• <b>Results from Bonhams’ sale of <i>Fine Books & Manuscripts Featuring Exploration and Travel</i></b>
    <b>Bonhams, Sep. 26:</b> Columbus. De Insulis nuper in mari Indico repertis. Basel, 1494. SOLD for $751,500
    <b>Bonhams, Sep. 26:</b> Cook in Tahiti. [Playbill]. [Germany, c.1840.] SOLD for $6,250
    <b>Bonhams, Sep. 26:</b> Aa, Pieter van der. Naaukeurige versameling der gedenk-waardigste zee en land-reysen. Leyden, 1706-8. SOLD for $35,000
    <b>Bonhams, Sep. 26:</b> Dürer. Underweysung der messung [and two more]. Nuremberg, 1525-8. SOLD for $175,000
    <b>Bonhams, Sep. 26:</b> Cortes, Hernan. A Pleito signed by Antonio de Mendoza in the case of Hernan Cortes. 1542. SOLD for $8750
    <b>Results from Bonhams’ <i>The Air and Space Sale</i></b>
    <b>Bonhams, Sep. 27:</b> Russian Kholod 5D67 HFL Rocket Engine. SOLD for $25,000
    <b>Bonhams, Sep. 27:</b> Neil Armstrong Apollo Era Training Glove. SOLD for $50,000
    <b>Bonhams, Sep. 27:</b> Full Scale Sputnik-1 EMC/EMI Lab Model. SOLD for $847,500
    <b>Bonhams, Sep. 27:</b> SOLRAD GREB Spy Satellite Engineering Dummy. SOLD for $10,000
    <b>Bonhams, Sep. 27:</b> Soviet LK-3 Lunar Lander Model. SOLD for $25,000
  • <b>Sotheby’s Paris: Books & Manuscripts. 30 October 2017</b>
    <b>Sotheby’s Paris, Oct. 30:</b> MARCEL PROUST. Du côté de chez Swann. Grasset, 1913. First edition. One of 5 copies on Japan paper, inscribed by the author to Louis Brun. Est. €400,000 - 600,000
    <b>Sotheby’s Paris, Oct. 30:</b> Saint-Exupéry. <i>25 Autograph Illustrated Letters to his Friend Charles Sallès</i>. Est. €30,000-50,000
    <b>Sotheby’s Paris, Oct. 30:</b> French Revolution, 1793. Déclaration des droits de l’Homme. 2,55 x 1,30m. A monumental wallpaper poster of the 1793 version, with hand-colored highlights. Unique copy. Est. €100,000 - 150,000
    <b>Sotheby’s Paris, Oct. 30:</b> GIAMBATTISTA PIRANESI. <i>Vedute di Roma</i>, 1748-1775. 107 etchings. An exceptional copy, printed and bound before 1780. Est. €50,000 - 80,000
    <b>Sotheby’s Paris, Oct. 30:</b> Picasso, Pablo -- Fernando de Rojas. LA CÉLESTINE. [PARIS, EDITIONS DE L'ATELIER CROMMELYNCK, 1971.] One of the 30 copies hors commerce (n° X). 66 original etchings by Picasso. Signed. Est. €30,000 - €35,000
  • <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop:</b> Exodus 10:10 to 16:15. Complete Biblical scroll sheet in Hebrew, a Torah scroll panel. Middle East, ca. 10th or 11th century.
    <b>19th Century Shop:</b> Copernicus Refuted. (Astronomy.). Scientific manuscript of a course of studies at Collège de la Trinité, Lyon. 1660s.
    <b>19th Century Shop:</b> Israel’s War of Independence and the Early Days of the IDF. 58 photographs presented to Israel Ber, IDF officer and later convicted spy.
    <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop:</b> Early Unpublished Darwin letter on the races of man. Autograph Letter Signed [to Henry Denny]. Down, Kent, June 1, [1844].
    <b>19th Century Shop:</b> Classic Image of American Slavery. Kimball, M. H. <i>Emancipated Slaves</i>. New York: George Hanks, 1863.
    <b>19th Century Shop:</b> (Underground Railroad.) Scaggs, Isaac. Important Runaway Slave Poster: $500 Reward Ran away, or decoyed from the subscriber…
  • <b>Sotheby’s London: Fine Autograph Letters and Manuscripts from a Distinguished Private Collection. Part I: Music. 26 October 2017</b>
    <b>Sotheby’s London Oct 26:</b> Beethoven, Ludwig van. Autograph Manuscript of the Canon "Ewig Dein" Woo 161, signed at the end ("...[Ewig] Dein...Freund Ludwig Van Beethowen"). Est. £120,000 to £150,000
    <b>Sotheby’s London Oct 26:</b> Brahms, Johannes. Autograph Manuscript of the "Geistliches Wiegenlied", Op.91 No.2, for Contralto, Viola And Piano, the original version of 1864, signed and inscribed at the end by the composer. Est. £200,000 to £250,000
    <b>Sotheby’s London Oct 26:</b> Chopin, Frédéric. Autograph Manuscript of the Opening of the Étude Op.25 No.2, in A-Flat Major, signed and dated ("Paris Ce 28 Avril F. Chopin"). Est. £100,000 to £150,000
    <b>Sotheby’s London: Fine Autograph Letters and Manuscripts from a Distinguished Private Collection. Part I: Music. 26 October 2017</b>
    <b>Sotheby’s London Oct 26:</b> Haydn, Joseph. Autograph Letter Signed ("Jos Haydn[Paraph]"), to the Baden Choirmaster Anton Stoll, 30 July 1802. Est. £20,000 to £30,000
    <b>Sotheby’s London Oct 26:</b> Verdi, Giuseppe. Autograph Working Manuscript of a scene from Ernani. Est. £100,000 to £150,000
    <b>Sotheby’s London Oct 26:</b> Verdi, Giuseppe. Highly Important Series of Thirty-Six Autograph Letters Signed to The Librettist Salvadore Cammarano, written between 1844 And 1851, the greater part unpublished and unrecorded. Est. £250,000 to £300,000

Rare Book Monthly

Articles - February - 2017 Issue

There is always more: Edwin Whitefield

7a9e71b1-2dbd-47c1-bafb-16611c164450

Poughkeepsie, 1852. By Edwin Whitefield

Recently I was reading Antiques & Arts Weekly and chanced upon a 3-column ad for a Poughkeepsie print.  As it’s within my collecting focus I called the advertiser, Holden Antiques, to inquire and Ed Holden quickly explained he would offer his best price and that would be that.  He apparently had fielded other inquiries but the price had seemed to them a bit steep.  He had it listed at $1,150 but would let it go for $950.  He then quickly excused himself as if to say goodbye as I asked for his mailing address.  “Why” he asked?  “I’m going to send you a check.”  “You are?”  “Yes, and what about the shipping?  He said $200 and I asked him to reconfirm the size:  Frame dimensions were 40.5” x 27.75”, engraving dimension 34” wide x 16.5” high.  This was one of the few known large prints of Poughkeepsie executed by Edwin Whitefield.  Others who inquired may have thought this was the common 5” x 8” version Whitefield had done in 1845.  This larger version is dated 1852.

 

Whitefield was an engraver.  He’s not a household name although records associated with him are in the RBH Database.  Initially I searched for E. Whitefield as that is how his name appeared on the Poughkeepsie print.  Subsequently I realized that E. was for Edwin and ran that search.  The first search had 7 results in the RBH Database and the later 73.  Fifty of the records relate to a book that Whitefield published in several editions in the 1880s.  The balance mainly relates to North American Scenery, published in 1847 and to the occasional large format prints he executed between 1846 and 1865.  According to Donald Heald, the New York dealer who has made a market in Whitefield material for more than twenty-five years, his work is frequently first rate and his skill set, among the best of his era.  Nevertheless he is, and remains, mainly unknown.

 

He both wrote his own books and illustrated other author’s work. 

 

And there have been books written about him.  Hudson River Houses by John Zukowsky [1981] and Bettina A. Norton, in her book Edwin Whitefield – Nineteenth Century North American Scenery published in 1977, wrote about the New York Public Library’s Whitefield sketchbook and mentions:

 

“By the time of the publication [1852] of [the] Poughkeepsie [large format] print, Whitefield’s handling of the foreground was fully developed, and, with its topographically attractive horizon with College Hill, its varying tones, and its skillful drawing, it is one of the most attractive.”

 

May I admit I’m happy neither the dealer nor the other prospective buyers read that.  The price would have been higher and the print long gone when I called.

 

But if its obscure it is also rare.  A check of inventories suggests that New York Public and New York Historical Society have copies.  The Minnesota Historical Society has prints from his later career but no example of Poughkeepsie.  Boston Public also has his material but lists only 4 four Massachusetts scenes among its holdings.  In the OCLC there are references to Whitefield and some of the books he illustrated and there is a reference to the 1852 Poughkeepsie print but no locations given.  In Whitefield’s own records he describes his Poughkeepsie print as No. 27 in his Views of American Cities and the OCLC reference to it seems to be a reference to this list rather than to a specific example.

 

The print is rare.  No question about it.

 

Poughkeepsie was in its golden moment and Whitefield captured it.  This city on the Hudson was important in the 1820 – 1860 era of the Hudson River as America’s Broadway but, by 1852, the pendulum of American growth was swinging west and this survival is one of the clearest images we have of what Poughkeepsie was like then.

 

As to what it’s worth the parameters are size, condition, rarity, importance, significance and of course, how many people care.

 

The printed and hand-colored piece is robust at 16.5” x 34”[image dimension] and the condition very good.  I’m no expert but there are neither tears nor discoloration.  And the print is rare but why isn’t clear.  Was it produced in just a few copies or were they too fragile to survive?  Perhaps both.  Important is to some extent what matters to you.

 

As to significance the image offers a unique highly detailed view.  Ten years later photographic images would begin to appear but no images of Poughkeepsie of any significant size appear for another decade or two.   So this print is probably the best image of the city in that era.  But who knows?  Many people inquired about the print and it was still available when I called.  I think they were confused and I just lucky.  Certainly some, perhaps all, who inquired thought it was an example of the 5” x 8” print of Poughkeepsie he executed 7 years earlier.  That print is worth $200 to $300.

 

Ed Holden remembers another copy coming up at Cal Smith’s auction in Pleasant Valley nearby in 1977.  He recalled that the price was driven by the Banta Family who owned the Steak and Stein Restaurant in Wappingers and that the price was more than $2,000.  What would have been a big price then today, using the calculations provided in Rare Book Hub, is $10,827.40 and that sounds about right. 

In any event it’s a gem and I’m grateful to have it. 

Rare Book Monthly

  • <b>Announcing a new Books for Sale platform hosted by Biblio!</b>
    <b>List your books simultaneously on Rare Book Hub and Biblio!</b>
  • <b>Sotheby’s New York: The Magnificent Botanical Library of D. F. Allen. October 26, 2017</b>
    <b>Sotheby’s NY, Oct. 26:</b> Redouté, Pierre Joseph, and Claude Antoine Thory. <i>Les Roses</I>. Paris: Firmin Didot, 1817–1824. Est. $225,000 to $325,000
    <b>Sotheby’s NY, Oct. 26:</b> Trew, Jakob Christoph. <i>Hortus Nitidissimis Omnen Per Annum Superbiens Floribus</i>… Nuremberg: Johann Joseph Fleischmann, 1750 [–1786]. Est. $200,000 to $300,000
    <b>Sotheby’s NY, Oct. 26:</b> Trew, Christoph Jakob, and Benedict Christian Vogel. <i>Plantæ Selectæ</i>…[Nuremberg:] 1750–1773; Supplement, [Augsburg:] 1790 [–1792]. Est. $200,000 to $300,000
    <b>Sotheby’s New York: The Magnificent Botanical Library of D. F. Allen. October 26, 2017</b>
    <b>Sotheby’s NY, Oct. 26:</b> Jacquin, Nikolaus Joseph von. <i>Plantarum Rariorum Horti Caesarei Schönbrunnensis Descriptiones Et Icones.</i>Vienna; London; Leiden, 1797–1804. Est. $180,000 to $250,000
    <b>Sotheby’s NY, Oct. 26:</b> Weinmann, Johann Wilhelm. <i>Phytanthoza Iconographia; Sive Conspectus Aliquot Millium, Tam Indigenarum Quam Exoticarum</i>… Regensburg, 1735–1737–1745. Est. $120,000 to $180,000
  • <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b><br><i>The Centenary Edition of the Works of Ian Fleming</i>, one of 26 lettered sets, 18 volumes, London, 2008. $25,000 to $30,000.
    <b>Swann Auction Galleries Nov 14:</b> William Faulkner, <i>The Marble Faun</i>, first edition, signed & inscribed to Dorothy Wilcox by Faulkner & Phil Stone, Boston, 1924. $18,000 to $25,000.
    <b>Swann Auction Galleries Nov 14:</b> Maurice Sendak, <i>Where the Wild Things Are</i>, first edition, signed & inscribed to William Archibald, New York, 1963. $10,000 to $15,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> Anne Frank, <i>Het Achterhuis</i>, first edition, in first state jacket, Amsterdam, 1947. $12,000 to $18,000.
    <b>Swann Auction Galleries Nov 14:</b> Roald Dahl, <i>Charlie and the Chocolate Factory</i>, first edition, signed, New York, 1964. $6,000 to $9,000.
    <b>Swann Auction Galleries Nov 14:</b><br>Ray Bradbury, <i>Fahrenheit 451</i>, first limited edition bound in Johns-Manville Quinterra, New York, 1953. $7,000 to $10,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> Benjamin Graham, <i>The Intelligent Investor</i>, first edition, in original dust jacket, New York, 1949. $4,500 to $6,000.
    <b>Swann Auction Galleries Nov 14:</b> Anna Sewell, <i>Black Beauty</i>, first edition, inscribed, London, 1877. $7,000 to $10,000.
    <b>Swann Auction Galleries Nov 14:</b> Arthur Conan Doyle, <i>A Study in Scarlet</i>, first American edition, Philadelphia, 1890. $6,000 to $9,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> James Fenimore Cooper, <i>The Last of the Mohicans</i>, first edition, two volumes, Philadelphia, 1826. $5,000 to $7,500.
    <b>Swann Auction Galleries Nov 14:</b> Amelia Earhart, <i>20 hrs. 40 mins. Our Flight in Friendship</i>, limited first edition, signed, New York, 1928. $4,000 to $6,000.
    <b>Swann Auction Galleries Nov 14:</b> Philip K. Dick, <i>World of Chance</i>, first edition, signed, London, 1956. $3,000 to $4,000.

Article Search

Archived Articles

Ask Questions