• <b>19th Century Shop.</b> (DEMOCRATIC CONVENTION, Chicago, 1968). <i>Collection of papers of John M. Bailey, Chairman of the Democratic National Committee, concerning the convention</i>. Various places, 1968.
    <b>19th Century Shop.</b> (ARMSTRONG, NEIL.) VERNE, JULES. <i>A Trip to the Moon.</i> New York: F. M. Lupton, September 9, 1893. Signed by Neil Armstrong, first man to walk on the moon.
    <b>19th Century Shop.</b> KEY, FRANCIS SCOTT. <i>A Celebrated Patriotic Song, the Star Spangled Banner.</i> 1814.
    <b>19th Century Shop.</b> [COLUMBUS, CHRISTOPHER, Amerigo Vespucci ..] Bernardus Albingaunensis .. Dialogo nuperrime edito Genue in 1512.
    <b>19th Century Shop.</b> (WATKINS, TABER &c.). <i>An album of 32 photographs of the Yosemite and American West Various places</i>, c. 1890s
    <b>19th Century Shop.</b> (BATTLE OF CONCORD.) <i>Powder horn used by Minuteman Oliver Buttrick at the Battle of Concord</i>, April 19, 1775.
    <b>19th Century Shop.</b> (CIVIL WAR.) <i>An Extraordinary Confederate Photograph and Autograph Album of Dr. R. L. C. White</i>, 125 original mounted salt prints. 1859-61.
  • <b>Swann Auction Galleries:</b> Announcing the Fall 2016 Auction Season
    <b>Swann Auction Galleries Nov 1:</b> Autographs
    <b>Swann Auction Galleries Oct 18:</b> Early Printed, Medical, Scientific & Travel Books
    <b>Swann Auction Galleries Nov 10:</b> 19th & 20th Century Literature
    <b>Swann Auction Galleries Dec 8:</b> Maps & Atlases, Natural History & Colored Plate Books
    <b>Swann Auction Galleries Nov 17:</b> Printed & Manuscript Americana
    <b>Swann Auction Galleries Dec 1:</b> Art, Press & Illustrated Books
    <b>Swann Auction Galleries Sep 29:</b> Illustration Art
    <b>Swann Auction Galleries Nov 3:</b> Old Master Through Modern Prints
  • <b>Bonhams: Fine Books and Manuscripts. Sept. 21, 2016</b>
    <b>Bonhams Sept. 21:</b> WARREN, JOSEPH. Letter Signed ("Jos Warren") as Chairman of the Committee of Safety. Cambridge, MA, June 4, 1775.
    <b>Bonhams Sept. 21:</b> WHITMAN, WALT. Leaves of Grass. Brooklyn, NY: [for the Author], 1855.
    <b>Bonhams Sept. 21:</b> JEFFERSON, THOMAS. Printed Broadside Signed ("Th: Jefferson") as Secretary of State. Philadelphia, February 12, 1793.
    <b>Bonhams Sept. 21:</b> CELLINI, BENVENUTO. 1500-1571. Autograph Letter Signed ("Beto. Cellini"). [Florence, c.1566].
    <b>Bonhams: Fine Books and Manuscripts. Sept. 21, 2016</b>
    <b>Bonhams Sept. 21:</b> NAPOLEON BONAPARTE. Autograph Manuscript. [c.1795].
    <b>Bonhams Sept. 21:</b> DICKENS, CHARLES. Great Expectations. London: Chapman and Hall, 1861.
    <b>Bonhams Sept. 21:</b> REED, JOHN. To the Honourable House of Representatives of the Freemen of Pennsylvania this Map of the City and Liberties of Phiadelphia With the Catalog of Purchasers is Humbly Dedicated.... [Philadelphia]: engraved by James Smit
    <b>Bonhams Sept. 21:</b> ELIOT, THOMAS STEARNS. The Waste Land. New York: Boni and Liveright, 1922.

Rare Book Monthly

Articles - April - 2008 Issue

Victorian Portraits on Display at the Grolier Club in New York

Ap08wilde

Max Beerbohm's unflattering look at Oscar Wilde.


An exhibition that connects images, art and the written word will be continuing at the Grolier Club in New York from now through April 26. Facing the Late Victorians: Portraits of Writers and Artists from the Mark Samuels Lasner Collection, allows visitors to come face to face with many of the great British Victorian era poets, painters, novelists, playwrights and illustrators through their portraits. The timing is perfect for a side excursion for anyone coming to New York for the New York Antiquarian Book Fair or the West Side Antiquarian Book and Ephemera Fair during the first weekend of April.

The Grolier Club explains, "this exhibition will take audiences back more than one hundred years to explore a phenomenon that will seem astonishingly modern and familiar. Like the world we know now, Britain at the end of the nineteenth century was a nation filled with images. Whether circulating by means of posters, books, newspapers, magazines, cards, and advertisements, or hanging on the walls of art galleries and of private homes, images were everywhere. As is true today, what people most wanted to see then were images of faces and bodies, especially those of celebrities. A visual industry arose in the late Victorian period to satisfy the demand for portraits in every medium, from photographs to drawings and paintings, and to reproduce these on a mass scale. Pictures of monarchs and stage performers, of course, were in great demand; more surprisingly, so were portraits of what we might call cultural celebrities, that is, writers and artists. Figures such as Oscar Wilde, Robert Louis Stevenson, Aubrey Beardsley, J. M. Whistler, W. B. Yeats, "George Eliot," and the feminist "New Women" writers were as famous for the way they looked and dressed as for anything they created.

"Just as the twenty-first century requires us to decode images, so life in the late Victorian age required portrait literacy. The public learned to read representations of faces for their social meaning, in order to glean information about the class, the economic success, the degree of masculinity or femininity, and the special temperamental qualities of the persons depicted. When looking at pictures of writers and artists, however, what spectators hoped most to find was visual evidence of that elusive thing called "genius." It was up to the makers of the images, therefore, to provide what audiences wanted and to create visible signs of genius, just as it was up to the subjects of the portraits to compose themselves and their surroundings in a way that would send desirable messages. Writers and artists trafficked in commodities, and they became commodities. Their portraits also provided material for other workers in this industry, such as caricaturists, who knew that the public took just as great a delight in seeing its cultural heroes skewered as idealized. These caricature artists, in turn, became celebrities themselves thanks to the "New Journalism," which was eager to circulate unflattering images of the same poets and painters it made famous.

Rare Book Monthly

  • <b>Seth Kaller:</b> Leaves from<br>George Washington's Own Draft <br>of His first Inaugural Address. An Extraordinary Rarity!
    <b>Seth Kaller:</b> Declaration of Independence: Benjamin Tyler 1818 - First Print with Facsimile Signatures.
    <b>Seth Kaller:</b> Thomas Jefferson Signed Act of Contress Authorizing Alexander Hamilton to Complete Famous Portland Maine Lighthouse.
    <b>Seth Kaller:</b> Emanuel Leutze. Silk Flag Banner designed by Leutze, created by Tiffany & Co., and presented to Gen. John A. Dix, 1864.
    <b>Seth Kaller:</b> The "greatest of early American maps … a masterpiece" (Corcoran). Thomas Holme.
    <b>Seth Kaller:</b> Lincoln Summons His Cabinet for a Historic Meeting to Discuss Compensated Emancipation.
    <b>Seth Kaller:</b> Albert Einstein. Autograph Letter Signed. Einstein Counsels His Son ... Meaning of Life.
    <b>Seth Kaller:</b> Normal Rockwell. Painting/Drawing Signed. Rockwell's "Barbeshop Quartet", 1936.
    <b>Seth Kaller:</b> Frederick Douglass. Autograph Letter Signed to unknown correspondent. Washington, D.C.
    <b>Seth Kaller:</b> Harry Truman. Autograph Manuscript Notebook for Kansas City Law School Night Class.
    <b>Seth Kaller:</b> Robert E. Lee. Autograph Letter Signed, June 11, 1782. Hours after the Battle of Culpeper Court House, Lee Escapes Again.
    <b>Seth Kaller:</b> George Washington. Letter Signed, as Commander-in-Chief, Continental Army, to Elias Dayton, Headquarters, [Newburgh, N.Y.], June 11, 1782.

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