• <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. November 29, 2018</b>
    <b>Forum Auctions, Nov. 29:</b> Buffon (G.L.M.L., Comte de). <i>Histoire Naturelle des Oiseaux,</i> 10 vol., large paper copy, 973 hand-coloured engraved plates drawn and engraved by Franz Nicolaus Martinet, Paris, 1770-86. £70,000 to 90,000
    <b>Forum Auctions, Nov. 29:</b> Bible (English). The Holy Bible, first edition of the King James Bible, the Great 'He' Bible, [Robert Barker], 1611. £30,000 to 40,000
    <b>Forum Auctions, Nov. 29:</b> Marlborough (John Churchill, 1st Duke of).- [Parker (Robert, army officer)] <i>[Memoirs of the remarkable military transactions from the year 1688 to 1718],</i> ?autograph manuscript, 300pp., [c. 1718]. £20,000 to 30,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. November 29, 2018</b>
    <b>Forum Auctions, Nov. 29:</b> France.- Paris.- Turgot (Michel Etienne). <i>Plan de Paris,</i> engraved maps, contemporary red morocco, gilt, Paris, 1739. £10,000 to 15,000
    <b>Forum Auctions, Nov. 29:</b> Mongolia.- Pallas (Peter Simon). <i>Sammlungen Historischer Nachrichten uber die Mongolischen Volkerschaften,</i> first edition, complete with 31 plates, St. Petersburg, 1776-1801. £10,000 to 15,000
    <b>Forum Auctions, Nov. 29:</b> Brant (Sebastian). <i>Stultifera Navis... The Ship of Fooles, wherein is shewed the folly of all States...,</i> large woodcut title and numerous woodcuts in the text, [London], [John Cawood], 1570. £8,000 to 12,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. November 29, 2018</b>
    <b>Forum Auctions, Nov. 29:</b> Aldus.- Boccaccio (Giovanni). <i>Il Decamerone,</i> Venice, House of Aldus & Andrea Torresani, 1522. £8,000 to 12,000
    <b>Forum Auctions, Nov. 29:</b> Wallace (Alfred Russel). 77pp. of Autograph letters (and 1 postcard) to various people, 1894-1904, on various palaeontological, geological and natural history matters. £8,000 to 12,000
    <b>Forum Auctions, Nov. 29:</b> DNA.- Watson (James D.) and Francis Crick, <i>Molecular Structure of Nucleic Acids: A Structure for Deoxyribose Nucleic Acid,</i> 1953 [and others]. £5,000 to 7,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. November 29, 2018</b>
    <b>Forum Auctions, Nov. 29:</b> Optics.- Molyneux (William). <i>Dioptrica nova. A Treatise of Dioptricks, in Two Parts,</i> first edition, for Benj. Tooke, 1692. £5,000 to 7,000
    <b>Forum Auctions, Nov. 29:</b> Economics.- Mississippi & South Sea Bubbles.- <i>Het Groote Tafereel der Dwaasheid,</i> 74 engraved plates and 3 maps, Amsterdam, 1720. £4,000 to 6,000
    <b>Forum Auctions, Nov. 29:</b> Asia.- Clouet (Jean Baptiste Louis). <i>Carte D'Asie Divisée en ses Principaux Etats,</i> engraved map with hand-colouring, on wooden rollers, 1782. £3,000 to 5,000
  • <b>19th Century Shop:</b> Charles Darwin on sexuality and the transmission of hereditary characteristics: Autograph Letter Signed to Lawson Tait. Down, 17 January [1877].
    <b>19th Century Shop:</b> MILTON, JOHN. <i>Paradise Lost. A Poem written in ten books.</i> London: 1667. A very rare example with the contemporary binding untouched and with a 1667 title page.
    <b>19th Century Shop:</b> Hamilton secures the ratification of the Constitution: <i>The Debates and Proceedings of the Convention of the State of New-York, assembled at Poughkeespsie, on the 17th June, 1788.</i>
    <b>19th Century Shop:</b> The social contract “Man is born free, and everywhere he is in chains”: ROUSSEAU, JEAN-JACQUES. <i>Principes du Droit Politique [Du Contract Social]</i>. Amsterdam: Michel Rey, 1762
    <b>19th Century Shop:</b> “The first English textbook on geometrical land-measurement and surveying”: BENESE, RICHARD. <i>This Boke Sheweth the Maner of Measurynge All Maner of Lande…</i>
  • <b>Sotheby’s Paris: Livres et Manuscrits. November 21, 2018</b>
    <b>Sotheby’s Paris, Nov, 21:</b> ANDRÉ BRETON, <i>La Lampe dans l’horloge.</i> Paris, Robert Marin, 1948. Binding by Rose Adler, dated 1959. €15,000 to €20,000
    <b>Sotheby’s Paris, Nov, 21:</b> ARTHUR RIMBAUD, <i>Une Saison en enfer.</i> Bruxelles, Alliance typographique, 1873. Binding by Rose Adler. €25,000 to €35,000
    <b>Sotheby’s Paris, Nov, 21:</b> TRISTAN TZARA, <i>La Bonne heure.</i> Paris, Raymond Jacquet 1955. Binding by Rose Adler, dated 1958. €8,000 to €12,000
    <b>Sotheby’s Paris: Livres et Manuscrits. November 21, 2018</b>
    <b>Sotheby’s Paris, Nov, 21:</b> PIERRE REVERDY, <i>La Lucarne ovale.</i> Paris, 1916. Binding by Rose Adler, dated 1949. €20,000 to €30,000
    <b>Sotheby’s Paris, Nov, 21:</b> RENÉ CHAR, PABLO PICASSO, <i>Le Marteau sans maître and Moulin Premier.</i> 1927-1935. Paris, José Corti, 1945. Binding by Rose Adler, dated 1947. €20,000 to €30,000
    <b>Sotheby’s Paris, Nov, 21:</b> MARCEL PROUST, Friendly correspondence to the count Louis Gautier-Vignal. 1914-1921. €20,000 to €30,000
    <b>Sotheby’s Paris: Livres et Manuscrits. November 21, 2018</b>
    <b>Sotheby’s Paris, Nov, 21:</b> JEAN COCTEAU, Portrait of the Baron de Charlus, circa 1921-1923. Original drawing signed. €7,000 to €10,000
    <b>Sotheby’s Paris, Nov, 21:</b> PAUL ÉLUARD, JOAN MIRÓ, <i>À toute épreuve.</i> Genève, Gérald Cramer, 1958. First illustrated edition. €15,000 to €25,000
    <b>Sotheby’s Paris, Nov, 21:</b> PAUL VERLAINE, PIERRE BONNARD, <i>Parallèlement.</i> Paris, Imprimerie nationale, Ambroise Vollard, 1900. €15,000 to €25,000
    <b>Sotheby’s Paris, Nov, 21:</b> GUILLAUME APOLLINAIRE, ANDRÉ DERAIN, <i>L’Enchanteur pourrissant.</i> Paris, Henry Kahnweiler, 1909. €30,000 to €50,000

Rare Book Monthly

Articles - November - 2017 Issue

The Memoirs of the Sansons, A French History of Violence

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A day at the office for the Sansons.

Sanson is a creepy name in the history of France, borne by a notorious dynasty of executioners. They operated in Paris from 1688 to 1847. So many broken bones, severed heads and spilled blood deserved a book, no doubt. But not the apocryphal memoirs that came out in 1830! Putting the record straight, the true descendant of the Sansons, Henri-Clément (1799-1889), gave his own version of the story in 1862. His book opens with a breath-taking preface that relates the evolution of the means of execution along the centuries. Needless to go any further to shiver with fear and disgust. The memoirs of the Sansons? A French history of violence.

 

 

Apocryphal edition

 

The Mémoires des Sanson (Memoirs of the Sansons) came out in 1830, in Paris. As soon as 1852, Quérard identified them as a “literary deception” in his Supercheries littéraires dévoilées. In fact, they were apocryphal. The bookseller Sautelet had commended them to a group of writers—including the famous Honoré de Balzac and Louis-François L’Héritier—before unscrupulously selling them as authentic. This was an enticing project that capitalized on the taste of the public for blood, and clearly focused on the Sansons’ most notorious deeds, the (exciting) beheadings of numerous French Nobles during the Revolution—including Louis XVI, in 1793. Though based on actual facts, these memoirs are full of made-up details. Furthermore, their general tone is one of hateful opposition to the Bourbons (kings of France—writer’s note) and the Clergy,” deplores Henri-Clément in his own memoirs of the Sansons (Paris, 1862), entitled Seven Generations of Executioners: the Memoirs of the Sansons. His preface starts with his receiving his revocation from the French government in 1847. That was, he claims, the happiest day of his life. At last, the family curse was lifted! No more should the Sansons live under the heavy load of their vile “charge”. Indeed, the position of executioner depended on a “charge”, or official appointment, passed from father to son. Well—in fact, Sanson lost his position because of his own vices; some of them he shared with a few of his victims.

 

More than one way to skin a cat

 

If nothing else, the very serious preface of Henri-Clément’s work makes it worth reading: “I’ll try to show—what a horrible confession!—how far the imagination of man can reach when barbarity and cruelty are concerned.” The death penalty was not abolished in France until 1981, but the Revolution of 1789 brought more humanity to the process—the guillotine then replaced all torments. Prior to that, man had been very creative when it came to murdering man.

The cross:the most ancient torment, and also the most cruel one,” states Sanson. The victim was tied to a cross, which could take the shape of a T, a Y or a X—depending on the executioner’s creativity. This was nothing new, as Jesus Christ could testify. In the 18th century it was used in a different form as the victim was tied to “a cross of St Andrew” before being broken alive by the executioner—some gaps were left under the legs and arms so that they would break more easily.

Beheading: also very fashionable, especially in the time of Cardinal de Richelieu—the 17th century—, when he forced the Nobles to abide by his rules. Indeed, this torment was a privilege granted to people of quality only. But as “it relied on the ability of the executioner, which was unfortunately depending upon practice, history recalls many failures. Everyone knows that Thou received 11 blows before his head fell off.”

Hanging: for men of no importance. Yet, some Nobles suffered it as well, including the notorious Coligny, who illustrated himself during the religious wars of the 16th century. “His corpse was already rotten when Charles IX went to visit him at the gallows. This young monarch, inspired by the words of a Roman Emperor, durst say to those who stood aside: “Learn that the corpse of an enemy always smells good.

Burning people alive: another option; used “less to punish the culprits than to terrorize the public,” says Sanson. “First, they planted a post into the ground—roughly eight feet tall. Then they left a void all around, and built a stake made of logs, straw and bundles of sticks. The victim was then attached to the main post and the stake set afire. Usually, the victim was spared with the pains of the flames, as a system of hooks enabled the executioner to pierce his or her heart as soon as the execution began.” They were humans, after all.

Skinning people alive was also a French custom, as well as the most feared torment of impaling. Sanson gives us some valuable details about the latter: “Once the patient lying on the belly, with his hands tied in the back, a man sits upon him to prevent any movement; another one, holding his neck, pushes a pale in his behind—it is then pushed further inside with a hammer. When the pale is set upright, the weight of the body makes it progress through it until it comes out again under the armpit or through the chest.”

Quartering: exclusively reserved to those who had committed a crime of lese-Majesty. Thank God, these people were few—as a matter of fact, when Gabriel Sanson was ordered to quarter Damiens (a mad man who had tried to murder Louis XV) in 1757, he had no clue about how to proceed! And no one else had. Indeed, the last quartering dated form 1610—it was applied to Ravaillac, the murderer of Henri IV. Our executioner grew so anxious that “he fell sick, and stayed in bed for a few days.” But there was no way he could have escaped his duty. A torment hardly ever came alone, but with a series of minor ones—quartering, for instance, came with “tenaillement”; which consisted in tearing some pieces of flesh from someone’s legs and arms with pincers. To make things livelier—or to spare the victim’s life until the final act—, some boiling oil or wax was poured into the fresh wounds. When Damiens endured this part, he became “drunk with pain!”, and “his voice was hardly yet human when, joining the crispy sound of the roasting flesh, he shouted: “More! Give me more!” Quartering itself meant tying the legs and arms of the victim to four separate horses, and to pull them apart by using the strength of the animals. During Damiens’ ordeal, the horses pulled so hard that one of them fell on the ground. Yet, “the human machine resisted this horrible treatment.” The executioners started it over—and over. “It was noticed that Damiens’ legs and arms had now an unusual length; but he was still alive.” This was more than even the witnesses could bear. “The executioners were abased, the priest from Saint-Paul, M. Guéret, had fainted; the clerk was hiding his face in his hands, and a murmur of discontent was dangerously running among the public.” Eventually, Damiens’ arms and legs were partly cut with a sword, and the quartering resumed—“a leg came off, then the second one, then an arm. Damiens was still breathing.” He died a few minutes later, and then his remains were thrown into the fire—phew!

 

Queen Guillotine

 

On January 21, 1790, all torments were abandoned in exclusive favour of the guillotine—Louis XVI had abolished torture in 1780. Contrary to what many people think, the guillotine was not the daughter of sadism. Indeed, the Revolutionary Assembly adopted it as a humane and quick way to put an end to someone’s life. “It was a most dignified torment,” states Sanson. “It hit a man in his noblest and most powerful organ, the presumed seat of intelligence. Yesterday a privilege, beheading became, thanks to the concept of equality before the law, common to all.” Indeed, before the Assembly adopted it, the means of execution depended on the “quality” of the victims—beheading was for the Nobles, while the others were hanged, for example. If all men were created equal, then all men had to be killed the same. Dr. Guillotin did not invent the guillotine either; he simply perfected an Italian machine from the 16th century known as the mannaia. Only a few old engravings remained of it at the time, and he had trouble figuring out how to make it work. According to the memoirs of Clément-Henri Sanson, his ancestor Charles-Henri Sanson was playing music with a German friend of his, one mechanist named Schmidt, when the latter suddenly drew the sketch of a death machine on a sheet of paper: “THAT WAS THE GUILLOTINE!” These people knew how to entertain themselves.

 

Sanson and Dr. Guillotin then presented the project to Dr Louis, the personal doctor of King Louis XVI. During the interview, a newcomer appeared out of the blue and allegedly told them how to improve the shape of the blade. “The first impression of Sanson had been the right one: the King was standing in front of him.” Thus Louis XVI contributed to the death machine that severed his head a few years later! On that fateful day, Charles-Henri Sanson was waiting for him on the scaffold. According to a popular belief, Louis XVI’s last words were for La Pérouse, the famous navigator who had disappeared at sea: “Is there any news on La Pérouse?” A keen cartographer, Louis XVI had drawn the trajectory of the expedition himself. But this is an apocryphal statement. “French people,” he said, “your King is about to die for you. May my blood seal your happiness. I die an innocent man.” He was about to add something but the drums cut in. “Son of Saint Louis,” whispered the priest, as the blade of the guillotine was falling, “go up to heaven!” Up he went; and down his head—“the operation is so quickly executed that only the sound of the blade testifies of the death of the victim, and of the fact that justice is done. The head falls into a basket full of bran placed below; meanwhile, to hide the sight of the blood flowing from the cut, a circular black leather blinder is drawn.” It is wise to turn a blind eye on certain things.

 

The “charge” of executioner was a dull one. But do not trust Henri-Clément Sanson, he wasn’t relieved when dismissed in 1847. His family had always fought hard to keep this “charge”. In 1726, Charles Sanson died, survived by one son, Charles-Jean-Baptiste. His mother made sure the child would inherit the “charge” of his father—the Parliament complied, but appointed an assistant executioner, due to the young age of Charles-Jean-Baptiste. Yet the kid was to assist in every session of torture and execution perpetrated in his name—he was only seven!

 

Anyway, Henri-Clément was not dismissed by chance. First of all, though married and the father of two, he was a “wild pederast”, as a police report of the time states: “He lives with a young man, one Hubert alias Little John, who is his assistant.” It didn’t stop him from executing several men convicted for buggery, showing nothing but disgust for their “vile passion”—at least openly. Henri-Clément was also a gambler—who lost a lot, and borrowed as much. One day, his upset creditors complained, and the executioner of Paris became a wanted man! “But he was a cunning fox,” reads an article published in Le Point in 2012. “He knew that the police of the time couldn’t arrest people but inside the walls of Paris, and from 6 A.M. to 6 P.M. exclusively. Thus, every morning at dawn, Sanson carefully left the brothels and the gambling houses of the capital and returned to his place in the suburbs.” But in 1846, he received the order to execute one Pierre Lecomte and was consequently forced to enter the capital in broad daylight. He was arrested shortly after the execution, while storing the guillotine—the executioner was responsible for his work tool, which he owned. Sent to jail, he offered his main creditor to leave the guillotine with him as security until full payment of the debt. The deal was concluded but Sanson failed to pay on due time. Called for another execution in March 1847, he ran to his creditor, who refused to give the guillotine back. Sanson had no choice but to inform the Ministry of justice. The debt was paid so the execution could take place on time, and Henri-Clément Sanson was soon dismissed. Thus retired the last offspring of seven generations of executioners! Death had lost a faithful servant, but don’t you worry, she was never short of volunteers: “The day following my dismissal,” Sanson writes, “eighteen pretenders were already fighting over my bloody succession.” Unlike God, Death has never rested a single day.

 

Thibault Ehrengardt

Rare Book Monthly

  • <center><b>David Gindy's One Of A Kind Collectibles Rare Autographs & Manuscripts Auction.<br>November 15, 2018</b>
    <b>One of a Kind Collectibles, Nov. 15:</b> An original copy of the 19th Amendment to the U.S. Constitution “extending the right of suffrage to women.” $15,000 to $20,000
    <b>One of a Kind Collectibles, Nov. 15:</b> William Henry Harrison. Very rare signature as President. $7,500 to $10,000
    <b>One of a Kind Collectibles, Nov. 15:</b> 24"x32" Signed Image of Alexander Graham Bell. $7,500 to $10,000
    <center><b>David Gindy's One Of A Kind Collectibles Rare Autographs & Manuscripts Auction.<br>November 15, 2018</b>
    <b>One of a Kind Collectibles, Nov. 15:</b> Important Appointment for Harry Woodring as Secretary of War by Franklin D. Roosevelt. $3,000 to $5,000
    <b>One of a Kind Collectibles, Nov. 15:</b> Thomas Edison original patent related to dynamos for electrical lamps. $14,000 to $18,000
    <b>One of a Kind Collectibles, Nov. 15:</b> Important 1681 Penn Land Grant to His friend Robert Turner, credited for defining the look of Philadelphia for the next 200 years. $5,000 to $7,000
    <center><b>David Gindy's One Of A Kind Collectibles Rare Autographs & Manuscripts Auction.<br>November 15, 2018</b>
    <b>One of a Kind Collectibles, Nov. 15:</b> Act of the Second Congress relating to trade with Indians issued by George Washington and signed by Thomas Jefferson. $22,000 to $27,000
    <b>One of a Kind Collectibles, Nov. 15:</b> Lincoln, Abraham. Document signed, August 15, 1861, appointing Fabius Stanley a Commander in the Navy. $6,500 to $8,000
    <b>One of a Kind Collectibles, Nov. 15:</b> Abraham Lincoln. A fine example of the iconic George Clark ambrotype. $3,000 to $5,000
    <center><b>David Gindy's One Of A Kind Collectibles Rare Autographs & Manuscripts Auction.<br>November 15, 2018</b>
    <b>One of a Kind Collectibles, Nov. 15:</b> Hector Berlioz. Rare autograph musical quotation signed, seven bars from the “Love Scene” of his choral symphony Romeo et Juliette. $4,000 to $6,000
    <b>One of a Kind Collectibles, Nov. 15:</b> McKenney & Hall. <i>History of the Indian Tribes of North America</i>, 1865, Three Volumes. $3,000 to $5,000
    <b>One of a Kind Collectibles, Nov. 15:</b> Rare Honore de Balzac handwritten and signed letter bound in book. $3,000 to $5,000
  • <b>Christie’s Paris, Nov 20:</b> GAZA, Theodorus. <i>Introductivae grammatices libriquatuor.</i> Venice: Aldus Manutius, 25 December 1495. €40,000 to 50,000
    <b>Christie’s Paris, Nov 20:</b> MACHIAVELLI, Niccolo. <i>Historie di Nicolo Machiavegli cittadino, et segretario fiorentino</i>... Rome: Antonio Blado, 25 March 1532. €15,000 to 20,000
    <b>Christie’s Paris, Nov 20:</b> BELLMER, Hans -- ELUARD, Paul. <i>Les Jeux de la Poupée. Illustrés de textes par Paul Eluard.</i> Paris : les Editions Premieres, 1949. €30,000 to 40,000
    <b>Christie’s Paris, Nov 20:</b> [BONNARD, Pierre] - VERLAINE, Paul. <i>Parallèlement.</i> Paris : Imprimerie nationale & Ambroise Vollard, 1900. €30,000 to 40,000
  • <b>Christie’s London, 28 November:</b><br>The first edition, in the original wrappers, of the first part of Pushkin’s masterpiece – ‘a bibliographical rarity of the highest order’ (Smirnov-Sokol’skii). £25,000 to £35,000
    <b>Christie’s London, 28 November:</b><br>The very rare first edition of Gogol’s first masterpiece and his first obtainable book. £50,000 to £70,000
    <b>Christie’s London, 28 November:</b><br>The first edition of Dostoevsky's <i>Brat'ia Karamazovy</i> (1830) in a superb contemporary cloth presentation binding. £22,000 to £30,000
    <b>Christie’s London, 28 November:</b><br>The first edition of the first version of the opening of <i>War and Peace,</i> with the original paper covers. £15,000 to £20,000
    <b>Christie’s London, 28 November:</b><br>An early corrected typescript of Akhmatova's <i>Poema bez geroia</i> (July 1946) £20,000 to £30,000
    <b>Christie’s London, 28 November:</b><br>A presentation copy of the first edition of <i>Kamen</i> (1913) inscribed by Mandel'shtam to his early mentor the poet Viacheslav Ivanov. £60,000 to £90,000
    <b>Christie’s London, 28 November:</b><br>Rare autograph correspondence from Vladislav Khodasevich, including a manuscript of his long poem 'Sorrento Photographs' (1921). £10,000 to £15,000
    <b>Christie’s London, 28 November:</b><br>An important letter from Marina Tsvetaeva to the poet Nikolai Tikhonov (1935) in which she challenges Pasternak and his views on poetry. £12,000 to £18,000
  • <b>Bonhams New York: Fine Books and Manuscripts Including the World of Hilary Knight. December 5, 2018</b>
    <b>Bonhams, Dec 5:</b> KNIGHT, HILARY. The Original Portrait of Eloise that Hung at the Plaza Hotel. $100,000 to 150,000
    <b>Bonhams, Dec 5:</b> WARHOL, ANDY. "Iced Lemon Delight," an Original Watercolor Presented to Hilary Knight's cat, Phoebe $8,000 to 12,000
    <b>Bonhams, Dec 5:</b> SENDAK, MAURICE. <i>Where the Wild Things Are.</i> PRESENTATION COPY, INSCRIBED with drawing to Hilary Knight in the month following publication. $10,000 to 15,000
    <b>Bonhams New York: Fine Books and Manuscripts Including the World of Hilary Knight. December 5, 2018</b>
    <b>Bonhams, Dec 5:</b> NOLAND, KENNETH. Original circle painting, untitled, acrylic and ink on cloth, for cover of monograph $8,000 to 12,000
    <b>Bonhams, Dec 5:</b> TOULOUSE-LAUTREC. <i>Histoires Naturelles,</i> 1899. With 22 original lithographs. $10,000 to 15,000
    <b>Bonhams, Dec 5:</b> SHAKESPEARE, WILLIAM. <i>A Collection of Poems,</i> [1711]. The first authoritative and complete collected Sonnets.$15,000 to 20,000
    <b>Bonhams New York: Fine Books and Manuscripts Including the World of Hilary Knight. December 5, 2018</b>
    <b>Bonhams, Dec 5:</b> LONDON, JACK. <i>The Call of the Wild.</i> 1903. First edition, first state jacket. $2,000 to 3,000
    <b>Bonhams, Dec 5:</b> FROST, ROBERT. Autograph Manuscript of "Build Soil," 12 pp, 1932-1936. $15,000 to 20,000
    <b>Bonhams, Dec 5:</b> GOULD, GLENN. Glenn Gould's extensively annotated copy of Bach's Goldberg Variations $100,000 to 150,000
    <b>Bonhams New York: Fine Books and Manuscripts Including the World of Hilary Knight. December 5, 2018</b>
    <b>Bonhams, Dec 5:</b> PLATH, SYLVIA. EARLY Autograph Letter Signed, about her beginnings as a writer, Northampton, MA, 1951. $7,000 to 10,000
    <b>Bonhams, Dec 5:</b> HOUDINI, HARRY. A collection of 11 cast iron shackle and lock items from Houdini's personal collection. $20,000 to 30,000
    <b>Bonhams, Dec 5:</b> M4 ENGIMA MACHINE, with very rare RARE HYDRA KEY ENVELOPE. $400,000 to 600,000
  • <b>Old World Auctions (Nov 1-14):</b><br>Lot 45. A complete edition of the rare and popular <i>Mer des Histoires,</i> 1543. Est. $28000 to $35000
    <b>Old World Auctions (Nov 1-14):</b><br>Lot 64. Kircher's fascinating cross-section of the earth's interior, 1682. Est. $1600 to $1900
    <b>Old World Auctions (Nov 1-14):</b><br>Lot 68. Geographical guide to a man's heart with obstacles "clearly marked", 1960. Est. $200 to $300
    <b>Old World Auctions (Nov 1-14):</b><br>Lot 75. Jansson's rare carte-a-figures map of the Americas in full original color, 1645. Est. $7000 to $8500
    <b>Old World Auctions (Nov 1-14):</b><br>Lot 107. Includes famous Gallatin map and portraits of North American Indians, 1840. Est. $900 to $1100
    <b>Old World Auctions (Nov 1-14):</b><br>Lot 231. A hot-air balloon perspective of California's famous Wine Country, 1979. Est. $150 to $180
    <b>Old World Auctions (Nov 1-14):</b><br>Lot 236. Lovely chromolithograph of California Street in San Francisco, 1864. Est. $1000 to $1300
    <b>Old World Auctions (Nov 1-14):</b><br>Lot 446. Rare German satirical map of World War I, 1915. Est. $1800 to $2200
    <b>Old World Auctions (Nov 1-14):</b><br>Lot 543. Olearius' important plan of Moscow, 1647. Est. $1800 to $2200
    <b>Old World Auctions (Nov 1-14):</b><br>Lot 660. Robert Walton's scarce, separately-issued carte-a-figures map, 1660. Est. $6000 to $7000
    <b>Old World Auctions (Nov 1-14):</b><br>Lot 702. Rare engraving of flags from "Le Neptune Francois", 1700.<br>Est. $950 to $1200
    <b>Old World Auctions (Nov 1-14):</b><br>Lot 719. Two-volume geographical grammar & dictionary with 20 maps, 1795. Est. $450 to $550
  • <b>Doyle, Online-Only Auction, 20th Century Literature, Nov 15:</b> Ernest Hemingway, <i>A Farewell To Arms,</i> 1929. $500 to $800
    <b>Doyle, Online-Only Auction, 20th Century Literature, Nov 15:</b> William Faulkner, <i>Go Down Moses,</i> 1942. $300 to $500
    <b>Doyle, Online-Only Auction, 20th Century Literature, Nov 15:</b> Jack Kerouac, <i>Vanity Of Dulouz,</i> 1968. $250-350
    <b>Doyle, Online-Only Auction, 20th Century Literature, Nov 15:</b> Gertrude Stein, <i>The Autobiography of Alice B. Toklas,</i> 1933. $150-250
    <b>Doyle, Online-Only Auction, 20th Century Literature, Nov 15:</b> John Steinbeck, Three first editions. Comprising <i>Of Mice and Men, Covici-Friede,</i> 1937. $200 to $300
    <b>Doyle, Online-Only Auction, 20th Century Literature, Nov 15:</b> Dalton Trumbo, <i>Johnny Got His Gun,</i> 1939. $300 to $500
    <b>Doyle, Online-Only Auction, 20th Century Literature, Nov 15:</b> Evelyn Waugh, <i>Vile Bodies,</i> 1930. $400 to $600
  • <b>Swann Auction Galleries Dec 6:</b> Maria Louise Kirk, 4 pen, ink, watercolor & gouache illustrations for <i>Alice’s Adventures in Wonderland,</i> 1904. $5,000 to $7,500.
    <b>Swann Auction Galleries Dec 6:</b> H.A. Rey, <i>“Do You Want To Get Across?”</i> colored pencil, charcoal & watercolor, 1939. $10,000 to $15,000
    <b>Swann Auction Galleries Dec 6:</b> Norman Rockwell, <i>The Pharmacist,</i> study for cover of <i>The Saturday Evening Post,</i> 1939. $70,000 to $100,000.
    <b>Swann Auction Galleries Dec 6:</b> Sir William Russell Flint, illustration for Homer’s <i>Odyssey,</i> gouache & watercolor, 1914. $10,000 to $15,000.
    <b>Swann Auction Galleries Dec 6:</b> Ludwig Bemelmans, <i>“And everyone was in his bed,"</i> gouache, watercolor & ink on board, 1961. $30,000 to $40,000.
    <b>Swann Auction Galleries Dec 6:</b> Charles M. Shulz, <i>Woodstock is Searching for His Identity,</i> original pen & ink 4-panel <i>Peanuts</i> comic strip, 1972. $7,000 to $10,000.
    <b>Swann Auction Galleries Dec 6:</b> Eric Carle, <i>The Very Hungry Caterpillar,</i> painted collage, 1990. $8,000 to $12,000.
    <b>Swann Auction Galleries Dec 6:</b> Jerry Pinkney, <i>The Lion & The Mouse,</i> watercolor & graphite, illustration for <i>School Library Journal,</i> 2009. $7,000 to $10,000.
    <b>Swann Auction Galleries Dec 6:</b> Maurice Sendak, watercolor & graphite illustration for <i>Little Bear's New Friend,</i> 2001. $30,000 to $40,000.
    <b>Swann Auction Galleries Dec 6:</b> Peter Arno, <i>Circus Tricks,</i> ink, wash & watercolor, cover illustration for <i>The New Yorker,</i> 1964. $4,000 to $6,000.
    <b>Swann Auction Galleries Dec 6:</b> Garry Trudeau, Doonesbury: <i>“Is Rufus Ready for his Lesson?”,</i> watercolor, pen & ink, circa 1970s. $6,000 to $9,000.
  • <b>Ketterer Kunst Hamburg, Rare Books Auction on November 26th</b>
    <b>Ketterer Rare Books, November 26:</b><br>H. Schedel, <i>Buch der Chroniken,</i> 1493. Est: € 120,000
    <b>Ketterer Rare Books, November 26:</b> Latin and Book of Hours, around 1500. Est: € 50,000
    <b>Ketterer Rare Books, November 26:</b> Biblia latina, Koberger printing 1493. Est: € 4,000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on November 26th</b>
    <b>Ketterer Rare Books, November 26:</b><br>P. de Medina, <i>Libro de grandezas,</i> 1549. Est: € 6,000
    <b>Ketterer Rare Books, November 26:</b><br>C. J. Trew, <i>Plantae selectae,</i> 1750-73. Est: € 28,000
    <b>Ketterer Rare Books, November 26:</b><br>A. de Laborde, <i>Voyage pittoresque,</i> 1806-20. Est: € 8,000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on November 26th</b>
    <b>Ketterer Rare Books, November 26:</b><br>G. Klimt, <i>Eine Nachlese,</i> 1931.<br>Est: € 10,000
    <b>Ketterer Rare Books, November 26:</b><br>W. Kandinsky, <i>Klänge,</i> 1913.<br>Est: € 20,000
    <b>Ketterer Rare Books, November 26:</b><br>F. Léger, <i>Les illuminations,</i> 1949.<br>Est: € 2,000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on November 26th</b>
    <b>Ketterer Rare Books, November 26:</b> Master binding by E. Maylander, 1945. Est: € 1,000
    <b>Ketterer Rare Books, November 26:</b> Master binding by G. Cretté, 1934. Est: € 6,000
    <b>Ketterer Rare Books, November 26:</b><br>S. Dalí, <i>Après 50 ans des surréalisme,</i> 1974. Est: € 8,000

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