [Augsburg:] 1790 [–1792]. Est. $200,000 to $300,000
    <b>Sotheby’s New York: The Magnificent Botanical Library of D. F. Allen. October 26, 2017</b>
    <b>Sotheby’s NY, Oct. 26:</b> Jacquin, Nikolaus Joseph von. <i>Plantarum Rariorum Horti Caesarei Schönbrunnensis Descriptiones Et Icones.</i>Vienna; London; Leiden, 1797–1804. Est. $180,000 to $250,000
    <b>Sotheby’s NY, Oct. 26:</b> Weinmann, Johann Wilhelm. <i>Phytanthoza Iconographia; Sive Conspectus Aliquot Millium, Tam Indigenarum Quam Exoticarum</i>… Regensburg, 1735–1737–1745. Est. $120,000 to $180,000
  • <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b><br><i>The Centenary Edition of the Works of Ian Fleming</i>, one of 26 lettered sets, 18 volumes, London, 2008. $25,000 to $30,000.
    <b>Swann Auction Galleries Nov 14:</b> William Faulkner, <i>The Marble Faun</i>, first edition, signed & inscribed to Dorothy Wilcox by Faulkner & Phil Stone, Boston, 1924. $18,000 to $25,000.
    <b>Swann Auction Galleries Nov 14:</b> Maurice Sendak, <i>Where the Wild Things Are</i>, first edition, signed & inscribed to William Archibald, New York, 1963. $10,000 to $15,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> Anne Frank, <i>Het Achterhuis</i>, first edition, in first state jacket, Amsterdam, 1947. $12,000 to $18,000.
    <b>Swann Auction Galleries Nov 14:</b> Roald Dahl, <i>Charlie and the Chocolate Factory</i>, first edition, signed, New York, 1964. $6,000 to $9,000.
    <b>Swann Auction Galleries Nov 14:</b><br>Ray Bradbury, <i>Fahrenheit 451</i>, first limited edition bound in Johns-Manville Quinterra, New York, 1953. $7,000 to $10,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> Benjamin Graham, <i>The Intelligent Investor</i>, first edition, in original dust jacket, New York, 1949. $4,500 to $6,000.
    <b>Swann Auction Galleries Nov 14:</b> Anna Sewell, <i>Black Beauty</i>, first edition, inscribed, London, 1877. $7,000 to $10,000.
    <b>Swann Auction Galleries Nov 14:</b> Arthur Conan Doyle, <i>A Study in Scarlet</i>, first American edition, Philadelphia, 1890. $6,000 to $9,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> James Fenimore Cooper, <i>The Last of the Mohicans</i>, first edition, two volumes, Philadelphia, 1826. $5,000 to $7,500.
    <b>Swann Auction Galleries Nov 14:</b> Amelia Earhart, <i>20 hrs. 40 mins. Our Flight in Friendship</i>, limited first edition, signed, New York, 1928. $4,000 to $6,000.
    <b>Swann Auction Galleries Nov 14:</b> Philip K. Dick, <i>World of Chance</i>, first edition, signed, London, 1956. $3,000 to $4,000.

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