When you pick up a newspaper you simply see the public face. They have long been complex institutions. My family had a history in the business.
During the early 1950s my father was publishing a group of five weekly newspapers in southern Ulster County. He bought them for $2,500 in 1951 from a motivated seller. He had been the general manager for the Hudson Valley Newspapers that had a plant on River Road in Marlborough. It was a ramshackle place but had a deep history in that community. If he could move the plant from Milton to Highland they were his.
It’s long been known that 90% of new businesses fail in their first year but once when newspapers get traction they are remarkably difficult to kill. The newspapers he bought were examples of “the refuse to die type.” The oldest two were the Marlborough Record founded in 1885 and the Highland Post in 1890. The "new" ones were the Southern Ulster Pioneer [1922], and Wallkill Valley World [1924] and the New Paltz News [1935].
Country newspapers in that era were wedded to a dying technology: hot metal composition. My father was a gifted salesman with a seductive smile but hot metal was staggering to its demise and he was staggering too. If you had a skilled crew they could manage through the breakdowns but such men were rare and valuable to the daily newspapers that were always shorthanded. The king of that crowd was the linotype operator. The Mergenthaler Linotype was the gold standard for setting type in lead and he trained a kid who became a magician with his linotypes. In 1954 the Poughkeepsie Journal hired him away. My father was making $80 a week and he lost his prized student to an offer for $160. My father never fully recovered.
He needed to sell advertising during the day and set type overnight. He became suicidal, lubricating his disaster with alcohol. He crashed 7 cars over a 3 year period. He tried very hard. He didn’t quit and in time my mother Adelaide became their editor.
His life was a very public disaster and the communities he served made allowances for his battle to survive.
A resolution appeared in 1958 with the introduction of off-set composition and printing. By 1961 he abandoned hot lead and focused on selling advertising and within a few years was starting to make as much as his Linotype operator demanded 10 years ago.
It was trial by fire.
In 1962 he sold his hot metal shop for $14,500, barely more than half of what he paid to buy his new Mergenthaler Linotype in 1953.
That machine was “3,000 moving parts” in a master’s hands and a disaster with too little sleep and too much alcohol.
My father, Thomas Craig McKinney, took on that challenge and took his family on a ride to hell and back. I hated him for that hell but, at 76, I know where I got my backbone.
In a few years we’ll lay nearby together and I’ll be proud to say he was my father.
Swann, May 15: Lot 4: Helena Bochoráková-Dittrichová, Z Mého Detství Drevoryty, Prague: Obzina, 1929. First trade edition, signed by the artist. $4,000 to $6,000.
Swann, May 15: Lot 10: Nancy Cunard, Negro Anthology, with a tipped-in A.L.S. to Karl Marx's niece, 1934. First edition. $3,000 to $5,000.
Swann, May 15: Lot 14: Margaret Fuller, Woman in the Nineteenth Century, 1845. First edition. $4,000 to $6,000.
Swann, May 15: Lot 17: Lorraine Hansberry, A Raisin in the Sun, inscribed first edition, 1959. $2,000 to $3,000.
Swann, May 15: Lot 28: Margaret Hill Morris, Private Journal Kept during a Portion of the Revolutionary War, for the Amusement of a Sister, 1836. First edition. $3,000 to $4,000.
Swann, May 15: Lot 38: Anna Sewell, Black Beauty: The Autobiography of a Horse, 1877. First edition. $3,000 to $5,000.
Swann, May 15: Lot 43: Gertrude Stein, Portrait of Mabel Dodge at the Villa Curonia, signed presentation copy with photograph of Stein, 1912. First edition. $8,000 to $12,000.
Swann, May 15: Lot 48: Virginia Woolf, To the Lighthouse, first edition in the scarce dust jacket, 1927. $6,000 to $8,000.
Swann, May 15: Lot 54: Katherine Dunham, large archive of material from her attorney, 1951-53. $20,000 to $30,000.
Swann, May 15: Lot 55: Margaret Fuller Signed Autograph Letter, New York City, 1846. $3,000 to $5,000.
Swann, May 15: Lot 92: Sonia Delaunay, illus. & Tristan Tzara, Juste Present, deluxe edition with original gouache, 1961. $20,000 to $25,000.
Swann, May 15: Lot 93: Flor Garduño, The Sonnets of Shakespeare, 2006. Limited edition. $6,000 to $8,000.
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Sotheby’s: Thomas Taylor | The original cover art for Harry Potter and the Philosopher's Stone. Sold: 1,920,000 USD
Sotheby’s: Machiavelli | Il Principe, a previously unrecorded copy of the book where modern political thought began. Sold: 576,000 GBP
Sotheby’s: Leonardo da Vinci | Trattato della pittura, ca. 1639, a very fine pre-publication manuscript. Sold: 381,000 GBP
Sotheby’s: Henri Matisse | Jazz, Paris 1947, the complete portfolio. Sold: 312,000 EUR
Gonnelli Auction 59 Antique prints, paintings and maps May 20th 2025
Gonnelli: Pietro Aquila, Psyche and Proserpina,1690. Starting price 140€
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Gonnelli Auction 59 Antique prints, paintings and maps May 20th 2025
Gonnelli Goya y Lucientes Francisco, Los Proverbios.1877. Starting price 1000 €
Gonnelli: Domenico Peruzzini, Long bearded old man, 1660. Starting price 2200€
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Gonnelli Auction 59 Antique prints, paintings and maps May 20th 2025
Gonnelli: Andrea Del Sarto [school of], San Giovanni Battista, 1570. Starting price 25000€
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Gonnelli Auction 59 Antique prints, paintings and maps May 20th 2025
Gonnelli: Marc’Antonio Dal Re, Ville di Delizia o Siano Palaggi Camparecci nello Stato di Milano Divise in Sei Tomi Con espressevi le Piante…, Tomo Primo, 1726. Starting price 7000€
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