Rare Book Monthly

Articles - November - 2020 Issue

In the Age of Ephemera

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Books have long been the mainstay in the ‘printed’ category while other printed forms have periodically captured the headlines and imaginations of collectors and collecting institutions.  But we seem to be entering into a profound stage of change that is seeing the very definition of printed collectibles evolve in face of emerging visibility by subject, period and category.

 

This is of course nothing new.  Schools of painting come and go as do random subjects become an era’s bright and shiny object.  Furniture that bespeaks style as do categories of objects such as flags, models, weapons, and related objects also add immeasurably to collections.  Hence a famous printers’ press is hardly a giant step once a collector’s imagination has broken through the bounds that frame traditional collecting possibilities.

 

Epic collecting was once the sole preserve of wildly wealthy collectors, museums and highly significant libraries that had knowledge, gumption and resources.  These days there is more money around and the internet rewards intense research revealing collecting focuses we never dreamed were possible.  Just a decade ago collecting seemed to fall into well-defined categories and now we seem to be living through the emergence of tens of thousands of seemingly random dots that become personal constellations.  It is a remarkable moment in the history of collecting as this extraordinary avocation is being restructured by information and personal interest rather than by dealer inventories that have structured their holdings into traditional collecting categories.  Voila, presto, there are a thousand ways to effectively collect.

 

While virtually all collecting disciplines are affected they are not equally altered.  Books have been suffering disproportionately because the great listing sites make it transparent how many copies are available when collectors are often looking for rare material.  Manuscripts, by comparison, are unique and often have few comparable options.  Printed maps tend to have multiple copies as do engravings.  And then there is ephemera and what is it?

 

A large portion of collectible printing was intended to survive.  However, ephemera is/was essentially ‘created for the moment’ and is/was not expected to survive.  Few precautions hence were taken to record, define and explain such items although through the prism of time such objects are often intensely interesting.  Books, by comparison, have documented history that is built transaction by transaction when they pass though auction rooms.  Ephemera has a much slimmer history, in part because identification is often difficult when neither date nor place are provided when its location was self-evident.  Here are a few examples; announcements that ships, boats or barges are to set sail.  Posters for entertainments such as Romeo and Juliet at 8:00pm often suggest a poster was provided on the day at the place for the event.  Menus too don’t necessarily tell a complete story, just what’s for dinner, not necessarily the day and year, not even for sure the place.  Photographs often tell us only what we can piece together from what we can see.  So such items only tell a fragmentary account.

 

Taken together however such material often can tell us a great deal about the past.

 

This in a small way begins to explain the power of ephemera and why such material is increasingly finding its way into auctions.  It’s often inexpensive, fragmentary and incompletely described.  Hence, the collector or institution has to have an educated perspective to guess at what or how material fits in.

 

All this said, the future for ephemera is robust.  We expect 30% of all auction lots will focus on or include such material over the next 10 years.

Rare Book Monthly

  • <b>ANZAAB Highlights Catalogue:</b> OUTHWAITE, Ida Rentoul. FROG TEACHER LEADING ELF PUPILS ... Watercolour, c.1920.
    <b>ANZAAB Highlights Catalogue:</b> SATO, Gyro. [GENDAI RYOKI SENTAN ZUKAN]. Tokyo : Shinchosa, 1931.
    <b>ANZAAB Highlights Catalogue:</b> CARROLL, Lewis. ALICE’S ADVENTURES IN WONDERLAND. London : Macmillan and Co., 1868.
    <b>ANZAAB Highlights Catalogue:</b> FLEMING, Ian and MILLER, Albert. CHITTY CHITTY BANG BANG. New York : Random House, 1968.
    <b>ANZAAB Highlights Catalogue:</b> PHOENIX. Adelaide : Adelaide University Union, 1939.
    <b>ANZAAB Highlights Catalogue:</b> BOWEN, Emmanuel. A complete map of the Southern Continent. London : 1744.
    <b>ANZAAB Highlights Catalogue:</b> NORTHFIELD, James. AUSTRALIA. Melbourne : Northfield Studios and J.E. Hackett, c.1935
  • <center><b>The Transatlantic Book Fair<br>July 22-27, 2021</b>
    <b>Transatlantic Book Fair, Jul. 22-27:</b> SHAKESPEARE, William. <i>Comedies, Histories and Tragedies. Published according to the true originall copies.</i> London, Tho Cotes, for Robert Allot, 1632.
    <b>Transatlantic Book Fair, Jul. 22-27:</b> STAHL, Augusto. <i>Panorama of Rio de Janiero.</i> c.1859. 3-part albumen print panorama (266 x 1186mm.).
    <b>Transatlantic Book Fair, Jul. 22-27:</b> WILDE, Oscar. <i>Lady Windermere's Fan</i>. London: Elkin Mathews & John Lane, 1893. Presentation copy.
    <center><b>The Transatlantic Book Fair<br>July 22-27, 2021</b>
    <b>Transatlantic Book Fair, Jul. 22-27:</b> DE TOCQUEVILLE, Alexis. <i>De la Democratie en Amerique.</i> Paris: Pagnerre, 1850. Thirteenth Edition. Presentation copy.
    <b>Transatlantic Book Fair, Jul. 22-27:</b> CHAUDRON, A[delaide] de V[endel]. <i>Chaudron’s Spelling Book.</i> Mobile (AL): S.H. Goetzel, 1865.
    <b>Transatlantic Book Fair, Jul. 22-27:</b> SAINT CHER, Hugh of. <i>Commentary on Peter Lombard’s Sentences, with the Abridgement of the Sentences.</i> Eastern France, illuminated manuscript., first half of the fifteenth century.
    <center><b>The Transatlantic Book Fair<br>July 22-27, 2021</b>
    <b>Transatlantic Book Fair, Jul. 22-27:</b> LANE, Thomas. <i>The Crystal Palace.</i> London, 1851.
    <b>Transatlantic Book Fair, Jul. 22-27:</b> B[ULWER], J[ohn]. <i>Anthropometamorphosis: man transform’d: or, the artificiall changling historically presented…</i> London: William Hunt, 1653.
    <b>Transatlantic Book Fair, Jul. 22-27:</b> VOLTAIRE, François-Marie Arouet de. <i>Oeuvres de M. de Voltaire.</i> Dresden, George-Conrad Walther (i.e. Leipzig, Breitkopf), 1748-1750.
    <center><b>The Transatlantic Book Fair<br>July 22-27, 2021</b>
    <b>Transatlantic Book Fair, Jul. 22-27:</b> HAWKING, Stephen & Leonard Mlodinow. <i>The Grand Design.</i> London: Bantam Books, 2011.
    <b>Transatlantic Book Fair, Jul. 22-27:</b> FIELDS, James T. <i>Yesterdays with Authors.</i> With fine manuscript letter by Charles Dickens, and autograph letters from Forster, Landor, Mitford and others.
    <b>Transatlantic Book Fair, Jul. 22-27:</b> <i>Kit, the Arkansas Traveller Broadside.</i> Chromolithograph.
  • <b>Swann Auction Galleries Aug 5:</b> Charles Loupot, <i>Les Cigarettes Mekka,</i> 1919. $15,000 to $20,000.
    <b>Swann Auction Galleries Aug 5:</b> Plinio Codognato, <i>Cicli Fiat,</i> circa 1910. $12,000 to $18,000.
    <b>Swann Auction Galleries Aug 5:</b> L.N. Britton, <i>Warning! Consider the Possible Consequences,</i> c. 1917. $8,000 to $12,000.
    <b>Swann Auction Galleries Aug 5:</b> Leonardo Bistolfi, <i>Première Exposition Internationale des Arts Décoratifs Modernes,</i> 1902. $7,000 to $10,000.
    <b>Swann Auction Galleries Aug 5:</b> Leonetto Cappiello, <i>Paquet Pernot / Biscuits Pernot,</i> 1910. $4,000 to $6,000.
    <b>Swann Auction Galleries Jul 15:</b> Jessie Tarbox Beals, archive of signed photographs, 15 silver prints, c. 1930. $6,000 to $8,000.
    <b>Swann Auction Galleries Aug 5:</b> Francesco Nonni, <i>Font Meo / Acqua Minerale Naturale,</i> 1924. $4,000 to $6,000.
    <b>Swann Auction Galleries Aug 5:</b> Frederick Winthrop Ramsdell, <i>American Crescent Cycles,</i> 1899. $3,000 to $4,000.
    <b>Swann Auction Galleries Aug 5:</b> <i>Be a Tight Wad! Own Something!</i> designer unknown, 1925. $2,000 to $3,000.
    <b>Swann Auction Galleries Aug 5:</b> Candido Aragonese de Faria, <i>Chamonix–Mont–Blanc,</i> c. 1910. $3,000 to $4,000.
    <b>Swann Auction Galleries Aug 5:</b> W.E.J., <i>Irishmen Avenge the Lusitania,</i> c. 1915. $2,000 to $3,000.
  • <center><b>Sotheby’s<br>Your Own Sylvia:<br>Sylvia Plath’s letters to Ted Hughes and other items,<br>Property of Frieda Hughes<br>9 to 21 July 2021</b>
    <b>Sotheby’s, 9 – 21 July:</b> Sylvia Plath. Family photograph album ("The Hughes family Album"), 1957-1962. £30,000 to £50,000.
    <b>Sotheby’s, 9 – 21 July:</b> Sylvia Plath. Typed letter signed, to Ted Hughes, on "my own private doctrine", with a poem, 5 October 1956. £15,000 to £20,000.
    <b>Sotheby’s, 9 – 21 July:</b> Sylvia Plath. Pen and ink portrait of Ted Hughes, [1956]. £10,000 to £15,000.
    <center><b>Sotheby’s<br>Your Own Sylvia:<br>Sylvia Plath’s letters to Ted Hughes and other items,<br>Property of Frieda Hughes<br>9 to 21 July 2021</b>
    <b>Sotheby’s, 9 – 21 July:</b> Ted Hughes and Sylvia Plath. Joint autograph letter signed, to William and Edith Hughes, March 1960. £8,000 to £12,000.
    <b>Sotheby’s, 9 – 21 July:</b> Sylvia Plath and Ted Hughes. Photographic portrait by David Bailey, inscribed by Plath, 1961, and another press photo. £800 to £1,200.
    <b>Sotheby’s, 9 – 21 July:</b> Tarot de Marseille. Deck of cards owned by Sylvia Plath. £4,000 to £6,000.
    <b>Sotheby’s, 9 – 21 July:</b> Sylvia Plath and Ted Hughes. Pair of gold wedding rings. £6,000 to £8,000.
  • <center><b>Trillium Antique Prints & Rare Books<br>Fine Art<br>Antique Engravings & Lithographs<br>Works on Paper<br>Accepting bids until July 31</b>
    <b>Trillium, July 31:</b> Cleveley, Jukes, & Cook - View of Charlotte Sound, New Zealand. $3,000 to $5,000.
    <b>Trillium, July 31:</b> Peron - Platypus. $300 to $600.
    <b>Trillium, July 31:</b> Loon & Pitt - Map of the World published 1680 - <I>Orbis Terrarum nova et accuratissima tabula.</i> $5,000 to $8,000.
    <b>Trillium, July 31:</b> Maitres de l'Affiche by MUCHA - La Dame aux Camelias. $4,000 to $6,000.
    <center><b>Trillium Antique Prints & Rare Books<br>Fine Art<br>Antique Engravings & Lithographs<br>Works on Paper<br>Accepting bids until July 31</b>
    <b>Trillium, July 31:</b> Cause - Peony, Crocus, Dog's Tooth Violet. $400 to $800.
    <b>Trillium, July 31:</b> Redoute, Folio - Lemmonnier's Iris - Iris Monnieri. $2,000 to $4,000.
    <b>Trillium, July 31:</b> Audubon, Imperial Folio - Common American Deer. $6,000 to $12,000.
    <b>Trillium, July 31:</b> Gould - Cuvier's Toucan (Ramphastos Cuvieri). $5,000 to $8,000.

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