• <b>Sotheby’s London: Fine Autograph Letters and Manuscripts from a Distinguished Private Collection. Part I: Music. 26 October 2017</b>
    <b>Sotheby’s London Oct 26:</b> Beethoven, Ludwig van. Autograph Manuscript of the Canon "Ewig Dein" Woo 161, signed at the end ("...[Ewig] Dein...Freund Ludwig Van Beethowen"). Est. £120,000 to £150,000
    <b>Sotheby’s London Oct 26:</b> Brahms, Johannes. Autograph Manuscript of the "Geistliches Wiegenlied", Op.91 No.2, for Contralto, Viola And Piano, the original version of 1864, signed and inscribed at the end by the composer. Est. £200,000 to £250,000
    <b>Sotheby’s London Oct 26:</b> Chopin, Frédéric. Autograph Manuscript of the Opening of the Étude Op.25 No.2, in A-Flat Major, signed and dated ("Paris Ce 28 Avril F. Chopin"). Est. £100,000 to £150,000
    <b>Sotheby’s London: Fine Autograph Letters and Manuscripts from a Distinguished Private Collection. Part I: Music. 26 October 2017</b>
    <b>Sotheby’s London Oct 26:</b> Haydn, Joseph. Autograph Letter Signed ("Jos Haydn[Paraph]"), to the Baden Choirmaster Anton Stoll, 30 July 1802. Est. £20,000 to £30,000
    <b>Sotheby’s London Oct 26:</b> Verdi, Giuseppe. Autograph Working Manuscript of a scene from Ernani. Est. £100,000 to £150,000
    <b>Sotheby’s London Oct 26:</b> Verdi, Giuseppe. Highly Important Series of Thirty-Six Autograph Letters Signed to The Librettist Salvadore Cammarano, written between 1844 And 1851, the greater part unpublished and unrecorded. Est. £250,000 to £300,000
  • <b>Sotheby’s New York: The Magnificent Botanical Library of D. F. Allen. October 26, 2017</b>
    <b>Sotheby’s NY, Oct. 26:</b> Redouté, Pierre Joseph, and Claude Antoine Thory. <i>Les Roses</I>. Paris: Firmin Didot, 1817–1824. Est. $225,000 to $325,000
    <b>Sotheby’s NY, Oct. 26:</b> Trew, Jakob Christoph. <i>Hortus Nitidissimis Omnen Per Annum Superbiens Floribus</i>… Nuremberg: Johann Joseph Fleischmann, 1750 [–1786]. Est. $200,000 to $300,000
    <b>Sotheby’s NY, Oct. 26:</b> Trew, Christoph Jakob, and Benedict Christian Vogel. <i>Plantæ Selectæ</i>…[Nuremberg:] 1750–1773; Supplement, [Augsburg:] 1790 [–1792]. Est. $200,000 to $300,000
    <b>Sotheby’s New York: The Magnificent Botanical Library of D. F. Allen. October 26, 2017</b>
    <b>Sotheby’s NY, Oct. 26:</b> Jacquin, Nikolaus Joseph von. <i>Plantarum Rariorum Horti Caesarei Schönbrunnensis Descriptiones Et Icones.</i>Vienna; London; Leiden, 1797–1804. Est. $180,000 to $250,000
    <b>Sotheby’s NY, Oct. 26:</b> Weinmann, Johann Wilhelm. <i>Phytanthoza Iconographia; Sive Conspectus Aliquot Millium, Tam Indigenarum Quam Exoticarum</i>… Regensburg, 1735–1737–1745. Est. $120,000 to $180,000
  • <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop:</b> Exodus 10:10 to 16:15. Complete Biblical scroll sheet in Hebrew, a Torah scroll panel. Middle East, ca. 10th or 11th century.
    <b>19th Century Shop:</b> Copernicus Refuted. (Astronomy.). Scientific manuscript of a course of studies at Collège de la Trinité, Lyon. 1660s.
    <b>19th Century Shop:</b> Israel’s War of Independence and the Early Days of the IDF. 58 photographs presented to Israel Ber, IDF officer and later convicted spy.
    <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop:</b> Early Unpublished Darwin letter on the races of man. Autograph Letter Signed [to Henry Denny]. Down, Kent, June 1, [1844].
    <b>19th Century Shop:</b> Classic Image of American Slavery. Kimball, M. H. <i>Emancipated Slaves</i>. New York: George Hanks, 1863.
    <b>19th Century Shop:</b> (Underground Railroad.) Scaggs, Isaac. Important Runaway Slave Poster: $500 Reward Ran away, or decoyed from the subscriber…
  • <b>Results from Bonhams’ sale of <i>Fine Books & Manuscripts Featuring Exploration and Travel</i></b>
    <b>Bonhams, Sep. 26:</b> Columbus. De Insulis nuper in mari Indico repertis. Basel, 1494. SOLD for $751,500
    <b>Bonhams, Sep. 26:</b> Cook in Tahiti. [Playbill]. [Germany, c.1840.] SOLD for $6,250
    <b>Bonhams, Sep. 26:</b> Aa, Pieter van der. Naaukeurige versameling der gedenk-waardigste zee en land-reysen. Leyden, 1706-8. SOLD for $35,000
    <b>Bonhams, Sep. 26:</b> Dürer. Underweysung der messung [and two more]. Nuremberg, 1525-8. SOLD for $175,000
    <b>Bonhams, Sep. 26:</b> Cortes, Hernan. A Pleito signed by Antonio de Mendoza in the case of Hernan Cortes. 1542. SOLD for $8750
    <b>Results from Bonhams’ <i>The Air and Space Sale</i></b>
    <b>Bonhams, Sep. 27:</b> Russian Kholod 5D67 HFL Rocket Engine. SOLD for $25,000
    <b>Bonhams, Sep. 27:</b> Neil Armstrong Apollo Era Training Glove. SOLD for $50,000
    <b>Bonhams, Sep. 27:</b> Full Scale Sputnik-1 EMC/EMI Lab Model. SOLD for $847,500
    <b>Bonhams, Sep. 27:</b> SOLRAD GREB Spy Satellite Engineering Dummy. SOLD for $10,000
    <b>Bonhams, Sep. 27:</b> Soviet LK-3 Lunar Lander Model. SOLD for $25,000

Rare Book Monthly

Articles - May - 2014 Issue

Of Goupils and Men, or the Bestial Condition of Man

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The Lion King (and Queen) address their beastly subjects.

A question was recently raised in a rare books group on a social network: are fables featuring animals for kids? Yes, they are—but of course, not only. I’m French and, as such, a kid of Jean de La Fontaine—his adaptations of Aesop’s fables have become a part of our DNA. Kids love fables with animals because they are a beautiful way to say horrible things, and they enable them to catch a glimpse of the world of the grown-ups—they are initiatory readings. This reminded me of a peculiar book of mine entitled Le Renard, ou Le Procès des Bêtes (Reynard the Fox (1)) and published in 1743 in Amsterdam—quite a disturbing reading. It’s a sort of German Roman de Renard (2) featuring the dreadful Trigaudin, a cunning fox who cuts off the ears and takes out the eyes of his enemies, devours their offspring, tricks them and leads them to death. Trigaudin is a vicious creature who never pays for his crimes; on the contrary, he is eventually appointed to the highest position of the kingdom—a bloody and immoral tale, in fact. For kids? Well—they usually enjoy it. These animals tell them about the violence of the outside world, and they instinctively understand the value of such a teaching.

 

Mr. Goupil and Dr. Renard

 

 Trigaudin is what French people used to call a goupil—a fox; but the goupil featured in Le Roman de Renard became so famous during the Middle Age that he eventually gave his name, Renard, to his entire race. Le Procès des Bêtes is illustrated with twenty engravings. The first one shows a crowned lion holding a sceptre in front of an assembly of various animals. Among them is Glutton the Wolf (called Isegrim in many English editions, the name derives from Le Roman de Renard), who complains to His Majesty about the behaviour of Trigaudin, the only subject who dared not come to the royal assembly. Trigaudin, reports the Wolf, pretending to clean the face of his offspring, viciously blinded them with his claws! Then Gozille the Cock (a.k.a Chanticleer) shows the beheaded body of his daughter—“Out of fifteen children,” explains the wretched fowl, “Trigaudin has only left four alive!” Trigaudin came to Gozille a few weeks ago to tell him he had decided to stop chasing his offspring and that he was going on a long journey: “Take care of yourself, and don’t you crow too early in the morning and catch a cold.” The gullible fowl believed him, and the fox caught him off-guard. Moral of this chapter: “Never trust your enemy, no matter the reason why he comes to you.

 

Malice Vs. Strength

 

Despite the short morals that end up each chapter, Le Procès des Bêtes is a suspicious book that seems to teach our kids that malice always triumphs—indeed, there’s no satirical dimension to this popular text, as shown by William J. Thoms in his impressive introduction to the 1844 edition of the fable (London). Several royal messengers are sent to Trigaudin in his remote castle, whom he murders or mutilates until he is brought to Court and sentenced to death. With the rope around his neck, Trigaudin suddenly shouts at the Queen, to tell her about a wonderful treasure hidden somewhere. “He was taken off the gallows at once, so he could privately talk to the King and the Queen,” reads the book. Of course, Trigaudin is sent for the so-called treasure with some royal subjects... whom he tricks and murders. After another series of evil deeds, our cunning fox has no choice but to face his infuriated King again. Glutton the Wolf then challenges him to a duel; in the Middle Age, it was a common way to settle feuds, as God would never allow a guilty man to triumph over an innocent. Just like the Judgement of God that consisted in plunging the hand of a suspicious man into boiling water—if innocent, God would cure his wound within three days’ time; else, he was put to death. Trigaudin is less strong than his opponent, but more intelligent—and he eventually wins the fight. As soon as he victoriously comes out of the arena, all his former enemies rush to congratulate him. Moral of this chapter: “You are always wooed when elevated over the multitude, whether by merit or malice. Each and every one tries to get close to those Fortune favours. But adversity keeps even your friends away.”

 

Footnotes: 

 (1): In his Manuel du Libraire (Paris, 1814), Jacques-Charles Brunet gives a short insight of the English editions of this book, starting with The Hystorye of Reynart the Foxe... (M.CCCC.LXXXJ.). “This is one of the rarest editions from the press of Caxton. The history of the Regnard has since been several times printed, but with considerable changes. I’ve seen the following copy: The most delectable history of Reynard the Fox...(London, 1684).” He then evokes the editions of 1667, 1681 and 1733.

 

(2): This collective work from the Middle Age is a cornerstone of French literature. Jacques-Charles Brunet, in the aforementioned work ,writes: “Reynier le renard, histoire très joyeuse et récréative, contenant 70 chapitres, en français et bas allemand (Anvers, 1566). Prosper Marchand says the Flemish text of this volume was republished (...) in 1614, and he thinks that Le Renard, ou le Procès des bêtes, Bruxelles, 1739 (...) was translated from this Flemish version which was itself translated from—or inspired by—the French work Le livre de Maître Regnard. The Grand d’Aussy, on the contrary (...) says these Flemish and French versions were inspired by the old Roman de Renard, written in French verse in the early 13th century by Perrot de Saint-Cloot, or Pierre de Saint-Clost.”

  • Le Renard, ou Le Procez des Bestes (Bruxelles, 1739): title page, 3pp, 2pp, 1pp, 132pp, 4pp. This is the first edition, featuring a preface and some forewords. The quality of the 21 engravings (including a title vignette) is far better than in the edition above.

 Link: books.google.fr/books?id=cdcTAAAAQAAJ

  • Le Renard, ou Le Procès des Bêtes (Amsterdam, 1743): title page, 85pp, 2pp. 20 engravings. This edition features no title vignette and the engravings signed I.C.I are less attractive than those of the first edition.

Link: books.google.fr/books?id=V8t3agycTnkC

Rare Book Monthly

  • <b>Sotheby’s Paris: Books & Manuscripts. 30 October 2017</b>
    <b>Sotheby’s Paris, Oct. 30:</b> MARCEL PROUST. Du côté de chez Swann. Grasset, 1913. First edition. One of 5 copies on Japan paper, inscribed by the author to Louis Brun. Est. €400,000 - 600,000
    <b>Sotheby’s Paris, Oct. 30:</b> Saint-Exupéry. <i>25 Autograph Illustrated Letters to his Friend Charles Sallès</i>. Est. €30,000-50,000
    <b>Sotheby’s Paris, Oct. 30:</b> French Revolution, 1793. Déclaration des droits de l’Homme. 2,55 x 1,30m. A monumental wallpaper poster of the 1793 version, with hand-colored highlights. Unique copy. Est. €100,000 - 150,000
    <b>Sotheby’s Paris, Oct. 30:</b> GIAMBATTISTA PIRANESI. <i>Vedute di Roma</i>, 1748-1775. 107 etchings. An exceptional copy, printed and bound before 1780. Est. €50,000 - 80,000
    <b>Sotheby’s Paris, Oct. 30:</b> Picasso, Pablo -- Fernando de Rojas. LA CÉLESTINE. [PARIS, EDITIONS DE L'ATELIER CROMMELYNCK, 1971.] One of the 30 copies hors commerce (n° X). 66 original etchings by Picasso. Signed. Est. €30,000 - €35,000
  • <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b><br><i>The Centenary Edition of the Works of Ian Fleming</i>, one of 26 lettered sets, 18 volumes, London, 2008. $25,000 to $30,000.
    <b>Swann Auction Galleries Nov 14:</b> William Faulkner, <i>The Marble Faun</i>, first edition, signed & inscribed to Dorothy Wilcox by Faulkner & Phil Stone, Boston, 1924. $18,000 to $25,000.
    <b>Swann Auction Galleries Nov 14:</b> Maurice Sendak, <i>Where the Wild Things Are</i>, first edition, signed & inscribed to William Archibald, New York, 1963. $10,000 to $15,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> Anne Frank, <i>Het Achterhuis</i>, first edition, in first state jacket, Amsterdam, 1947. $12,000 to $18,000.
    <b>Swann Auction Galleries Nov 14:</b> Roald Dahl, <i>Charlie and the Chocolate Factory</i>, first edition, signed, New York, 1964. $6,000 to $9,000.
    <b>Swann Auction Galleries Nov 14:</b><br>Ray Bradbury, <i>Fahrenheit 451</i>, first limited edition bound in Johns-Manville Quinterra, New York, 1953. $7,000 to $10,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> Benjamin Graham, <i>The Intelligent Investor</i>, first edition, in original dust jacket, New York, 1949. $4,500 to $6,000.
    <b>Swann Auction Galleries Nov 14:</b> Anna Sewell, <i>Black Beauty</i>, first edition, inscribed, London, 1877. $7,000 to $10,000.
    <b>Swann Auction Galleries Nov 14:</b> Arthur Conan Doyle, <i>A Study in Scarlet</i>, first American edition, Philadelphia, 1890. $6,000 to $9,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> James Fenimore Cooper, <i>The Last of the Mohicans</i>, first edition, two volumes, Philadelphia, 1826. $5,000 to $7,500.
    <b>Swann Auction Galleries Nov 14:</b> Amelia Earhart, <i>20 hrs. 40 mins. Our Flight in Friendship</i>, limited first edition, signed, New York, 1928. $4,000 to $6,000.
    <b>Swann Auction Galleries Nov 14:</b> Philip K. Dick, <i>World of Chance</i>, first edition, signed, London, 1956. $3,000 to $4,000.
  • <b>Announcing a new Books for Sale platform hosted by Biblio!</b>
    <b>List your books simultaneously on Rare Book Hub and Biblio!</b>

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