• <center><b>Arader Galleries<br>January Auction<br>January 23, 2021</b>
    <b>Arader Galleries, Jan. 23:</b> AUDUBON, John James. <i>Carolina Parrot, Plate 26.</i> London: Robert Havell, 1827-1838. $125,000 to $175,000.
    <b>Arader Galleries, Jan. 23:</b> AUDUBON, John James. <i>Fish Hawk or Osprey, Plate 81.</i> London: Robert Havell, 1827-1838. $145,000 to $175,000.
    <b>Arader Galleries, Jan. 23:</b> AUDUBON, John James. <i>Brown Pelican, Plate 421.</i> London: Robert Havell, 1827-1838. $75,000 to $100,000.
    <center><b>Arader Galleries<br>January Auction<br>January 23, 2021</b>
    <b>Arader Galleries, Jan. 23:</b> DE BRY, Johann Theodore, attributed to. Pair of Watercolor studies of Tulips. $40,000 to $60,000.
    <b>Arader Galleries, Jan. 23:</b> FUERTES, Louis Agassiz. <i>Alaskan Brown Bear.</i> Watercolor and gouache on board. $10,000 to $15,000.
    <b>Arader Galleries, Jan. 23:</b> HILL, Thomas. <i>Big Trees.</i> Oil on canvas. c. 1903. $40,000 to $60,000.
    <center><b>Arader Galleries<br>January Auction<br>January 23, 2021</b>
    <b>Arader Galleries, Jan. 23:</b> GOULD, John. <i>A Monograph of the Macropodidae or Family of Kangaroos.</i> London: by the author, August 1st 1841-May 1st 1842. $40,000 to $60,000.
    <b>Arader Galleries, Jan. 23:</b> GOULD, John. <i>A Monograph of the Odontophorinae, or Partridges of America.</i> London: Richard and John E. Taylor for the Author, [1844]-1850. $15,000 to $20,000.
    <b>Arader Galleries, Jan. 23:</b> JANSSONIUS, Joannes. <i>Atlantis majoris quinta pars, orbem maritimum seu omnium marium…</i> Amsterdam: Joannes Janssonius, 1652. $50,000 to $80,000.
    <center><b>Arader Galleries<br>January Auction<br>January 23, 2021</b>
    <b>Arader Galleries, Jan. 23:</b> DONCKER, Hendrik. <i>De Zee-Atlas ofte Water-Waereld, vertoonende alle de Zee-Kusten van het bekende deel des Aerd-Bodems.</i> Amsterdam: Henrick Doncker, [1658-1665]. $80,000 to $120,000.
    <b>Arader Galleries, Jan. 23:</b> BURR, David. <i>Map of the City and County of New York with the Adjacent Country.</i> Engraved map with original hand color. Ithaca, NY: Stone & Clark, 1839. $9,000 to $12,000.
    <b>Arader Galleries, Jan. 23:</b> CURRIER, Nathaniel and IVES, James Merritt. <i>The City of New York.</i> Lithograph with original hand color. New York: Currier & Ives, 1884. $15,000 to $20,000.
  • <b>Swann Auction Galleries Jan 28:</b> Joseph F. Kernan, <i>College Football,</i> oil on canvas, <i>The Saturday Evening Post</i> cover, 1932. $25,000 to $35,000.
    <b>Swann Auction Galleries Jan 28:</b> Joseph C. Leyendecker, <i>Golfer Lighting a Cigarette,</i> oil on canvas, c.1920. $7,000 to $10,000.
    <b>Swann Auction Galleries Jan 28:</b> Howard Chandler Christy, <i>In the Field,</i> charcoal & watercolor, published in <i>Scribner’s,</i> 1902. $8,000 to $12,000.
    <b>Swann Auction Galleries Jan 28:</b> N.C. Wyeth, <i>Standish Reading,</i> pen & ink, for <i>The Courtship of Miles Standish,</i> 1920. $5,000 to $7,500.
    <b>Swann Auction Galleries Jan 28:</b> Johnanna Stewart Mapes, <i>A Fairy Book,</i> conté crayon, for <i>St. Nicholas Magazine,</i> 1907. $2,500 to $3,500.
    <b>Swann Auction Galleries Jan 28:</b> Arnold Lobel, pen & ink, for <i>The Frog & Toad Coloring Book,</i> 1981. $3,000 to $4,000.
    <b>Swann Auction Galleries Jan 28:</b> Antonio Lopez, <i>Today’s Fashions,</i> study for <i>The New York Times,</i> 1981. $2,500 to $3,500.
    <b>Swann Auction Galleries Jan 28:</b> Charles Schulz, <i>“I’ll have to go back to the house…I forgot my rubbers…”</i> pen & ink, original 4-panel <i>Peanuts comic,</i> 1960. $8,000 to $12,000.
    <b>Swann Auction Galleries Jan 28:</b> Constantin Alajalov, <i>Family Tree,</i> watercolor and gouache, cover for <i>The New Yorker,</i> 1938. Estimate $3,000 to $4,000.

Rare Book Monthly

Articles - December - 2017 Issue

The Lingering Allure of the Manuscript: The Jay T. Snider Collection of Illustrated & Decorated Manuscripts at Christie's

4f44660f-91e4-4873-b1ab-e87a53d421f5

Highlights manuscripts from Christie's sale of Fine Printed Books and Manuscripts Including Americana

Editor's Note: Christie's sale on December 5th of Fine Printed Books and Manuscripts Including Americana contains a beautiful selection of manuscripts from the Jay T. Snider Collection. This is Books & Manuscripts specialist at Christie's Rhiannon Knol's take on the significance of manuscripts in the field.

 

After over 500 years of the Gutenberg Galaxy, what explains the lingering allure of the manuscript? This question finds a ready answer in the diverse and lucid collection of Jay T. Snider, which spans centuries and continents yet broadcasts—in both its whole and its every part—what the artist Ben Shahn described as “an immediate sense of the hand that made the letters… the joy of workmanship that no time or weathering can erase.” While the category ‘illuminated manuscript’ is usually associated with medieval Europe, none here predate the invention of printing in the West. Gutenberg’s printing press may have industrialized book production, but it could never totally displace the role of the written word and the painted image.

 

While print means copies, a manuscript signifies an original, not mechanically produced, but handmade. Manuscripts bring us into the realm of the private diary, the personal sketchbook, and the draft—the places where human imagination, artistry, and knowledge germinate. Take, for example, a notebook in the Snider collection kept by several generations of nuns at the convent of Saint Godelieve (lot 145). Inside, numerous neat hands in French and Flemish record the collective knowledge of the convent on dyeing, paper making, embroidery, and other textile crafts. Inside its covers (themselves a manuscript salvaged from a Medieval antiphonal) scraps of inspiration have been lovingly preserved: illuminated borders from books of hours, a prayer card, cut-out paintings of fruit. On the other side of the Atlantic in the same century, Bethlemite monks in Mexico were crafting a large illuminated missal (lot 159). Although the Spanish had been printing in the New World for nearly two centuries, the manuscript tradition was alive and well—producing Baroque masterpieces which combined European and Native traditions of art and book production to honor the glory of God.

 

The heightened possibilities offered by words interplaying with images in handwritten and painted works also make these ideal vehicles for communicating scientific knowledge. A nineteenth-century illustrated manuscript recension of an ancient Indian veterinary text reveals this accretion of knowledge over time, with recipes added in several hands (lot 163). At the same time, a handsome manuscript document of the butterflies of Estonia underscores the importance of the scientific eye working in concert with the hand to capture the splendor of nature (lot 162). In 19th-century China, artists painted watercolors for the export market, producing astonishing renderings of native flora for discerning foreign scholars who did not trust engravings done by artists who had never seen their subjects (lot 155), as well as luminous gem-like miniatures to meet the tastes of collectors from London to Moscow (lot 156).

 

Across Europe and America, artists and travelers recorded their views of the world on a human scale. The American folk artist Lewis Miller captured the bustling cities of Germany in his “Reise Journal” (lot 150) while British engineer and draftsman Henry Drayson did the same for the dramatic landscapes of the American Northeast (lot 152). Princess Maria Anna of Prussia and Elisa D’Angleville both kept albums of their work as artists, tracing not only the development of their skills and the settings of their daily lives, but the landscapes of their interior life as well (lots 148 and 149).

 

Edo Japan’s manuscript tradition thrived alongside print, as scholars recorded ancient knowledge in elaborately folded books, calligraphers vaunted their art, and scribes copied secret or censored material for private circulation (lots 164-168). Manuscripts are also, of course, the province of secret knowledge. The Russian Old Believers, an often-persecuted breakaway sect from the Orthodox church, preserved centuries of ancient tradition in their manuscripts (lots 157 and 158). Cut off from the structures of the church, their sect spurred a growth in literacy as members took interpretive control into their own hands—their visionary theological manuscripts revealing a non-systematic knowledge infused with natural rationalism and creative imagination. 

 

Handwriting is one of the tracks of the body, a leaving behind of the traces of human identity. Communities are recorded, sometimes created, in the pages of books. During the Medieval period, the operation of the memory itself was figured as a form of writing, with the writing of the scribe on vellum (made from animal skin) likened to experiences and emotions inscribing themselves onto the living flesh of the mind. Still today this metaphor has longevity, not lost to old technologies but resurrected for the language of computers and the digital, which write memory in bits and bytes onto the hard drive. The manuscript as an object offers a rare intimacy with the human mind of the long dead past.

 

Thus, when Marco Verricci presented his album of fantastical cities to Doge Marino Grimani in 1595, he was not giving a gift of paper and ink but of the imagination itself, pressed into the service of the glory of Venice (lot 169). In the age of print—and the era of the email—the manuscript is not less relevant at all, but only more precious and imbued with human meaning.

Rare Book Monthly

  • <center><b>Il Ponte Casa d'Aste<br>Books and Manuscripts<br>26 January 2021</b>
    <center><b>Il Ponte Casa d'Aste<br>Books and Manuscripts<br>26 January 2021</b>
    <center><b>Il Ponte Casa d'Aste<br>Books and Manuscripts<br>26 January 2021</b>
  • <center><b>Forum Auctions<br>Fine Books, Manuscripts<br>and Works on Paper<br>28 January 2021</b>
    <b>Forum Auctions, Jan. 28:</b> Schedel (Hartmann). <i>Liber Chronicarum,</i> first edition, Nuremberg, Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 1493. £30,000 to £50,000.
    <b>Forum Auctions, Jan. 28:</b> [Greek Orthodox Church].- <i>Menaion,</i> manuscript in Greek, on paper, in Greek letters, [Eastern Mediterranean], [c. 1400]. £5,000 to £7,000.
    <b>Forum Auctions, Jan. 28:</b> American Revolution.- Loyalist's cow powder horn, engraved with the cypher "GR" for George III surmounted by a crown, an inscription, and on reverse an engraving of the "North River" [Hudson River], 1777. £5,000 to £7,000.
    <center><b>Forum Auctions<br>Fine Books, Manuscripts<br>and Works on Paper<br>28 January 2021</b>
    <b>Forum Auctions, Jan. 28:</b> Illuminated prayer book.- <i>Maria Carcer y Trigueros... Santa Misa y Oraciones,</i> illuminated manuscript in Spanish, on paper, [c. 1850]. £5,000 to £7,000.
    <b>Forum Auctions, Jan. 28:</b> Hardy (Thomas). <i>The Mayor of Casterbridge,</i> 2 vol., first edition in book form, original cloth, 1886. £2,000 to £3,000.
    <b>Forum Auctions, Jan. 28:</b> [Austen (Jane)]. <i>Emma: A Novel,</i> first edition, Printed for John Murray, 1816. £7,000 to £10,000.
    <center><b>Forum Auctions<br>Fine Books, Manuscripts<br>and Works on Paper<br>28 January 2021</b>
    <b>Forum Auctions, Jan. 28:</b> Brontë (Charlotte). <i>Jane Eyre. An Autobiography,</i> 3 vol., first edition, Smith, Elder and Co., 1847. £10,000 to £15,000.
    <b>Forum Auctions, Jan. 28:</b> Cruikshank (George). <i>The Road to the Derby,</i> one of two proof copies, Raphael Tuck & Sons, 1882. £600 to £800.
    <b>Forum Auctions, Jan. 28:</b> Meunier (Charles, binder).- Gruel (Leon). <i>Manuel Historique et Bibliographique de l'Amateur de Reliures,</i> 2 vol., Paris, 1887.-1905. £3,000 to £4,000.
    <center><b>Forum Auctions<br>Fine Books, Manuscripts<br>and Works on Paper<br>28 January 2021</b>
    <b>Forum Auctions, Jan. 28:</b> Burne-Jones (Sir Edward). <i>The Work of Edward Burne-Jones,</i> edited by Philip Burne-Jones, one of 200 copies, [c.1900]. £4,000 to £6,000.
    <b>Forum Auctions, Jan. 28:</b> Nazraeli Press.- <i>Six by Six,</i> 36 vol. [a complete set], one of 100 sets, each with signed photograph, Portland, Or., 2010-16. £10,000 to £15,000.
    <b>Forum Auctions, Jan. 28:</b> Australasia.- Péron (Francois) and Freycinet. <i>Voyage de Découvertes aux Terres Australes,</i> 5 vol. including Atlas, second edition, Paris, 1824. £6,000 to £8,000.

Article Search

Archived Articles

Ask Questions