The IFPDA, the International Fine Print Dealers Association, a New York based international association of print dealers, issued a letter requesting its 165 members be vigilant about inconsistencies between descriptions and copies of prints offered at Swann Galleries, the leading auction house in the prints field. According to members, and un-rebutted by the association, this is the first such letter the association has issued in its 20 year history. Coming at a time when the economy is in disrepair and business in the trade, based on conversations with about ten members, "difficult," the letter may reflect concern about Swann's business practices or be an effort to weaken Swann's position as the principal re-marketer of prints. To understand the issues involved I have spoken with as many members as time would allow.
To the layman, and I am one, an original print is described as one in which the artist designs, proofs and prints or has a master printer print an image thereafter approving and signing it. Each image is an original. The numbers vary from artist to artist. Some may have chosen to issue 10 examples, others a hundred, and such print runs rarely exceed 300. IFPDA members sell these prints which have been created over the past 500 years. They sell prints and they may also sell other things. Many members are members of several organizations.
By all accounts the business has been changing.
This was once a field dominated by dealers that, like the rare book trade, has had to make room for an ever more robust auction presence. In the book business there are 160 auction venues across North America, Europe and Australia. Sotheby's and Christies dominate the high end but there are many successful firms with niches and categories in fields they rule. In the print business, by comparison, Swann alone accounts for perhaps fifty percent by volume of all prints sold at auction. Its position is unique.
Here is the IFPDA letter:
From: IFPDA Board of Directors
Sent: Thursday, July 16, 2009 11:25 AM
Subject: IFPDA Board Alert on Swann's
Dear Members,
As you know, beginning with its charter and over years of dedication, the IFPDA has distinguished itself as an organization dedicated to the highest standards of quality, ethics, and connoisseurship among print dealers. Accordingly, it is also vitally concerned with the integrity of the print market in general. Therefore, through its Market Advisory Committee, the Association makes every effort to stem the flow of problematic works into the marketplace.
Over the years, this initiative has often involved communications with specialists at auction houses regarding the identification and withdrawal of problematic works from their sales. Most have welcomed and have been responsive to our input.
Swann, May 15: Lot 4: Helena Bochoráková-Dittrichová, Z Mého Detství Drevoryty, Prague: Obzina, 1929. First trade edition, signed by the artist. $4,000 to $6,000.
Swann, May 15: Lot 10: Nancy Cunard, Negro Anthology, with a tipped-in A.L.S. to Karl Marx's niece, 1934. First edition. $3,000 to $5,000.
Swann, May 15: Lot 14: Margaret Fuller, Woman in the Nineteenth Century, 1845. First edition. $4,000 to $6,000.
Swann, May 15: Lot 17: Lorraine Hansberry, A Raisin in the Sun, inscribed first edition, 1959. $2,000 to $3,000.
Swann, May 15: Lot 28: Margaret Hill Morris, Private Journal Kept during a Portion of the Revolutionary War, for the Amusement of a Sister, 1836. First edition. $3,000 to $4,000.
Swann, May 15: Lot 38: Anna Sewell, Black Beauty: The Autobiography of a Horse, 1877. First edition. $3,000 to $5,000.
Swann, May 15: Lot 43: Gertrude Stein, Portrait of Mabel Dodge at the Villa Curonia, signed presentation copy with photograph of Stein, 1912. First edition. $8,000 to $12,000.
Swann, May 15: Lot 48: Virginia Woolf, To the Lighthouse, first edition in the scarce dust jacket, 1927. $6,000 to $8,000.
Swann, May 15: Lot 54: Katherine Dunham, large archive of material from her attorney, 1951-53. $20,000 to $30,000.
Swann, May 15: Lot 55: Margaret Fuller Signed Autograph Letter, New York City, 1846. $3,000 to $5,000.
Swann, May 15: Lot 92: Sonia Delaunay, illus. & Tristan Tzara, Juste Present, deluxe edition with original gouache, 1961. $20,000 to $25,000.
Swann, May 15: Lot 93: Flor Garduño, The Sonnets of Shakespeare, 2006. Limited edition. $6,000 to $8,000.
Sotheby's Sell Your Fine Books & Manuscripts
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Sotheby’s: Ten Commandments Tablet, 300-800 CE | One of humanity's earliest and most enduring moral codes. Sold: 5,040,000 USD
Sotheby’s: William Blake | Songs of Innocence and of Experience. Sold: 4,320,000 USD
Sotheby’s: The Declaration of Independence | The Holt printing, the only copy in private hands. Sold: 3,360,000 USD
Sotheby's Sell Your Fine Books & Manuscripts
Sotheby’s: Thomas Taylor | The original cover art for Harry Potter and the Philosopher's Stone. Sold: 1,920,000 USD
Sotheby’s: Machiavelli | Il Principe, a previously unrecorded copy of the book where modern political thought began. Sold: 576,000 GBP
Sotheby’s: Leonardo da Vinci | Trattato della pittura, ca. 1639, a very fine pre-publication manuscript. Sold: 381,000 GBP
Sotheby’s: Henri Matisse | Jazz, Paris 1947, the complete portfolio. Sold: 312,000 EUR
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Gonnelli: Pietro Aquila, Psyche and Proserpina,1690. Starting price 140€
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Gonnelli Goya y Lucientes Francisco, Los Proverbios.1877. Starting price 1000 €
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Gonnelli: Enea Vico, Leda and the Swan,1542. Starting price 140€
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Gonnelli: Andrea Del Sarto [school of], San Giovanni Battista, 1570. Starting price 25000€
Gonnelli: Carlo Maratta, Virgin Mary and Jesus, 1660. Starting Price 1200€
Gonnelli: Louis Brion de La Tour, Sphére de Copernic Sphere de Ptolemée / Le Systême de Ptolemée. Le Systême de Ticho-Brahe…, 1766. Starting price 180€
Gonnelli Auction 59 Antique prints, paintings and maps May 20th 2025
Gonnelli: Marc’Antonio Dal Re, Ville di Delizia o Siano Palaggi Camparecci nello Stato di Milano Divise in Sei Tomi Con espressevi le Piante…, Tomo Primo, 1726. Starting price 7000€
Gonnelli: Katsushika Hokusai, Bird on a branch, 1843. Starting price 100€