• <b>Results from Bonhams’ sale of <i>Fine Books & Manuscripts Featuring Exploration and Travel</i></b>
    <b>Bonhams, Sep. 26:</b> Columbus. De Insulis nuper in mari Indico repertis. Basel, 1494. SOLD for $751,500
    <b>Bonhams, Sep. 26:</b> Cook in Tahiti. [Playbill]. [Germany, c.1840.] SOLD for $6,250
    <b>Bonhams, Sep. 26:</b> Aa, Pieter van der. Naaukeurige versameling der gedenk-waardigste zee en land-reysen. Leyden, 1706-8. SOLD for $35,000
    <b>Bonhams, Sep. 26:</b> Dürer. Underweysung der messung [and two more]. Nuremberg, 1525-8. SOLD for $175,000
    <b>Bonhams, Sep. 26:</b> Cortes, Hernan. A Pleito signed by Antonio de Mendoza in the case of Hernan Cortes. 1542. SOLD for $8750
    <b>Results from Bonhams’ <i>The Air and Space Sale</i></b>
    <b>Bonhams, Sep. 27:</b> Russian Kholod 5D67 HFL Rocket Engine. SOLD for $25,000
    <b>Bonhams, Sep. 27:</b> Neil Armstrong Apollo Era Training Glove. SOLD for $50,000
    <b>Bonhams, Sep. 27:</b> Full Scale Sputnik-1 EMC/EMI Lab Model. SOLD for $847,500
    <b>Bonhams, Sep. 27:</b> SOLRAD GREB Spy Satellite Engineering Dummy. SOLD for $10,000
    <b>Bonhams, Sep. 27:</b> Soviet LK-3 Lunar Lander Model. SOLD for $25,000
  • <b>Announcing a new Books for Sale platform hosted by Biblio!</b>
    <b>List your books simultaneously on Rare Book Hub and Biblio!</b>
  • <b>Sotheby’s Paris: Books & Manuscripts. 30 October 2017</b>
    <b>Sotheby’s Paris, Oct. 30:</b> MARCEL PROUST. Du côté de chez Swann. Grasset, 1913. First edition. One of 5 copies on Japan paper, inscribed by the author to Louis Brun. Est. €400,000 - 600,000
    <b>Sotheby’s Paris, Oct. 30:</b> Saint-Exupéry. <i>25 Autograph Illustrated Letters to his Friend Charles Sallès</i>. Est. €30,000-50,000
    <b>Sotheby’s Paris, Oct. 30:</b> French Revolution, 1793. Déclaration des droits de l’Homme. 2,55 x 1,30m. A monumental wallpaper poster of the 1793 version, with hand-colored highlights. Unique copy. Est. €100,000 - 150,000
    <b>Sotheby’s Paris, Oct. 30:</b> GIAMBATTISTA PIRANESI. <i>Vedute di Roma</i>, 1748-1775. 107 etchings. An exceptional copy, printed and bound before 1780. Est. €50,000 - 80,000
    <b>Sotheby’s Paris, Oct. 30:</b> Picasso, Pablo -- Fernando de Rojas. LA CÉLESTINE. [PARIS, EDITIONS DE L'ATELIER CROMMELYNCK, 1971.] One of the 30 copies hors commerce (n° X). 66 original etchings by Picasso. Signed. Est. €30,000 - €35,000
  • <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b><br><i>The Centenary Edition of the Works of Ian Fleming</i>, one of 26 lettered sets, 18 volumes, London, 2008. $25,000 to $30,000.
    <b>Swann Auction Galleries Nov 14:</b> William Faulkner, <i>The Marble Faun</i>, first edition, signed & inscribed to Dorothy Wilcox by Faulkner & Phil Stone, Boston, 1924. $18,000 to $25,000.
    <b>Swann Auction Galleries Nov 14:</b> Maurice Sendak, <i>Where the Wild Things Are</i>, first edition, signed & inscribed to William Archibald, New York, 1963. $10,000 to $15,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> Anne Frank, <i>Het Achterhuis</i>, first edition, in first state jacket, Amsterdam, 1947. $12,000 to $18,000.
    <b>Swann Auction Galleries Nov 14:</b> Roald Dahl, <i>Charlie and the Chocolate Factory</i>, first edition, signed, New York, 1964. $6,000 to $9,000.
    <b>Swann Auction Galleries Nov 14:</b><br>Ray Bradbury, <i>Fahrenheit 451</i>, first limited edition bound in Johns-Manville Quinterra, New York, 1953. $7,000 to $10,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> Benjamin Graham, <i>The Intelligent Investor</i>, first edition, in original dust jacket, New York, 1949. $4,500 to $6,000.
    <b>Swann Auction Galleries Nov 14:</b> Anna Sewell, <i>Black Beauty</i>, first edition, inscribed, London, 1877. $7,000 to $10,000.
    <b>Swann Auction Galleries Nov 14:</b> Arthur Conan Doyle, <i>A Study in Scarlet</i>, first American edition, Philadelphia, 1890. $6,000 to $9,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> James Fenimore Cooper, <i>The Last of the Mohicans</i>, first edition, two volumes, Philadelphia, 1826. $5,000 to $7,500.
    <b>Swann Auction Galleries Nov 14:</b> Amelia Earhart, <i>20 hrs. 40 mins. Our Flight in Friendship</i>, limited first edition, signed, New York, 1928. $4,000 to $6,000.
    <b>Swann Auction Galleries Nov 14:</b> Philip K. Dick, <i>World of Chance</i>, first edition, signed, London, 1956. $3,000 to $4,000.

Rare Book Monthly

Articles - September - 2014 Issue

America's National Treasure – a Reprint of the Declaration of Independence and a New Mission

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America's National Treasure.

“We hold these truths to be self evident, that all men are created equal...” If that wasn't sufficiently outlandish, America's founders added, “...that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.”

 

This is not the law of the land in America. The quote is from the Declaration of Independence, which has no official legal standing. The protections enunciated therein are made law by the Constitution. Other than being the beginning of America's long goodbye with its colonial rulers, the Declaration is merely a statement of principles and beliefs. They are the destination, rather than the route.

 

Of course, one could question the sincerity. “All men are created equal?” All are endowed with the right to “life, liberty and the pursuit of happiness?” The author of that phrase, Thomas Jefferson, was a slave owner. Was this just some fluff meant to make the British look bad?

 

No. Sometimes, the principles we establish reach higher than ourselves. Jefferson was hardly a God-like man, and his times left him blind to things that are obvious to us now. Still, his soaring words, written in the early summer of 1776, would help to lift his nation above the human weaknesses and blind spots of his own life in the years ahead. Jefferson's words would be used by abolitionists to strike down America's greatest wrong, even if he did not foresee this would happen. The Declaration was written by men, but it was greater than the men who wrote it. It is America's guidepost, a symbol of all that is great in America. That Creator surely knows our shortcomings, our faults, our blind spots, but this magnificent document continues to light our way, to teach us that we can be better than what we are if we will just remember the principles on which our nation was founded. Indeed, much of the strife that infects us today, and through much of the two plus centuries since 1776, could be resolved if only we would refocus on those soaring principles, rather than the petty disagreements and rivalries of the day.

 

Recently, David M. Rubenstein commissioned a new set of copies of the Stone Facsimile of the Declaration to be printed. Copies, in a replica historic frame, are being sent to all U.S. embassies around the world. Mr. Rubenstein is a noted investor and philanthropist with a deep interest in preserving the great icons of America. He was the buyer last fall of the Bay Psalm Book, the first book printed in America (the future United States), sold for over $14 million. He was determined to keep it in America. However, with this investment, he hopes to bring the nation's ideals to the rest of the world by giving a displayable copy of this founding document to each overseas embassy.

 

The Declaration was something of a forgotten item in the days after the Revolution, independence now won. America would have a new set of issues with which to deal. The colonies would have to find a way to unite, first loosely under the Articles of Confederation, and then more seriously with the adoption of the Constitution. Then there would be war debts to pay, expansion into what was then the West (now Midwest), and later the enormous new dominions of the Louisiana Territory, all to be explored and conquered. On the international front, tension with the former colonial masters and even with their revolutionary allies, the French, would erupt. America would be focused on trying to find its way through the minefield of European rivalries. Eventually, it could not avoid them all, and the young nation would find itself at war again with the old country, England.

 

Once the War of 1812 was concluded, America finally had a breather. The Era of Good Feelings began, one of those few times when America was truly at peace with itself. The nation finally had a chance to look at its own heritage, and with it came a renewed interest in its foundation. The result was that in 1820, Secretary of State John Quincy Adams commissioned engraver William J. Stone to produce 200 facsimiles of the Declaration of Independence. An earlier attempt had been made, but it was not designed to be an exact replica. Stone's version was to look exactly like the original.

 

Stone's facsimile is a near perfect duplicate, although there are some small differences in the lettering. This is most fortunate as the original has badly faded. Much of it is barely legible, particularly some of the signatures. Exactly how Stone achieved such a good facsimile in the days before copiers is unclear. He may have used some sort of a dampening process to lift some ink from the document to make his engraving. This could explain why it has so badly faded, but this is just a theory. The fading may simply reflect a lack of proper care for many years before its significance was fully appreciated, or be damage from the earlier taking of a facsimile.

 

In 1824, John Quincy Adams began distributing copies of the Stone Facsimile. Two copies each went to the three then surviving signers of the Declaration of Independence, Presidents Jefferson and John Adams, and Charles Carroll of Carrollton. Other copies went to President James Monroe and Vice-President Daniel Tompkins, former President James Madison, and the Marquis de Lafayette, who was about to return for a visit to the United States after an absence of almost 40 years. Twenty copies were split between the two houses of Congress, two went to the Supreme Court, 12 more copies to various departments of government, and others to state governors, legislatures, and universities. Adams kept a couple of copies himself, which he later gave out to associates. Few of these can be traced today. Around a quarter of them are known to survive, roughly divided half and half between institutions and private collections. Lafayette and Carroll's copies can be traced to their current location, but the original provenance of most surviving copies is not known.

 

All copies of the Declaration of Independence made today are based on Stone's original facsimile. Larger runs were reprinted in the 1830's and 1840's. This set commissioned by Mr. Rubenstein is the latest in time, though the document, and more importantly its message, is timeless.

 

The rare document firm of Seth Kaller and the Foundation for Art and Preservation in Embassies has created a pamphlet describing the Declaration of Independence and the Stone Facsimile's history, along with the mission to distribute copies to American embassies. Its title is America's National Treasure. The Declaration of Independence & William J. Stone's Official Facsimile. We are grateful to Mr. Kaller for providing us with a copy. You can view a copy of this fascinating history on Mr. Kaller's website – www.sethkaller.com

Rare Book Monthly

  • <b>Sotheby’s New York: The Magnificent Botanical Library of D. F. Allen. October 26, 2017</b>
    <b>Sotheby’s NY, Oct. 26:</b> Redouté, Pierre Joseph, and Claude Antoine Thory. <i>Les Roses</I>. Paris: Firmin Didot, 1817–1824. Est. $225,000 to $325,000
    <b>Sotheby’s NY, Oct. 26:</b> Trew, Jakob Christoph. <i>Hortus Nitidissimis Omnen Per Annum Superbiens Floribus</i>… Nuremberg: Johann Joseph Fleischmann, 1750 [–1786]. Est. $200,000 to $300,000
    <b>Sotheby’s NY, Oct. 26:</b> Trew, Christoph Jakob, and Benedict Christian Vogel. <i>Plantæ Selectæ</i>…[Nuremberg:] 1750–1773; Supplement, [Augsburg:] 1790 [–1792]. Est. $200,000 to $300,000
    <b>Sotheby’s New York: The Magnificent Botanical Library of D. F. Allen. October 26, 2017</b>
    <b>Sotheby’s NY, Oct. 26:</b> Jacquin, Nikolaus Joseph von. <i>Plantarum Rariorum Horti Caesarei Schönbrunnensis Descriptiones Et Icones.</i>Vienna; London; Leiden, 1797–1804. Est. $180,000 to $250,000
    <b>Sotheby’s NY, Oct. 26:</b> Weinmann, Johann Wilhelm. <i>Phytanthoza Iconographia; Sive Conspectus Aliquot Millium, Tam Indigenarum Quam Exoticarum</i>… Regensburg, 1735–1737–1745. Est. $120,000 to $180,000
  • <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop:</b> Exodus 10:10 to 16:15. Complete Biblical scroll sheet in Hebrew, a Torah scroll panel. Middle East, ca. 10th or 11th century.
    <b>19th Century Shop:</b> Copernicus Refuted. (Astronomy.). Scientific manuscript of a course of studies at Collège de la Trinité, Lyon. 1660s.
    <b>19th Century Shop:</b> Israel’s War of Independence and the Early Days of the IDF. 58 photographs presented to Israel Ber, IDF officer and later convicted spy.
    <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop:</b> Early Unpublished Darwin letter on the races of man. Autograph Letter Signed [to Henry Denny]. Down, Kent, June 1, [1844].
    <b>19th Century Shop:</b> Classic Image of American Slavery. Kimball, M. H. <i>Emancipated Slaves</i>. New York: George Hanks, 1863.
    <b>19th Century Shop:</b> (Underground Railroad.) Scaggs, Isaac. Important Runaway Slave Poster: $500 Reward Ran away, or decoyed from the subscriber…
  • <b>Sotheby’s London: Fine Autograph Letters and Manuscripts from a Distinguished Private Collection. Part I: Music. 26 October 2017</b>
    <b>Sotheby’s London Oct 26:</b> Beethoven, Ludwig van. Autograph Manuscript of the Canon "Ewig Dein" Woo 161, signed at the end ("...[Ewig] Dein...Freund Ludwig Van Beethowen"). Est. £120,000 to £150,000
    <b>Sotheby’s London Oct 26:</b> Brahms, Johannes. Autograph Manuscript of the "Geistliches Wiegenlied", Op.91 No.2, for Contralto, Viola And Piano, the original version of 1864, signed and inscribed at the end by the composer. Est. £200,000 to £250,000
    <b>Sotheby’s London Oct 26:</b> Chopin, Frédéric. Autograph Manuscript of the Opening of the Étude Op.25 No.2, in A-Flat Major, signed and dated ("Paris Ce 28 Avril F. Chopin"). Est. £100,000 to £150,000
    <b>Sotheby’s London: Fine Autograph Letters and Manuscripts from a Distinguished Private Collection. Part I: Music. 26 October 2017</b>
    <b>Sotheby’s London Oct 26:</b> Haydn, Joseph. Autograph Letter Signed ("Jos Haydn[Paraph]"), to the Baden Choirmaster Anton Stoll, 30 July 1802. Est. £20,000 to £30,000
    <b>Sotheby’s London Oct 26:</b> Verdi, Giuseppe. Autograph Working Manuscript of a scene from Ernani. Est. £100,000 to £150,000
    <b>Sotheby’s London Oct 26:</b> Verdi, Giuseppe. Highly Important Series of Thirty-Six Autograph Letters Signed to The Librettist Salvadore Cammarano, written between 1844 And 1851, the greater part unpublished and unrecorded. Est. £250,000 to £300,000

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