• <b><center>Gonnelli Auction House<br>Old master, modern and contemporary art<br>Maps & Orientalia<br>8th-9th-10th of June 2022
    <b>Gonnelli Auction House:</b> Giuseppe Aloja, Veduta di Napoli dalla parte di Chiaia. Starting price: € 1650
    <b>Gonnelli Auction House:</b> Abraham Ortelius, Mappa dell'Atlantico del Nord. Starting price: € 280
    <b>Gonnelli Auction House:</b> Max Klinger, Für alle. 1884. Starting price: € 360
    <b>Gonnelli Auction House:</b> Katsushita Taito II, Kacho gaden. Starting price: € 320
    <b>Gonnelli Auction House:</b> Blub, Galileo Galilei. Starting price: € 100
  • <center><b>Ketterer Rare Books<br>Auction on May 30</b>
    <b>Ketterer Rare Books, May 30:</b><br>Initial A on vellum, Cologne around 1300. Est: €25,000
    <b>Ketterer Rare Books, May 30:</b><br>J. Androuet du Cerceau, <i> Bastiments de France,</i> 1607. Est: €12,000
    <b>Ketterer Rare Books, May 30:</b><br>E. Cerillo, <i>Dipinti murali di Pompei,</i> 1886. Est: €2,500
    <center><b>Ketterer Rare Books<br>Auction on May 30</b>
    <b>Ketterer Rare Books, May 30:</b><br>L. de Austria, <i>Compilatio de astrorum scientia,</i> 1489. Est: €9,000
    <b>Ketterer Rare Books, May 30:</b><br>B. Besler, <i>Hortus Eystettensis,</i> around 1750. Est: €50,000
    <b>Ketterer Rare Books, May 30:</b><br><i>PAN,</i> 1895-1900. Est: €15,000
    <center><b>Ketterer Rare Books<br>Auction on May 30</b>
    <b>Ketterer Rare Books, May 30:</b><br>F. Colonna, <i>Hypnerotomachia Poliphili,</i> 1545. Est: €40,000
    <b>Ketterer Rare Books, May 30:</b><br>F. Schiller, <i>Die Räuber,</i> 1781. Est: €12,000
    <b>Ketterer Rare Books, May 30:</b><br>J. Albers, <i>Formulation : Articulation,</i> 1972. Est: €18,000
    <center><b>Ketterer Rare Books<br>Auction on May 30</b>
    <b>Ketterer Rare Books, May 30:</b><br>G. B. Ramusio, <i>Delle navigationi e viaggi,</i> 1556-1613. Est: €14,000
    <b>Ketterer Rare Books, May 30:</b><br>M. Wied Neuwied, <i>Reise in das Innere Nord-America,</i> 1839-41. Est: €12,000
    <b>Ketterer Rare Books, May 30:</b><br>E. Paolozzi, <i>Bunk,</i> 1972. Est: €25,000
  • <b><center>Sotheby’s<br> The Library of Henry Rogers<br>Broughton, 2nd Baron Fairhaven<br>Part I<br>18 May 2022</b>
    <b>Sotheby’s, May 18:</b> John James Audubon and James Bachman. <i>The Viviparous Quadrupeds of North America.</i> New York: J.J. Audubon, 1845-1848. £150,000 to £250,000.
    <b>Sotheby’s, May 18:</b> Thomas and William Daniell. <i>Oriental Scenery,</i> London, 1795-1807 [but 1841], 6 parts in 3 volumes, folio. £150,000 to £200,000.
    <b>Sotheby’s, May 18:</b> Mark Catesby. <i>The natural history of Carolina, Florida and the Bahama Islands...</i> London, 1731-1743, 2 volumes. £100,000 to £150,000.
    <b>Sotheby’s, May 18:</b> Gould and Lear. <i>A monograph of the Ramphastidae,</i> 1854; <i>Illustrations of the family of Psittacidae,</i> 1832. £60,000 to £90,000.

Rare Book Monthly

Articles - October - 2003 Issue

Book Lust and the Cultural Erotics of Fine Printing

Mb9

Illustration by Arthur Zaidenberg for a 1931 edition of J-K. Huysman's Against Nature


In his illustrations for a fine edition of Pierre Louÿs’s Collected Stories, British artist John Austen captured well the decadent fusing of woman as both aesthetic object and creature of raw nature. In the story called “A New Pleasure,” an eternal Venus-like goddess suddenly appears in a man’s Parisian apartment. She boasts of the exquisite sensuality of ancient times, reveals her beauty to him to prove her claims, and challenges him to show her if moderns had improved upon what the ancients had perfected. In the first image, she stands as rigid, sleek, and curved as the white porcelain vase of tulips in the foreground. The art on the wall behind her left shoulder recedes into a cloudy blur. Three pages later, Austen depicts the post-coital goddess. Rendered now in harsher, black only lines, she is disheveled, her form bent in a more natural lumpy shape. The artwork over her shoulder appears in sharp focus, a faceless nude female torso.

The theme echoes throughout the late 20s and 30s. Bohemian American artist Clara Tice illustrated an edition of Louÿs’s Woman and Puppet. The frontispiece (illustration 12) is a luridly colored depiction of Conchita, the young virgin who torments her lover with erotic dances. The phallic keyhole through which she returns our gaze is, I think, Tice’s own cynical commentary on her lucrative job and her own subversive place as a woman within this bibliophilic world.

In the other major strain of modern elite books sensual content was cultivated in a different direction. Much closer to the uninhibited view of nudity and sex seen in bookplates of the time, this vein took an enlightened, idealistic stance toward sensuality. Texts and illustrations were frequently classically simple and graceful, with none of the brittle, even savage cynicism found in their decadent counterparts. Favorite texts included Solomon’s Song of Songs, which invited lyrically erotic art, and classic love tales like Daphnis and Chloe. The work of Pierre Louÿs also inspired dozens of fine editions in this more idealized manner. Most notably specializing in this vein was the English Golden Cockerel Press. Its second owner, wood engraver Robert Gibbings, cultivated this lucrative niche when he bought the press in the mid-1920s. Virtually all Golden Cockerel editions were beautifully designed and produced. Gibbings typically selected classic works of literature that offered opportunities for sensuous art, and he often illustrated them himself—as in editions of Keats’s Lamia and Other Poems and Milton’s Paradise Lost

The defining artistic force during these luminous years for the press, however, was Gibbings’s close friend Eric Gill. Gill’s deeply spiritual views of the supreme centrality of the erotic helped shape the direction and reputation of the press. “The beautiful thing is that which being seen pleases,” Gill insisted, and “nothing is more pleasing than the nude human body.” His 1925 illustrations for the Song of Solomon express his philosophy so thoroughly that it either scandalized, or thrilled, its first viewers. Many regard the 1931 Golden Cockerel edition of the Canterbury Tales as the greatest expression of the Gill-Gibbings collaboration. It featured an abundance of Gill's nudes draped languorously around the half title and occasionally snaking up the margins of a page.

After Gibbings sold the press in the early thirties, its new owners continued and deepened the Golden Cockerel reputation for elite erotic books, hiring many of the leading artists of the day to illustrate fine editions of classic works of literature. John Buckland Wright, who illustrated many titles, expressed the press’s approach to its work when he wrote that “eroticism is not in what is drawn but in the way it’s drawn. A restrained and full-blooded eroticism is infinitely more expressive and suggestive than any amount of obvious stuff.” As this emphasis on tasteful restraint suggests, Golden Cockerel books were the most clearly fine of all the editions I’ve described. Their impeccably worthy texts, illustrations by prestigious artists, and genuinely fine production ensured their reception as Art, a context both affirmed and exploited by their eroticism.

Rare Book Monthly

  • <center><b>Swann Auction Galleries<br>Graphic Design<br>May 19, 2022</b>
    <b>Swann May 19:</b> Adolphe Mouron Cassandre, <i>Triplex,</i> pencil maquette, 1930. $25,000 to $35,000.
    <b>Swann May 19:</b> Claude Fayette Brandon, <i>The Chap Book,</i> circa 1895. $3,000 to $4,000.
    <b>Swann May 19:</b> Various Artists, a complete set of <i>Das Plakat,</i> set of 10 hardcover volumes, 1912-21. $25,000 to $35,000.
    <b>Swann May 19:</b> Javier Gómez Acebo & Máximo Viejo Santamarta, <i>San Sebastian / XI Circuitto Automovilista,</i> 1935. $10,000 to $15,000.
    <b>Swann May 19:</b> Ephraim Moses Lilien, <i>Berliner Tageblatt,</i> circa 1899. $12,000 to $18,000.
  • <b><center>Forum Auctions<br>Fine Books, Manuscripts and Works on Paper<br>26th May 2022</b>
    <b>Forum, May 26:</b> Birds.- Gould (John). <i>The Birds of Great Britain,</i> 5 vol., first edition, [1862-]1873. £40,000 to £60,000.
    <b>Forum, May 26:</b> Canadiana.- Cockburn (Maj. Gen. James Pattison, 1779-1847), After. [Six Landscape of Quebec City and Six Views of Niagara Falls], 2 suites in 1 vol., comprising 12 aquatints, 1833. £30,000 to £40,000.
    <b>Forum, May 26:</b> Joyce (James). <i>Ulysses,</i> number 218 of 150 copies on verge d'arches, Paris, Shakespeare & Company, 1922. £15,000 to £20,000.
    <b><center>Forum Auctions<br>Fine Books, Manuscripts and Works on Paper<br>26th May 2022</b>
    <b>Forum, May 26:</b> Rowling (J.K.) <i>Harry Potter and the Philosopher's Stone,</i> first paperback edition, signed by the author, 1997. £15,000 to £20,000.
    <b>Forum, May 26:</b> Du Maurier (Daphne). <i>Rebecca,</i> first edition, signed presentation inscription from the author to her governess, 1938. £12,000 to £18,000.
    <b>Forum, May 26:</b> Magna Carta.- An exact copy of King John's Great Charter of 1215, transcribed from the fire damaged but legible manuscript in the Cottonian Library, British Library, J. Pine, 1733. £10,000 to £15,000.
    <b><center>Forum Auctions<br>Fine Books, Manuscripts and Works on Paper<br>26th May 2022</b>
    <b>Forum, May 26:</b> Woolf (Virginia). <i>Mrs Dalloway,</i> first edition, Hogarth Press, 1925. £10,000 to £15,000.
    <b>Forum, May 26:</b> Tudor exiles opposed to the Marian regime.- Mary I (Queen of England) Letter signed "Marye the Quene" to Lord Paget, signed at head, titled at head "By the King and Quene", 1556. £8,000 to £10,000.
    <b>Forum, May 26:</b> America.- Newfoundland.- Whitbourne (Sir Richard). <i>A discourse and discouery of Nevv-found-land…,</i> second edition, By Felix Kingston, 1622. £6,000 to £8,000.
    <b><center>Forum Auctions<br>Fine Books, Manuscripts and Works on Paper<br>26th May 2022</b>
    <b>Forum, May 26:</b> Cervantès Saavedra (Miguel de). <i>El Ingenioso Hidalgo Do Quixote de la Mancha,</i> 4 vol., Madrid, Por Don Joaquin Ibarra, 1780. £5,000 to £7,000.
    <b>Forum, May 26:</b> Stubbs (George). <i>The Anatomy of the Horse,</i> first edition, first issue, Printed by J. Purser, for the Author, 1766. £6,000 to £8,000.
    <b>Forum, May 26:</b> Cardiology.- Lower (Richard). <i>Tractatus de Corde item De Motu & Colore Sanguinus et Chyli in cum Transitu,</i> first edition, 1669. £5,000 to £7,000.

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