• Christie's: The first four Folios of William Shakespeare’s collected works will be auctioned on 25 May.
    Christie's: The first four Folios of William Shakespeare’s collected works will be auctioned on 25 May.
  • <b>ALDE May 24:</b> Lot 1. Silver coin (1455), celebrating expulsion of English people in 1451.<br>Est: € 12,000-20,000.
    <b>ALDE May 24:</b> Lot 7. Heures à l’usage de Coutances. Paris, last quarter of 15th century. Est: € 30,000-40,000.
    <b>ALDE May 24:</b> Lot 9.<br>TERENCE. Lyon, Jean Trechsel, 1493. Est: € 20,000-30,000.
    <b>ALDE May 24:</b> Lot 8. Biblia latina. Nuremberg, Anton Koberger, 1478. Est: € 20,000-30,000.
    <b>ALDE May 24:</b> Lot 11. [Francesco Colonna]. Hypnerotomachia Poliphili. Venise, Alde Manuce, December 1499. Est: € 150,000-200,000.
    <b>ALDE May 24:</b> Lot 14. Marco<br>Vigerio della Rovere. Decachordum christianum. Fano, Girolamo Socino, 1507. Est: € 15,000-20,000.
    <b>ALDE May 24:</b> Lot 18. CONSTANTIN VII. De notevoli et utilissimi ammæstramenti dell’agricoltura. Venise, Gabriele Giolito de Ferrari, 1542. Est: € 40,000-50,000.
    <b>ALDE May 24:</b> Lot 19. TITE-LIVE. Latinæ historiæ principis. Lyon, Sébastien Gryphe, 1548.<br>Est: € 15,000-20,000.
    <b>ALDE May 24:</b> Lot 38. OTTOMAN CORAN. 17th century by Muhammad Hafiz (Imam Mehmed Effendi).<br>Est: € 20,000-30,000.
    <b>ALDE May 24:</b> Lot 45. Blaise PASCAL. Pensées. Paris, Guillaume Desprez, 1670. Est: € 100,000-120,000.
    <b>ALDE May 24:</b> Lot 52. George EDWARDS. A Natural History of uncommon birds. London, the author, 1743-1751. Est: € 20,000-30,000
    <b>ALDE May 24:</b> Lot 59. Jean de LA FONTAINE. Fables choisies. Paris, Desaint & Saillant, Durand, 1755-1759. Est: € 40,000-50,000.
  • <b>Bloomsbury May 25:</b> Lot 10.<br>Caxton (William, printer). Polycronicon, 53 leaves, after<br>July 1482. £10,000-£15,000
    <b>Bloomsbury May 25:</b> Lot 15. Cookery recipes. C17th/18th manuscript, 127pp., recipes include "To make Rasberry Creame" & "To make the Oxford Ginger Bread". £2,000-£3,000
    <b>Bloomsbury May 25:</b> Lot 32. Churchill (Winston S.) The Second World War, 2 vol. (of 6), signed and inscribed, 1950-51. £1,000-£1,500
    <b>Bloomsbury May 25:</b> Lot 34. "Lewis Carroll". The Nursery "Alice", with 7 autograph notes & letters, inscribed. 1891. £25,000-£35,000
    <b>Bloomsbury May 25:</b> Lot 39. Childers (Erskine) The Riddle of the Sands, first edition, in morocco binding, 1903. £700-£900.
    <b>Bloomsbury May 25:</b> Lot 42. Ono (Yoko) and John Lennon. Grapefruit, signed by Lennon & Yoko Ono, 1971. £700-£900.
    <b>Bloomsbury May 25:</b> Lot 58. Rodchenko (Alexander) Krasnaia Armiia [Red Army], 1938. <br>£1,800-£2,200.
    <b>Bloomsbury May 25:</b> Lot 66. Henning (Veit Balthasar) Perpetual Almanac, 1750. £2,000-£3,000.
    <b>Bloomsbury May 25:</b> Lot 73. Gillray (James) Dido in Despair, original hand-coloured caricature, 1802. £1,500-£2,000.
    <b>Bloomsbury May 25:</b> Lot 94. Norris (Herbert) A good group of mostly Shakespearean and Elizabethan C20th costumes. £1,200-£1,800.
    <b>Bloomsbury May 25:</b> Lot 106. Beardsley (Aubrey, illustrator) The Cambridge A.B.C., June 1894.<br>£1,000-£1,500.
    <b>Bloomsbury May 25:</b> Lot 133. Perry (Charles) A View of the Levant, George IV's copy, the Beckford Rosebery copy, 1743. £5,000-£7,000.
  • <b>Ketterer Kunst Hamburg, Rare Books Auction on May 23/24.</b>
    <b>Ketterer Rare Books, May Auction:</b> Mary Stuart. Ms. Parliament document (contemp. copy). 1567. <br>Est: € 2.000
    <b>Ketterer Rare Books, May Auction:</b> Latin and French Book of Hours. About 1480. Est: € 65.000.
    <b>Ketterer Rare Books, May Auction:</b> Book of Hours by Germain Hardouyn. 1533. Est: € 18.000
    <b>Ketterer Rare Books, May Auction:</b> G. P. Gallucci, Theatrum mundi. 1588. Est: € 5.000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on May 23/24.</b>
    <b>Ketterer Rare Books, May Auction:</b> J. Hill, The vegetable system. 1761-75. Est: € 60.000
    <b>Ketterer Rare Books, May Auction:</b> <br>J. Honter, Rudimentorum cosmographicorum libri III. 1549.<br>Est: € 3.000
    <b>Ketterer Rare Books, May Auction:</b> Two terrestrial and celestial globes by J. G. Doppelmayr. 1789 or later. Est: € 40.000
    <b>Ketterer Rare Books, May Auction:</b> <br>G. de Maupassant, Contes choisies. 1891-92. Est: € 6.000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on May 23/24.</b>
    <b>Ketterer Rare Books, May Auction:</b> <br>K. Schwitters, HahnePeter. 1924.<br>Est: € 6.000
    <b>Ketterer Rare Books, May Auction:</b> <br>I. G. Chernikhov, Arkhitekturnye fantazii. 1933. Est: € 3.000
    <b>Ketterer Rare Books, May Auction:</b> <br>E. Baj, La Cravate. 1972. Est: € 3.000
    <b>Ketterer Rare Books, May Auction:</b> <br>H. Bellmer & G. Bataille, Histoire de l'oeil. 1944. Est: € 3.000

Rare Book Monthly

Articles - July - 2010 Issue

Where "Coverless" and "Foxed" are Positive Selling Features

Restbookbundle

Coverless book bundles, as offered by Restoration Hardware.


By Michael Stillman

When is a book more desirable after its covers have been torn from the pages? When are terms such as "foxed" and "faded" a positive selling feature? Welcome to the new world of books as art. Wait long enough and just about anything can get turned upside down.

Books have been collected as objects of art at least as far back as Jean Grolier, who put together his library almost five centuries ago. In those days books did not come with covers. That was left to the owner, and Grolier responded by binding his in fine leather, with ornaments, gilding and the like. For Grolier it was more than just an attempt to make his house look nice. It was a reflection of how he valued books and the knowledge contained within.

In the 19th century, the concept of fine press books began to take root. Printers such as the legendary Kelmscott began to produce decorative books, works of art straight off the press. The fine presses would generally pick classic titles, but their editions, usually printed in short runs, were really meant more to be appreciated as physical objects, such as paintings, than to be read. If you wanted to read the book, you probably bought a standard edition so you wouldn't deface the fine copy. The wealthier collectors of books as art purchased titles from fine presses such as Kelmscott or Grabhorn, those without much money might opt for a collectible edition from the Franklin Mint. Usually such collectors had an appreciation for the author's writing, or at least believed they ought to, even if they never actually read the work. Still, their intention was to place something of beauty and erudition on their shelves.

In the past decade we have seen the development of books as art taken to another level, one where the text became totally irrelevant. This was the "books by the foot" phenomenon. These are books that are purchased by size, a foot of books, a yard of books, whatever. You don't even know what titles you will receive. The only promise is that the covers will look nice and you won't get two copies of the same book. There is no pretense of the buyer having any interest in the content. Any thought of interest in the content clearly disappears when the buyer does not know or even care what books he is buying, though stacking such books on your shelf may imply an attempt to convince others of an interest in their content.

Now this concept has been taken a step further. Restoration Hardware, a highly respected name in the field of fixtures and such for older homes, is offering "antique coverless book bundles." These are bundles of books with their covers missing ("liberated from their covers"), tied together with string. It is what you would do to bring them to a recycling center. They are what the trade would refer to as "reading copies" (or some dealers as "...otherwise very good"). Noting that these bundles are "rich with texture and intrigue," Restoration Hardware explains, "Liberated from their covers, stitched and bound with jute twine, the foxed and faded pages of old books become objêts d'art." This is the first time I've seen "foxed" used as a compliment. "Foxy," yes, but not "foxed." Nevertheless, that little roof symbol over the "e" in "objêts d'art" seals the deal that this is something of high class.

Maybe I shouldn't be put off by these bundles. In these days of electronic readers, perhaps we should be thankful for any use someone finds for printed texts. And, maybe this isn't all that different from what Grolier, or Kelmscott or Grabhorn did. It is just taken to a different level. We traveled down the road from pre-washed to pre-faded jeans, and finally, to "new" pairs that already had holes in them. These books are sort of like the jeans that come with holes already there. Bad is good. One word that does not jump out in my mind to describe either these bundles or holy jeans is "authentic." The traditionalist in me says that old books missing their covers should get that way from use, not because some big cutting machine sliced off their covers. Still, with millions of old books out there that circumstances have now made virtually worthless, maybe it is good that they now have one more chance to find their way into people's homes. Frankly, my book collection just got a lot more valuable.

If you would like to purchase some coverless books for your shelves, they are available for $29 per bundle. Click here to order yours.

Rare Book Monthly

  • Bonhams Fine Books and Manuscripts, 8 June 2016, New York
    Bonhams June 8: ARISTOTLE.<br>384-322 B.C.E. De animalibus <br>US$ 300,000-500,000.
  • <b>19th Century Shop.</b> DARWIN, CHARLES. Iconic signed Darwin photograph "I like this photograph much better than any other which ..."
    <b>19th Century Shop.</b> DARWIN, CHARLES. <i>Autograph Letter Signed</i>. Early Unpublished Darwin letter on the races of man.
    <b>19th Century Shop.</b> WRIGHT, WILBUR. Experiments and Observations in Soaring Flight. Journal of the Western Society of Engineers 8, no. 4 (August, 1903).
    <b>19th Century Shop.</b> EINSTEIN, ALBERT. <i>The Meaning of Relativity.</i> FIRST EDITION IN ENGLISH. Signed and dated Oxford 1931.
    <b>19th Century Shop.</b> GARDNER, ALEXANDER. Antietam Bridge, Maryland. "One of the memorable spots in the history of the war."

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